Aditya Chakrabortty in The Guardian:

The sixth-richest country in the world faces a winter of humanitarian crisis. Unless the government acts now, millions of Britons will be unable to keep their homes warm. Some will die while, as the NHS warns, many more will fall seriously ill. Schools, hospitals and care homes across the country must choose between busting their budgets or freezing. Countless shops and businesses will close, never to open again. More than 70% of pubs are preparing for last orders, while any restaurant, cafe, chippy or kebab shop must now face existential threat, thanks to a quadrupling of their energy bills, surging food prices and a recession that will kill discretionary spending. As economic catastrophes go, this looks far bigger than the 2008 crash. It promises to reshape our everyday lives and social fabric.

That is the meaning of today’s statement from the watchdog Ofgem. The new price cap of £3,549 it has set for household energy bills is almost triple that of last winter, and for many it is simply unaffordable. When it kicks in, at the start of October, 25% of Britons will not be able to pay their fuel bills.

More here.

Peter Salmon in Prospect Magazine:

In October 1943, Henrich Himmler gave two speeches in Posen, Poland. The Posen speeches, as they have come to be known, represent the first time a member of Hitler’s Cabinet had publicly articulated the Nazi policy of the extermination of the Jews. Himmler, the head of the SS, acknowledged that the task was not without personal difficulty—to see 1,000 corpses and remain “decent” was hard, he said, but the experience made those who carried out the exterminations “tough.” What about the killing of women and children? According to Himmler, they needed to be exterminated because they might become—or give birth to—avengers of their fathers. In the end, he said, “the difficult decision had to be made to have this people disappear from the earth.” Empathy, while a natural human response, needed to be set aside.

A year earlier, 51-year-old Edith Stein had been one of those disappeared by the Nazis on 9^th August. Born Jewish, she was one of the remarkable women who had become part of the first followers of the new philosophy of phenomenology. She received her doctorate at the age of 25 and became, along with Martin Heidegger, one of Edmund Husserl’s teaching assistants and closest intellectual confidantes. Her doctoral thesis tackled one of phenomenology’s most pressing questions: it was called On the Problem of Empathy. For Stein, “the problem of empathy” was more than a theoretical subject: it guided her brief life in unexpected ways—killed for being Jewish, she was at the time of her death a Catholic nun. Too often overlooked as a thinker, she is now one of the six patron saints of Europe known as St Teresa Benedicta of the Cross.

More here.

Emily Anthes in The New York Times:

The naked mole rat may not be much to look at, but it has much to say. The wrinkled, whiskered rodents, which live, like many ants do, in large, underground colonies, have an elaborate vocal repertoire. They whistle, trill and twitter; grunt, hiccup and hiss. And when two of the voluble rats meet in a dark tunnel, they exchange a standard salutation. “They’ll make a soft chirp, and then a repeating soft chirp,” said Alison Barker, a neuroscientist at the Max Planck Institute for Brain Research, in Germany. “They have a little conversation.” Hidden in this everyday exchange is a wealth of social information, Dr. Barker and her colleagues discovered when they used machine-learning algorithms to analyze 36,000 soft chirps recorded in seven mole rat colonies.

Rearview Mirror

This little pool in the air is
not a spring but a sink into which
trees and highway, bank and fields are
sipped away in minuteness. All
split on the present then merge in
stretched perspective, radiant in
reverse, the wide world guttering
back to one lit point, as our way
weeps away to the horizon
in this eye where the past flies ahead.

by Robert Morgan
from The Language They Speak Is Things to Eat
University of North Caroline Press, 1994

Morgan Meis in The Easel:

Betroffenheitskitsch. It is not an easy word to say. That’s because it is German and Germans love to make compound words. The core of the word is the adjective betroffen, which means ‘affected’, but also ‘concerned’, and even ‘shocked’ or ‘stricken’. Betroffenheit is the noun and can be translated as ‘shock’, ‘consternation’, ‘concern’. Finally, we add the word kitsch, which makes the whole thing, well, kitschy. Betroffenheitskitsch is shock or deep concern that has been taken to the level of kitsch.

I bring this up in reference to the art of Käthe Kollwitz (1867 – 1945), the great German printmaker (she also painted and made sculptures) of the late 19th and early 20th centuries. There is, indeed, quite a lot of Betroffenheit in the work of Kollwitz. In fact, it is almost all Betroffenheit. Take, for instance, a work like The Widow II (1922). The image is woodcut on paper. It has all the strong lines and simple composition one expects from a woodcut. It is from the War series that Kollwitz produced several years after the end of WWI. Kollwitz’s own son, Peter, was killed in the war, and Kollwitz produced this series partly in response to her own grief.

More here.

Gary Marcus in his Substack newsletter:

From a showmanship standpoint, Google’s new robot project PaLM-SayCan is incredibly cool. Humans talk, and a humanoid robot listens, and acts. In the best case, the robot can read between the lines, moving beyond the kind of boring direct speech (“bring me pretzels from the kitchen”) that most robots traffic in (at best) to indirect speech, in which a robot diagnoses your needs and caters to them without bothering you with the details. WIRED reports an example in which a user says “I’m hungry”, and the robot wheels over to a table and comes back with a snack, no futher detail required—closer to Rosie the Robot than any demo I have seen before.

The project reflects a lot of hard work between two historically separate divisions of Alphabet (Everyday Robots and Google Brain); academic heavy hitters like Chelsea Finn and Sergey Levine, both of whom I have a lot of respect for, took part.  In some ways it’s the obvious research project to do now—if you have Google-sized resources (like massive pretrainined language models and humanoid robots and lots of cloud compute)— but it’s still impressive that they got it to work as well as it did. (To what extent? More about that below).

But I think we should be worried. I am not surprised that this can (kinda sorta) be done, but I am not sure it should be done.

More here.

Sean Carroll in Preposterous Universe:

There is no human endeavor that does not have a theory of it — a set of ideas about what makes it work and how to do it well. Music is no exception, popular music included — there are reasons why certain keys, chord changes, and rhythmic structures have proven successful over the years. Nobody has done more to help people understand the theoretical underpinnings of popular music than today’s guest, Rick Beato. His YouTube videos dig into how songs work and what makes them great. We talk about music theory and how it contributes to our appreciation of all kinds of music.

More here.

Daniel Stanley at The Othering & Belonging Institute at UC Berkeley:

However difficult it is to properly gauge the significance of historical events while still living through them, we can surely already state with confidence that the Covid pandemic and the Russian invasion of Ukraine together constitute a truly seismic and transformative sequence of years for the world.

The debate continues on what exactly we can learn today from prior such tumultuous times, but one repeated feature of periods of crisis, already becoming apparent in this contemporary experience, is how they call into question the previously dominant concepts and terms used to diagnose social challenges, and explain the malfunctioning workings of our societies. ‘Polarisation’ – as a way of describing an observed increase in division, extreme views and hostility – is just one such concept in need of re-evaluation.

Of course, like any such general term, ‘polarisation’ has a whole range of usages and meanings, varying in scope and focus. In this case, ranging from a simple dynamic in individual group interactions, to a wider trend within political systems at a national level.

More here.

https://www.youtube.com/watch?v=JEh2rAj_9IU&ab_channel=jukejointjohnny48

Shamira Ibrahim in The Baffler:

THE WRITER AND SCHOLAR Saidiya Hartman opens her 2008 essay “Venus in Two Acts” with an admission about the challenge she’s taken on: to give life to the story of the “Black Venus,” the “emblematic figure of the enslaved woman in the Atlantic world,” present in the archives in various forms, but never as a full person. “I want to do more than recount the violence that deposited these traces in the archive. I want to tell a story about two girls capable of retrieving what remains dormant—the purchase or claim of their lives on the present—without committing further violence in my own act of narration,” Hartman writes. “Listening for the unsaid, translating misconstrued words, and refashioning disfigured lives—and intent on achieving an impossible goal: redressing the violence that produced numbers, ciphers, and fragments of discourse, which is as close as we come to a biography of the captive and the enslaved.”

Hartman carefully details the process of archival discovery: while she has encountered her two Black Venuses in a legal indictment against a slave ship captain, many others can be found in ledgers, overseers’ journals, or in a traveler’s account of brothels. Circumstances notwithstanding, the end result is the same—an unnamed Black woman, deprived of the ability to tell her story, reduced by a white man to a commodity or a tawdry sexual exploit. Aiming to engage in a reparative exercise, Hartman asks: “How does one recuperate lives entangled with and impossible to differentiate from the terrible utterances that condemned them to death, the account books that identified them as units of value, the invoices that claimed them as property, and the banal chronicles that stripped them of human features?”

More here.

Cassandra Willyard in Scientific American:

The recipe for mammalian life is simple: take an egg, add sperm and wait. But two new papers demonstrate that there’s another way. Under the right conditions, stem cells can divide and self-organize into an embryo on their own. In studies published in Cell and Nature this month, two groups report that they have grown synthetic mouse embryos for longer than ever before. The embryos grew for 8.5 days, long enough for them to develop distinct organs — a beating heart, a gut tube and even neural folds.

The process is far from perfect. Just a tiny fraction of the cells develop these features and those that do don’t entirely mimic a natural embryo. But the work still represents a major advance that will help scientists to see organ development in unprecedented detail. “This is very, very exciting,” says Jianping Fu, a bioengineer at the University of Michigan in Ann Arbor. “The next milestone in this field very likely will be a synthetic stem-cell based human embryo,” he says.

Masha Gessen in The New Yorker (Photograph by Maxim Shemetov / Reuters):

Darya Dugina, a twenty-nine-year-old Russian television commentator, was laid to rest at an undisclosed location in Moscow on August 23rd. Three days earlier, Dugina had attended a festival called Tradition, a daylong event that, this year, included a lecture by her father, the self-styled political philosopher Aleksandr Dugin, on the metaphysical dualism of historical thinking. The gathering concluded with a concert called “The Russian Cosmos.” Afterward, Darya Dugina drove away in a Toyota Land Cruiser. The car exploded, killing her. Aleksandr Dugin was apparently travelling in a different vehicle, and it seems likely that whoever killed Darya had meant to kill her better-known father. There has since been much speculation about the identity and motives of the killers, but little is known for certain. Still, some theories are better than others.

Western media accounts have portrayed Dugin as a sort of Putin whisperer, the brains behind the Kremlin’s ideology. He is not that, but his story tells a lot about recent Russian history and the current state of Russian society. Dugin came out of the Moscow cultural underground. The son of minor members of the Soviet nomenklatura, he was expelled from college and educated himself by reading banned and restricted literature. When I was researching Dugin’s story for my book “The Future Is History,” an ex-partner of his and the mother of his older child, Evgeniya Debryanskaya, remembered that Dugin, then in his early twenties, procured a copy of Martin Heidegger’s “Being and Time” on microfilm. He did not, of course, have a microfilm reader at home, so he rigged up a device designed for showing simple children’s reels and projected the book onto his desk. The arrangement was not ideal: it showed a barely visible mirror image of the text. Dugin read Heidegger backward, in the dark, and, according to Debryanskaya, lost some of his eyesight in the process. The symbolic potential of this story is staggering. Its literal meaning is informative: Dugin’s ability to self-educate was limited by censorship, isolation, and ignorance.

Fathimath Musthaq in Phenomenal World:

The 2008 crisis heralded a new age in central banking. The scale and nature of central bankers’ interventions was unprecedented. Traditionally, as lenders of last resort, central banks lend at escalating rates against good collateral to solvent institutions in times of crisis. In 2008 central banks broke every rule in the book: deviating from the principle of full collateralization, they lent to non-bank entities and made outright asset purchases. This exposed their balance sheets to various credit, interest-rate, and market risks. The European Central Bank made asset purchases under an “enhanced credit support” program that dealt in public securities of various credit risks and even provided liquidity in foreign currencies, primarily the US dollar.¹ The Bank of England made outright purchases of government bonds while the US Federal Reserve purchased up to 90 percent of all new issues of mortgaged backed securities (MBS) to ensure liquidity in US money markets. The Fed also established swap lines with various central banks, including the Swiss National Bank, the ECB, the BoE, and the Bank of Japan. It went as far as to provide these lines to a select few central banks in the Global South, among them the Central Bank of Brazil and the Bank of Mexico.

Scholars and market watchers have documented and discussed the evolution of crisis-management tools at length. But the most consequential boundary that central banks trespassed was not during the crisis—after all, discretionary measures to prevent a system collapse have been part of central banks’ evolution. The real innovation came in the adoption of crisis tools in noncrisis times, under the banner of so-called unconventional monetary policy.

More here.

Rohan Silva at The Guardian:

Plant blindness. That’s what scientists call the way we humans often fail to notice the staggering diversity and complexity of plant life around us. The philosopher Paco Calvo seems to be mercifully free from this affliction – he runs a laboratory in Spain studying plant behaviour, trying to figure out if that half-dead fern that you forgot to water on the windowsill ought to be classified as “intelligent”.

Some flowers turn towards the sun as it tracks across the sky, and some plants close their leaves when touched, but traits like these are generally assumed to be automatic reflexes, no different to the way your leg jerks out when you get tapped on the knee.

In Planta Sapiens, Calvo tries to show us that our green friends do far more than just blindly react.

more here.

Hillary Kelly at The New Yorker:

Naturalness is the muse’s great gift. Like Helga Testorf, who merely had to stand still for Andrew Wyeth to want to transpose her spirit, Sedgwick had only to walk and talk for Warhol to track her every move on film. “Andy always picks people because they have an amazing sort of essential flame, and he brings it out for the purposes of his films,” the curator Henry Geldzahler once said. “He never takes anybody who has nothing and makes them into something. What he did was recognize that Edie was this amazing creature, and he was able to make her more Edie so that when he got it on camera it would be made available to everybody.” Warhol’s movies captured Sedgwick just being herself: putting on makeup, lying in bed, perching on a couch arm while looking about the room. She appeared in more than a dozen films, such as “Face,” a seventy-minute-long closeup, and “Afternoon,” a scripted “chamber opera” in which Sedgwick and friends gas around in her apartment, high on amphetamines. Sedgwick Wohl, who has spent decades watching her sister on film, observes her as if looking through a high-powered telescope. “What they saw in her was not talent but simply the way she was, transcribed onto the screen,” Sedgwick Wohl writes.

more here.

Molly Young in The New York Times:

Are you prepared for a vision of sizzling sexuality? Picture this. A woman dressed in brown suede brogues and a below-the-knee skirt, her legs obscured by stockings. Sandy-gray hair. A discreet brooch pinned to her blouse, a formal manner of speaking, a keen interest in antiquity and a tendency to suffer from migraines. These qualities may not scream “racy” or “seductive” or “exotic” to you, but you are not the narrator of Julian Barnes’s 25th book.

The siren is Elizabeth Finch, a teacher of adult education courses in London two decades ago. The narrator is her student, the somewhat dimwitted but diligent Neil. On the first day of class, Elizabeth outlines her pedagogical method: “I shall not attempt to stuff you with facts as a goose is stuffed with corn; this would only lead to an engorged liver, which would be unhealthy.” Neil is besotted. Intrigued by Finch’s poise, dazzled by her confidence, he concocts wild fantasies about her extracurricular life: silk pajamas, Italian lakes, French vineyards, mysterious lovers.

When the course ends, Neil bravely invites his crush to lunch, and for 20 years they dine twice or thrice annually. It’s unclear what Elizabeth gets out of the meetings. What Neil gets is the opportunity to be outwitted by a woman of formidable reticence and intellect. He is, if not quite a glutton for punishment, then at least someone with a hearty appetite for it.

More here.