by Sue Hubbard
It is only ideas gained from walking that have any worth.
Since early Christianity pilgrimages have been made to the Holy Land, to Rome, to Lourdes and Canterbury, by walking on foot. Buddhists, understanding that a journey of a thousand miles starts with one step, walk in mindfulness. The writer, Bruce Chatwin, wrote in his celebrated book, The Songlines, that “… a Bushman child will be carried a distance of 4,900 miles before he begins to walk on his own. Since, during this rhythmic phase, he will be forever naming the contents of his territory, it is impossible he will not become a poet”. According to Aboriginal legend, the totemic ancestors – among them the great kangaroo and dream-snake – were first sung into existence, as was every feature of the natural world, as ancient Bushmen walked across the Australian continent.
The British artist Richard Long also walks. Other artists paint, sculpt or make installations but Long walks and as he does so he notices and records the minutiae of the landscape. Sometimes he stops to create interventions using the raw materials – stones and driftwood – found along the way as a means of articulating ideas about time and space. Through the act of walking connections are made to rivers and mountains, deserts and clouds, sky and ground. He touches the earth lightly, rarely re-tracing his steps. His interventions are tactful: a realignment of stones, a path trodden across scree, a track left in grass or water poured slowly onto rock. He has been walking for more than 40 years. His process is simple. He takes time, pays attention and records what he notices and hears, sometimes as text, sometimes in photographs so we, too, can share something of the experience. And although we might all engage with the natural world this way, the point is, we don't. He makes looking and seeing into art.