by Hannah Green
The Jaipur Literature Festival runs off the momentum of globalization and the Internet. Authors and attendees come from around the world. Multi-national corporations sponsor the event. The polite Australian woman in Indian clothing who was in charge of one of the venues (The Google Mughal tent) repeatedly told the audience where to hashtag if they were tweeting. After Sebastian Faulks read a segment of his novel on stage, Supriya Nair, who was also part of that session, said that she couldn’t wait until the talk was over that she could tweet about it.
At the same time, some of the writers lamented the state of literature in the world in light of the web’s rising power. People read less, they said, are less able to concentrate, less able to distinguish between good writing and bad, good information and bad.
To get an inside perspective, I caught up with two young writers at the Jaipur Literature Festival who are relatively new to the literary scene: Chandrahas Choudhury and Nicholas Hogg. Both of their careers have risen in sync with the growth of the Internet. (Another sign of the many options we must choose from in our complex times: I spoke to Choudhury in person and conducted my interview with Hogg over e-mail.) Choudhury’s first novel, Arzee the Dwarf was published in 2009. He told me that he started working on this novel around the same time he got into blogging. During this time, he also worked writing book reviews and as the poetry and fiction editor of The Caravan magazine. Hogg’s first novel Show me the Sky was published in 2008. Before and after the publication of his novel, he wrote short stories that explore different cultural landscapes.
On how twitter and other forms of modern communication have changed language:
Nicholas:
Language is liquid. How we communicate – speak, write, play music or make films etc – is forever evolving. From Gutenberg’s press to twitter and texting, it undoubtedly changes literature. For good or bad is subjective. Writers reflect the world they live in, whether it be Shakespeare of the 1500s or Faulkner's divided Deep South, and so their prose rhythms beat to the time.
Chandrahas:
Even on twitter it’s possible to tell the good and the bad writers apart. You need to learn to use the form not by always using abbreviations but by writing more briefly and concisely… People now on Twitter have developed the super short story. And actually one of the greatest super short stories in the history of literature is too small even for twitter-Hemingway’s six word short story: “For sale, Baby shoes, Never worn.” Which is maybe like forty or fifty characters.* There’s no reason that good writing is incompatible with twitter. But I think the most real pleasure of literature is the pleasure of seeing the mind unfolding. And that’s hard to do on twitter. That requires contrast. With a novel you can change the rhythm of a sentence, so you go from very long to very short. So to me that is the highest pleasure.
* It’s 28.
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