How photography came to capture the world that we want to see

Kodak_6031470_35mm_Color_Plus_200_123787Claire Lehmann at Triple Canopy:

On a warm spring evening in early May, 1950, Edward Steichen, the director of the Department of Photography at the Museum of Modern Art in New York, opened an exhibition touted as a milestone event: the museum’s first exhibition devoted solely to color photography—titled, authoritatively, “Color Photography.” It featured an extravagant profusion of photographs drawn from science, journalism, and commerce: a microscope picture of an amoeba; an aerial photo taken from a rocket launched over the White Sands missile facility in New Mexico; Life’s images of exploding atomic bombs and the first published color photo of Mars; tear-sheets from the pages of Vogue, Fortune,Ladies’ Home Journal, and other popular magazines. The varied list of photographers included Roman Vishniac, Paul Outerbridge, Eliot Porter, Weegee, Irving Penn, Richard Avedon, Louise Dahl-Wolfe, Horst P. Horst, and Steichen himself.

The abundance of imagery on display served Steichen’s curatorial aim: to probe whether this technology could be a “new” and “creative” medium for the artist, and not just a “means of supplementing or elaborating the recognized attainments of black and white photography.” Chronologically, the show’s earliest works were printed reproductions of Autochromes, the colored-starch glass plates patented by the Lumière Brothers in 1904, marking that invention as the inauguration of modern color photography. But chronology didn’t guide the exhibition: the physical layout was determined by image source (e.g., the military, the magazine) and display needs of various media, particularly the many color transparencies, which had to be lit from behind in darkened rooms.

more here.

In defense of Rudyard Kipling

Martyris-RudyardKipling-1200Michael Dirda at The Washington Post:

Earlier this summer I was on a panel at a literary conference where I happened to say that Rudyard Kipling was a wonderful writer. Immediately, a number of people in the audience began to boo and hiss. Two of my fellow panelists nearly shrieked that Kip­ling was utterly beyond the pale, being at once racist, misogynist and imperialist. Not entirely surprised by this reaction, but nonetheless flabbergasted by its vehemence, I made a flustered attempt to champion the author of “Plain Tales From the Hills,” “The Jungle Books” and “Kim.” I declared what many believe, that he is the greatest short-story writer in English. This only made things worse. Finally, with some desperation I blurted out: “How much Kipling have you actually read?”

A short silence followed, and, without any answer to my question, the discussion moved on to other, less heated topics. But I felt significantly downcast. So when I got home I sat down and reread“The Jungle Books,” recently reprinted by Penguin because of a new film about Mowgli, the “Man-cub” reared by wolves. I also dipped into a number of biographies and critical works, visited the website of the Kipling Society and tried to clarify my own thoughts about, arguably, the most controversial author in English literature.

more here.

the music of ‘Tailleferre’

Leportrait-300x250Michael Johnson at Open Letters Monthly:

Tailleferre struggled to be considered asexual in musical terms, asking to be called simply “a composer,” not a “woman composer.” Even today her granddaughter Elvie de Rudder, still teaching music in a Paris lycée, bristles at those who refer to her as “Germaine.” Nobody calls Milhaud “Darius” or Poulenc “Francis,” she says. “So just call her ‘Tailleferre’.” Easy first-name usage can connote condescension, especially in protocol-sensitive France.

With hindsight, we can conclude that Tailleferre was cheated out of her rightful place in the legacy of Les Six. The other more prominent members – Poulenc, Milhaud and Arthur Honegger – are routinely credited as originators of a modern French School of composing. No less an authority on contemporary music as the late Joseph Machlis maintained in his book Introduction to Contemporary Music that Tailleferre and another member of the group, Louis Durey, “dropped from sight” after a brush with fame in the 1920s. Not true. They continued making an impact of their own choosing and at their own pace.

Tailleferre’s natural modesty didn’t help her career. She undervalued herself in part because of the patriarchal culture of early 20th century Europe. Playing her submissive role to the hilt, she told an interviewer she had no grand pretensions about her oeuvre. “It’s not great music, I know, but it’s gay, light hearted music which is sometimes compared with that of the ‘petits maîtres’ of the 18th century. And that makes me very proud.’’ She added, “I write music because it amuses me.” You can almost hear her tiny voice apologizing for what she has done.

more here.

Anglosplaining: why Germans like learning about their past from Anglo‑Saxons

Andreas Kluth in The Economist:

German-history-webMany Germans have been glued to a television series, “Where We Come From”, that explains Germany’s long, complicated and often tragic history. The “we” in the title, however, is deceptive, for the host and narrator is Sir Christopher Clark, an Australian historian knighted for his services to Anglo-German relations. His academic credentials are excellent. His book on Prussia, “Iron Kingdom”, may be the best on the subject. His tome on the first world war, “The Sleepwalkers”, became a bestseller. But Germany has plenty of its own historians. Why Clark?

The answer starts with the dappled bow tie he wears as he drives around Germany in a red cabriolet vw Beetle: the quintessential Brit (Aussies are close enough) in the quintessential German vehicle. Then there’s the language. Clark speaks grammatically flawless German, but with enough of an English cadence to sound cheeky, witty and incisive. Occasionally he uses humour, which can still be shocking on German public television. Sometimes he even says nice things about the country’s past, which to Germans is truly shocking. He does not seem full of himself. To Germans that is refreshing. German Anglophiles consider such attributes “Anglo-Saxon”. The term is stretchable in this context and includes anybody English-speaking, whether Celtic or Saxon, pale or brown, from down under or beyond the pond. Clark is not an isolated case. The late Gordon Craig, a Scottish-American historian, achieved similar success. So has Timothy Garton Ash, a historian at Oxford and Stanford, who wows Germans with pithy insights delivered in sophisticated German.

More here.

The Known: Cancer Is Really, Really Old. The Unknown: How Common It Was

George Johnson in The New York Times:

BoneCarcinogens abounded 1.7 million years ago in Early Pleistocene times when a nameless protohuman wandered the South African countryside in what came to be known as the Cradle of Humankind. Then, as now, ultraviolet radiation poured from the sun, and radon seeped from granite in the ground. Viruses like ones circulating today scrambled DNA. And there were the body’s own carcinogens, hormones that switch on at certain times of life, accelerating the multiplication of cells and increasing the likelihood of mutations.

That, rather than some external poison, was probably the cause of a bone tumor diagnosed as an osteosarcoma found fossilized in Swartkrans Cave, a paleoanthropological trove northwest of Johannesburg. A paper in the current South African Journal of Science describes the discovery, concluding that it is the oldest known case of cancer in an early human ancestor. “The expression of malignant osteosarcoma,” the authors wrote, “indicates that whilst the upsurge in malignancy incidence is correlated with modern lifestyles, there is no reason to suspect that primary bone tumours would have been any less frequent in ancient specimens.” Perhaps the main reason there is more cancer today is that people live much longer, leaving more time for dividing cells to accumulate genetic mistakes. Osteosarcoma, however, occurs most frequently in younger people, as their limbs undergo adolescent spurts of growth. That and the fact that bones outlast softer organs make osteosarcoma a natural cancer to look for among early hominins, the zoological tribe that includes humans and their extinct kin.

More here.

Monday, August 22, 2016

Current Genres of Fate: The New Immortal

by Paul North

Sketch of the DNA Double Helix by Francis Crick

Sketch of the DNA Double Helix by Francis Crick

Natural science is as valuable as its expression. What does this mean? An analogy with the economy will help. When we work, our working has to produce benefits for us beyond just the work itself. Those benefits can be called the expression of the work. Mostly they take the form of money—but not always. Natural science is similar. To be valuable it has to express itself in other forms, just as work does.

Even where natural science gives us a big new truth, like the theory of relativity in physics or the theory of evolution in biology, this truth—which may be compelling and very simple to grasp, or very complex and difficult and require some convincing before we believe in it—its truth is not its expression. Truth is one thing, expression another. Natural science has all sorts of expressions. We tend to think of it as a closed club with secret goings on in hidden chambers. Nevertheless, it periodically sends out bulletins that concern us all. This is part of what I mean by “expression.” Natural science—physics, biology, chemistry, both the theoretical and the empirical kinds—sends out messages about life and history to a very large audience.

Natural science has many expressions. To be sure, its earliest and most secretive expression is the technical papers shared among scientists, which journalists misquote and the NSF decodes for the purposes of giving grants. But of course these technical documents are only as good, as useful, as praised and as prized—ultimately—as their capacity for wider expression. They should produce conferences and volumes. They should change the practices of other scientists and they should eventually change the goals of science, by a little or a lot. Such expressions remain within the non-public confines of scientific circuits however. Science has its own internal public, but intellectual sectors like natural science always aim at a greater public. This does not mean that science follows fads and fashions. Quite the contrary: it exists to remake the popular sphere in its own image, just as art does, or entertainment, or the military or other kinds of politics. So what are the greater effects of natural science? What are its widest expressions?

Read more »

Sunday, August 21, 2016

Nobel Laureate Joseph Stiglitz Says the Euro Needs Big Reform

Roger Lowenstein in the New York Times Book Review:

51vO7MbFwrL._SY344_BO1,204,203,200_The nasty headlines from across the Atlantic — Brexit, terrorism, debt crises — almost make us forget that these were supposed to be Europe’s salad days. With a common currency and increasing integration, Europe was, finally, bidding adieu to cross-border conflict and economic crisis. Turmoil and strife were so very 20th century; the future was to be only digital apps and polyglot cafes.

Well, they still have Chartres, and they still have Goethe. They also have millions of migrants, rising nationalism, recurrent recessions and plummeting birthrates. What went wrong?

Joseph E. Stiglitz, the former chief economist of the World Bank and winner of the Nobel in economic science, proposes a simple answer. In “The Euro: How a Common Currency Threatens the Future of Europe,” he argues that the chief source of Europe’s malaise is its 17-year-old currency experiment. “While there are many factors contributing to Europe’s travails,” he writes, “there is one underlying mistake: the creation of the single currency, the euro.”

Stiglitz is not speaking about the obvious fact that 19 independent states use a common currency, but about their failure so far to create the quilt of institutions and shared regulations to make it work. This sounds wonky, and though Stiglitz spews plenty of populist rhetoric, “The Euro” is thick with dense paragraphs (imagine an economics text written by Michael Moore). Still, the underlying idea is ­simple.

More here.

This woman may know a secret to saving the brain’s synapses

Emily Underwood in Science:

ScreenHunter_2160 Aug. 21 23.46In 2010, neurobiologist Beth Stevens had completed a remarkable rise from laboratory technician to star researcher. Then 40, she was in her second year as a principal investigator at Boston Children’s Hospital with a joint faculty position at Harvard Medical School. She had a sleek, newly built lab and a team of eager postdoctoral investigators. Her credentials were impeccable, with high-profile collaborators and her name on an impressive number of papers in well-respected journals.

But like many young researchers, Stevens feared she was on the brink of scientific failure. Rather than choosing a small, manageable project, she had set her sights on tackling an ambitious, unifying hypothesis linking the brain and the immune system to explain both normal brain development and disease. Although the preliminary data she’d gathered as a postdoc at Stanford University in Palo Alto, California, were promising, their implications were still murky. “I thought, ‘What if my model is just a model, and I let all these people down?’” she says.

Stevens, along with her mentor at Stanford, Ben Barres, had proposed that brain cells called microglia prune neuronal connections during embryonic and later development in response to a signal from a branch of the immune system known as the classical complement pathway. If a glitch in the complement system causes microglia to prune too many or too few connections, called synapses, they’d hypothesized, it could lead to both developmental and degenerative disorders.

Since then, finding after finding has shored up and extended this picture.

More here.

‘X’ Marks the Spot Where Inequality Took Root

Stan Sorscher at the website of the Economic Opportunity Institute:

In 2002, I heard an economist characterizing this figure as containing a valuable economic insight. He wasn’t sure what the insight was. I have my own answer.

The economist talked of the figure as a sort of treasure map, which would lead us to the insight. “X” marks the spot. Dig here.

The graphic below tells three stories.

First, we see two distinct historic periods since World War II. In the first period, workers shared the gains from productivity. In the later period, a generation of workers gained little, even as productivity continued to rise.

ScreenHunter_2159 Aug. 21 23.29

The second message is the very abrupt transition from the post-war historic period to the current one. Something happened in the mid-70’s to de-couple wages from productivity gains.

The third message is that workers’ wages – accounting for inflation and all the lower prices from cheap imported goods – would be double what they are now, if workers still took their share of gains in productivity.

More here. [Thanks to Jim Culleny.]

The Week Democracy Died

Yascha Mounk in Slate:

ScreenHunter_2158 Aug. 21 23.22There are years, decades even, in which history slows to a crawl. Then there are weeks that are so eventful that they seem to mark the dissolution of a world order that had once seemed solid and to foretell the rise of one as yet unknowable.

The week of July 11, 2016, has every chance of being remembered as one of those rare flurries of jumbled, inchoate, concentrated significance. The centrifugal forces that are threatening to break political systems across the world may have started to register a decade ago; they may have picked up speed over the last 12 months; but never since the fall of the Berlin Wall have they wreaked havoc in so many places in so short a span of time—showcasing the failures of technocratic rule, the terrifying rise of populist strongmen, and the existential threat posed by Islamist terrorism, all in the span of seven short days.

At first glance, a political crisis in London; a terrorist attack in Nice, France; a failed putsch in Ankara, Turkey; and a bloviating orator on his way to becoming the Republican nominee for the presidency of the United States look like the dramatic apex of very different, barely connected screenplays. To my eye, they are garish panes of glass that add up to one unified, striking mosaic. Looked at from the right distance, they tell the story of a political system, liberal democracy, that has long dominated the world—and is now in the midst of an epic struggle for its own survival.

More here.

Sunday Poem

The Peace of Wild Things

When despair for the world grows in me

and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

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by Wendell Berry
from The Selected Poems of Wendell Berry
Counterpoint Press

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Racial Politics After Obama

Brandon M. Terry in Dissent:

ObamaThe most punitive, humiliating, and deadly forms of policing fall almost entirely on the poor, especially the black poor. And while the stigma of criminality disproportionately affects African Americans, so does the suffering that accompanies gangs, violent crime, and the underground economy. Neglecting these facts leads to bewilderment when appeals to racial solidarity around issues like criminal justice or gentrification fail to achieve the desired results. These failures of analysis evince such a lack of judgment that they are less likely to inspire sacrifices for the transformative programs of the left than encourage the risk-averse accommodation to the status quo. In the future, leftists of all races will have to make a sustained commitment to grassroots engagement that focuses on working-class and poor black communities, and that is more precise about the ways in which racial injustice and black disadvantage work in today’s America. This will require an ethos of humility and self-criticism that, over time, will generate more powerful ideas, arguments, and hopefully, coalitions. Trust and respect—and substantive political power—will only come from a mutually enriching process of engaging with and arguing over needs (like safety, income, and education) and values (that is, the ethics of punishment, ideals of masculinity, nativism, and so on) as well as policies. This project is difficult to pursue in the heat of a presidential campaign, and we’ve seen both Democratic candidates struggle to adequately address these intersecting issues. But it must command our attention in the post–Obama era.

Bayard Rustin once remarked that he was “eternally optimistic” that “people who become president . . . want to go down as great moral figures, and they make some real effort in trying.” In the horrifying event of a Trump presidency, we may have to revisit this judgment. But for the first black president at least, it seems appropriate. In trying to advance a particular view of racial justice despite political, cultural, and structural constraints, the Obama years reshaped the landscape of racial politics in a way that is difficult to have imagined just eight years ago. For better and for worse, this is our inheritance. How we navigate its perils will leave its imprint on the politics of race in America for some time to come.

More here.

Everyone fails, but only the wise find humility

Costica Bradatan in Aeon:

Idea_deflated-Florida-Keys-Public-Library-9274473873_41c409d5f5_oFailure is like the original sin in the biblical narrative: everyone has it. Regardless of class, caste, race, or gender, we are all born to fail, we practise failure for as long as we live, and pass it on to others. Just like sin, failure can be disgraceful, shameful and embarrassing to admit. And did I mention ‘ugly’? Failure is also ugly – ugly as sin, as they say. For all its universality, however, failure is under-studied, when not simply neglected. It’s as if even the idea of looking at failure more closely makes us uneasy; we don’t want to touch it for fear of contagion. Studying failure can be a contorted, Janus-headed exercise, though. With one pair of eyes we have to look into ourselves (for ‘moral’ or ‘cognitive’ failures, for failures of ‘judgment’ or ‘memory’), and with another pair we need to dwell on instances of failure ‘out there’, in the world around us. Fascinating as the former can be, let me focus here on the latter: the failure we experience in our dealings with the world.

Picture yourself in an airliner, at high altitude. One of the plane engines has just caught fire, the other doesn’t look very well either, and the pilot has to make an emergency landing. Finding yourself in such a situation can be a shattering, yet also a revealing experience. First, there are of course the cries, the tears, the whispered prayers, the loud hysterics. Amid all the wailing and gnashing of teeth, you cannot think of anything in any detached, rational fashion. For you have to admit it, you are scared to death, just like everyone else. Yet the plane lands safely and everybody gets off unharmed. After you’ve had a chance to pull yourself together, you start thinking a bit more clearly about what just happened. That’s when we might realise, for example, how close we can be sometimes to not being at all. And also that there is something oppressively materialistic, to an almost obscene degree, in any ‘brush with death’. Some faulty piece of equipment – a worn-out part, a loose screw, a leaking pipe, anything – could be enough to do us in. That’s all it takes. We thus realise that, when we experience failure, we start seeing the cracks in the fabric of existence, and the nothingness that stares at us from the other side. Yet even as failure pushes us towards the margins of existence it gives us the chance to look at everything – at the world, at ourselves, at what we value most – with fresh eyes. The failure of things, coming as it does with a certain measure of existential threat, exposes us for what we are. And what a sight!

From that unique location – the site of devastation that we’ve become – we understand that we are no grander than the rest of the world. Indeed, we are less than most things.

More here.

Saturday, August 20, 2016

Why Poor People Stay Poor

Linda Tirado in Slate:

141205_FAM_HandToMouthCover.jpg.CROP.original-originalBecause our lives seem so unstable, poor people are often seen as being basically incompetent at managing their lives. That is, it’s assumed that we’re not unstable because we’re poor, we’re poor because we’re unstable. So let’s just talk about how impossible it is to keep your life from spiraling out of control when you have no financial cushion whatsoever. And let’s also talk about the ways in which money advice is geared only toward people who actually have money in the first place.

I once read a book for people in poverty, written by someone in the middle class, containing real-life tips for saving pennies and such. It’s all fantastic advice: buy in bulk, buy a lot when there’s a sale on, hand-wash everything you can, make sure you keep up on vehicle and indoor filter maintenance.

More here.