Grzegorz Kwiatkowski interviewed by Cynthia Haven

by Cynthia Haven

“People in the know know him.” That’s what his English translator, Peter Constantine, told me. Grzegorz Kwiatkowski is becoming an important poetic voice from today’s Poland, with six volumes of poetry, and translated editions on the way. His translator added, “He has a strange poetic voice, very original and stark.”

Grzegorz is also a celebrated musician: his internationally known post-rock band Trupa Trupa has been featured on NPR, The Guardian, Rolling Stone, and elsewhere.  He has called his music a “vital pessimism” which shows the “rather dark and rather frightening sides of human nature.”

He grew up in Gdańsk, in the shadow of a family marred by his grandfather’s internment in a concentration camp. “My grandfather and his sister were both in the camps. This experience buried them,” he said. “After the war, she went crazy and he became a quiet, hidden man.”

His minimalist poems explore not only conflicted pasts of Eastern Europe – for example, the Nazi euthanasia program – but also the paradoxes of contemporary genocides –Rwanda, for instance. His poems have been perceived as quasi-testimonies, provocative and lyrical utterances delivered by the dead.

Yale critic Richard Deming said that Kwiatkowski’s work “reveals that the unforgettable is also the undeniable. Is it beautiful? I say it is powerfully necessary, unrelentingly direct. I say it burns.” Read more »

Leading Men Give Themselves a Me-Too Era Pummeling in ‘The Last Duel’

by Alexander C. Kafka

The Last Duel is a compelling wide-screen-worthy medieval period drama with exemplary production values — all the more admirable given its disrupted filming schedule during the pandemic. But the project is also a fascinating psycho-cultural phenomenon: a primarily male-helmed Me Too-era exercise in brutal masculine mutual and self-punishment. 

The true tale was adapted by Nicole Holofcener, with Ben Affleck and Matt Damon, from a book by Eric Jager. It is directed by the ubiquitous Ridley Scott, who also has a production credit. Damon is a 14th-century French knight, Sir Jean de Carrouges, whose onetime comrade in arms, Jacques Le Gris (Adam Driver), alienates and subverts him, then allegedly rapes Jean’s wife, Marguerite (Jodie Comer). The titular duel will render God’s verdict on whether Le Gris is telling the truth in his profession of innocence. If he is, then not only will Jean perish but so will Marguerite — bound and burned alive. Jean’s corrosive pride, sneaky mother, and trouble conceiving an heir twist the tale further, as do plague-era economics and royal politics.

Reviews have prominently noted The Last Duel’s feminist spin. The script has a three-perspective Rashomon story structure from the viewpoints of the two knights and then of the lady in question, and what fools men be is certainly a key takeaway. 

But there’s more going on than that — an expiation, a cathartic self-sacrifice, of the male Hollywood ethos itself. Knights confess, or try to pummel each other into confession. And the film feels like a giant testosterone- and angst-spilling plea for forgiveness. Read more »

The Orientalism of Dune

by Mir Ali Hosseini

Most cinemas have been open for some time where I live. After having been indoors in restaurants and bars a few times, I was slowly reintroduced to the pleasures of sharing a space with strangers. And finally it felt like the right moment to, once again, set foot in a cinema.

After about one and a half years, I wanted my return to cinema to be epic — literally epic. Dune’s synopsis seemed to promise exactly that:

A mythic and emotionally charged hero’s journey, Dune tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people.

So, despite being unfamiliar with Frank Herbert’s novel Dune (1965), I chose to watch Denis Villeneuve’s 2021 adaptation.

I wanted my first post-lockdown cinema experience to be a sheer re-enchantment with the silver screen. So, not only did I pick a film which could surprise me the most, but also, I intentionally avoided reading about it. Even though I never read any reviews before watching the film, all the review titles I came across seemed to indicate that a great work, maybe even a masterpiece, is awaiting my presence in cinema.

Well, Dune did surprise me — though in a way which I wasn’t expecting. Read more »

Charaiveti: Journey From India To The Two Cambridges And Berkeley And Beyond, Part 14

by Pranab Bardhan

All of the articles in this series can be found here.

Among other members in the Economics faculty at Cambridge, there was the great Italian scholar, Piero Sraffa. He was administratively the professor-in-charge of us, graduate students. So I met him a few times in that connection, but never quite intellectually engaged with him, partly because by that time he was a bit reclusive and did not teach classes or attend seminars; but also because I was so much in awe of his reputation in areas where I had little expertise. His work in Economics was path-breaking in taking price theory to its classical roots, he had an influence on Wittgenstein’s philosophy (which the latter acknowledged), and he was a close friend of the Italian Marxist thinker, Antonio Gramsci (when the latter was jailed by Mussolini in 1926, Sraffa used to regularly supply him with books and even pen and paper, with which Gramsci wrote his famous Prison Notebooks, procured by Sraffa from the prison authorities after Gramsci’s death in 1937).

Other faculty members with whom I wish I had more interaction were Nicholas Kaldor, Maurice Dobb (I did tell him that his book had helped me come to Economics), and Luigi Pasinetti (many years later when I gave the first Luca d’Agliano Lecture in Development Economics in Turin, Luigi called me from Milan, which was a pleasant surprise, and we had a long talk). Both Kalpana and I saw quite a bit of two young faculty members, one was Geoff Harcourt (the friendly Australian) and Ajit Singh, an astute Marxist academic and organizer (the leftists, including some gorgeous upper-class British women, doted on him). Read more »

Dennett and Spinoza

Walter Veit in the Australasian Philosophical Review:

Genevieve Lloyd has done much to promote serious engagement with Baruch Spinoza and has demonstrated many ways in which Spinoza can inform and challenge current debates in the philosophical mainstream. In her article in this issue, Lloyd invites us to challenge the simplistic caricature of Spinoza as a paradigm ‘rationalist’, thus providing us with rich insights into the subtleties of Spinoza’s naturalist view on minds, knowledge, and reason. This more accurate picture, however, offers a striking similarity to the work of Daniel Dennett. Indeed, Spinoza and Dennett are alike in sharing their fervent opposition to Descartes’ conception of mind and body.

Lloyd [2021] herself alludes to Dennett when she suggests that a serious engagement with Spinoza might allow us to provide an alternative framing of the problem of consciousness—one that replaces the current metaphors with what Dennett [1991: 455] would describe as novel ‘tools of thought’. While Lloyd [2017] has addressed the connection between Spinoza and the problem of consciousness in a previous publication, little has been made of the connection between these two Anti-Cartesian conceptions of the mind.

More here.

 

Harvard psychologist Joshua Greene explains Facebooks’s trolley problem

Colleen Walsh in The Harvard Gazette:

Testimony by former Facebook employee Frances Haugen, who holds a degree from Harvard Business School, and a series in the Wall Street Journal have left many, including Joshua Greene, Harvard professor of psychology, calling for stricter regulation of the social media company. Greene, who studies moral judgment and decision-making and is the author of “Moral Tribes: Emotion, Reason, and the Gap Between Us and Them,” says Facebook executives’ moral emotions are not well-tuned to the consequences of their decisions, a common human frailty that can lead to serious social harms. Among other things, the company has been accused of stoking division through the use of algorithms that promote polarizing content and ignoring the toxic effect its Instagram app has on teenage girls. In an interview with the Gazette, Greene discussed how his work on moral dilemmas can be applied to Facebook. The interview has been edited for length and clarity.

More here.

The Strange Death of Conservative America

J. Bradford DeLong in Project Syndicate:

If you are concerned about the well-being of the United States and interested in what the country could do to help itself, stop what you are doing and read historian Geoffrey Kabaservice’s superb 2012 book, Rule and Ruin: The Downfall of Moderation and the Destruction of the Republican Party, from Eisenhower to the Tea Party. To understand why, allow me a brief historical interlude.

Until roughly the start of the seventeenth century, people generally had to look back in time to find evidence of human greatness. Humanity had reached its peak in long lost golden ages of demigods, great thinkers, and massive construction projects. When people did look to the future for promise of a better world, it was a religious vision they conjured – a city of God, not of man. When they looked to their own society, they saw that it was mostly the same as in the past, with Henry VIII and his retinue holding court in much the same fashion as Agamemnon, or Tiberius Caesar, or Arthur.

But then, around 1600, people in Western Europe noticed that history was moving largely in one particular direction, owing to the expansion of humankind’s technological capabilities.

More here.

The Millions Interviews Catherine Baab-Muguira

Benjamin Morris in The Millions:

“Live your best life.” It’s one of the most common, yet worthless, aphorisms offered today. Chipper, insipid, and surprisingly relativistic (it fits arsonists as well as anybody), this meaningless maxim is the Tic-Tac of modern aspiration, boasting all the nuance and depth of Target word-art or pastel Instagram posts. Fed up with such drivel, and equally skeptical of the therapy-industrial complex, writer Catherine Baab-Muguira urges us in her debut book of nonfiction to take the exact opposite tack: to live our worst life instead.

In Poe for Your Problems: Uncommon Advice from History’s Least Likely Self-Help Guru (Running Press), Baab-Muguira preaches the good news of one of the greatest screw-ups of all time: Edgar Allan Poe. Drawing insights on work, love, ambition, and legacy from Poe’s blazing dumpster fire of a life, she concludes that the surest way to thrive is to sabotage everything you can get your mitts on, then build something new and totally novel out of the wreckage. Her literary forebears—Richard Fariña and Charles Bukowski among others—would be proud.

Recently I posed Baab-Muguira a few questions for The Millions, which she graciously answered amid her publicity tour of Richmond pubs—knocking back local spirits in honor of her favorite local spirit.

More here.

Sunday Poem

The Second Coming

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the center cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

by W.B. Yeats

 

 

Dave Chappelle’s show is a rip-off

Damian Reilly in The Spectator:

Towards what seemed like the halfway point of his show in London last night, Dave Chappelle announced to the crowd he was going to tell us something he was refusing to tell the media. He wanted us to know, he said while looking sadly at the floor, that his quarrel was not with the gay or the trans communities . No, no. Looking up and raising an index finger, he explained: ‘I’m fighting a corporate agenda that needs to be addressed.’ Thinking we still had another hour of the show to go, we cheered. ‘You fight those corporate vampires, Dave!’ we thought. He then let us know, whenever it was possible, that we should be kind to one another. Very shortly after that he raised his thumbs aloft and walked off stage: 45 minutes. Friday night tickets are £160. You show those corporate vamp… oh.

Dave Chappelle is a very rich man. Reading through the coverage of the whirligig of controversy he quite deliberately tipped off last week by finishing his latest Netflix special The Closer with the observation that (to paraphrase) ‘trans pussy is not the same as non-trans pussy’, the thing that really stood out was how much he is paid to do those specials. Since 2017, he’s done six – each about 70 minutes long. Netflix reportedly pays him $20 million per show.

At last night’s show in Hammersmith (3,500 seats, so about $3.5 million for 8 nights – or six hours on stage, all in), Chappelle seemed keen to let us know he was richer than us. He told a joke at the outset that involved the detail he’d reached 60 miles an hour in his car on his driveway, in pursuit of a malefactor. ‘That probably seems pretty fast for a driveway,’ he said. ‘But that’s because you’re thinking of your own house.’ Repeatedly, too, he bought his bodyguards out from the wings so we could see them for ourselves.

I’d warned my wife on the way in she would probably hate every second of it. I thought she’d be appalled by much of his humour. But the show was funny. It wasn’t as subversive or anything like as provocative as The Closer, but he still had her and the rest of the audience roaring through a lengthy section on male-on-male rape. Chappelle is very good at what he does. In The Closer, he unironically references the Greatest of All Time status some have bestowed on him, which is a considerable stretch – particularly on last night’s showing. But is he the hero we need? Certainly, comedy now seems the only force capable of making meaningful inroads against the unsmiling, dark armies of cancel culture and corporate-backed wokery. It’s only the comics who are allowed to say what is increasingly deemed unsayable for the rest of us.

More here.

How Emerging Markets Hurt Poor Countries

C. P. Chandrasekhar and Jayati Ghosh in Boston Review ( Image: James Robertson/Jubilee Debt Campaign):

It is by now well known that three decades of financial globalization have led to massive increases in income and asset inequalities in the United States and Europe. But in the developing world, the effects of financial globalization have been even worse: along with new inequality and instability, the creation of “emerging markets” to support investment in poor countries has undermined development projects and created a relationship in which poor countries supply financial resources to rich ones. This is exactly the opposite of what was meant to happen. Yet this growing disparity in per capita incomes across the global North and South is not a bug in the system but a result of how global financial markets have been allowed to function.

The biggest promise of neoliberal finance, initially pushed by economists such as Ronald McKinnon from the late 1970s onward, was that it would enable greater and more secure access to resources for development for countries deemed too poor to generate enough savings within their own economies to fund necessary investment. To access savings from abroad, they were encouraged to tap into global financial markets.

At the same time, changes in the economies of the developed world in the late 1980s generated mobile finance willing to slosh around the globe in search of higher returns. Deregulation enabled new financial “instruments,” such as credit default swaps (which supposedly insure against debt default) and other derivatives, that suddenly made it attractive to provide finance to activities and borrowers that were previously excluded. In the United States this gave rise to the phenomenon of “sub-prime” lending in the housing market, but it also encouraged international finance to provide loans to countries without much previous access to private funds. Indeed, many lenders actively sought out new borrowers, as moving capital was one of the major routes to higher profitability in the financial sector.

These developments gave rise to the term “emerging markets,” first used by economists at the World Bank’s private investment arm, the International Finance Corporation (IFC) in 1981 to promote mutual fund investments in developing countries.

More here.

‘Ted Lasso’ is not about what you think

David M. Perry and Matthew Gabriele over at CNN:

The breakout show of the pandemic has been Apple+’s “Ted Lasso,” now just finished with its second season. The titular character, an American college football coach who improbably finds himself coaching the fictional English football club AFC Richmond, seems to exude kindness and optimism. He comes across as a folksy rube at the beginning — the worst kind of stereotype of Americans abroad — but during the first season manages to win just about everyone over to his side even in the face of betrayal and disaster. The second season seemed to continue this trajectory, as Ted and those around him confront their inner demons.

But although the show’s superficial focus over the first two seasons has been on Ted as a “nice guy,” that’s not really what the show is about. It isn’t a happy-go-lucky dramatization of optimism, but about the work and necessity of building communities in which we draw strength from one another. The show’s tension and success stem not from its oft-touted emphasis on kindness, but from its ability to embody something that in the past would have been called caritas.
The Latin word caritas is most often translated as “charity,” but a better meaning is “love” — a certain kind of love, though, one that’s selfless, that puts others first. The “love” of the famous passage from 1 Corinthians 13 (that it is “patient,” “kind,” etc.), the staple of so many Christian weddings, for example, is translated from caritas in the Latin. This is a type of love that thinks more about others than oneself. As the 13th century theologian Thomas Aquinas explained, it’s simply to “wish good to someone.”
More here.

The disastrous voyage of Satoshi, the world’s first cryptocurrency cruise ship

Sophie Elmhirst in The Guardian (Illustration by Pete Reynolds):

On the evening of 7 December 2010, in a hushed San Francisco auditorium, former Google engineer Patri Friedman sketched out the future of humanity. The event was hosted by the Thiel Foundation, established four years earlier by the arch-libertarian PayPal founder Peter Thiel to “defend and promote freedom in all its dimensions”. From behind a large lectern, Friedman – grandson of Milton Friedman, one of the most influential free-market economists of the last century – laid out his plan. He wanted to transform how and where we live, to abandon life on land and all our decrepit assumptions about the nature of society. He wanted, quite simply, to start a new city in the middle of the ocean.

Friedman called it seasteading: “Homesteading the high seas,” a phrase borrowed from Wayne Gramlich, a software engineer with whom he’d founded the Seasteading Institute in 2008, helped by a $500,000 donation from Thiel. In a four-minute vision-dump, Friedman explained his rationale. Why, he asked, in one of the most advanced countries in the world, were they still using systems of government from 1787? (“If you drove a car from 1787, it would be a horse,” he pointed out.) Government, he believed, needed an upgrade, like a software update for a phone. “Let’s think of government as an industry, where countries are firms and citizens are customers!” he declared.

More here.

A Biography of W.G. Sebald

Dwight Garner at the NYT:

W.G. Sebald is probably the most revered German writer of the second half of the 20th century. His best-known books — “The Emigrants,” “The Rings of Saturn,” “Austerlitz,” published here between 1997 and 2001 — are famously difficult to categorize.

Carole Angier, the author of a new biography, “Speak, Silence: In Search of W.G. Sebald,” likes to refer to them, borrowing from the writer Michael Hamburger, as “essayistic semi-fiction.” I prefer a comment from one of Sebald’s students, who said that his otherworldly sentences resemble “how the dead would write.”

His themes — the burden of the Holocaust, the abattoir-like crush of history in general, the end of nature, the importance of solitude and silence — are sifted into despairing books that can resemble travel writing of an existential sort.

more here.

Why Middlemarch Still Matters

Johanna Thomas-Corr at The New Statesman:

Eliot’s humanism tends to inspire awe in her readers. “She seems to care for people, indiscriminately and in their entirety, as it was once said God did,” wrote Zadie Smith in a 2008 essay on Middlemarch. As it was once said God did. My first thought is of Middlemarch’s omniscient narrator: sage, a little sarcastic, a little judgemental as she tunes into the thoughts of each character, catching them in the act of realising something about themselves.

But when Smith talks about Eliot being like God, what she means is that Eliot was “so alive to the mass of existence” that she conferred as much attention on her mediocre characters as she did on her more admirable ones. Smith’s essay is a sort of riposte to Henry James’s 1873 review of Middlemarch, in which he argued that Eliot should have focused her energies on Dorothea, who “exhales a sort of aroma of spiritual sweetness”, rather than lingering so long on the feckless horse-trading Fred Vincy, “with his somewhat meagre tribulations and his rather neutral egotism”.

more here.