Is Climate Inaction from Peak Individualism?

by Marie Snyder

A recent article in The Guardian asked one of the UK’s top climate scientists, Professor Ed Hawkins, to bust the biggest myths about climate change. He tells us we can’t keep adapting to rising temperatures; burning fossil fuels is what’s primarily affecting climate; harvests are suffering; we’ve known the basics of all this for over 175 years, and it’s never too late to change. Does it help to clear all that up? I wonder if our reluctance to change has less to do with myths continuing to propagate and more to do with an increasingly pervasive ideology of individuality and independence. These myths might just be a way to rationalize our desire to be oblivious to our effects on one another. 

I always enjoy Rebecca Solnit’s writing, and her 2025 book, No Straight Road Takes You There: Essays for Uneven Terrain is no exception. The essays start with the need for a long view when we try to enact change, and she touches on several issues including democracy, masculinity, abortion, covid, and climate change, leaving us with some hope at the end. The thread I want to pull on is a much needed shift from a simplistic “us vs them” way of thinking into more complexity and nuance that comes with the acceptance of our necessary interconnectivity. I can’t help noticing some parallels with psychiatrist Frank Yeomans’ Transference-Focused Psychotherapy, which might imply that our personal development is important for the sake of the world. Maybe funding therapy would save the planet!  Read more »

Monday, June 6, 2022

Against the Erasure of Dissent

A Conversation between Andrea Scrima and Anike Joyce Sadiq

“Against the Erasure of Dissent,” part of the exhibition “Mit Glück hat es nichts zu tun” (It has nothing to do with luck), Anike Joyce Sadiq at the Künstlerhaus Stuttgart, Germany (2022). Photo: Andrea Scrima

The following conversation took place from November 2021 to February 2022 via e-mail in reaction to a general meeting of the Villa Romana Association that took place on October 28, 2021 in Martin-Gropius-Bau, Berlin. The authors participated in this meeting in their function as members, having been actively involved for two years in a group of artists that had formed in response to a new funding situation. When there was no longer any way to prevent a simultaneous changeover in directors, the group sought to at least preserve the Villa Romana as a place created by artists for artists and to ensure that the general direction of the program established under Angelika Stepken be continued.

The Villa Romana was founded in 1905 as a German art association in Florence. In addition to an exhibition program and numerous collaborations with artists as well as with art and cultural institutions both local and international, the Villa Romana Prize is awarded each year to four artists or collectives from Germany in the form of a ten-month residency and grant.

This conversation attempts, from the authors’ perspective, to reconstruct, contextualize, and archive the discussions that occurred between artist members and the board and the course these took over time. It poses questions about membership and the extent of agency it allows, and inquires into the role artists play in shaping institutional structures. Financial and political dependencies, the seeming openness of a diversity-based policy toward art and culture, and the (re)distribution of the real and symbolic capital that becomes legitimized by a non-profit status are subjects of investigation. Read more »