by Matt McKenna
Zootopia’s target audience may be a tad younger than Bernie Sanders’ target audience, but youthful Sanders supporters should nonetheless consider watching the film in order to see a dark vision of their potential future. Like many animated Disney films, Zootopia includes talking animals working together to solve a problem. Also like many animated Disney films, the audience is bludgeoned with allusions comparing the cartoon animals’ society to our own (in Zootopia, institutions are specist like real world institutions are racist). There’s nothing wrong with talking animals or ham-fisted moralizing–after all, the film is for kids. What differentiates this Disney film from previous Disney films is that a young voter–pro-Sanders or not–may well see their dreary, hopeless future in Officer Judy Hopps’ transition from plucky bunny to establishment stooge.
The hero of Zootopia is Judy Hopps who, like young voters in reality, starts out as an ardent advocate for the downtrodden. Though she is but a humble rabbit, a child to carrot farmers, Judy dreams of becoming a police officer in the big city of Zootopia, which is an interesting choice for the name of a city built by animals since (at least for me) the name conjures up images of caged creatures on display for human amusement. Anyway, young and full of hope, Hopps enrolls in the police academy, lands a job as the city’s first rabbit cop, and quickly thereafter becomes disillusioned by her role in the force. You can probably guess the challenges she faces: the chief is a jerk, the sleazy Mayor Lionheart (he’s a lion) cares about his image and not about the city’s crime wave, and the people Officer Hopps attempts to protect eventually take advantage of her naïveté. At the film’s emotional nadir, Hopps falls into a depression and heads home to farm carrots with her parents. It's the classic tale of a kid rebelling at twenty only to go mainstream at thirty. Admittedly, Hopps speeds through this transition much faster than a decade, but that shortened time period may be narratively justified by converting the film’s timeline into rabbit-years or something.
