by Brooks Riley
Category: Recommended Reading
Sunday, July 5, 2015
Of Polymaths and Multidisciplinarians
Jalees Rehman at the website of Lindau Nobel Laureate Meetings:
The German poet Johann Wolfgang von Goethe (1749-1832) is also a front-runner in the pantheon of polymaths because of his interests in geology, paleontology and optics. During his lifetime, Goethe assembled one of the largest collections of rocks, minerals and fossils ever owned by an individual person, consisting of 18,000 specimens! Even though he is revered as the greatest poet of the German language, Goethe’s longest published work is his treatise on a theory of color, the Farbenlehre. He devoted two decades of his life to studying light and he thought that this 1000-page tome would be his most meaningful contribution to humankind. In the Farbenlehre, Goethe vehemently disagreed with Newton about the nature of light. According to Newton, white light was a heterogeneous composite of colors and darkness was the absence of light. Goethe, on the other hand, felt that white light was a homogenous entity and that darkness was the polar opposite of light and not just its absence. Goethe also ascribed aesthetic qualities to specific colors such as “beautiful” to red and “useful” to green.
Goethe’s theory of color is not a scientific theory in the conventional sense because it did not offer any clear scientific hypotheses that could be tested and falsified by experiments. This did not prevent Goethe from viciously attacking Newton and those who accepted the Newtonian theory of light and color.
More here.
Justice and Warfare in Cyberspace
Lisa Lucile Owens in the Boston Review:
There was a moment during the First Gulf War when ideologues argued that warfare technology had reached a tipping point. Gains in efficiency would reduce casualties and destruction; supremely accurate weapons would minimize unnecessary suffering without compromising military objectives. This inaugurated the age of target bombings and stealth missions enabled by precision technology. Now, we are at the threshold of yet another tipping point for war and technology. Software interference and cyber technologies threaten mass disruptionand destruction without a shot or bomb explosion. Physically waged wars—populated and won by armed bodies and manned weaponry—have given way to data and coding wars, creating vast, powerful, and yet not fully tapped, spaces and abilities.
Cyberwarfare acts are broadly understood as the use of cyber capabilities for spying or sabotage by one nation against another. However, the term “cyberaggression” can refer to everything from individual cyberbullying and harassment to sabotage that affects national interests. One example of the latter type is the infamous Stuxnet computer worm that targeted and invaded Iranian nuclear facilities in order to derail the Iranian nuclear program. The term ‘cyberaggression’ was also applied to the April 2015 breach of cybersecurity at the White House when sensitive details of the President’s schedule were obtained. It is therefore of little surprise that civilian and military resources to wage and contain cyberaggression are on the rise.Last January, there were reports that North Korea had doubled its military cyberwarfare units to over 6,000 troops.
To be sure, it is not clear when an act is merely an instance of cyberaggression as opposed an act of war. To complicate matters further, our conception of cyberwarfare and cyberaggression is taking shape against a background of increasing state domestic surveillance and other incursions to privacy, often defended on the basis of considerations of safety or convenience.
It is in this context that the Department of Defense (DoD) Cyber Strategy memorandum, published in April, needs to be analyzed.
More here.
The Nobel Prize Is Bad And We Should Feel Bad
Matthew Francis in Forbes:
The Nobel Prizes are not the final say in good science, and Nobel laureates are not necessarily the best scientists — much less the wisest human beings.
It’s easy to forget that. No other prize in science has nearly as high a profile. Nobel laureates are in demand as book authors, university faculty, and speakers to both scientific and public groups. In addition to the prize money itself, they can command large fees for their activities: people pay lots of money to be associated with a Nobel Prize winner.
And like it or not, people listen to Nobel laureates when they speak, even when they are out of their areas of expertise. Sometimes the prize seems to go to the winners’ heads so much that they seem to lose it entirely. William Shockley, a co-discoverer of the transistor, and James Watson, who won the Nobel for discovering the structure of DNA, both used their reputations to promote very racist ideas. Most recently, Tim Hunt said some sexist and insulting things in front of a group of female Korean scientists — who had invited him to speak, no less.
More here.
Samson François
harold feinstein (1931 – 2015)
Magali Noël (1931 – 2015)
The Social-Network Illusion That Tricks Your Mind
From the MIT Technology Review:
One of the curious things about social networks is the way that some messages, pictures, or ideas can spread like wildfire while others that seem just as catchy or interesting barely register at all. The content itself cannot be the source of this difference. Instead, there must be some property of the network that changes to allow some ideas to spread but not others.
Today, we get an insight into why this happens thanks to the work of Kristina Lerman and pals at the University of Southern California. These people have discovered an extraordinary illusion associated with social networks which can play tricks on the mind and explain everything from why some ideas become popular quickly to how risky or antisocial behavior can spread so easily.
Network scientists have known about the paradoxical nature of social networks for some time. The most famous example is the friendship paradox: on average your friends will have more friends than you do.
This comes about because the distribution of friends on social networks follows a power law. So while most people will have a small number of friends, a few individuals have huge numbers of friends. And these people skew the average.
Here’s an analogy. If you measure the height of all your male friends. you’ll find that the average is about 170 centimeters. If you are male, on average, your friends will be about the same height as you are. Indeed, the mathematical notion of “average” is a good way to capture the nature of this data.
But imagine that one of your friends was much taller than you—say, one kilometer or 10 kilometers tall. This person would dramatically skew the average, which would make your friends taller than you, on average. In this case, the “average” is a poor way to capture this data set.
More here.
Sunday Poem
Secret
I shall make a song like you hair . . .
Gold-woven with shadows green-tinged,
And I shall play with my song
As my fingers might play with your hair.
Deep in my heart
I shall play with my song of you,
Gently. . . .
I shall laugh
At its sensitive lustre . . .
I shall wrap my song in a blanket,
Blue like your eyes are blue
With tiny shots of silver.
I shall wrap it caressingly,
Tenderly. . . .
I shall sing a lullaby
To the song I have made
Of your hair and eyes . . .
And you will never know
That deep in my heart
I shelter a song for you
Secretly. . . .
.
by Gwendolyn Bennett
from Modern American Poetry
Bring Us Your Genes: A Viking scientist’s quest to conquer disease
Adam Piore in Nautilus:
In the ninth century there was a Norwegian Viking named Kveldulf, so big and strong that no man could defeat him. He sailed the seas in a long-ship and raided and plundered towns and homesteads of distant lands for many years. He settled down to farm, a very wealthy man. Kveldulf had two sons who grew up to become mighty warriors. One joined the service of King Harald Tangle Hair. But in time the King grew fearful of the son’s growing power and had him murdered. Kveldulf vowed revenge. With his surviving son and allies, Kveldulf caught up with the killers, and wielding a double-bladed ax, slew 50 men. He sent the paltriest survivors back to the king to recount his deed and fled toward the newly settled realm of Iceland. Kveldulf died on the journey. But his remaining son Skallagrim landed on Iceland’s west coast, prospered, and had children. Skallagrim’s children had children. Those children had children. And the blood and genes of Kveldulf the Viking and Skallagrim his son were passed down the ages. Then, in 1949, in the capital of Reykjavik, a descendent named Kari Stefansson was born.
Like Kveldulf, Stefansson would grow to be a giant, 6’5”, with piercing eyes and a beard. As a young man, he set out for the distant lands of the universities of Chicago and Harvard in search of intellectual bounty. But at the dawn of modern genetics in the 1990s, Stefansson, a neurologist, was lured back to his homeland by an unlikely enticement—the very genes that he and his 300,000-plus countrymen had inherited from Kveldulf and the tiny band of settlers who gave birth to Iceland. Stefansson had a bold vision. He would create a library of DNA from every single living descendent of his nation’s early inhabitants. This library, coupled with Iceland’s rich trove of genealogical data and meticulous medical records, would constitute an unparalleled resource that could reveal the causes—and point to cures—for human diseases. In 1996, Stefansson founded a company called Decode, and thrust his tiny island nation into the center of the burgeoning field of gene hunting. “Our genetic heritage is a natural resource,” Stefansson declared after returning to Iceland. “Like fish and hot pools.” Stefansson set sail on an epic journey. He and his crew collected DNA from 150,000 of their fellow countrymen (half the population) and constructed a genealogical chart that accounts for the family tree of virtually every member of the small island nation. Next they succeeded in reading the entire 3-billion nucleotide genetic sequences of more than 11,000 Icelanders. They could now infer the individual genomes of the entire Icelandic population.
More here.
What Every American Should Know
Eric Liu in The Atlantic:
Is the culture war over?
That seems an absurd question. This is an age when Confederate monuments still stand; when white-privilege denialism is surging on social media; when legislators and educators in Arizona and Texas propose banning ethnic studies in public schools and assign textbooks euphemizing the slave trade; when fear of Hispanic and Asian immigrants remains strong enough to prevent immigration reform in Congress; when the simple assertion that #BlackLivesMatter cannot be accepted by all but is instead contested petulantly by many non-blacks as divisive, even discriminatory. And that’s looking only at race. Add gender, guns, gays, and God to the mix and the culture war seems to be raging along quite nicely. Yet from another perspective, much of this angst can be interpreted as part of a noisy but inexorable endgame: the end of white supremacy. From this vantage point, Americanness and whiteness are fitfully, achingly, but finally becoming delinked—and like it or not, over the course of this generation, Americans are all going to have to learn a new way to be American. Imagine that this is true; that this decades-long war is about to give way to something else. The question then arises: What? What is the story of “us” when “us” is no longer by default “white”? The answer, of course, will depend on how aware Americans are of what they are, of what their culture already (and always) has been. And that awareness demands a new kind of mirror.
More here.
Saturday, July 4, 2015
Stravinsky’s Illegal “Star Spangled Banner” Arrangement
Timothy Judd over at his website (via Rick Perlstein):
Did the Boston Police really arrest Igor Stravinsky in 1943 for adding a dominant seventh chord to theStar Spangled Banner? The unlikely mug shot, above, seems to back up the story…until you look carefully at the date.
The tale is an enticing urban legend of twentieth century music history, rooted in a few grains of truth. The “mug shot” was actually taken for a 1940 visa application. Stravinsky emigrated to the United States in 1939 and became a citizen in 1945, eventually settling in sun-drenched West Hollywood, California. He did arrange the Star Spangled Banner for a series of Boston Symphony concerts, explaining his
desire to do my bit in these grievous times toward fostering and preserving the spirit of patriotism in this country.
After the first performance, the audience was apparently shocked by what they considered to be an unconventional harmonization. The Boston Police, misinterpreting a Federal law prohibiting “tampering” with the National Anthem, told Stravinsky that he had to remove his arrangement from the remaining programs. Reluctantly, he conceded.
More here.
confronting death
Stephen Cave at The Financial Times:
Someone must care for the dead, who, as the mortician Caitlin Doughty writes, “have become useless at caring for themselves”. In ancient Egypt, it was the job of the jackal-headed god Anubis, who would usher them to where their hearts would be weighed against the feather of justice. According to Greek legend, the task of ferrying the corpses went to Charon, “a shaggy-jowled, white-haired demon who piloted sinners by boat across the River Styx into hell”. But “at Westwind Cremation”, Doughty tells us, “that job belonged to Chris”.
Death is the point at which the profane and the sacred collide — an event completely natural and yet surrounded by mystery; steeped in the physical realities of bodily processes, yet enwreathed with existential hopes and fears. How therefore should we think about it? Many in the secular west and beyond, who have been unmoored from the spiritual certainties of the past, seem to have concluded that it is best not to think about it at all. For others, averting our gaze from death means stumbling through life half-blind.
more here.
The Grateful Dead and the old, weird America
David L. Ulin at The Los Angeles Times:
For about 10 minutes on Sunday morning, I regretted not going to Santa Clara to hear the Grateful Dead. This was after I saw the set list from the first of the five “Fare Thee Well” shows scheduled to conclude July 3, 4 and 5 at Chicago’s Soldier Field.
“Alligator,” “Cream Puff War,” “What’s Become of the Baby?” — these were songs they hadn’t played live, if at all, in close to five decades. And yet, there was no Jerry Garcia. How could it be the Dead without Jerry Garcia, who died in 1995? This was a key reason I’d dismissed these goodbye shows; how could you say goodbye to something that was already gone?
My last Dead show was at the Spectrum in Philadelphia on April 6, 1982. Even then, my relationship with the band was ambivalent; I was an admirer of the intent if not always the execution of the music, the ideal of improvisation, making mistakes in public, but wary of nostalgia, then and now.
more here.
the new american discontent
George Packer at the New York Times:
In the absence of any perceptible contractions of revolt, two writers — Charles Murray on the libertarian right, Chris Hedges on the apocalyptic left — have given up waiting and decided to induce labor. Their methods are different: Murray’s “By the People” administers a strong but targeted dose of Pitocin, while Hedges’ “Wages of Rebellion” counsels lots of sex, which is called “sublime madness.” But the most interesting aspect of these two books is where their authors overlap. Both are appalled by the collusion between the federal government and corporations. Both describe the legal system as essentially lawless. Neither has any faith that electoral politics, the three branches of government or the Constitution itself can make a difference. Neither fits with any sizable faction of either of the two parties. Both despise elites. Both are willing, even eager, to see Americans break the law, in nonviolent ways, to force change.
At times Murray and Hedges sound exactly the same. “It is part of our national catechism that government is instituted to protect our unalienable rights, and that when it becomes destructive of those rights, the reason for our allegiance is gone. At that point, revolution is not treason, but the people’s right,” says Murray, though it could be Hedges. “Appealing to the judicial, legislative or executive branches of government in the hope of reform is as realistic as accepting the offer made by the March Hare during the Mad Tea-Party,” writes Hedges, pulling off a pretty good Murray.
more here.
How I Would Vote in the Greek Referendum
Joseph Stiglitz in The Guardian (Photograph: Sotiris Barbarousis/Sotiris Barbarousis/epa/Corbis):
Why are European Union leaders resisting the referendum and refusing even to extend by a few days the June 30 deadline for Greece’s next payment to the IMF? Isn’t Europe all about democracy?
In January, Greece’s citizens voted for a government committed to ending austerity. If the government were simply fulfilling its campaign promises, it would already have rejected the proposal. But it wanted to give Greeks a chance to weigh in on this issue, so critical for their country’s future wellbeing.
That concern for popular legitimacy is incompatible with the politics of the eurozone, which was never a very democratic project. Most of its members’ governments did not seek their people’s approval to turn over their monetary sovereignty to the ECB. When Sweden’s did, Swedes said no. They understood that unemployment would rise if the country’s monetary policy were set by a central bank that focused single-mindedly on inflation (and also that there would be insufficient attention to financial stability). The economy would suffer, because the economic model underlying the eurozone was predicated on power relationships that disadvantaged workers.
It is hard to advise Greeks how to vote on 5 July. Neither alternative – approval or rejection of the troika’s terms – will be easy, and both carry huge risks. A yes vote would mean depression almost without end. Perhaps a depleted country – one that has sold off all of its assets, and whose bright young people have emigrated – might finally get debt forgiveness; perhaps, having shrivelled into a middle-income economy, Greece might finally be able to get assistance from the World Bank. All of this might happen in the next decade, or perhaps in the decade after that.
By contrast, a no vote would at least open the possibility that Greece, with its strong democratic tradition, might grasp its destiny in its own hands.
More here.
Independently Drawn Districts Have Proved to Be More Competitive
Kim Soffen in the NYT:
Buoyed by a Supreme Court ruling, opponents of gerrymandering want to get more state legislatures out of the business of drawing congressional districts. So it’s worth examining the performance of the independent redistricting commissions validated by the court on Monday.
Arizona, via a ballot initiative in 2000, was one of the first states to entrust congressional boundaries to an independent commission, and California followed suit in 2010. Four other states have their congressional districts drawn by independent panels in an effort to make the process less partisan and yield more competitive districts. But those commissions were formed by their respective state legislatures and were not affected by Monday’s ruling.
Measuring the success of an independent commission is tricky, as it’s impossible to know how a legislature’s lines will have differed from a commission’s in the same year. And other factors like people’s relocations can alter a district’s ideological balance. But the evidence suggests that the commissions yielded more competitive races in Arizona and California.
The Arizona ballot initiative, Proposition 106, directed the commission to make the districts competitive “where to do so would create no significant detriment to the other goals.” Those goals included complying with theVoting Rights Act, equality of population, compactness, contiguity and respect for communities of interest and natural boundaries.
The “no significant detriment” clause, according to Willie Desmond, the lead map drawing consultant hired by the Arizona commission for the 2011 redistricting, “was kind of hard to interpret.” He said in an interview, “The commissioners all viewed that in slightly different ways depending on whether they wanted there to be more competitive districts.”
Even so, the maps resulting from both the 2001 and 2011 redistricting in Arizona were among the most competitive in the nation, as measured by election results. They had an average margin of victory more than 28 percent lower than that of the United States as a whole. Indeed, two of its nine districts were among the 29 in the nation that had margins of victory under 5 percent in 2014.
More here.
Dancing in Your Head
Adam Shatz remembers Ornette Coleman in the LRB:
‘One of the most baffling things about America,’ Amiri Baraka wrote in 1963, ‘is that despite its essentially vile profile, so much beauty continues to exist here.’ Perhaps, he wondered, ‘it is because of the vileness, or call it adversity, that such beauty does exist.’ Baraka made the observation in his liner notes to John Coltrane’s album Live at Birdland, which includes ‘Alabama’, an elegy for the four girls murdered in the 1963 Birmingham Church bombing.
I thought of Baraka’s words at New York’s Riverside Church last Saturday, at the funeral of the alto saxophonist and composer Ornette Coleman. No one mentioned the atrocity in Charleston explicitly; no one had to. We were in the church where Martin Luther King declared his opposition to the Vietnam War in 1967. We were honouring the life of America’s leading free jazz musician in a dramatic week for freedom in America. The Supreme Court had ruled five to four in favour of gay marriage; at the Emanuel African Methodist Episcopal Church in Charleston, Obama had drawn on the cadences of the Southern black church, in perhaps the most powerful speech of his presidency, and invited his audience to join him in singing ‘Amazing Grace’.
In speech after speech, Coleman, who died at 85, was remembered as a man who embodied a set of values – freedom, independence, improvisation, cultural survival – that transcend music, values shared by Coleman’s friend John Coltrane, who, just before he died in 1967, requested in his will that Coleman perform at his funeral. With Coleman’s death, an era closes. As the jazz DJ Phil Schaap said, ‘I have the feeling of the conclusion of the age of the prophets.’
More here.
The last Americans in Palmyra
Matthew Stevenson in The Critical Flame:
My son Charles and I may have been the last Americans to walk among the Roman ruins at Palmyra.
A classical oasis in the Syrian desert, Palmyra was recently captured by the Islamic State (sometimes called ISIS or ISIL) from a coalition army that included soldiers still loyal to President Bashar al-Assad.
An outpost of the Roman Empire that remains vibrantly intact, the city is about a three-hour drive (134 miles on dodgy roads) east into the Syrian desert from either Homs or Damascus. Carry on another nine or ten hours, and you will arrive in Baghdad.
Dedicated to creating an Islamic state in western Iraq and eastern Syria, ISIS brutalizes the population in its conquered areas and has destroyed unnumbered artifacts from earlier civilizations. Although it has yet to take down the ruins at Palmyra, it has committed shocking atrocities in Iraq against such UNESCO sites such as Nimrud, Hatra, and Nineveh—beheading statues, much as it has the local opposition to its extreme Sunni rule. Erasing historical complexity is as important a weapon in its arsenal as an AK-47.
In recent days around Palmyra, ISIS blew up several Muslim tombs (located just outside the city) and, according to some reports, might have laced land mines in or around the ancient Roman city.
More here.
RAVI SHAVI PLAY “INDECISIONS” IN A BAR
From Noisey:
Rafay Rashid was born in Islambad, Pakistanin but it was in Providence, Rhode Island where he formed Ravi Shavi, a garage pop doo-wop/new wave/ quartet who recently released their debut album on Brooklyn based Almost Ready records.
In August, Rafay is heading back to Pakistan to play some shows. Here’s hoping that the audiences are a bit more enthusiastic than the one found in the video for “Indecisions”. Who the hell reads a book at a gig?
We spoke to Rafay to find out more.
More here.