The End of Silicon Politics

Yascha Mounk at his Substack:

The “HUGEst” political alliance of the century is breaking apart before our eyes in suitably spectacular fashion.

For the last months, the most powerful man in the world, Donald Trump, and the richest man in the world, Elon Musk, were a political item. Musk donated large sums to Trump’s campaign, lavished the newly reelected president with praise on his social network, and neglected his companies to pursue his side quest at the helm of the Department of Government Efficiency (DOGE). In return, Trump gave Musk unprecedented powers over the federal bureaucracy, staged joint press conferences in the Oval Office, and allowed him to lecture the assembled cabinet before rolling cameras. Nothing better symbolized the supposed “vibe shift” in America than the fact that Trump, practically a social pariah when he was first elected to the White House, could upon his return count on the outspoken support of the world’s most famous entrepreneur—and many other leading figures in Silicon Valley.

But it was also clear from the start that the match between Musk and Trump might prove stormy. The egos of both men are evidently outsized, their temperaments famously volatile. It did not take a genius to predict that their supposedly perfect match might prove short-lived, or even that it would end in acrimony. And yet, the speed with which their epic bromance has turned into an explosive feud is astonishing.

More here.

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Friday Poem

Definitions

Behind the black outline
of a split-trunked tree,
a gray sky meets a gray sea.
It is as if heaven and sea
were one in a gray ease.

Is there no demarcation,
then, between heaven and sea,
no place where one is one
and the other, the other?

Ah, but the bright sun rises
with all its knowing, draws a line,
says, “This is the sea, that heaven,”
and we look about a world thinking
this is me, that is everything else

but remembering that moment
before the sun rose.

……………. Brahma dreams his delicious dreams
……………. between wake and sleep.  It is the world
……………. he dreams, and the stars, and all
……………. possibilities – And we the dreams dream
……………. back the dreamer, shutting his eyes
……………. and seating him cross-legged on a lotus.
……………. We dream for him our own heroes
……………. how one, at the end of a hard life of heroing,
……………. is offered heaven, but he says “No,” refusing
……………. to accept that old fracturing into heaven and hell.

by Nils Peterson

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Drawing Out Twombly

Dean Rader at the LARB:

Twombly (1928–2011) has been a polarizing figure. He is best known for his large scrawly works in grayscale, sometimes called “blackboard paintings,” that resemble the marks of a second grader trying to learn cursive and failing. The artist has drawn (ha!) admiration from some of the greatest writers and critics of our era, from Roland Barthes and Robert Motherwell to Octavio Paz and Anne Carson. Yet few artists have also been on the end of more ridicule. Donald Judd called an early exhibit of Twombly’s “a fiasco.” Jackson Arn described a Twombly series from 2003 as “too repetitively cheery to be engaging, like a bad series of children’s books.” In 1994, when the Museum of Modern Art hosted a Twombly retrospective, Artforum ran competing takes on Twombly’s oeuvre titled “Cy’s Up” and “Size Down,” in which the venerable scholar Rosalind E. Krauss and Peter Schjeldahl (who would go on to be the art critic at The New Yorker) squared off. Wading into the debate, curator Kirk Varnedoe penned “Your Kid Could Not Do This, and Other Reflections on Cy Twombly.” And exactly a decade ago, in a glowing piece in Artforum, the novelist and critic Travis Jeppesen dubbed Twombly “the greatest American painter of the twentieth century, and the greatest painter after Picasso, period.”

That is an astonishing statement. And I’m not sure he’s wrong.

more here.

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The moral price tag of decency: Why 1% Might Be Enough

Michael Plant in iai:

Most of us like to see ourselves as good, morally decent individuals. What’s more, we largely agree on what it means to be a decent person. You don’t just have to pay your taxes and not harm others. You have to go beyond that by, for instance, being kind, treating others with respect, and supporting your friends, family and neighbours. What our modern secular society lacks, however, is a clear idea of how a decent person should give to charity. We live in a world of staggering inequality and extreme need. There will always be more we could do. When have we given enough – not to be a saint, but to clear the bar of decency?

One extreme view comes from the philosopher Peter Singer. In his famous thought experiment, you’re walking past a shallow pond and see a child drowning. You could save the child—but it would ruin your expensive new shoes. Most people agree that it would be wrong not to wade in. Singer proposes the principle that if we can prevent something bad from happening, without sacrificing anything of comparable moral importance, we ought to do so.

More here.

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A Nasogenital Tale

Urte Laukaityte at Aeon Magazine:

In Vienna, in late February 1895, a 30-year-old woman, Emma Eckstein, is about to undergo an operation. She has recently complained of a few health problems – mostly stomach pain and discomfort, some sadness, especially around her period. Luckily, a young Berlin doctor by the name of Wilhelm Fliess is there to help. He comes highly recommended by a long-time trusted family friend, himself a reputable physician, Sigmund Freud. They agree that Eckstein’s menstrual stomach issues can be addressed through a simple surgery on an altogether different body part – Fliess removes a bit of bone from inside her nose.

The late 19th century saw a flowering of interest in the nasogenital reflex – the idea that there is a strong physiological link between the nose and the genitals. The nasogenital concept could allegedly explain all manner of trouble, not just in the reproductive system but across the board. The nose provided a clinical shortcut of sorts, a kind of map of the body. For mild illness, treatment could involve stimulating the problem areas of the nasal mucosa with cocaine.

more here.

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Thursday, June 5, 2025

What a psychotherapist learned during his chats with a large language model

Robert Saltzman in The Hedgehog Review:

What does it mean to say, “I am aware,” when that sentence might be as much a performance as a report?

That is the edge we now stand on. The question is not whether AI is sentient but how the invention of such accurate, coherent, convincing mirrors reflects upon our own experience of sentience, insight, and presence. We assume a great deal about our status as self-aware beings. What if those assumptions are fashioned largely from automatic responses of which we are unaware, not so different from Claude’s unawareness of its algorithms?

Claude is not a mind. But it can demonstrate the shape of one with emptiness at its center. There is no there there.

But what of us?

More here.

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Inside the thriving wild-animal markets that could start the next pandemic

Jane Qiu in Nature:

The world is still recovering from the COVID-19 pandemic, which many researchers say probably started, or was at least amplified, at a market selling live animals in Wuhan, China1,2. Yet the wildlife trade still thrives in many parts of the globe. China banned the farming and trading of most wildlife species for food in 2020, but these practices have simply gone underground. “We are back to business as usual,” says Vincent Nijman, a conservation biologist at Oxford Brookes University, UK, with “millions and millions of animals being traded on a daily basis”.

The wildlife trade acts as a vast global network of unregulated natural laboratories, through which potential pathogens freely circulate, evolve and ultimately congregate in urban centres, says Andrew Cunningham, a wildlife epidemiologist at the Institute of Zoology in London. “It’s the scariest thing we are doing,” he says.

More here.

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Pirates of the Ayahuasca

Sarah Miller at n+1:

On the second night the ayahuasca tasted terrible, like the entire jungle had shit into my mouth. The first sign of intoxication came in the form of a ticking sound. Next, I felt that there was a seam being stitched into my face. The seam was not painful, but something was tugging at it, the same entity that was making the ticking noise, and as the ticking noise increased, the tension also increased. When I imagined my face, in my mind’s eye, it was blank, no features, not even skin, covered with thick stocking fabric. I searched in vain for the part of my brain that could remind me this was not real. What was my name? What was the name of this scary drug I was on? 

The ticking sound turned into the sound of rustling feathers. I sat up, trying not to give in to the Medicine, but then I had to lie down. The rustling went on and on, for hours, and I saw nothing but dirty feathers, broken plates and cutlery and swatches of fabric, refrigerator interiors and bathroom tiles and grandmothers’ wheelchairs and enema bags and pill containers and tomato egg timers and Pet Rocks from homes I’d been to in elementary school.

more here.

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In Search Of The True Internet Novel

Sophie Kemp at The Point:

Allow me, for a moment, to talk about David Foster Wallace. In 1993, Wallace wrote an essay, “E Unibus Pluram,” about the effects of television’s presence in contemporary literature. He argues that television, when written about in a postmodern context, often feels hackneyed. This fiction, he writes, “is not just a use or mention of televisual culture but a response to it, an effort to impose some sort of accountability on a state of affairs in which more Americans get their news from television than from newspapers.” But in trying to satirize television, he argues, these literary works just end up feeling like a pale imitation of the thing itself. Bland, forgettable, dated. The satire has no teeth.

Replace the word “television” with “internet” in “E Unibus Pluram,” and you will find that Wallace’s essay more or less holds up, 32 years later. That everything kind of falls apart, when you satirize the thing you’re also trying to imitate. That perhaps instead of writing a novel that, say, defamiliarizes the sensation of being on X, you could go on X and have it all defamiliarized for you. We are now in the very first wave of Zoomer literature, and these writers, like their predecessors, are still trying to shape the internet into prose.

more here.

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Why does Switzerland have more nuclear bunkers than any other country?

Jessi Jezewska Stevens in The Guardian:

Faced with unrelenting Russian aggression and the simultaneous withdrawal of American military and diplomatic support, European countries across the continent are reinvesting in defence. But civilian protection – non-military measures for civil defence, including the construction of nuclear and air raid bunkers – has also emerged as a fresh priority. In January, Norway reintroduced a cold war-era mandate to build air raid shelters in all newly constructed residential buildings – a requirement Switzerland has upheld continuously since 1963. In Germany, which recently passed groundbreaking legislation to finance billions in new military spending, the question of how and whether to build civilian bunkers is once again a matter of active public debate. Partly inspired by efforts in Germany and Norway, in March of this year, the European Union issued official statements urging residents to keep an emergency stockpile containing 72 hours’ worth of supplies on hand at all times. The exposure to war and human-made disaster feels more acute than it has since any other time since the end of the cold war.

In Switzerland, the redoubled interest in civilian protection is more a bellwether for shifting public attitudes than a sign of an actual change in policy.

More here.

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Whose Weil?​ Simone, Patron Saint of Everyone

Jack Hanson in The Drift:

During the First World War, a six-year-old Simone Weil learned that soldiers on the Western Front were not rationed sugar, so she refused to eat it until conditions improved. But whereas most leave such zealous empathy in childhood, Weil’s commitment to suffering with — or, at least, in the same way as — others became the hallmark of her work as a philosopher and political activist, as well as of her short, harrowing life. And though her ascetic self-denial tended toward self-erasure, a theme she would reflect endlessly upon in her writing, she couldn’t help standing out. At the École Normale Supérieure, the elite Paris institution of higher learning where she was among the first generation of women to be educated, she was known as “The Red Virgin,” a testament to her asceticism, her communism, and, as her peers saw it, her scorn for femininity. (An improvement, perhaps, on “The Martian,” the sobriquet given to her by her lycée teacher, the radical pacifist philosopher, Alain.)

Once, when her classmate Simone de Beauvoir argued that the point of political progress was not to provide for people’s needs but to help them find “the reason for their existence,” Weil countered, “It’s easy to see you’ve never gone hungry.”

More here.

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Thursday Poem

Under a Single Tent

When you do things from your soul
you feel a river moving in you, a joy.

When actions come from another section,
the feeling disappears.

Don’t let others lead you. They may be blind,
or worse, vultures. Reach for the rope
of God. And what is that?

Putting aside self-will.

Because of willfulness people sit in jail.
From willfulness, the trapped bird’s wings are tied.
From willfulness, the fish sizzles in the skillet.

The anger of police is willfulness. You’ve seen
a magistrate inflict visible punishment.
Now see the invisible.

If you could leave selfishness, you would see
how your soul has been tortured.

We are born and live inside black water in a well.
How could we not know what an open field of sunlight is?

Don’t insist on going where you think you want to go.
Ask the way to the spring.

Your living pieces will form a harmony.

There is a moving palace that floats through the air,
with balconies and clear water running in every part of it,
infinity everywhere, yet contained under a single tent.

by Jalal al-Din Muhammad Rumi
(Mathnawi, VI, 3487-3510)

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Wednesday, June 4, 2025

When Elvis and Ella were pressed onto X-rays – the subversive legacy of Soviet ‘bone music’

Richard Gunderman in The Conversation:

By using electrical microphones, amplifiers and electromechanical recorders, record companies could capture a far wider range of sound frequencies, with much higher fidelity. For the first time, recorded sound closely resembled what a live listener would hear. Over the ensuing years, sales of vinyl records and record players boomed.

The technology also allowed some enterprising music fans to make recordings in surprising and innovative ways. As a physician and scholar in the medical humanities, I am fascinated by the use of X-ray film to make recordings – what was known as “bone music,” or “ribs.”

This rather bizarre, homemade technology became a way to skirt censors in the Soviet Union – and even played an indirect role in its dissolution.

More here.

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Lack of health insurance explains about five to twenty percent of the mortality disparity between high- and low-income Americans

Angela Wyse & Bruce D. Meyer at the National Bureau of Economic Research:

We examine the causal effect of health insurance on mortality using the universe of low-income adults, a dataset of 37 million individuals identified by linking the 2010 Census to administrative tax data. Our methodology leverages state-level variation in the timing and adoption of Medicaid expansions under the Affordable Care Act (ACA) and earlier waivers and adheres to a preregistered analysis plan, a rarely used approach in observational studies in economics. We find that expansions increased Medicaid enrollment by 12 percentage points and reduced the mortality of the low-income adult population by 2.5 percent, suggesting a 21 percent reduction in the mortality hazard of new enrollees. Mortality reductions accrued not only to older age cohorts, but also to younger adults, who accounted for nearly half of life-years saved due to their longer remaining lifespans and large share of the low-income adult population. These expansions appear to be cost-effective, with direct budgetary costs of $5.4 million per life saved and $179,000 per life-year saved falling well below valuations commonly found in the literature. Our findings suggest that lack of health insurance explains about five to twenty percent of the mortality disparity between high- and low-income Americans. We contribute to a growing body of evidence that health insurance improves health and demonstrate that Medicaid’s life-saving effects extend across a broader swath of the low-income population than previously understood.

More here.

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AI Signals The Death Of The Author

David J. Gunkel at Noema:

If the author as the principal figure of literary authority and accountability came into existence at a particular time and place, there could conceivably also be a point at which it ceased to fulfill this role. That is what Barthes signaled in his now-famous essay. The “death of the author” does not mean the end of the life of any particular individual or even the end of human writing, but the termination and closure of the author as the authorizing agent of what is said in and by writing. Though Barthes never experienced an LLM, his essay nevertheless accurately anticipated our current situation. LLMs produce written content without a living voice to animate and authorize their words. Text produced by LLMs is literally unauthorized — a point emphasized by the U.S. Court of Appeals, which recently upheld a decision denying authorship to AI.

Criticism of tools like ChatGPT tends to follow on from this. They have been described as “stochastic parrots” for the way they simply mimic human speech or repeat word patterns without understanding meaning.

more here.

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