Magma, Memphis, and the Middle Ages

Benjamin Nugent in The Paris Review:

When you go on a first date, do you struggle to make conversation? Read Morris Bishop’s The Middle Ages, a popular history from 1968, and your troubles are over. Did you know that if you failed to attempt to return a lost falcon to its rightful owner, flesh was cut from your breast and fed to the falcon? Did you know that there was plastic surgery, with noses, lips, and ears enlarged via skin graft? Did you know that to become a Master of Grammar at Cambridge, you had to prove that you were skilled at beating students by hiring a boy and hitting him with a birch rod, with a beadle as your witness? Did you know that, at the same time, there were rules against the hazing of freshmen? One statute from Germany: “Each and every one attached to this University is forbidden to offend with insult, torment, harass, drench with water or urine, throw on or defile with dust or any filth, mock by whistling, cry at with a terrifying voice, or dare to molest in any way whatsoever… any who come to this town and to this fostering University for the purpose of study.”

More here.

Saturday Poem

The Chase

They say the chase ends where the earth is put together
by two halves, but no matter— because that is you
at thirty, perhaps forty:
corpus callosum of the brain,
two loaves opening and closing like a book.

Your arms spring out and lungs push and pull
rinsing the midnight air—
but no matter, because you are there, chasing
the child of wonder and hope
through cities coffined in smog.

You missile through firs, through mouths dusted
with mathematical chalk.
You follow the muddy-water spillways peppered with
bacterial spore.

Not the shadow that greets itself in the dark
but the utter collision of evaporating rain
………… leads you on.
Not the lightning’s sketch but the black puzzle of night,
as you appear and disappear among people,
chasing he who knows your name
but won’t tell.

by Victor Martinez
from
Paper Dance -55 Latino Poets
Persea Books, 1995

 

Faisal Devji on the recent biography of Edward Said

Faisal Devji at the website of Hurst:

There is a parallel between Timothy Brennan’s biography of Edward Said and the latter’s most famous book. Like Orientalism in 1978, Places of Mind appears at a time when colonialism and race have once again become subjects of public debate in North America and Western Europe. Reviewers have linked the reception of Said’s book and the politics it enunciated to that facing the supporters of movements like Black Lives Matter or Rhodes Must Fall. And it was to find out how we might understand such a trajectory that I was eager to read the biography. Said was one of the earliest non-European immigrants to achieve fame in the American academy, and I wanted to know how he managed to spark the first new debate on imperialism there since its formal dissolution.

That this debate was about imperialism as a form of knowledge, rather than of economic motives or political control, might be due to its posthumous character. For Said argued that orientalist ways of thinking both preceded and outlived colonialism, which made the struggle for freedom an epistemological one perfectly suited to the university and intellectual life in the West. And the context of this struggle was provided by the 1970s, a decade of immigration from the global south to the north.

More here.

Why COVID-19 Is Here to Stay, and Why You Shouldn’t Worry About It

Philippe Lemoine at CSPI:

As many countries are going through another wave of infections, including some where the vast majority of the population has been vaccinated, many are starting to despair that we’ll ever see the end of the pandemic. In this post, I will argue that, on the contrary, not only is the pandemic already on its way out, but the virus will be relatively harmless after it has become endemic. This is going to happen not because the SARS-CoV-2 will become intrinsically less dangerous, although it might, but rather because what made the virus so dangerous was that nobody had immunity against it, so once it has become endemic it will infect fewer people and even those who end up infected will be much less at risk. Moreover, I will explain that, despite widespread anxiety about the emergence of new variants and the danger of immune evasion, the fact that SARS-CoV-2 is mutating will not prevent this outcome because of the way immunity works. Finally, I will argue that, although some people are calling to pursue the eradication of SARS-CoV-2 (as we have done with smallpox), we almost certainly couldn’t eradicate it even if we wanted to and that even if we could it wouldn’t be worth it.

More here.

Existential Matters

Ian Marcus Corbin in The Point:

Matter and energy are neither created nor destroyed, or so says modern physics. The subatomic substrate that adds up to the eyes scanning these words, the fingers holding them within sight and all the rest of your soft, unaccountable self, used to belong to other things—an apple or a cow, maybe—and they will belong to yet others in the future. What we are now, as long as we are, is a temporary contraction.

A physician’s basic job, given this reality, is to study the normal, unspeakably complex system of unification that holds our bodies in being, and if some organ or node starts to divert from that system, steer those parts back toward the accustomed path. Until, that is, the gathering force—soul? Divine design? DNA? Choose your own poetry here—loosens its grasp, as it inevitably will, and our parts disperse. How should physicians, and the rest of us, approach this natural dispersal? This is the question animating Lydia Dugdale’s wise, humane book, The Lost Art of Dying: Reviving Forgotten Wisdom. It is a question made urgent by Dugdale’s very plausible suggestion that contemporary Americans are in the habit of dying very badly.

More here.

Scientists harness human protein to deliver molecular medicines to cells

From Phys.Org:

Researchers from MIT, the McGovern Institute for Brain Research at MIT, the Howard Hughes Medical Institute, and the Broad Institute of MIT and Harvard have developed a new way to deliver molecular therapies to cells. The system, called SEND, can be programmed to encapsulate and deliver different RNA cargoes. SEND harnesses natural proteins in the body that form virus-like particles and bind RNA, and it may provoke less of an immune response than other delivery approaches.

…Reporting in Science, the team describes how SEND (Selective Endogenous eNcapsidation for cellular Delivery) takes advantage of molecules made by . At the center of SEND is a protein called PEG10, which normally binds to its own mRNA and forms a spherical protective capsule around it. In their study, the team engineered PEG10 to selectively package and deliver other RNA. The scientists used SEND to deliver the CRISPR-Cas9  system to mouse and human cells to edit targeted genes.

First author Michael Segel, a postdoctoral researcher in Zhang’s lab, and Blake Lash, second author and a graduate student also in the group, said PEG10 is not unique in its ability to transfer RNA. “That’s what’s so exciting,” said Segel. “This study shows that there are probably other RNA transfer systems in the human body that can also be harnessed for therapeutic purposes. It also raises some really fascinating questions about what the natural roles of these proteins might be.”

More here.

Friday Poem

My Sister Teaches Me How to Ululate

Yallah habibti, move your tongue like the sea
easy. My big sister teaches me to ululate, rolls
her tongue in waves. Dips thin fingers inside
my mouth to pull out mine, stretches it long
and pinches the tip. Watch, we move tongues
like this. I see the walls of our father’s house
collapse and we swim free leleleleleleleleleee

On the ferry to Tangier I shriek across the sea.
Practice how to sound like a real woman. Old
aunties grab my buttocks, smush their breasts
against my back and sing
leleleleleleleleleleeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
Don’t cover your mouth habibti! Only women
on the upper deck, only sea. We move tongues
like this to tell the waves stay back, tell men

stay back, tell the dead stay gone, tell runaway
wives stay gone. They turn me into wisteria
woman, limbs wrapped around poles and thighs
as they guide me. Throw back your head, epiglottis
to the breeze. Salt air burns my hot membranes,
scratches at the tight knots of my chords.
All my life I was told

women must swallow sand
unless we are sounding
a warning.

by Seema Yasmin
from
Foundry

Chuck Close, Artist of Outsized Reality, Dies at 81

Ken Johnson and  at The New York Times:

Mr. Close did not like to think of himself as a realist, photo or otherwise. In many ways he was closer to a conceptualist like Sol LeWitt, whose sculptures and murals were made according to preconceived rules and instructions. Tension between opposites like realism and abstraction, surface and depth, reality and illusion remained central to Mr. Close’s art throughout his career.

Increasingly, his paintings, drawings and prints emphasized the systems, processes and materials by which they were conceived and made. In the 1970s, he began to translate his photographic sources into pixelated images, filling in the individual cells of a grid with distinct marks, colors and tones that would cohere into photographic images when viewed from a distance. Using techniques and materials as various as watercolor, pastel, etching, handmade paper pulp and his own fingerprints, he continued to explore the dialogue between the physical facts and the photographic illusion.

more here.

Chuck Close Is Accused of Harassment. Should His Artwork Carry an Asterisk?

Robin Pogrebin and  at The New York Times:

Whatever museums ultimately decide to do about Mr. Close, some say they can no longer afford to simply present art without addressing the issues that surround the artist — that institutions must play a more active role in educating the public about the human beings behind the work.

“The typical ‘we don’t judge, we don’t endorse, we just put it up for people to experience and decide’ falls very flat in this political and cultural moment,” said James Rondeau, the president and director of the Art Institute of Chicago, which has Close works in its collection. “We must be keenly aware of the responsibility and consequences of our decisions within this context.”

“The question is,” he added, “what are the decisions that place us on the right side of history?”

more here.

Reason and facts cannot be the basis of political debates

Elizabeth Cantalamessa in Aeon:

Something is amiss with democracy. Ask people from any or no political persuasion and they’re likely to give a similar story: contemporary politics has gone haywire because one side (or both) has lost touch with reality. We are living in a ‘post-truth’ partisan news hellscape that prioritises ‘feelings over facts’ and disregards the natural authority of the truth. But all sides seem to agree that there is a ‘truth’ that explains what really makes someone a woman, or an institution racist, or a politician fascist, in a way that compels acceptance from those who otherwise disagree. What we need to do is further emphasise the importance of science and reason, and perhaps sanction the overtly partisan media outlets that mislead otherwise good-natured people, then everyone will come to their senses and agree on things because they are true, because they reflect reality. Humans are rational, remember? Surely, Immanuel Kant wouldn’t lie.

But I don’t think the truth will, in fact, set us free. Our current ‘post-truth’ political landscape in fact calls for a pragmatist therapy to rid us of the belief that ‘truth’ and ‘reality’ deserve a special place in our public justificatory practices altogether. A pragmatist ethics calls for prioritising feelings instead of facts, because a truly humanist democracy is sentimentalist rather than rationalist.

More here.

Greenhouse gas emissions must peak within 4 years, says leaked UN report

Fiona Harvey and Giles Tremlett in The Guardian:

Global greenhouse gas emissions must peak in the next four years, coal and gas-fired power plants must close in the next decade and lifestyle and behavioural changes will be needed to avoid climate breakdown, according to the leaked draft of a report from the world’s leading authority on climate science.

Rich people in every country are overwhelmingly more responsible for global heating than the poor, with SUVs and meat-eating singled out for blame, and the high-carbon basis for future economic growth is also questioned.

The leak is from the forthcoming third part of the landmark report by the Intergovernmental Panel on Climate Change, the first part of which was published on Monday, warning of unprecedented changes to the climate, some of them irreversible. The document, called the sixth assessment report, is divided into three parts: the physical science of climate change; the impacts and ways of reducing human influence on the climate.

More here.

Against Incrementalism: Center-left parties should learn that small-bore solutions are a waste of time

Martin O’Neill in the Boston Review:

Ed Miliband, now freed from the burden of party leadership, has at last resolved the tension between centrist caution and radical ambition firmly in favor of the radical option. In his funny and self-deprecating new book, GO BIG: How To Fix Our World, Miliband makes the case that the only way forward now for center-left parties is to embrace a radical platform of institutional innovation. The book is therefore addressed not only to a British audience, but to parties and activists in the social democratic tradition elsewhere. It has strong resonances for those, such as partisans of the French Parti Socialiste or the German SPD, who face the dangerous prospect of their parties being beached by the tides of history. As its title suggests, GO BIG is a sustained argument for a level of political ambition that would cast the Labour Party’s Blairite era deep into the dustbin of history.

More here.

My Ashura, My Karbala, My Hussain: A Sunni Perspective

Sadok BenAbdallah in Huffington Post:

Ashura, the tenth day of the month of Muharram in the Islamic calendar. A time of rejoicing and deliverance, yet a time of grief and sorrow. From both the Sunni and Shi’a traditions, this day holds very significant to many.

In the Sunni tradition it is widely known that we fast on this day to show gratitude to God and champion the day Moses and the Children of Israel were saved from the tyrannical rule of Pharoah as was narrated from Prophet Muhammad (pbuh). While in Shiite tradition it is known to be a day of mourning and sorrow in which they commemorate and lament over the tragedy and massacre of Karbala when Hussain, grandson of Prophet Muhammad (pbuh), was brutally killed along with members of his family and his companions. This was due to Hussain’s refusal to pledge allegiance to Yazid, the caliph of the time, as he was seen by many as an unjust ruler.

On the day of Ashura, as I participated in the annual fast, I also remembered the tragedy of Karbala and the killing of Hussain. Although seen as extremely significant, and almost even central in Shiite tradition, Hussain and the rest of the Ahlel Bayt (family of Prophet Muhammad) do in fact hold a very special place in my heart. As someone who ascribes himself to the Sunni tradition, loving Hussain and rest of the Ahlel Bayt is not contradictory, but rather an integral aspect of my faith. Due to the frequent affiliation of the Ahlel Bayt within Shiite tradition some, from both Sunnis and Shiites, perhaps might see this as an anomaly or an oxymoron, yet for me it is simply another manifestation of being a Sunni just as loving the companions of Prophet Muhammad (pbuh) is. Being a Sunni and loving the Ahlel Bayt are not mutually exclusive. Just as many people may automatically attribute Jesus with Christianity, so too will many attribute Hussain and the Ahlel Bayt with Shiite tradition only, however, that should not be the case.

More here.

The Pagan Dave Hickey

Daniel Oppenheimer at Bookforum:

The argument was this: America at its most distinctive wasn’t Judeo-Christian or capitalist or even democratic in a simple way. It was pagan. Not an earth spirit paganism of the moors and glens, but a polytheistic, commercial, cosmopolitan paganism of the bazaar and the agora. We invested objects, people, and performances with the power of our dreams and fears, and then we organized ourselves around those idols in “non-exclusive communities of desire,” arguing about them, buying and selling pieces and images of them on the open market, trying to woo others into our camp and score points over rival camps. We were a democratic people, but to see American democracy clearly was to understand that our democracy renewed itself on a substratum of pagan devotions to movie stars, rock stars, oil paintings, charismatic political figures, football teams, ingenues, mystery novels, muscle cars, runway shows, action movies, and action painters.

more here.

What Is Drag, Anyway?

Martin Padgett at The Paris Review:

What is drag, anyway?

Drag intersects with impersonation but goes beyond it. Impersonation is nonthreatening mimicry: Jonathan Winters as Maude Frickert, Flip Wilson as Geraldine. They’re men in dresses, no more. Their brilliant comedy derives not from the assumption of gender but from the assumption that the only punch line is in the contrast between their feminine look and their masculine selves.

But a gay man in a dress, or a lesbian in short hair and men’s clothes, is an altogether different being. Their images course with the electric knowledge that the performers have voluntarily given up citizenship in their presumed gender. Drag decimates presumptions of sexual identity—​male, female, and all the points on the spectrum between those labels.

more here.

The Beauty of Crossed Brain Wires

Sidney Perkowitz in Nautilus:

When I was about 6, my mind did something wondrous, although it felt perfectly natural at the time. When I encountered the name of any day of the week, I automatically associated it with a color or a pattern, always the same one, as if the word embodied the shade. Sunday was dark maroon, Wednesday a sunshiny golden yellow, and Friday a deep green. Saturday was interestingly different. That day evoked in my mind’s eye a pattern of shifting and overlapping circular forms in shades of silver and gray, like bubbles in a glass of sparkling water.

Without knowing it, I was living the unusual mental state called synesthesia, aptly described by synesthesia researcher Julia Simner as a “condition in which ordinary activities trigger extraordinary experiences.” More exactly, it is a neurological event where excitation of one of the five senses arouses a simultaneous reaction in another sense or senses (the Greek roots for “synesthesia,” also spelled “synaesthesia,” translate as “joined perception”). Some 4 percent of the population experiences this kind of cross-sensory linking, and studies have shown it’s more prevalent in creative people. Artists who’ve reported extraordinary experiences of synesthesia range from 19th-century composer Nikolai Rimsky-Korsakov to contemporary artist David Hockney to pop music star Lady Gaga.

For me, the words “Sunday,” “Monday,” and so on, generated internal visions of color and pattern. Most synesthetic reactions also involve color in response to lexical stimuli—words written or spoken (“word-color” synesthesia), and letters, numbers, and symbols (“grapheme-color” synesthesia)—or to music and sound (“colored-hearing” synesthesia). Researchers have also observed dozens of other types of stimulus-reaction combinations: taste evoking a visual image, such as the flavor of chicken producing a 3-D shape; physical touch inducing the sensation of smell; and somehow the most extraordinary pairing, words generating the sensation of taste, such as “jail” creating the flavor of bacon.

More here.