Lina Mounzer at The Paris Review:

These texts are frustrating to be sure, but they are more or less straightforward. See, every translator of garbage ends up with their particular niche, and mine is the art text. Literature-adjacent, one might say, but only in the sense that the majority of such texts ooze with the self-satisfaction of the worst literature. They put on airs, use words they don’t seem to fully understand, name-drop incessantly, and try to gaslight you at every turn of phrase into thinking that your inability to grasp their point is due to some lack on your part instead of theirs.
Nothing drives home the vacuousness of an art text like having to dissect its every hollow carapace of a sentence. I once translated nearly thirty pages of an artist’s manifesto and still for the life of me was unable to picture not only what his work looked like but of what it consisted. Was it a video? An installation? Fluxus performance? (It ended up being found-object sculpture.) The text was so far up its own abstract ass it had entirely lost sight of the actual work (which I have come to understand is the entire point of an art text).
more here.


Over the past decade, Americans have debated the best way to fix our broken healthcare system, one that allows
Boris Orman, who worked at a bakery, provides a typical example. In mid-1937, even as the whirlwind of Stalin’s purges surged across the country, Orman shared the following anekdot (joke) with a colleague over tea in the bakery cafeteria:
One of the most famous vehicles in literature is coming to the Smithsonian’s
When I was a Jewish kid growing up in suburban Los Angeles, we thought being Jewish meant supporting Israel.
This work attending to the fullness of creation has revealed astounding complexity. As we walk through the forest, we notice plants and animals around us, but often we literally miss the forest’s interconnections for the trees. The greatest part of its biodiversity lies below ground, where thousands upon thousands of species of worms, arthropods, and insects live, each hosting a different bacterial community in its gut. We used to think of soil as a test tube full of chemicals, but now know that it’s a complex biological network; we are only beginning to understand its thousands of parts. These are “trophic” networks: who eats what and whom. The complexity goes far beyond predator and prey. Everything from a fallen evergreen needle to a tree is consumed, and the droppings of the consumers are consumed by yet other species through cycles upon cycles.
Most science fiction takes place in a world in which “the future” has definitively arrived; the locomotive filmed by the Lumière brothers has finally burst through the screen. But in “Neuromancer” there was only a continuous arrival—an ongoing, alarming present. “Things aren’t different. Things are things,” an A.I. reports, after achieving a new level of consciousness. “You can’t let the little pricks generation-gap you,” one protagonist tells another, after an unnerving encounter with a teen-ager. In its uncertain sense of temporality—are we living in the future, or not?—“Neuromancer” was science fiction for the modern age. The novel’s influence has increased with time, establishing Gibson as an authority on the world to come.
People engage in moral talk all the time. When they make moral claims in public, one common response is to dismiss them as virtue signallers. Twitter is full of these accusations: the actress Jameela Jamil is a ‘pathetic virtue-signalling twerp’, according to the journalist Piers Morgan; climate activists are virtue signallers, according to the conservative Manhattan Institute for Policy Research; vegetarianism is virtue signalling, according to the author Bjorn Lomborg (as these examples illustrate, the accusation seems more common from the Right than the Left). Accusing someone of virtue signalling is to accuse them of a kind of hypocrisy. The accused person claims to be deeply concerned about some moral issue but their main concern is – so the argument goes – with themselves. They’re not really concerned with changing minds, let alone with changing the world, but with displaying themselves in the best light possible. As the journalist James Bartholomew (who claimed in 2015 to have invented the phrase, but didn’t) puts it in The Spectator, virtue signalling is driven by ‘vanity and self-aggrandisement’, not concern with others.
When businessman Howard Bisla was tasked with saving a local shop from financial ruin, one of his first concerns was energy efficiency. In June 2018, he approached his local electricity provider in Sacramento, California, about upgrading the lights. The provider had another idea. It offered to install an experimental cooling system: panels that could stay colder than their surroundings, even under the blazing hot sun, without consuming energy. The aluminium-backed panels now sit on the shop’s roof, their mirrored surfaces coated with a thin cooling film and angled to the sky. They cool liquid in pipes underneath that run into the shop, and, together with new lights, have reduced electricity bills by around 15%. “Even on a hot day, they’re not hot,” Bisla says.
‘A poem is not a lecture; a story is not an argument. The way poems and stories work on our minds is not by logic, but by their capacity to enchant, to excite, to move, to inspire.’ So writes Philip Pullman in his
I am not altogether incurious, but one entity about which I have over the years felt little curiosity is my own body. Until recently, I could not have told you the function of my, or anyone else’s, pancreas, spleen, or gallbladder. I’d just as soon not have known that I have kidneys, and was less than certain of their exact whereabouts, apart from knowing that they reside somewhere in the region of my lower back. As for my entrails, the yards of intestines winding through my body, the less I knew about them the better, though I have always liked the sound of the word “duodenum.” About the cells and chromosomes, the hormones and microbes crawling and swimming about in my body, let us not speak.
The last time I saw Sonny Mehta was October 2018. I was pregnant with my second child and was in New York for a short trip. Come and get me for a drink, he said. And so I went to the Knopf offices on Broadway to pick him up.
Knees in Asia are the most likely to have a fabella, and knees in Africa are the least. The humerus can be used to determine the sex of a Thai skeleton. A French courtship researcher retracted his paper titled “High Heels Increase Women’s Attractiveness,” and female Instagram influencers were found to face criticism for seeming both too real and too fake. Male green-veined white butterflies use volatile flower compounds to create the anti-aphrodisiac pheromone they transfer to females during mating to make them unattractive to other males. The loudest known avian vocalization was observed among male white bellbirds of the northern Amazon, who scream their crescendo directly at females perched next to them; the study’s authors expressed uncertainty as to why the females put up with the risk of hearing damage. Researchers denominated three essential categories of arrogance and found that narcissists are less prone to depression. Escapism predicts problematic online gaming. Scientists offered a path to freedom for an all-male colony of wood ants who were trapped for years in an abandoned Polish nuclear bunker but had continued to thrive because of cannibalism. Doctors expressed concern that men might unnecessarily second-guess medical advice by soliciting opinions from Reddit users about photos of their diseased penises. Itchiness makes Europeans about twice as likely to contemplate suicide.
The approach of a decade’s end draws the mind to those sorts of considerations, the way in which the arbitrary conclusion of a certain segment of calendrical time imposes order onto the disorder of human events. Our approaching decade’s conclusion is the rare variety of prediction that necessarily and by definition shall absolutely come to pass (even if all the missiles should go off before the Times Square ball drops).