How Black is Not White?

by Akim Reinhardt

Today in TV History: Bill Clinton and His Sax Visit Arsenio – TV ...During the 1990s, the impossibility of a black president was so ingrained in American culture that some people, including many African Americans, jokingly referred to President Bill Clinton as the first “black president.” The threshold Clinton had passed to achieve this honorary moniker? He seemed comfortable around black people. That’s all it took.

Because an actual black president was so inconceivable that a white president finally treating African Americans as regular people seemed as close as America would get any time soon.

In 1998, Nobel Laureate Toni Morrison brought Clinton’s unofficial title to national attention with a New Yorker essay aimed at discrediting the impeachment proceedings against him. One of Morrison’s rhetorical devices was to check off all the boxes in which Clinton displayed “almost every trope of blackness,” including being raised in a working class, single-parent household, and loving fast food.

By 2003, the idea of a black president was still outlandish enough that it served as common comedic fodder. Chris Rock starred in the film Head of State, a fantasy comedy in which Chicago Alderman Mays Gilliam becomes a fluke president. And Dave Chappelle portrayed an unabashedly African American version of President George Bush in a Chapelle Show sketch. The skit’s running joke was how outrageous and “unpresidential” it would be to have a black chief executive. Read more »



Monday, June 3, 2013

Ann Coulter is Not Funny

by Akim Reinhardt

Image from FreeRepublic.comLet me be clear from the start. This article is not about Ann Coulter's politics, which I find to be dogmatic, bigoted, and intellectually dishonest. I've already written about that elsewhere.

Rather, politics aside, the goal here is to consider her humor and try to understand why it fails. To figure out why, despite her best efforts, Ann Coulter is not funny.

This is worth considering because Coulter often attempts to dismiss criticism and defend many of her horrific comments by bending them on the anvil of comedy. When people complain about something outrageous that Coulter says or writes, she and her supporters often insist that she is merely joking.

For example, after hiring her to write about the 2004 Democratic national convention, USA Today declined to publish Coulter's first article for the paper on the grounds that her writing suffered from a “basic weaknesses in clarity and readability that we found unacceptable.” When she refused their editorial suggestions, the paper let her go. Coulter responded that “USA Today doesn't like my ‘tone,' humor, sarcasm, etc., which raises the intriguing question of why they hired me to write for them.”

This is just one among countless examples of Coulter using her supposed sense of humor to deflect criticism. In that vein, one of her canned responses is that some people don't get her jokes because “Liberals” have no sense of humor.

This is, of course, a very strange and paradoxical accusation. For at the same time Coulter and other Conservatives are chanting that Liberals have no sense of humor, they're also endlessly complaining about how Liberals dominate the entertainment industry. And of course they're right about that. The entertainment industry, including all those professionally funny people ranging from comedy writers to standup comics, are overwhelmingly liberal and always have been.

There are people in this country who are so funny they can do it for a living; they're so funny that the broad American public will pay money to watch their movies, TV shows, and standup. And the vast, vast majority of those people are either liberal, or at the very least not conservative.

So where are all those side-splittingly funny Conservatives who, for some reason, aren't getting paid to be funny? Well, there's at least one, or so I've been told over and over. And her name is Ann Coulter. There's just one problem with this.

Ann Coulter is not funny. And I say this only with the deepest respect for comedy.

Read more »