Daniel Callcut in Psyche:
Suppose that I am polyamorous and that my mother disapproves. She tolerates my love life but thinks it’s wrong that I have not one partner but two. What her half-accepting, half-critical attitude reveals is a duality at the heart of toleration, an ambivalence that is beautifully captured by the British philosopher Bernard Williams (1929-2003). Toleration, for Williams, is a central ingredient in thinking through ‘what coexistence under conditions of fundamental disagreement requires’ (to use a helpful phrase from the philosopher Teresa Bejan).
To tolerate, as Williams stresses, is to be conflicted. Toleration involves putting up with something that you would rather not be the case. This doesn’t have to involve moral disapproval: perhaps you just can’t stand your colleague’s taste in music. But toleration is likely to be especially hard when what you experience is moral disapproval. After all, if you think that something is wrong, why not try to stop it happening?
Consider what is called for when one group of people in society (perhaps members of a religion) are asked to tolerate behaviour (perhaps polyamory) they consider sinful.
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t was on a train journey, from Richmond to Waterloo, that
If you don’t suffer from migraine headaches, you probably know at least one person who does. Nearly
Anders Åslund, Robert D. Atkinson, Scott K.H. Bessent, Lorenzo Bini Smaghi, Josef Braml, Patrick M. Cronin, Mansoor Dailami, John M. Deutch, Mohamed A. El-Erian, Gabriel J. Felbermayr, Gary Clyde Hufbauer, Harold James, Michael C. Kimmage, Gary N. Kleiman, James A. Lewis, Jennifer Lind, Robert A. Manning, Ewald Nowotny, Thomas Oatley, William A. Reinsch, Jeffrey D. Sachs, Daniel Sneider, Atman Trivedi, Edwin M. Truman, Daniel Twining, Nicolas Véron, and Marina v N. Whitman offer views in The International Economy:
Karmela Padavic-Callaghani in Aeon (Illustration by Richard Wilkinson):
The American Colony, where I’m writing these lines on a table in the courtyard, is one physical incarnation of the thesis of
The epigraph to In the Castle of My Skin (“Something startles where I thought I was safe”) comes from Walt Whitman. Lamming takes heart from Whitman’s embrace of the sometimes paradoxical multiplicity that comes with giving one another room, with hearing and assimilating others’ viewpoints: “Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes).” There is even a subtle lesson in the names of Lamming’s first and last novels. As phrases, both In the Castle of My Skin and Natives of My Person allude to the complex interior state of the speaker. Both configure that interior as a populous place, shot through with other voices, other lives.
Nick Fernandez was in hell — one filled with fire and skulls and the
“Ah, a nice old-fashioned novel,” the reader thinks, gliding through the opening pages of “Carnality.” The author, Lina Wolff, begins in a conventional close third-person perspective and quickly dispatches with the W questions. Who is the main character? A 45-year-old Swedish writer. What is she doing? Traveling on a writer’s grant. When? Present day, more or less. Where? Madrid. Why? To upend the tedium of her life.
Early in her book about John Keats, Lucasta Miller calls Lord Byron an “aristocratic megastar.” That funny epithet is accurate for Byron’s more-than-superstar celebrity in his day. It also suggests the many ways Byron was the opposite of Keats. Miller quotes Byron, in a letter, referring to the younger and much less well-known poet as “Jack Keats or Ketch or whatever his names are.”
Around 1987, Sagan gave an uncannily prescient lecture to the Illinois state chapter of the American Civil Liberties Union on the intersection between his area of expertise and theirs. We were fortunate to obtain a recording of that lecture, which we have transcribed, lightly edited, and annotated to update its historical allusions and contemporary relevance. Sagan spoke prophetically of the irrationality that plagued public discourse, the imperative of international cooperation, the dangers posed by advances in technology, and the threats to free speech and democracy in the United States. A 35-year retrospective reveals both increments of progress (some owing to Sagan’s own efforts) and
If you ask Americans when was the last time they recall feeling truly united as a country, people over the age of thirty will almost certainly point to the aftermath of 9/11. However briefly, everyone was united in grief and anger, and a palpable sense of social solidarity pervaded our communities.