Sunday Poem


Carrigskeewaun, County Mayo, Ireland

The Leveret
………….

This is your first night in Carrigskeewaun.
The Owennadornaun is so full of rain
You arrived in Paddy Morrison’s tractor,
A bumpy approach in your father’s arms
To the cottage where, all of one year ago,
You were conceived, a fire-seed in the hearth.
Did you hear the wind in the fluffy chimney?
Do you hear the wind tonight, and the rain
And a shore bird calling from the mussel reefs?
Tomorrow I’ll introduce you to the sea,
Little hoplite. Have you been missing it?
I’ll park your chariot by the otters’ rock
And carry you over seaweed to the sea.
There’s a tufted duck on David’s lake
With her sootfall of hatchlings, pompoms
A day old and already learning to dive.
We may meet the stoat near the erratic
Boulder, a shrew in his mouth, or the merlin
Meadow-pipit-hunting. But don’t be afraid.
The leveret breakfasts under the fuchsia
Every morning, and we shall be watching.
I have picked wild flowers for you, scabious
And centaury in a jam-jar of water
That will bend and magnify the daylight.
This is your first night in Carrigskeewaun.

by Michael Longley, 2004

Photo: Carrigskeewaun, County Mayo, Ireland



Saturday, October 17, 2009

Herta Müller: being watched, bugged, filmed or scanned

DEU_Buchmesse_Buchpreis__FRA1074ad4c5b224bf

Herta Müller has eyes like spotlights that drive out the darkness night after night. She is small, featherweight even, and is the last person you would suspect spent to have spent a childhood herding cows. Of her background, she says: “I was born in 1953 in Nitzkysdorf, the year in which Stalin physically died – mentally, he continued living for years. The village,” she continues, referring to her place of birth, “lies in the Romanian Banat, a two-hour drive from Belgrade and Budapest. A peasant population, white, pink, pale blue gables – and triangular houses in symmetrical streets. My father hated working in the fields and when he returned from the SS in 1945, he became a lorry driver and alcoholic. The combination is possible in the countryside. My mother was and remained a peasant in the corn and sunflower fields. Corn for me is the socialist plant par excellence: it displays its colours, grows in colonies, blocks the view and cuts your hands with its leaves while you’re working.”

more from Verena Auffermann at Sign and Sight here.

Midnight Pussycats (!)

Vonnegut

“The only way I can regain credit for my early work is to die,” Kurt Vonnegut once said, sounding more amused than worried about it. Ever the realist, ever the stoic, ever the cynic, Vonnegut got how the lit game works. Reputations soar, tumble into the trash and rise mysteriously again. The good news is that quality tells in the end; and so here we are, 2 1/2 years after Vonnegut’s death, celebrating new books and handsome reprints by a man who, by the time he passed on, had been a part of the liberal furniture for so long (“counter-culture icon,” proclaimed the New York Times obituary) it was possible to forget he’d done a life sentence at the typewriter, fighting his suicidal tendency and instead making magic happen. Vonnegut started publishing in the early 1950s and, in 1969, came out with “Slaughterhouse-Five,” recently reissued by Dial Press — along with “Sirens of Titan,” “Mother Night” and “Galapagos,” all $15 — a miracle book that both distilled everything its writer knew and caught the wave of America’s damaged, deranged Vietnam-era mood. The worldwide splash made by “Slaughterhouse-Five” turned Vonnegut into a wealthy celebrity, and thereafter it came to seem that everything he’d written before had been a kind of preparation, while what he wrote after merely drifted in that book’s wake. That judgment is true in a way and yet totally unfair — a very Vonnegutian formulation — although “Slaughterhouse-Five” does remain central.

more from Richard Rayner at the LA Times here.

eliminationism

Traub-600

Evil repels analysis. Poets from the time of Homer have sung of war, but only a monster sings of atrocities. So, too, with journalism and scholarship. We are admonished not to ascribe rational motives to Osama bin Laden or Hitler, or to their followers. To admit of motives is to reduce the moral to the psychological, and thus to the comprehensible, and thus perhaps to the acceptable. Our understanding of unspeakable acts is limited on the one hand to the irreducible moral fact of evil, and on the other to the dynamics of mob psychology — of mass lunacy. But to exclude mass murder from the realm of conscious action offers an exculpation of its own, both to the killers and to ourselves — for how could we, ordinary folk who cherish life, descend to such madness? In this magisterial and profoundly disturbing “natural history” of mass murder, Daniel Jonah Goldhagen calls for an end to such willful blindness. As he did in his celebrated and controversial “Hitler’s Willing Executioners,” Goldhagen insists that even the worst atrocities originate with, and are then propelled by, a series of quite conscious calculations by followers as much as by leaders.

more from James Traub at the NYT here.

Saturday Poem

Heaven for Stanley

For his birthday, I gave Stanley a hyacinth bean,
an annual, so he wouldn’t have to wait for the flowers.

He said, Mark, I have just the place for it!
as if he’d spent ninety-eight years

anticipating the arrival of this particular vine.

I thought poetry a brace against time,
the hours held up for study in a voice’s cool saline,

but his allegiance is not to permanent forms.
His garden’s all furious change,

budding and rot and then the coming up again;

why prefer and single part of the round?
I don’t know that he’d change a word of it;

I think he could be forever pleased
to participate in motion. Something opens.

He writes it down. Heaven steadies
and concentrates near the lavender. He’s already there.

by Mark Doty

from School of the Arts; Harper and Collins, NY, 2005

Flies get fright from false memories

From Nature:

News.2009 The seemingly complex phenomenon by which fruit flies (Drosophila) learn from bad experiences has been reduced to the actions of a mere 12 neurons, according to research by a team of UK- and US-based scientists. Manipulating this cluster of cells with a laser, the scientists were able to trick the flies into having associative memories of events they had not actually experienced. Flies learn from smells and other signals in their environment. Conditioning by, for example, electric shocks, can teach them to avoid certain odours.

Previous experiments had shown that a structure in the fly brain called the mushroom body was essential for storing those memories, but the mechanism by which those memories get stored has not been well understood. To examine the mechanism, a team led by the University of Oxford's Gero Miesenböck took advantage of “optogenetics”, a technique in which they use light to activate particular cell types that have been genetically engineered to express a light-responsive protein. When laser pulses hit the brain, cells expressing the light-sensitive protein activate. “It's like sending a radio signal to a city but only those houses with a radios set to the right frequency will get the signal,” says Miesenböck.

More here.

Untamed Heart

From The New York Times:

Cover-500 Jeannette Walls was raised in poverty and hardship by skittish, eccentrically idealistic, profoundly unfit parents. As Rex and Rose Mary Walls caromed between dying mining towns, both of them too willful to hold down a job, their four children slept in cardboard boxes, set themselves on fire, subsisted on margarine and cat food, and, as they grew older, struggled to hide their meager earnings from their father, who cheerfully robbed them to pay for his alcoholic sprees. Anyone who devoured Walls’s incandescent 2005 memoir, “The Glass Castle,” has wondered: How did such untamed characters come to exist in America, in the not-so-distant 1960s and ’70s? Walls’s new book, “Half Broke Horses,” a novelistic re-creation of the life of her maternal grand­mother, Lily Casey Smith, in the first half of the 20th century, told in her grandmother’s voice, gives a partial answer to that perplexing question. Through the adventures of Lily Casey — mustang breaker, schoolteacher, ranch wife, bootlegger, poker player, racehorse rider, bush pilot and mother of two — Walls revisits the adrenaline-­charged frontier background that gave her own mother a lifelong taste for vicissitude. “I’m an excitement addict,” Rose Mary Walls liked to tell her children. And yet — can the contours of one woman’s life ever sufficiently explain the life that proceeds from hers?

More here.

On Repressive Sentimentalism

Mark Greif in n + 1:

ScreenHunter_02 Oct. 17 10.42 Gays are our utopian heroes. Many things changed in the twentieth century. No change was more momentous and utopian than that men could choose men for love objects, and women choose women, to remake the sexual household. If the household organization of three thousand years of recorded history could be altered simply in the interest of what people wanted, in the interest of desire, then anything could be changed.

Traditional society choked this down—some more progressive parts of it did, anyway—by attributing same-sex love to brain chemistry, or a gay gene, and an eternal sexual identity that must be rigid and ineluctable. It hypothesized three millennia of men and women who must have been closeted, before they had such wonderfully enlightened friends and neighbors as we are. Only in this restricted way could society understand homosexuality without gayness threatening to reveal more new choices.

The utopians among us held our peace.

More here.

Advice for America as it faces the end of empire (from the entity formerly known as the British Empire)

Kate Hahn in McSweeney's:

ScreenHunter_01 Oct. 17 10.32 Get obsessed with celebrities, even more than you are now. What gaping hole inside myself was I trying to fill that I had to bend entire nations to my will when I just could have lain by the pool all day reading the tabs? That's what my spiritual advisor Angelica—her office is over the chip shop—made me realize. Don't even miss the bloody battles with Raj followers anymore. I'd rather speculate on what's going to happen on Dr. Who or look at pictures of Billy Piper on holiday.

Yeah, she's bloody worth crying speechlessly over isn't she? Oh, you're shedding tears for your lost ideals? You say you pissed away your Manifest Destiny? Yes, yes, I understand. All right then, if it will make you feel any better I'll, as Angelica says, share. Don't tell the Persian Empire this but when I first retired, I used to flat out bawl for hours. I'd whinge on about England and pith helmets. Didn't know what to do with myself. I felt as scattered as those tapas plates they serve here instead of a proper meal. Used to sit in my room in the dark and order Chinese.

Oh, bollocks. Sorry. Don't moan. You're not the only one hates those Mandarin bastards. Heard of the Boxer Rebellion? That empire tried to kill me but now if I want a good pool noodle I've got no choice but to buy it from them. Those buggers have import/export locked up.

More here. [Thanks to Nikolai Nikola.]

Plants Perform Quantum Computation

David Biello in Scientific American:

ED1D1446-E7F2-99DF-3CBF8B2F66C0C5D4_1 Plants soak up some of the 1017 joules of solar energy that bathe Earth each second, harvesting as much as 95 percent of it from the light they absorb. The transformation of sunlight into carbohydrates takes place in one million billionths of a second, preventing much of that energy from dissipating as heat. But exactly how plants manage this nearly instantaneous trick has remained elusive. Now biophysicists at the University of California, Berkeley, have shown that plants use the basic principle of quantum computing—the exploration of a multiplicity of different answers at the same time—to achieve near-perfect efficiency.

Biophysicist Gregory Engel and his colleagues cooled a green sulfur bacterium—Chlorobium tepidum, one of the oldest photosynthesizers on the planet—to 77 kelvins [–321 degrees Fahrenheit] and then pulsed it with extremely short bursts of laser light. By manipulating these pulses, the researchers could track the flow of energy through the bacterium's photosynthetic system. “We always thought of it as hopping through the system, the same way that you or I might run through a maze of bushes,” Engel explains. “But, instead of coming to an intersection and going left or right, it can actually go in both directions at once and explore many different paths most efficiently.”

In other words, plants are employing the basic principles of quantum mechanics to transfer energy from chromophore (photosynthetic molecule) to chromophore until it reaches the so-called reaction center where photosynthesis, as it is classically defined, takes place.

More here. [Thanks to Sean Carroll.]

Friday, October 16, 2009

Has Conceptual Art Jumped the Shark Tank?

Denis Dutton in the New York Times:

Hirst-shark Since the endearingly witty Marcel Duchamp invented conceptual art 90 years ago by offering his “ready-mades” — a urinal or a snow shovel, for instance — for gallery shows, the genre has degenerated. Duchamp, an authentic artistic genius, was in 1917 making sport of the art establishment and its stuffy values. By the time we get to 2009, Mr. Hirst and Mr. Koons are the establishment.

Does this mean that conceptual art is here to stay? That is not at all certain, and it is not just auction results that are relevant to the issue. To see why works of conceptual art have an inherent investment risk, we must look back at the whole history of art, including art’s most ancient prehistory.

It is widely assumed that the earliest human art works are the stupendously skillful cave paintings of Lascaux and Chauvet, the latter perhaps 32,000 years old, along with a few small realistic sculptures of women and of animals from the same period. But artistic and decorative behavior emerged in a far more distant past. Shell necklaces that look like something you would see at a tourist resort, as well as evidence of ochre body paint, have been found from more than 100,000 years ago. But the most intriguing prehistoric artifacts are much older even than that. I have in mind the so-called Acheulian hand axes.

More here.

The Blind Locksmith Continued: An Update from Joe Thornton

Carl Zimmer in his excellent blog, The Loom:

Joe1 I’ve written a few times here about the ongoing work of Joe Thornton, a biologist at the University of Oregon and the Howard Hughes Medical Institute. Thornton studies how molecules evolve over hundreds of millions of years. He does so by figuring out what the molecules were like in the distant past and recreating those ancestral forms in his lab to see how they worked. I first wrote about his work looking at how one molecule in our cells evolved from one function to another (here, here, and here). [Update: These links are now fixed.]

Most recently, I wrote in the New York Times about his latest experiment, in which he and his colleagues found that the evolution from the old function to the new one has now made it very difficult for natural selection to drive the molecule back to its old form. Its evolution has moved forward like a ratchet.

Thornton’s new work turned up last week on a web site run by the Discovery Institute, a clearinghouse for all things intelligent design (a k a the progeny of creationism). Michael Behe, a fellow at the Institute, wrote three posts (here, here, and here) about the new research, which he pronounced “great.”

This is the same Michael Behe who, when Thornton published the first half of this research, declared it “piddling.”

Why the change of heart? Because Behe thinks that the new research shows that evolution cannot produce anything more than tiny changes. And if evolution can’t do it, intelligent design can. (Don’t ask how.)

I pointed out Behe’s posts to Thornton and asked him what he thought of them. Thornton sent me back a lengthy, enlightening reply.

More here.

Show us your loo before you woo

Rhys Blakely in The Times of London:

Toilet-India_509904a Courtship can be an intricate business in India, but the mothers of the northern state of Haryana have a simple message for men who call on their daughters: “No toilet, no bride.”

The slogan – often lengthened in Hindi to “If you don't have a proper lavatory in your house, don't even think about marrying my daughter” – has been plastered across villages in the region as part of a drive to boost the number of pukka facilities. In a country where more households have TV sets than lavatories, it is one of the most successful efforts to combat the chronic shortage of proper plumbing.

That is probably partly because of the country's skewed sex ratio, with 8 per cent more men than women, leading to a “bride shortage”. Woman generally have also become more vocal in their resentment at having to relieve themselves outside, giving brides more leverage in premarital bargaining.

In India it is estimated that more than 660 million people still defaecate in the open – a big cause of a host of diseases, from diarrhoea to polio. It is women, activists say, who suffer the most.

More here. [Thanks to Ruchira Paul.]

gypsy mansions

Gypsy_couch

TIMOSORA, ROMANIA Like Saint Petersburg before she was operated on for her three-hundredth, the brie-colored streets and decaying facades have a dusty continuity. Against this backdrop, the Roma build their Disneyland. Forced by the Communists to settle in the ’60s, they have embraced a style of permanent renovation. Their mansions, in primary colors, stick like fingers in the dead dictator’s eye. But this provokes nothing beyond tourists snapping photos and locals shaking their heads. “How do you think they pay for them?” they ask me and then spit. Gypsy mansions are confusing. Though they are decorated with wild variation, their structural similarities are apparent. The mansion plans are essentially standardized: All rooms branch off a central corridor, and none have direct access to any others; but there the standardization ends, and this is not so surprising. Mansions are primarily structures of one-upmanship; eternal construction sites of dubious habitable value (they are often abandoned, though this could be because the settlement policies went with the Communists) that rise as barometers of personal (male) status, they are intensely decorated sheds with few interior complications.

more from Lev Bratishenko at Triple Canopy here.

what beck did

502px-AaronBeck

In the basement of Aaron Beck’s house, nine miles northwest of downtown Philadelphia, in a dimly lit, dusty, concrete-walled room dedicated to his archives, there sits a pink plastic box containing patient notes from a 40-year-old case of psychotherapy. Beck, a professor emeritus of psychiatry at the University of Pennsylvania, has short-cropped white hair, sharp blue eyes, and, at 88, a hunched and shuffling gait. He has been a practicing psychiatrist for 59 years. Among the thousands of patients Beck has treated during this time, this case rates as persistent but uncomplicated. The patient was in his mid-40s and had a good career, a loving wife, four beautiful children, and a trove of close friends. Privately, however, he struggled with an acute tendency toward self-criticism. He was of the type that can’t help but interpret neutral events as harsh reflections on his personal worth. He was forever searching for approval, and forever anticipating disapproval. When the patient’s treatment began—the earliest notes date from the mid-1960s—the dominant psychotherapeutic approach in the United States was psychoanalysis. Sigmund Freud had made his first and only visit to this country in 1909, and in the half century that followed, his approach to mental suffering took firm hold of American psychiatry, splintering into a multitude of camps but always retaining a focus on the unconscious mind, the central feature of Freudian analysis.

more from Daniel B. Smith at The American Scholar here.

Hamilton

Richard Brody in The New Yorker:

It is, on its surface, a simple movie—it tells the story of a young unmarried mother who is about to go on vacation with her family and wants her child’s father to visit before she leaves—but it is told with a visual poetry, a sense of behavioral nuance, a sense of place, and a sculpting of space and time that are rare in movies anywhere, let alone an American independent film made for a pittance. “Hamilton” has received some terrific reviews, and can be downloaded or streamed from Amazon, but hasn’t gotten the release or the attention it deserves.

[Thanks to Akbi Khan.]