Tag: Bristol

TIIME and SPACE. Richard Long. Arnolfini, Bristol until 15th November 2015

Posted on by Sue Hubbard

by Sue Hubbard

It is only ideas gained from walking that have any worth.

— Nietzsche

Arnolfini_Long_003Since early Christianity pilgrimages have been made to the Holy Land, to Rome, to Lourdes and Canterbury, by walking on foot. Buddhists, understanding that a journey of a thousand miles starts with one step, walk in mindfulness. The writer, Bruce Chatwin, wrote in his celebrated book, The Songlines, that “… a Bushman child will be carried a distance of 4,900 miles before he begins to walk on his own. Since, during this rhythmic phase, he will be forever naming the contents of his territory, it is impossible he will not become a poet”. According to Aboriginal legend, the totemic ancestors – among them the great kangaroo and dream-snake – were first sung into existence, as was every feature of the natural world, as ancient Bushmen walked across the Australian continent.

The British artist Richard Long also walks. Other artists paint, sculpt or make installations but Long walks and as he does so he notices and records the minutiae of the landscape. Sometimes he stops to create interventions using the raw materials – stones and driftwood – found along the way as a means of articulating ideas about time and space. Through the act of walking connections are made to rivers and mountains, deserts and clouds, sky and ground. He touches the earth lightly, rarely re-tracing his steps. His interventions are tactful: a realignment of stones, a path trodden across scree, a track left in grass or water poured slowly onto rock. He has been walking for more than 40 years. His process is simple. He takes time, pays attention and records what he notices and hears, sometimes as text, sometimes in photographs so we, too, can share something of the experience. And although we might all engage with the natural world this way, the point is, we don't. He makes looking and seeing into art.

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In Praise of the Chapaterati

Posted on by Claire Chambers

by Claire Chambers

Sake_Dean_MahomedIn 1810, a 51-year-old from Bihar named Sake Dean Mahomed opened the first Indian restaurant in Britain, the Hindostanee Coffee House. It catered to retired colonial administrators, whose Indianized tastes were no longer satisfied with British food and manners. At the Coffee House, these nostalgic epicures lounged on bolsters, smoked hookahs, and ate various spiced dishes. Mahomed was ahead of his time, though, as curry restaurants would not take off for more than a hundred years, with the founding of high-end London establishment Veeraswamy in 1926. After just two years, he went bankrupt. He had earlier published a book, The Travels of Dean Mahomet (1793), which was unique for having been written in English to give European readers a glimpse of his Indian homeland. Its creation was probably part of the author's attempt at integration in County Cork. He had lived there for over 20 years and married an Irish woman, Jane Daly, before moving to London after his Irish patronage was withdrawn. Now reinventing himself again, Mahomed, Jane, and their children shifted from London to Brighton. There Mahomed began offering Indian massages, eventually being appointed 'Shampooing Surgeon' to George IV and William IV. In 1822, he published another book, this one a quasi-medical tract on the benefits of massage and bathing.

Black AlbumAs the first proprietor of an admittedly short-lived curry restaurant in Britain, Mahomed must take some credit for this dish's popularity. Often now hailed as Britain's national dish, curry's centrality to British popular culture is underscored in one of the best jokes from Hanif Kureishi's novel The Black Album (1995). Against a backdrop of the racial and religious tension surrounding the Rushdie affair, Kureishi's Marxist lecturer character Brownlow ominously pronounces, 'I could murder an Indian'. As we will see, curry houses are a dominant setting in much writing by authors of Muslim heritage in the UK. This should not surprise us because, as Ben Highmore points out in his article about British curry history, 'the predominant food culture of the high street restaurant is Bengali (Bangladeshi)' − a nationality which is of course mostly Muslim. As a scribbling Indian restaurateur, Mahomed was a pioneer, and his culinary experiences have even inspired a self-published crime novel by the British writer Colin Bannon, The Hindostanee Coffee House (2012).

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