by Dave Maier
He knew very well the dilettantes' manner (which was worse the more intelligent they were) of going to look at the studios of contemporary artists with the sole aim of having the right to say that art has declined and that the more one looks at the new painters, the more one sees how inimitable the great old masters still are. – Tolstoy, Anna Karenina
An interesting phenomenon of contemporary cultural life is that attitudes towards art, while often closely connected with one's political and ethical beliefs, are only with difficulty associated with points on the political spectrum. One finds populists, elitists, traditionalists, philistines, and even revolutionaries on both left and right. In addition, not surprisingly really, one generation's radical bomb-throwers can turn into the hidebound old fuddy-duddies of the next.
Even so, the rhetorical battle lines are fairly predictable. Progressives regard conservatives, whether elitist or populist, as stuck in the mud, while conservatives regard the left as rashly throwing away our cultural heritage in a mad dash for the latest trend, or as indulging in hyperpoliticized provocation instead of Real Art. There have been innumerable books and articles about the radical assault on traditional artistic values, and they all seem to follow the same script, even using the same handful of examples of (and yes, some do use this term, albeit possibly ignorant of its historical resonance) degenerate art: Andres Serrano (Piss Christ!), Robert Mapplethorpe (those icky pictures!), Karen Finley and her unspeakable yams, etc., etc.
Most of this criticism is mere harrumphing, the negative image of art-world puffery, neither of which it is worth our time to discuss. However, some more serious critiques raise important issues, not easily dismissed. Indeed, to the extent that such criticism questions the value of artistic radicalism, it may be congenial even to those who do not identify themselves as conservative. What should artistic progressives say about these things? Can these “conservative” points be adapted to provide a defense of non-radical progressivism? Or are they too alien, forcing us to choose between a) rejecting progressivism entirely in order to acknowledge them, and b) resisting the points themselves even when stated in their strongest form?