Robert Fisk: Why the Middle East will never be the same again

From The Independent:

ScreenHunter_14 Sep. 20 16.34 The Palestinians won't get a state this week. But they will prove – if they get enough votes in the General Assembly and if Mahmoud Abbas does not succumb to his characteristic grovelling in the face of US-Israeli power – that they are worthy of statehood. And they will establish for the Arabs what Israel likes to call – when it is enlarging its colonies on stolen land – “facts on the ground”: never again can the United States and Israel snap their fingers and expect the Arabs to click their heels. The US has lost its purchase on the Middle East. It's over: the “peace process”, the “road map”, the “Oslo agreement”; the whole fandango is history.

Personally, I think “Palestine” is a fantasy state, impossible to create now that the Israelis have stolen so much of the Arabs' land for their colonial projects. Go take a look at the West Bank, if you don't believe me. Israel's massive Jewish colonies, its pernicious building restrictions on Palestinian homes of more than one storey and its closure even of sewage systems as punishment, the “cordons sanitaires” beside the Jordanian frontier, the Israeli-only settlers' roads have turned the map of the West Bank into the smashed windscreen of a crashed car. Sometimes, I suspect that the only thing that prevents the existence of “Greater Israel” is the obstinacy of those pesky Palestinians.

But we are now talking of much greater matters. This vote at the UN – General Assembly or Security Council, in one sense it hardly matters – is going to divide the West – Americans from Europeans and scores of other nations – and it is going to divide the Arabs from the Americans. It is going to crack open the divisions in the European Union; between eastern and western Europeans, between Germany and France (the former supporting Israel for all the usual historical reasons, the latter sickened by the suffering of the Palestinians) and, of course, between Israel and the EU.

More here.

The private life of Karl Marx

From Salon:

Book Karl Marx did not know what we know: he did not know that he was Karl Marx. Had this knowledge been available to him, it would have consoled him during the many moments when he wondered whether his life's work would matter to anyone, whether the sacrifices he and his family endured in the process of constructing the edifice of his thought would ultimately be justified by his role in history. Perhaps even we, with the benefit of hindsight, still cannot answer that question: whether the effects of his work have been good or bad, on the whole, is an impossible question to answer, given the impossibility of imagining a Marx-less twentieth century. It cannot be doubted, though, that Marx had a profound and radical impact on that century and will continue to matter for the foreseeable future. The man who sometimes expressed skepticism about the power of ideas to alter reality and who famously wrote, “Philosophers have tried to describe the world — the point is to change it,” could not possibly have known the extent to which his ideas would alter the course of world events.

The influence of Marx's ideas has been so momentous that at this point the name Karl Marx hardly even seems to attach to a person. It is easy to forget that a human being stands behind those voluminous and forbidding books, and the even more forbidding system of thought those books express. As Mary Gabriel's new biography of the Marx family, “Love and Capital,” makes clear, though, Marx was indeed human: a philosopher and revolutionary thinker, yes, but also a husband and father who loved his family and who experienced a tremendous anxiety over his failure to provide for them.

More here.

A Knack for Bashing Orthodoxy

From The New York Times:

Dawkins OXFORD, England —You walk out of a soft-falling rain into the living room of an Oxford don, with great walls of books, handsome art and, on the far side of the room, graceful windows onto a luxuriant garden. Does this man, arguably the world’s most influential evolutionary biologist, spend most of his time here or in the field? Prof. Richard Dawkins smiles faintly. He did not find fame spending dusty days picking at shale in search of ancient trilobites. Nor has he traipsed the African bush charting the sex life of wildebeests. He gets little charge from such exertions. “My interest in biology was pretty much always on the philosophical side,” he says, listing the essential questions that drive him. “Why do we exist, why are we here, what is it all about?”

It is in no fashion to diminish Professor Dawkins, a youthful 70, to say that his greatest accomplishment has come as a profoundly original thinker, synthesizer and writer. His epiphanies follow on the heels of long sessions of reading and thought, and a bit of procrastination. He is an elegant stylist with a taste for metaphor. And he has a knack, a predisposition even, for assailing orthodoxy. In his landmark 1976 book, “The Selfish Gene,” he looked at evolution through a novel lens: that of a gene. With this, he built on the work of fellow scientists and flipped the prevailing view of evolution and natural selection on its head.

More here.

the mess rothko made

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There’s an awesomely bad scene in the BBC movie of The Rothko Conspiracy where my father confronts the other two executors over their conflicts of interest. It takes place in the drawing room of Reis’s townhouse. Stamos says, “Screw you!” and my dad calls him a “son of a bitch!” and then he accuses Reis of being “arbitrary and high-handed.” The dialogue is based on Seldes’s account, which is in turn based on my dad’s testimony. He never doubted that Reis and Stamos had good intentions, apparently: Reis was already a millionaire and certainly didn’t need Marlborough’s $20,000 director’s salary. And Stamos had been negotiating with Marlborough even before Rothko died—a relationship Rothko himself had instigated. What my father was worried about was the appearance of a conflict of interest. Perhaps, as someone who had one foot outside the art world, he took less for granted and could foresee how bad the optics on these deals would be if they were ever contested before a broader public.

more from David Levine at Triple Canopy here.

poetry is Catholic:/poetry is presence

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Murray’s wholesale rejection of Modernism may seem to mark him as simply an isolated provincial conservative swimming against the tide of the times. But there was more substance to his response than that. For a poet to repudiate newfangled foreign fashions and stand up instead for a home-grown tradition that celebrated the life of the mounted frontiersman (or his outlaw cousin the bushranger) was, in its Australian context, a clear political statement. Since the 1890s, the lone horseman in the bush had been used, in agitation for union of the six British colonies in an Australian federation, as an icon of national identity. “The narrow ways of English folk/Are not for such as we;/They bear the long-accustomed yoke/Of staid conservancy,” wrote A.B.(“Banjo”) Paterson, much-loved poet of the bush. “We must saddle up and ride/Towards the blue hill’s breast:/And we must travel far and fast/Across their rugged maze.” In truth, even in Paterson’s time there was more than a little idealization in the picture of Australians as restless frontier spirits: by 1900 a majority were settled in towns and cities (compared with 40 percent in the United States). But in pitting the ballad tradition against the Modernists, Murray was calling on Australian poetry to follow its own native course and foster its own native values, including an optimistic expansiveness that turned its back on both the “narrow ways” of the old Mother Country and the cramped despair of the Modernists, and a no-nonsense egalitarianism, suspicious of all pretensions, including intellectual pretensions. (Of the three rallying cries of modern democratic revolutions, equality has always had more resonance in Australia than liberty.)

more from J.M. Coetzee at the NYRB here.

a place not just for books, but for stories

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The idea of the library as theatrical set, where the content of books is secondary to the atmosphere books create, may gain more respect in coming years. This past May marked the centennial of the New York Public Library’s main branch building. The library is celebrating with a yearlong series of programs and exhibitions focusing on the library’s past as well as its next hundred years. These celebrations, launched with a “Find the Future” festival weekend in May, promote the idea of the library as a stage: an environment where things can happen and people can meet, and one that will retain public significance even if the physical books it holds do not. There has been a good deal of anxiety in recent years about technology rendering books—and with them libraries—obsolete. But there is also another story, one that the NYPL has invested in. It’s a story about the triumph of books through new media, about not choosing between technologies but integrating them. Amidst millenarian thinking about the death of the book, it’s important to bear in mind that the content of the New York Public Library is not obsolete, nor will it be anytime soon. There are people in all five boroughs who cannot afford to buy books or DVDs, much less laptops or e-readers. According to a national study sponsored by the Melinda and Bill Gates Foundation in 2010, 30 million people in the United States used library computers to access the internet last year, and of those, 40 percent did so to find jobs.

more from Minou Arjomand at n+1 here.

Monday, September 19, 2011

The Winners of the 3 Quarks Daily 2011 Philosophy Prize

Philosophy_2011 Philosophy_160_winner PhilosophyCharmWinner2011

Patricia Churchland has picked the winners:

1. Top Quark, $1000: Terrence Tomkow, Self Defense
2. Strange Quark, $300: John Schwenkler, Has Molyneux's Question Been Answered?
3. Charm Quark, $200: Jussi Suikkanen, Williams, Thick Concepts, and Reasons

Here is what Professor Churchland had to say about them:

Each of the blogs was truly fascinating and productive in its own way, so choosing involves some arbitrariness. I liked the fact that they had to be succinct and so got straight to the point instead of horsing around.

1. Tomkow: Self Defense. This is an insightful and pithy piece that shows how claims about rights can go wrong. Taking a seemingly water-tight right, namely the right to self-defense, Tomkow shows that life can actually get messy as conditions drift from the prototypical examples of permissible self-defense where we all (pretty much) agree. If, as I suspect, virtually all moral concepts are anchored by proptypical cases and we extrapolate as best we can to nonprotoypical cases (see Mark Johnson), then it should not be surprising if deciding the merits of cases far from the prototype center is difficult. Worse, in some borderline cases there may be no right answer. I realize Tomkow keeps winning these contests, but I aimed to adhere to the merits of the writing.

2. Brains: Has Molyneux’s question been answered? Hard-headed, careful, and empirically up-to-date, this looks at Richard Held’s recent results of a study of congenitally blind children who gain sight after surgical correction (Project Prakash in India). Held’s report was published in Nature Neuroscience, and concluded that the answer to Molyneux’s question is likely negative. In his blog, John Schwenkler shows that the question is still open, given the way the experiment was set up. I had been convinced by Held’s report, but I now think Schwenkler’s criticism is dead on. This is progress in philosophy. I hope Held takes Schwenkler's advice on the right way to do the experiment.

3. PEA Soup: Williams, thick concepts, and reasons. This is very useful as it shows some internal tensions in Bernard Williams’ approach to reasons and motivation. Supposedly, thick concepts such as “ingrate” or “coward”, if applied to a person, will provide a reason for him to cease and desist from his ungrateful or cowardly behavior. Typically such terms carry disapproving connotation, as most linguistically fluent humans know, and most humans most of the time respond negatively to disapproval by those they respect. Hence, if you wanted to, I guess, you could say that being called a coward provided you with a reason to stiffen your spine. Or a motive? Whatever. Obviously not all humans respond with negative affect to disapproval. It may be because they have no respect for the person judging, or perhaps because their current affective state blocks the response, or even because their brain is such that they have abnormal social responses in general, not merely transiently. Or sometimes what you may regard as a negative epithet, I do not — e.g. “pragmatist”, “feminist”.

4. Leonardo Ferreira Almada's blog: Epistemology of Neurosciences and Psychiatry. I know the rules —I am obliged to restrict myself to three blogs, but I want to give an honorable mention, if I may. Almada is a Brazilian philosopher, with a richly informative blog. He addresses issues such as how to integrate in an explanatory framework affective factors (e.g. feeling fear, pain or hunger) and cognitive factors (seeing a raccoon, expecting a hailstorm, planning an escape). His work is very well-informed by neuroscience and psychology, and he is asking really good questions. I am reasonably sure that all of the nine submissions on the short-list are from North America or England, and because there is excellent philosophy being done elsewhere, and in South America in particular, I wanted to use this occasion to give a shout out to that philosophical community.

Many thanks to all of you for giving me such great reading, and now that I know about your terrific blogs, I shall visit often.

Congratulations also from 3QD to the winners (I will send the prize money later today or tomorrow–and remember, you must claim the money within one month from today–just send me an email). And feel free to leave your acceptance speech as a comment here! And thanks to everyone who participated. Thanks also, of course, to Patricia Churchland for doing the final judging.

The three prize logos at the top of this post were designed, respectively, by Sughra Raza, Carla Goller, and me. I hope the winners will display them with pride on their own blogs!

Details about the prize here.

Ryan Gander: Locked Room Scenario. Artangel

by Sue Hubbard

ScreenHunter_09 Sep. 19 08.36 I’m tempted, by way of a review, to leave this page blank. After all I don’t want to be too directive. I’d like to feel that you, the reader, are free to make whatever contribution you consider appropriate. All you need do is apply your imagination. Come on; I’m sure you can do it if you try. The possibilities are endless and as valid as anything I might come up with surely? What’s the point of bothering to spend all day putting a review together when you can write anything you want? Who needs critics? Who needs artists anyway? After all skill is so passé.

Ryan Gander’s Artangel project is called Locked Room Scenario. The Chester born Ryan first grabbed art-world attention with his Loose Associations originally performed at the Rijksakdaemie in Amsterdam, when he was a student there in 2002. His talk took circuitous routes through “desire lines” (imaginary paths across public spaces) to imagining fake furniture and, even more esoteric, Christine Keeler’s Connection to Homer Simpson. His Alchemy Boxes contained models of work by other artists, as well as personal items including Truffaut DVD covers and books. His output has been, to say the least, eclectic and idiosyncratic: drawings, sculpture, films and customised sportswear, a chess set, jewellery and a children’s book have all been spawned by his copious imagination. He describes himself as a storyteller. His work is spun from the personal and the cultural in a complex web of narratives and subplots. It’s as if he is aiming to become the Jorge Luis Borges of the visual art world, leaving us clues where ever he goes. It’s not surprising to learn that he has a passion for Inspector Morse and Sherlock Holmes.

When I arrive at an unprepossessing modern industrial warehouse in the mean streets of Islington, London, just between fashionable Wharf Road – where the exclusive galleries Victoria Miro and Parasol Unit reside – and the canal, I’m met at the gate by an invigilator with a list of names and am checked in. I ask where the exhibition is and he waves his arm vaguely. I enter the building and find a young couple sitting on the stairs listening to their i-pod and wonder if they’re part of the exhibition. I ask, but they don’t reply.

Read more »

Sunday, September 18, 2011

Amid All Our Disasters, Why Are the Only Revolutionaries on the Right?

Rochelle Gurstein in The New Republic:

Hurricane4 As I was watching the local New York City news coverage of Hurricane Irene before “she” made landfall…

…I found myself feeling a kind of perverse pleasure in telling just about anyone who would listen that the approaching storm was good training for the world we are about to enter due to global warming—rising oceans, flooding of coastal cities and towns, black-outs, food shortages, general pandemonium. As I offered my interpretation of the coming storm, I realized—with far less pleasure—that I had been inspired by one of George Orwell’s “London Letters” to the Partisan Review that he wrote regularly during World War II. I had read them years ago but could still recall Orwell informing his American readers that the many shortages and rationing of foods and goods that Londoners were forced to endure during the war would turn out to be good training for the inevitable hard times ahead when Britain became a socialist country following the war. As I was telling this to my husband, I began to have doubts about what Orwell actually said. Luckily, I had made xeroxes of the London letters that I found most striking and was able to locate them. Sure enough, in one that was published in the November-December 1942 issue of the Partisan Review, I found what I was looking for. Orwell did say that due to rationing,

We are growing gradually used to conditions that would once have seemed intolerable and getting to have less of the consumer mentality which both Socialists and capitalists did their best to inculcate in times of peace. Since the introduction of Socialism is almost certain to mean a drop in the standard of living during the first few years, perhaps this is just as well.

More here.

Agha Shahid Ali’s Delhi Years

Akhil Katyal in Kafila:

ScreenHunter_06 Sep. 18 18.54 Born on 4th February, 1949, Agha Shahid Ali would have been 62 next month. The Kashmiri-American poet who spent the last half of his life in the States (he migrated to Pennsylvania in the mid 70s) died in the winter of 2001 due to brain tumour. The next year had begun with papers and journals in the States, and in Kashmir and India, remembering Shahid. ‘Your death in every paper,’ Shahid had written for his own idol the singer Begum Akhtar after she passed away in 1974, ‘boxed in the black and white / of photographs, obituaries.’ In his new absence, he similarly reappeared in the words of his friends as an insurmountably beautiful poet, a gregarious Brooklyner, a near perfect cook, an impossibly good teacher and a lasting friend. Apocrypha started building around him very soon after his death. One could say this was the final proof that Shahid’s name would abide – that stories began to be spun around him as soon as he was not around. The Pakistani novelist Kamila Shamsie, Shahid’s creative writing student at Hamilton College in New York and then at the University of Massachusetts in Amherst in the 90’s, and someone who always recounts his indelible influence on her writings (he coloured her drafts red), was one of the first to add to the stories that have multiplied since in this decade after Shahid’s death. Kamila’s friend, also a student of Shahid, had told her that some months after he was diagnosed with brain cancer, Shahid was riding the subway going to teach his class at NYU when he started to feel faint and began to black out. ‘For a moment,’ her friend told her, ‘he thought, “I’m dying,” and then he told himself, “No. First I’ll teach my class, then I’ll die.”’

More here. [Thanks to Feisal H. Naqvi.]

Steven Pinker: “Why is there peace?”

Steven Pinker in Greater Good:

ScreenHunter_05 Sep. 18 18.48 Ancient texts reveal a stunning lack of regard for human life. In the Bible, the supposed source of all our moral values, the Hebrews are urged by God to slaughter every last resident of an invaded city. “Go and completely destroy those wicked people, the Amalekites,” reads a typical passage in the book of Samuel. “Make war on them until you have wiped them out.” The Bible also prescribes death by stoning as the penalty for a long list of nonviolent infractions, including idolatry, blasphemy, homosexuality, adultery, disrespecting one’s parents, and picking up sticks on the Sabbath. The Hebrews, of course, were no more murderous than other tribes; one also finds frequent boasts of torture and genocide in the early histories of the Hindus, Christians, Muslims, and Chinese.

But from the Middle Ages to modern times, we can see a steady reduction in socially sanctioned forms of violence. Many conventional histories reveal that mutilation and torture were routine forms of punishment for infractions that today would result in a fine. In Europe before the Enlightenment, crimes like shoplifting or blocking the king’s driveway with your oxcart might have resulted in your tongue being cut out, your hands being chopped off, and so on. Many of these punishments were administered publicly, and cruelty was a popular form of entertainment.

We also have very good statistics for the history of one-on-one murder, because for centuries many European municipalities have recorded causes of death. When the criminologist Manuel Eisner scoured the records of every village, city, county, and nation he could find, he discovered that homicide rates in Europe had declined from 100 killings per 100,000 people per year in the Middle Ages to less than one killing per 100,000 people in modern Europe.

More here.

An Interview With David Graeber: Debt’s History, Implications, and Critical Perspective

Alex Bradshaw in No Borders:

ScreenHunter_04 Sep. 18 18.41 David Graeber has spent the last decade challenging the line drawn between scholar and activist. While many academics fancy themselves “radicals,” the anthropologist professor has been an active participant in anarchist and anti-authoritarian groups and organizing. Graeber has used his skill-set as an anthropologist to compile ethnographic data—far away from the classroom and campus, to be sure—regarding the contemporary anarchist movement in North America; the results were published in 2009 as Direct Action: An Ethnography. David Graeber is the author of several books, including Fragments of an Anarchist Anthropology and, most recently, Debt: The First 5,000 Years. Graeber currently teaches social anthropology at Goldsmiths, University of London. Below, Graeber discusses his latest book, the concept of debt in detail, and how his involvement in the anarchist movement sparked his interest in the history of debt.

Alex Bradshaw: Your latest book, Debt: The First 5000 Years, explores the origins of debt. What were some of the implications for communities and individuals when debt became a significant factor in people’s lives?

David Graeber: Well, one reason I wrote this book is that debt has come to pervade every aspect of our lives. International relations are all about debt, modern nation-states run on deficit financing, and consumer debt drives the economy—yet no one has, to my knowledge, ever written a history of the phenomenon. Even though people have written histories of almost anything else you can possibly imagine.

What I discovered was that in some ways, all this is nothing new. It’s probably fair to say that most human beings have been debtors at least at some point in their lives. Similarly, most uprisings, revolts, insurrections, mass political mobilizations in human history have been about debt—for instance, Athenian democracy or the Roman Republic largely emerged as a way of settling debt crises of one sort or another. Usually, in the end, enduring political regimes have had to come up with some solution to the debt trap, to avoid having the bulk of their population become effectively (or literally) slaves or peons to their creditors.

More here. [Photo of David Graeber from Wikipedia.]

Pain Song Along the US – Mexico Border: the forced “yes” of Migration

John Washington in Upside Down World:

ScreenHunter_07 Sep. 18 19.12 Sergio and I were sitting in torn-out bus seats under a hot January sky in Nogales, Sonora, talking about crawling through thorn bushes. We were in an outdoor bus station with a shade-screen ceiling. About thirty other recently deported men and women were sprawled on the concrete, hunched in the gravel, or slouching in other deconstructed pairs of faded but once colorfully-patterned bus seats. Most of them were carrying heavy duty plastic Homeland Security bags. Inside the bags were their effects, their pertenencias, that they had either crossed the border with or were carrying or wearing when they were arrested stateside.

I was interviewing Sergio (names are changed for privacy) about his two recent deportations. The organization I work with, No More Deaths (a migrant aid org), had reclaimed and returned Sergio’s pertenencias to him. After some struggle and lots of “lost” wallets and stacks of cash, we’ve set up a system with Immigration and Customs Enforcement so that we can retrieve apprehended migrants’ pertenencias. It works occasionally. Before Sergio and I started talking, I watched him change out of the soiled shirt he had been wearing for days and into a pink, tight polo shirt. The buckle of the belt he looped around his waist was a skull with red eyes. Sergio was young and chubby, but with strong looking hands and dark deep-set eyes. When he started telling me his story, his ordeal of the last two months, he spoke confidently and rapidly, describing the desert crossing and his time in prison and his wife back in New York in swift, hard details, without hesitation. But then, something came into his voice. It was when he was talking about his time in court. It was a voice I recognize. It was, I don’t know what to call it, a wetness that came to his voice. Not to his eyes, though it came there next. But first to his voice. A swelling or an opening. A hollowing of his voice.

More here.

History’s Shadow

David Maisel in lensculture:

[Editor's note: You'll discover a lot more detail when you look at these images in our high-resolution slide show. And the over-size book is exquisite.]

Maisel-hs_2 History’s Shadow comprises my series of re-photographed x-rays of art objects from antiquity. I have culled these x-rays from museum archives, which utilize them for conservation purposes. Through the x-ray process, the artworks of origin become de-familiarized and de-contextualized, yet acutely alive and renewed. My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes. During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. The ghostly images of these x-rays seem to surpass the power of the original objects of art. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.

More here. (Note: For Ga who is the best artist/photographer/radiologist that I personally know…with love…)

Neuroscience vs philosophy: Taking aim at free will

From Nature:

Hed450 The experiment helped to change John-Dylan Haynes's outlook on life. In 2007, Haynes, a neuroscientist at the Bernstein Center for Computational Neuroscience in Berlin, put people into a brain scanner in which a display screen flashed a succession of random letters1. He told them to press a button with either their right or left index fingers whenever they felt the urge, and to remember the letter that was showing on the screen when they made the decision. The experiment used functional magnetic resonance imaging (fMRI) to reveal brain activity in real time as the volunteers chose to use their right or left hands. The results were quite a surprise. “The first thought we had was 'we have to check if this is real',” says Haynes. “We came up with more sanity checks than I've ever seen in any other study before.” The conscious decision to push the button was made about a second before the actual act, but the team discovered that a pattern of brain activity seemed to predict that decision by as many as seven seconds. Long before the subjects were even aware of making a choice, it seems, their brains had already decided.

As humans, we like to think that our decisions are under our conscious control — that we have free will. Philosophers have debated that concept for centuries, and now Haynes and other experimental neuroscientists are raising a new challenge. They argue that consciousness of a decision may be a mere biochemical afterthought, with no influence whatsoever on a person's actions. According to this logic, they say, free will is an illusion. “We feel we choose, but we don't,” says Patrick Haggard, a neuroscientist at University College London.

More here.