From Quillette:
Introduction — John P. Wright, Ph.D.
Thirteen years in the making, the American Psychological Association (APA) released the newly drafted “Guidelines for Psychological Practice for Boys and Men.” Backed by 40 years of science, the APA claims, the guidelines boldly pronounce that “traditional masculinity” is the cause and consequence of men’s mental health concerns. Masculine stoicism, the APA tells us, prevents men from seeking treatment when in need, while beliefs rooted in “masculine ideology” perpetuate men’s worst behaviors—including sexual harassment and rape. Masculine ideology, itself a byproduct of the “patriarchy,” benefits men and simultaneously victimizes them, the guidelines explain. Thus, the APA committee advises therapists that men need to become allies to feminism. “Change men,” an author of the report stated, “and we can change the world.”
But if the reaction to the APA’s guidelines is any indication, this change won’t happen anytime soon. Criticism was immediate and fierce. Few outside of a handful of departments within the academy had ever heard of “masculine ideology,” and fewer still understood how defining traditional masculinity by men’s most boorish—even criminal—behavior would serve the interests of men or entice them to seek professional help.
More here.

I’m talking about loudness as a measure of sound within a particular recording. Our ears perceive loudness in an environment by reflexively noting the dynamic range — the difference between the softest and loudest sounds (in this case, the environment is the recording itself, not the room you are playing it in). A blaring television commercial may make us turn down the volume of our sets, but its sonic peaks are no higher than the regular programming preceding it. The commercial just hits those peaks more often. A radio station playing classical music may be broadcasting a signal with the same maximum strength as one playing hip-hop, but the classical station broadcast will hit that peak perhaps once every few minutes, while the hip-hop station’s signal may peak several times per second.
“If you really want to erase or distort a story,” Khaled Khalifa declares in his astonishing new novel “Death Is Hard Work,” “you should turn it into several different stories with different endings and plenty of incidental details.” He’s referring to the salutary comforts of narrative. This — or so we like to reassure ourselves — is one reason we turn to literature: as a balm, an expression of the bonds that bring us together, rather than the divisions that tear us apart.
According to Elizabeth Goldring in this engrossing biography, the earliest recorded use of the term ‘miniature’ in English literature comes in Sir Philip Sidney’s prose romance The New Arcadia, written in the early 1580s. Four ladies bathe and splash playfully in the River Ladon, personified as male, and he responds delightedly by making numerous bubbles, as if ‘he would in each of those bubbles set forth the miniature of them’. It’s a pleasing image, calling to mind the delicacy and radiance of the works of Nicholas Hilliard, the leading miniaturist (or ‘limner’) of the Elizabethan age, whom Sidney knew and with whom he discussed emerging ideas about the theory and practice of art. In some ways, a miniature had the ephemerality of a bubble, capturing an individual at a fleeting moment in time, often recorded in an inscription noting the date and the sitter’s age. Yet it also made that moment last for posterity, as shown in this sumptuous book, where Hilliard’s subjects gaze back at us piercingly from many of the 250 colour illustrations.
When we meet Julie Yip-Williams at the beginning of “The Unwinding of the Miracle,” her eloquent, gutting and at times disarmingly funny memoir, she has already died, having succumbed to colon cancer in March 2018 at the age of 42, leaving behind her husband and two young daughters. And so she joins the recent spate of debuts from dead authors, including Paul Kalanithi and Nina Riggs, who also documented their early demises. We might be tempted to assume that these books were written mostly for the writers themselves, as a way to make sense of a frightening diagnosis and uncertain future; or for their families, as a legacy of sorts, in order to be known more fully while alive and kept in mind once they were gone.
A writer’s life and work are not a gift to mankind; they are its necessity,” says
Unlikely as it might sound, one of the most electric political meetings I have ever attended was a lecture on the Finnish educational system given by
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AROUND 2014
Amid the global rise of the Christian right, some
Bolz-Weber had flown in from her home in Denver to promote her book “
In 1972 the socialist left swept to power in Jamaica. Calling for the strengthening of workers’ rights, the nationalization of industries, and the expansion of the island’s welfare state, the People’s National Party (PNP), led by the charismatic Michael Manley, sought nothing less than to overturn the old order under which Jamaicans had long labored—first as enslaved, then indentured, then colonized, and only recently as politically free of Great Britain. Jamaica is a small island, but the ambition of the project was global in scale.
To those convinced that a secretive cabal controls the world, the usual suspects are Illuminati, Lizard People, or “globalists.” They are wrong, naturally. There is no secret society shaping every major decision and determining the direction of human history. There is, however, McKinsey & Company.
A couple of months ago, Twitter user @emrazz asked women
An army unit known as the “Six Triple Eight” had a specific mission in
Jonathan Haidt, author of The Coddling of the American Mind and professor at NYU
IN A SERIES