Sean Carroll at Preposterous Universe:
The Artificial Intelligence landscape is changing with remarkable speed these days, and the capability of Large Language Models in particular has led to speculation (and hope, and fear) that we could be on the verge of achieving Artificial General Intelligence. I don’t think so. Or at least, while what is being achieved is legitimately impressive, it’s not anything like the kind of thinking that is done by human beings. LLMs do not model the world in the same way we do, nor are they driven by the same kinds of feelings and motivations. It is therefore extremely misleading to throw around words like “intelligence” and “values” without thinking carefully about what is meant in this new context.
More here.
Henry Farrell: You’ve written a very influential 
On the outskirts of Brandenburg an der Havel, Germany, nestled among car dealerships and hardware shops, sits a two-storey factory stuffed with solar-power secrets. It’s here where UK firm 
As we age, our memory declines. This is an ingrained assumption for many of us; however, according to neuroscientist Dr. Richard Restak, a neurologist and clinical professor at George Washington Hospital University School of Medicine and Health, decline is not inevitable. The author of more than 20 books on the mind, Dr. Restak has decades’ worth of experience in guiding patients with memory problems. “The Complete Guide to Memory: The Science of Strengthening Your Mind,” Dr. Restak’s latest book, includes tools such as mental exercises, sleep habits and diet that can help boost memory.
Even though Kierkegaard treats despair as a spiritual and existential condition rather than just a psychological state, The Sickness Unto Death sparkles with psychological insight. Especially compelling is his diagnosis of the different forms of despair that arise from an imbalance between the various pairs that make up the human synthesis (those first folds in our sheets of paper). Too much necessity, and we lose all imagination and hope—we cannot breathe; too much possibility, and we float airily, ineffectually, above our own lives. Too much finitude, and we lose ourselves in trivial things; too much infinitude, and we’re disconnected from the world. Since life is so rarely in balance, despair is the inevitable state—but understanding this, for Kierkegaard, opens up a renewed perspective on how to live with this inevitability.
Elizabeth Bishop delighted in the postcard. It suited her poetic subject matter and her way of life—this poet of travel who was more often on the move than at home, “wherever that may be,” as she put it in her poem “Questions of Travel.” She told James Merrill in a postcard written in 1979 that she seldom wrote “anything of any value at the desk or in the room where I was supposed to be doing it—it’s always in someone else’s house, or in a bar, or standing up in the kitchen in the middle of the night.”
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Rather than focusing on how people and societies think and talk about morality, normative ethicists try to figure out which things are, simply, morally good or bad, and why. The philosophical sub-field of meta-ethics adopts, naturally, a ‘meta-’ perspective on the kinds of enquiry that normative ethicists engage in. It asks whether there are objectively correct answers to these questions about good or bad, or whether ethics is, rather, a realm of illusion or mere opinion.
This year marks the tenth anniversary of the International Year of Quinoa (IYQ), a celebratory initiative created by the Food and Agricultural Organization of the United Nations. At the inaugural 2013 IYQ, Evo Morales, then president of Bolivia, proclaimed that quinoa was “
Born in East Berlin in 1967, Jenny Erpenbeck was 22 when the Wall that had divided her native city for her entire life fell. The socialist German Democratic Republic (GDR), the only country she had known, vanished overnight. By her own account, in the essays collected in Not a Novel: A Memoir in Pieces (2018), this historical rupture confronted her with fundamental questions about continuity and change, agency and contingency, borders and identity, liberation and loss. Although these questions have animated her fiction for more than twenty years, her most recent novel, Kairos (2021), is the first to be centered on how the radically transformative period of German reunification was experienced by those who found themselves, as she writes, “at home on the wrong side.”
On November 6th, Donald Trump emerged from a New York City courtroom, where he had testified in a civil trial alleging that he and others in the Trump Organization had committed fraud, and gave himself a great review. “I think it went very well,” he told reporters. “If you were there, and you listened, you’d see what a scam this is.” He meant that the case was a scam and not that his company was. “Everybody saw what happened today,” he went on. “And it was very conclusive.”
At first it was just one flower, but Emmanuel Mendoza, an undergraduate student at Texas A&M University, had worked hard to help it bloom. When this five-petaled thing burst forth from his English pea plant collection in late October, and then more flowers and even pea pods followed, he could also see, a little better, the future it might foretell on another world millions of miles from Earth. These weren’t just any pea plants. Some were grown in soil meant to mimic Mars’s inhospitable regolith, the mixture of grainy, eroded rocks and minerals that covers the planet’s surface. To that simulated regolith, Mr. Mendoza had added fertilizer called frass — the waste left after black soldier fly larvae are finished eating and digesting. Essentially, bug manure.
Mahraganat (which means “festivals” in Arabic) is made primarily by self-taught young men from lower-class backgrounds, whose songs are considered brash, even vulgar, because they rap and sing openly about their lives with seldom a trace of modesty. Egypt’s canonical singers and composers from the 20th century, particularly Umm Kulthum, Abdel Halim Hafez, and Mohammed Abdel Wahab, possessed a virtuosic command of improvisational technique and classical repertoire. By comparison, mahraganat artists appeal first and foremost to friends from the block, weaving a unique lexicon of Arabic slang, boasts, insults, drug references, and sexual innuendo. The artists use Auto-Tune not only to add distortive, festive color to their rugged street anthems, but also for its manufacturer-intended purpose: to keep their voices in tune.