The New Anxiety Therapy That’s All About Accepting Your Fears

Jamie Friedlander in Medium:

When Brenda Hurwood was in her thirties, she had an accident that left her with a partial disability: She worked in home care support with elderly patients, and she injured her shoulder and neck while helping a client get out of a chair. The injury left her with decreased stamina and constant pain, Hurwood says, and she found it difficult to continue working. “It eroded away my self-confidence as a person,” she says. Hurwood, 63, who lives in Nova Scotia, Canada, says she developed generalized anxiety disorder, which persisted for decades. She tried different forms of therapy and various medications, but nothing worked — until 15 years ago, when a therapist introduced her to acceptance and commitment therapy.

ACT (pronounced like “act”) is a relatively new form of therapy centered on accepting that pain and suffering are an inevitable part of life, and using that acceptance to manage negative thoughts and feelings. In addition to anxiety, it’s been used as a treatment for depression, chronic pain, anger, phobias, and a host of other issues. Its primary conceit is that instead of trying to control or push away your negative emotions, you should focus on learning to live with them. For some people, more traditional ways of coping with those thoughts and feelings can have the opposite of their intended effect, says Jenna LeJeune, PhD, a therapist and ACT practitioner based in Portland, Oregon: “Paradoxically, the more we focus on trying to get rid of painful thoughts or feelings, the more those things become the center of our lives.”

More here.

Today’s Biggest Threat: The Polarized Mind

Schneider and Fatemi in Scientific American:

As the bitter strife between left and right, citizen and noncitizen, white and non-white attest, the greatest threat to humanity today goes beyond political and religious divides, economics, and psychiatric diagnoses. It goes beyond cultural conflicts and even the degradation of the environment—and yet it includes all of these. As psychologists concerned with the social and psychological bases of human destructiveness, and as dedicated observers of history, we have arrived at the conclusion that so much of what we call human depravity (“evil”) seems to be based on a principle termed “the polarized mind. The polarized mind is the fixation on a single point of view to the utter exclusion of competing points of view, and it has caused more human torment and misery than virtually any other factor.

As citizens of very different and sometimes clashing civilizations, the United States and Iran respectively, we also have a unique vantage point on the polarized mind. While so many theories of human destructiveness are associated with regional customs, mores and histories, we have observed the polarized mind at work in widely divergent cultural, ethnic and economic circumstances.

Moreover, we are in complete agreement that the polarized mind is one of the major threats to humanity, not just isolated parts of the world. Our empirically based studies, for example, have indicated that mindlessness—a condition of narrowed perception and reactivity—is a chief and cross-cultural feature of the polarized mind; while (Langerian) mindfulness, an attitude of heightened awareness or presence, is a cardinal feature of the depolarized mind, associated with capacity for discovery, creativity and well-being. It is also associated with a radical transformation of consciousness, but this consciousness cannot flourish until it counterbalances and, to the extent possible, supersedes the polarized mind.

More here.

Wednesday Poem

Career Counseling

You can be whatever you set your mind to,
my teachers were fond of saying.
Sit down, son.
The counselor pointed to a chair,
pulling out brochures like a travel agent.
Where are you headed?
As if no destination were outside the realm of possibility;
we just had to plug it into the computer,
check flights,
book tickets far enough in advance.
You can be whatever you wish,
my father said — meaning, lawyer, teacher, engineer, MD,
RN, CPA — speaking in that voice
parents use, knowing
they’re being more understanding
than their parents were. Tell me,
what do you really want to do?

What could I say? I want to be a boy
adopted by vultures. Or a blind girl
who lives in a cave.
Or a hermit who speaks to lizards.
I wanted to be washed up,
a castaway searching
for the crew I’d been separated from,
shipwrecked on this planet,
marooned in a human body.
Maybe that was why I touched myself so often —
to see if I could feel a fragment
of who I really was, a piece of light
buried in me, broken off from the star
I spent so much energy trying to get back to.
Maybe that’s why I lit matches
and pressed the flames into my palms,
as if pain held the answer
folded up in its petals.
Maybe the only way back
was to hurt, to rub against broken glass.

What’s on your mind?
asked the doctor. Don’t be afraid. You can
tell me anything. I was thinking
of what I’d have to give up,
what every young man or woman
serious about making a living has to give up:
gazing at leaves, those elegant distractions,
or the creek’s long, run-on sentences,
its exclamations, its
parentheses, its tireless questions.

What if we made graduation a little more honest,
held a ceremony
where every eighteen-year-old dragged onto the field
all he’d hidden in his closets,
all that could prove embarrassing,
all she loved but had no excuse to hold on to anymore?
Final exams would require every student
to write down the idle thoughts
she’d promised never
to think again, every word
it excited a boy just to write:
wastrel, changeling, maelstrom, cataclysm, galaxy,
alien, naked, vampire, crucible, relic.

Fire would grade the papers,
and everybody would get the same mark,
flames correcting the notebooks
filled with spaceships
or Greek gods
or the names of sweethearts written over
and over in different scripts
or drawings of horses —
all a girl had to do was look at them, then close her eyes,
to feel the power ripping
under her, carrying her into the sky —
or pictures of dogs too important to die,
of movie stars or rock bands
into whose faces a young man or woman gazes
till afternoons open like doors
they’d thought shut tight.

You can be whatever you set your mind to.
But at what cost?
Sit down, son.
Tell me what you want to do with the rest of your life.

by Chris Bursk
from The Sun Magazine
September 1996

Tuesday, April 16, 2019

Sam Lipsyte: “I Depend on Not Knowing”

Leah Dworkin in Guernica:

For many writers, Sam Lipsyte’s readerly eyes are the most coveted. Hordes flock to the Columbia MFA Writing Program for the chance to take his fiction workshop, where he and I first met. On campus, revved up egos struggled under the weight of our grandiose dreams. We students all crossed our fingers in hopes that we’d be one of the lucky ones to gain access to The Great Lipsyte’s secrets.

His secret? No secrets. He pays attention. In an atmosphere that otherwise conditions writers to race towards the sparkliest “high-status” achievements, oh, there’s Sam with his stable vision.  He embraces time, urging his students to do the same, reintroducing the ancient notion that good work might require it.

I write this because I see something familiar in Lipsyte’s new novel Hark: aimless followers with luminous dreams, desperate for a goody bag of shortcuts. Its protagonist, Hark Morner, is a failed comedian turned spiritual guide, the founder of a technique called “mental archery.” Hark guides his disciples in doing the same thing Lipsyte teaches his students: to actually focus.

More here.

The Day Richard Feynman Worked Out Black-Hole Radiation on My Blackboard

Alan Lightman in Nautilus:

One day at lunch in the Caltech cafeteria, I was with two graduate students, Bill Press and Saul Teukolsky, and Feynman. Bill and Saul were talking about a calculation they had just done. It was a theoretical calculation, purely mathematical, where they looked at what happens if you shine light on a rotating black hole. If you shine it at the right angle, the light will bounce off the black hole with more energy than it came in with. The classical analogue is a spinning top. If you throw a marble at the top at the right angle, the marble will bounce off the top with more velocity than it came in with. The top slows down and the energy, the increased energy of the marble, comes from the spin of the top. As Bill and Saul were talking, Feynman was listening.

We got up from the table and began walking back through the campus. Feynman said, “You know that process you’ve described? It sounds very much like stimulated emission.” That’s a quantum process in atomic physics where you have an electron orbiting an atom, and a light particle, a photon, comes in. The two particles are emitted and the electron goes to a lower energy state, so the light is amplified by the electron. The electron decreases energy and gives up that extra energy to sending out two photons. Feynman said, “What you’ve just described sounds like stimulated emission. According to Einstein, there’s a well-known relationship between stimulated emission and spontaneous emission.”

Spontaneous emission is when you have an electron orbiting an atom and it just emits a photon all by itself, without any light coming in, and goes to a lower energy state. Einstein had worked out this relationship between stimulated and spontaneous emission. Whenever you have one, you have the other, at the atomic level. That’s well known to graduate students of physics. Feynman said that what Bill and Saul were describing sounded like simulated emission, and so there should be a spontaneous emission process analogous to it.

We’d been wandering through the campus. We ended up in my office, a tiny little room, Bill, Saul, me, and Feynman. Feynman went to the blackboard and began working out the equations for spontaneous emission from black holes. Up to this point in history, it had been thought that all black holes were completely black, that a black hole could never emit on its own any kind of energy.

More here.

Why Focusing All Our Energies on the Presidency Is a Big Mistake

Laila Lalami in The Nation:

What are you looking for in a presidential candidate? I want someone with fresh proposals on health care or the environment, you might say. A track record that testifies to experience and effectiveness. Or you might say: Listen, I’m just looking for anyone who can defeat Donald Trump in 2020. Whatever your position, you’re likely to have already gotten into spirited conversations about it with family and friends. And as the race for the Democratic nomination heats up, the debate has become increasingly acrimonious. In fact, it’s threatening to turn into a search for a savior.

This search manifests itself in two ways. The first is the belief that electing the right person will result in immediate solutions to the multitude of systemic problems that plague the country. If only we had the perfect person in the Oval Office, the thinking goes, then we would finally be able to fix our disastrous health-care system, or take serious action on global warming, or counteract the rightward shift of the Supreme Court. But this thinking runs counter to the reality that each president inherits problems from the previous administration, as well as constraints or even obstruction from the legislative branch.

More here.

Ms. Difficult: Translating Emily Dickinson

Ana Luísa Amaral at The Paris Review:

Attempting to “transport” Emily Dickinson’s poems into Portuguese is a still harder task, because Dickinson’s poetry is notable for its peculiar agrammaticality: unexpected plurals, inverted syntax, and an often complete disregard for gender, person, or agreement between nouns and verbs. As for form, Dickinson uses the structure of hymns, though, as Mutlu Konuk Blasing says, “the metric norm so severely limits the verse it empowers that the verse grows cryptic, crabbed, and idiosyncratic and resists communication itself, thus undermining the religious and social function of hymns that the form alludes to as authorization for her ‘dialect,’ her ‘New Englandly’ tune.” The result is a compact, cryptic language full of ellipses, which translates into texts that challenge the tradition of poetry as communication and gives literary language an autonomy more akin to the aesthetics of modern poetry.

more here.

The Moral Order of Panera

Robin Kaiser-Schatzlein at The Baffler:

Shaich is not only a self-described conscious capitalist, but a board member of Mackey’s Conscious Capitalism, Inc. He and other conscious capitalists operate under the assumption that consumers will prefer their businesses because they are doing good. They assert that by publicly taking on charitable initiatives that benefit people beyond their shareholders, they will lower marketing costs and raise profits—because customers will like them and thus be more loyal. But conscious capitalism is a young, largely untested business theory, and its efficacy claims haven’t been well studied. With Eckhardt and Dobscha’s research, that’s beginning to change. Over the course of a few months in 2017, they cased the Panera Cares in Boston and reviewed every single Yelp review of all five Panera Cares locations. They found that the food secure and insecure both had profound “physical, psychological, and philosophical” problems with the restaurant.

more here.

Notre Dame was Built to Last until The End of the World

Paul Mason at The New Statesman:

This is like losing the hard drive of medieval Paris. Every inch had meaning — not just the meaning imbued by the carpenter and the stonemason, but the meaning imbued by the student, the monk, the penitent — and then by the emergent French bourgeois society.

I know almost nothing about architecture, but I do understand music. And the music composed in Notre Dame during the high period of feudalism is some of the most complex, beautiful and emotionally expressive you will ever hear. Understanding the music helped me understand the building. Andrieu’s requiem dirge for Guillaume de Machaut, O Fleur des Fleurs, seems to be on loop inside my head. The challenge was to make it as complicated as possible but as directly expressive.

more here.

Lethal clues to cancer-cell vulnerability

Feng and Gilbert in Nature:

Suitable protein targets are needed to develop new anticancer drug-based treatments. Writing in NatureBehan et al.1 and Chan et al.2, and, in eLifeLieb et al.3, report that certain tumours that have deficiencies in a type of DNA-repair process require an enzyme called Werner syndrome ATP-dependent helicase (WRN) for their survival. If inhibitors of WRN are found, such molecules might be promising drug candidates for further testing.

Imagine a scenario in which scientists could perform an experiment that reveals how almost every gene in the human genome is dysregulated in cancer. Even better, what if such an investigation also offered a road map for how to select a target when trying to develop treatments that take aim at cancer cells, but are non-toxic to normal cells? A type of gene-editing technology called CRISPR–Cas9 enables just that in an approach termed functional genomics. Using this technique, the function of almost every gene in cell-based models of cancer (comprising human cells grown in vitro or in vivo animal models) can be perturbed, and the effect of each perturbation on cancer-cell survival can be measured.

CRISPR can be used to mutate, repress or activate any targeted human gene4,5. In functional genomics, gene function is assessed in a single experiment by growing a large number of cells and then perturbing one gene in each of the cells.

More here.

Tuesday Poem

The Skin Inside

Out there past the last old windmill
and the last stagnant canal—
the no-man’s land of western Dithmarschen—
cabbage and horseradish in rows of staggering accuracy
stretching all the way out to the frigid
gray-brown waters of the North Sea—
hard-hatted Day-Glo-vested workers perched high
in the new steel pylons rigging cables to connect
off-shore wind parks with the ant-hills of civilization—
I’ve got one hand on the steering wheel,
the other on the dial cranking up King Tubby’s
“A Better Version” nice and loud while waiting
most likely in vain in some kind of cerebral limbo
for the old symbolism to morph into
an entirely new vernacular—an idiom of sheer imagery
in which the images themselves have
no significance whatsoever but struggle nonetheless
to articulate the meaning of meaning—
a hall of mirrors where purity reigns
and the algorithm of death can no longer find you—
and if it’s a truth to be realized that your body is not
your own, then it must be a delegated image of heaven,
while the skin inside has a luster all its own,
reflecting back the warm glow from within.

Mark Terrill
from Empty Mirror

 

Sunday, April 14, 2019

Falling In Love With Malcolm X—And His Mastery Of Metaphor

Mateo Askaripour in Literary Hub:

The video clip, slightly pixelated and shot in black and white, shows two men in the throes of laughter. One, white, leans closer, holding a microphone near his companion’s mouth. The other, Black, who was laughing with his head turned away, exposing a handsome set of teeth, composes himself, facing his interviewer, yet he is unable to hide his boyish smile.

“Do you feel, however,” the interviewer says, “that we’re making progress in this coun–”

“No, no,” the Black man interjects, his smile giving way to a straight face as he shakes his head. “I will never say,” he continues, “that progress is being made. If you stick a knife in my back nine inches and pull it out six inches, there’s no progress. If you pull it all the way out, that’s not progress. The progress is healing the wound that the blow made. And they haven’t even begun to pull the knife out, much less,” he says, his smile returning, “heal the wound.” When the interviewer attempts to ask another question, the Black man declares, “they won’t even admit the knife is there.”

This video was shot in March 1964. The Black man whose smoke-like smile frequently takes new shape is Malcolm X. And, at 13 years old, as I watched this video and countless others, I fell in love.

More here.

How A Good Gut Bacteria Became A Vicious Pathogen

Roni Dengler in Discover:

In 1984, bacteria started showing up in patients’ blood at the University of Wisconsin Hospital and Clinic. Bacteria do not belong in the blood and such infections can quickly escalate into septic shock, a life threatening condition. Ultimately, blood samples revealed the culprit: A microbe that normally lives in the gut called Enterococcus faecalis had somehow infiltrated the patients’ bloodstreams. Doctors typically treat infections with antibiotics, but these bugs proved resistant to the drugs. The outbreak in the Wisconsin hospital lasted for four years.

Now researchers have finally figured out how this friendly gut bacteria morphed into a vicious pathogen in the blood. The discovery shows not only how the bacteria evolved new ways to survive in an environment entirely different from the gut, but it also shows how E. faecalis skirted both antibiotics and the immune system and sparked the outbreak.

More here.

The Assange prosecution threatens modern journalism

Ken Roth in The Guardian:

The US government’s indictment of Julian Assange is about far more than a charge of conspiring to hack a Pentagon computer. Many of the acts detailed in the indictment are standard journalistic practices in the digital age. How authorities in the UK respond to the US extradition request will determine how serious a threat this prosecution poses to global media freedom.

Journalistic scrutiny is a key democratic safeguard against governmental misconduct. Strong reporting often depends on officials leaking information of public importance. That is why, although many democratic governments prohibit officials themselves from disclosing secret information, few prosecute journalists for publishing leaked information that they receive from officials. Similarly, because electronic communications are so easily traced, today’s investigative journalists often make extraordinary efforts to maintain the confidentiality of their sources, including setting up communication avenues that cannot easily be detected or intercepted.

The Assange prosecution threatens these basic elements of modern journalism and democratic accountability.

More here.

What Cancer Takes Away

Anne Boyer in The New Yorker:

Before I got sick, I’d been making plans for a place for public weeping, hoping to install in major cities a temple where anyone who needed it could get together to cry in good company and with the proper equipment. It would be a precisely imagined architecture of sadness: gargoyles made of night sweat, moldings made of longest minutes, support beams made of I-can’t-go-on-I-must-go-on. When planning the temple, I remembered the existence of people who hate those they call crybabies, and how they might respond with rage to a place full of distraught strangers—a place that exposed suffering as what is shared. It would have been something tremendous to offer those sufferers the exquisite comforts of stately marble troughs in which to collectivize their tears. But I never did this.

Later, when I was sick, I was on a chemotherapy drug with a side effect of endless crying, tears dripping without agency from my eyes no matter what I was feeling or where I was. For months, my body’s sadness disregarded my mind’s attempts to convince me that I was O.K. I cried every minute, whether I was sad or not, my self a mobile, embarrassed monument of tears. I didn’t need to build the temple for weeping, then, having been one. I’ve just always hated it when anyone suffers alone. The surgeon says the greatest risk factor for breast cancer is having breasts. She won’t give me the initial results of the biopsy if I am alone. My friend Cara, who works for an hourly wage and has no time off, drives out to the suburban medical office on her lunch break so that I can get my diagnosis. In the United States, if you aren’t someone’s child or parent or spouse, the law does not guarantee you leave from work to take care of them.

As Cara and I sit in the skylighted beige of the conference room, waiting for the surgeon to arrive, Cara gives me the small knife she carries in her purse so that I can hold on to it under the table. After all these theatrical prerequisites, what the surgeon says is what we already know: I have at least one cancerous tumor, 3.8 centimetres in diameter, in my left breast. I hand the knife back to Cara damp with sweat. She then returns to work.

No one knows you have cancer until you tell them.

More here.

Returning to Order through Realism

Santiago Zabala in Arcade:

A “call to order” is taking place in political and intellectual life in Europe and abroad. This “rappel à l’ordre” has sounded before, in France after World War I, when it was directed at avant-garde artists, demanding that they put aside their experiments and create reassuring representations for those whose worlds had been torn apart by the war. But now it is directed toward those intellectuals, politicians, and citizens who still cling to the supposedly politically correct culture of postmodernism.

This culture, according to the forces who claim to represent order, has corrupted facts, truth, and information, giving rise to “alternative facts,” “post-truth,” and “fake news” even though, as Stanley Fish points out, “postmodernism sets itself against the notion of facts just lying there discrete and independent, and waiting to be described. Instead it argues that fact is the achievement of argument and debate, not a pre-existing entity by whose measure argument can be assessed.” The point is that postmodernity has become a pretext for the return to order we are witnessing now in the rhetoric of right-wing populist politicians. This order reveals itself everyday as more authoritarian because it holds itself to be in possession of the essence of reality, defining truth for all human beings.

More here.