In Dissent, first Joshua Leifer:
In the face of this slaughter, parts of the Anglophone left have reacted with shocking inhumanity. Progressive journalists proclaimed “glory” to the Hamas fighters or announced a day of “celebration.” Lawyers who make their careers criticizing Israel’s violations of international law contorted themselves in defense of Hamas’s war crimes. A prominent writer cruelly tweeted, “what did y’all think decolonization meant? vibes? essays? losers.” Many others, including numerous academics, echoed her implication that this—the massacre of innocent men, women, children, the elderly—was the answer. “Decolonization is not a metaphor,” they declared in a furious chorus. A Yale professor, in a tweet which she later deleted, asserted that a woman taken hostage at the rave was a legitimate target because she had served in the army. A piece published in n+1 dismissed “smarmy moralizing about civilian deaths.” At a protest, briefly endorsed by the Democratic Socialists of America, under the banner, “All Out for Palestine,” a speaker grinningly described Hamas’s attack on the rave—“until the resistance came in electrified hang gliders and took at least several dozen hipsters,” he said—to a cheering crowd.
Winant replies:
One way of understanding Israel that I think should not be controversial is to say that it is a machine for the conversion of grief into power. The Zionist dream, born initially from the flames of pogroms and the romantic nationalist aspirations so common to the nineteenth century, became real in the ashes of the Shoah, under the sign “never again.” Commemoration of horrific violence done to Jews, as we all know, is central to what Israel means and the legitimacy that the state holds—the sword and shield in the hands of the Jewish people against reoccurrence. Anyone who has spent time in synagogues anywhere in the world, much less been in Israel for Yom HaShoah or visited Yad Vashem, can recognize this tight linkage between mourning and statehood.
This, on reflection, is a hideous fact. For what it means is that it is not possible to publicly grieve an Israeli Jewish life lost to violence without tithing ideologically to the IDF—whether you like it or not.
Leifer’s response here:
Winant writes “that it is not possible to publicly grieve an Israeli Jewish life lost to violence without tithing ideologically to the IDF—whether you like it or not.” Such a statement is a cruel abstraction, possible only from myopic remove, that misses how real, living Israelis and Palestinians are responding to this moment. It is not very hard to find examples that disprove this facile assertion. Here’s one: on Thursday, Ayman Odeh, who chairs the Arab-Jewish socialist party Hadash, delivered a speech to Israel’s Knesset. Odeh has felt the pain of Israeli apartheid on his own flesh; he has been wounded by its armed forces; he has devoted his life to resisting Israel’s abuses. And yet, as a Palestinian Arab and socialist leader, he was still able to say the following: “There is nothing in the world, not even the cursed occupation, that justifies the killing of innocent civilians.” If Odeh can manage this—under the boot of Israeli oppression, despite calls by Israeli rightists for his deportation and for genocide—then surely Winant and others on the Anglophone anti-imperialist left can, too.

Adam Shatz on the war in Gaza in the LRB:
Kevin P. Gallagher, Rishikesh Ram Bhandary, Rebecca Ray and Luma Ramos in Science Direct:
The complex nature of Kafka’s agony around work is made freshly discernible in Ross Benjamin’s new translation of the author’s diaries. By giving us a more bodily Kafka than has hitherto been available, Benjamin helps us sense the author’s pleasures and pains with greater clarity. As we turn the pages of the diary, we are reminded that the same man who professed that he was “made of literature . . . nothing else” also went swimming, took walks, visited brothels, and, when his digestive troubles lapsed, dreamed of forsaking his carefully masticated vegetarian diet to gorge himself on sausages and “eat dirty grocery stores completely empty.”
I don’t believe a word of the filmmaker
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Bacteria may seem like a strange ally in the battle against cancer.
“What’s that thing with the fire?” a woman from the table behind me asks, tugging on the vents of my tuxedo jacket and gesturing toward the dessert I just finished flambéing. I’m tempted to lie and tell her we just sold out, but instead I explain the Bananas Foster — caramelized bananas flamed with dark rum over house-made banana-buttermilk ice cream — the restaurant’s most popular dessert. But she isn’t listening. I can already sense her plans to cast me as the lead in her TikTok video or the poster child for her “en fuego” meme. “Oh my God, I hate bananas,” she says, turning toward her tablemates, “but we should totally order it anyway!” They haven’t even finished their appetizers.
If you’re new to my work, I’m a self-taught researcher, driven to learn through fortunate access to high sample sizes and sheer curiosity. As of this writing, over 700,000 people have responded to my 
‘That’s our mountain,’ a wordy Neapolitan told Hester Piozzi, ‘which throws up money for us, by calling foreigners to see the extraordinary effects of so surprising a phenomenon.’ The hermits were only one part of a flourishing and lucrative Vesuvius service industry that visitors encountered as they began their ascents. As Brewer says, what the industry was ‘selling was a sublime experience’. Making your own way up the mountain to see the extraordinary effects was perilous, but help was at hand. Your first encounter upon arrival would be with a disorganised horde of vociferous guides, all offering their services. The spectacle seems to have been distinctly off-putting: the poet Shelley, generally a friend of humanity, thought these particular humans ‘degraded, disgusting & odious’. Degraded or not, some guides became celebrities: Salvatore Madonna (‘il capo cicerone’) was well-known for his narrative skills and general charm, as well as for his knowledge of the territory, and he even appeared in guidebooks as a colourful feature of the scene to be looked out for. Madonna seems to have been a professional type, but untrustworthy guides were not uncommon.
Aviation produces about
Staring into the mirror, on a Tuesday morning, you decide that your self needs all the help it can get. But where to turn? You were reading James Clear’s “