Jamie Friedlander in Medium:
When Brenda Hurwood was in her thirties, she had an accident that left her with a partial disability: She worked in home care support with elderly patients, and she injured her shoulder and neck while helping a client get out of a chair. The injury left her with decreased stamina and constant pain, Hurwood says, and she found it difficult to continue working. “It eroded away my self-confidence as a person,” she says. Hurwood, 63, who lives in Nova Scotia, Canada, says she developed generalized anxiety disorder, which persisted for decades. She tried different forms of therapy and various medications, but nothing worked — until 15 years ago, when a therapist introduced her to acceptance and commitment therapy.
ACT (pronounced like “act”) is a relatively new form of therapy centered on accepting that pain and suffering are an inevitable part of life, and using that acceptance to manage negative thoughts and feelings. In addition to anxiety, it’s been used as a treatment for depression, chronic pain, anger, phobias, and a host of other issues. Its primary conceit is that instead of trying to control or push away your negative emotions, you should focus on learning to live with them. For some people, more traditional ways of coping with those thoughts and feelings can have the opposite of their intended effect, says Jenna LeJeune, PhD, a therapist and ACT practitioner based in Portland, Oregon: “Paradoxically, the more we focus on trying to get rid of painful thoughts or feelings, the more those things become the center of our lives.”
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As the
For many writers, Sam Lipsyte’s readerly eyes are the most coveted. Hordes flock to the Columbia MFA Writing Program for the chance to take his fiction workshop, where he and I first met. On campus, revved up egos struggled under the weight of our grandiose dreams. We students all crossed our fingers in hopes that we’d be one of the lucky ones to gain access to The Great Lipsyte’s secrets.
One day at lunch in the Caltech cafeteria, I was with two graduate students, Bill Press and Saul Teukolsky, and Feynman. Bill and Saul were talking about a calculation they had just done. It was a theoretical calculation, purely mathematical, where they looked at what happens if you shine light on a rotating black hole. If you shine it at the right angle, the light will bounce off the black hole with more energy than it came in with. The classical analogue is a spinning top. If you throw a marble at the top at the right angle, the marble will bounce off the top with more velocity than it came in with. The top slows down and the energy, the increased energy of the marble, comes from the spin of the top. As Bill and Saul were talking, Feynman was listening.
What are you looking for in a presidential candidate? I want someone with fresh proposals on health care or the environment, you might say. A track record that testifies to experience and effectiveness. Or you might say: Listen, I’m just looking for anyone who can defeat Donald Trump in 2020. Whatever your position, you’re likely to have already gotten into spirited conversations about it with family and friends. And as the race for the Democratic nomination heats up, the debate has become increasingly acrimonious. In fact, it’s threatening to turn into a search for a savior.
Attempting to “transport” Emily Dickinson’s poems into Portuguese is a still harder task, because Dickinson’s poetry is notable for its peculiar agrammaticality: unexpected plurals, inverted syntax, and an often complete disregard for gender, person, or agreement between nouns and verbs. As for form, Dickinson uses the structure of hymns, though, as Mutlu Konuk Blasing says, “the metric norm so severely limits the verse it empowers that the verse grows cryptic, crabbed, and idiosyncratic and resists communication itself, thus undermining the religious and social function of hymns that the form alludes to as authorization for her ‘dialect,’ her ‘New Englandly’ tune.” The result is a compact, cryptic language full of ellipses, which translates into texts that challenge the tradition of poetry as communication and gives literary language an autonomy more akin to the aesthetics of modern poetry.
Shaich is not only a self-described conscious capitalist, but a board member of Mackey’s Conscious Capitalism, Inc. He and other conscious capitalists operate under the assumption that consumers will prefer their businesses because they are doing good. They assert that by publicly taking on charitable initiatives that benefit people beyond their shareholders, they will lower marketing costs and raise profits—because customers will like them and thus be more loyal. But conscious capitalism is a young, largely untested business theory, and its efficacy claims haven’t been well studied. With Eckhardt and Dobscha’s research, that’s beginning to change. Over the course of a few months in 2017, they cased the Panera Cares in Boston and reviewed every single Yelp review of all five Panera Cares locations. They found that the food secure and insecure both had profound “physical, psychological, and philosophical” problems with the restaurant.
This is like losing the hard drive of medieval Paris. Every inch had meaning — not just the meaning imbued by the carpenter and the stonemason, but the meaning imbued by the student, the monk, the penitent — and then by the emergent French bourgeois society.
Suitable protein targets are needed to develop new anticancer drug-based treatments. Writing in Nature,
The video clip, slightly pixelated and shot in black and white, shows two men in the throes of laughter. One, white, leans closer, holding a microphone near his companion’s mouth. The other, Black, who was laughing with his head turned away, exposing a handsome set of teeth, composes himself, facing his interviewer, yet he is unable to hide his boyish smile.
In 1984, bacteria started showing up in patients’ blood at the University of Wisconsin Hospital and Clinic. Bacteria do not belong in the blood and such infections can quickly escalate into septic shock, a life threatening condition. Ultimately, blood samples revealed the culprit: A microbe that normally lives in the gut called
The US government’s indictment of
Before I got sick, I’d been making plans for a place for public weeping, hoping to install in major cities a temple where anyone who needed it could get together to cry in good company and with the proper equipment. It would be a precisely imagined architecture of sadness: gargoyles made of night sweat, moldings made of longest minutes, support beams made of I-can’t-go-on-I-must-go-on. When planning the temple, I remembered the existence of people who hate those they call crybabies, and how they might respond with rage to a place full of distraught strangers—a place that exposed suffering as what is shared. It would have been something tremendous to offer those sufferers the exquisite comforts of stately marble troughs in which to collectivize their tears. But I never did this.
A “call to order” is taking place in political and intellectual life in Europe and abroad. This “rappel à l’ordre” has sounded before, in France after World War I, when it was directed at avant-garde artists, demanding that they put aside their experiments and create reassuring representations for those whose worlds had been torn apart by the war. But now it is directed toward those intellectuals, politicians, and citizens who still cling to the supposedly politically correct culture of postmodernism.