Sci-Fi

There will be no edges, but curves.
Clean lines pointing only forward.

History, with its hard spine & dog-eared
Corners, will be replaced with nuance,

Just like the dinosaurs gave way
To mounds and mounds of ice.

Women will still be women, but
The distinction will be empty. Sex,

Having outlived every threat, will gratify
Only the mind, which is where it will exist.

For kicks, we’ll dance for ourselves
Before mirrors studded with golden bulbs.

The oldest among us will recognize that glow—
But the word sun will have been re-assigned

To the Standard Uranium-Neutralizing device
Found in households and nursing homes.

And yes, we’ll live to be much older, thanks
To popular consensus. Weightless, unhinged,

Eons from even our own moon, we’ll drift
In the haze of space, which will be, once

And for all, scrutable and safe.

by Tracy Smith
from Life on Mars
Graywolf Press, 2011

Samuel Wheeler III at nonsite:

Decades ago, I argued that indeterminacy of interpretation, construed in the terminology of Husserl’s phenomenology and Saussure’s conception of language, was very close to Derrida’s “deconstruction.” I have come to see that the very structure of Davidson’s account of language commits him to a version of “dissemination,” the fluidity and “play” of ascriptions of meaning. The core of Davidson’s account of language and interpretation guarantees that natural languages will be disseminative.

Husserl construed meanings as entities that in principle could be common to different languages. Frege’s “senses,” the Analytic tradition’s version of Platonic forms, were similar metaphysical equipment. Languages were ways of expressing such meanings. Derrida and Davidson attacked trans-linguistic meanings. Derrida treated metaphysical trans-linguistic meanings historically, as an aspect of philosophy’s obsession with Presence, which had shaped the history of metaphysics.

more here.

Jeremy Harte at Literary Review:

Don’t impress me with peasant virtues, said Chekhov, I have peasant blood in my veins. Patrick Joyce has the blood too. His people won a living from the hard lands of Dúiche Seoighe, or Joyce Country, which stretch from Loughs Corrib and Mask to the Atlantic Ocean and straddle the border of County Mayo and County Galway. Although his father took the family to England in 1930, he brought his sons back every year and they would fall asleep night after night listening to kitchen talk in English and Irish. Joyce knows what he is talking about, and if his peasants are not always virtuous, they are at least vivid and real.

It is hard to hold on to that reality, for peasants will soon be as extinct as the aurochs and Irish elk. In western Europe, the proportion of the population employed in agriculture now stands at something between 1 and 5 per cent.

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Tom Crewe in The Guardian:

There is a well-known passage in EM Forster’s Maurice, written in 1913 but not published until 1971, after Forster’s death. Maurice, who has “failed to kill lust single-handed”, resolves to consult a doctor about his problem. “I am an unspeakable,” he confesses, “of the Oscar Wilde sort.” What is “unspeakable” is immediately revealed by the use of Wilde’s name: that Maurice is homosexual. To be an “Oscar Wilde sort” was to be gay – but was it to be anything like Oscar Wilde? This was the problem troubling men of Forster’s generation and after, at least until the legalisation of homosexuality in England and Wales in 1967 (Scotland did not follow until 1981, Northern Ireland until 1982, Ireland until 1993). Wilde’s scandalous exposure created a set of public assumptions and prejudices that persisted for well over half a century, often twisting how gay people saw themselves. Among these was the belief that gay men, like Wilde, imposed themselves on the world by their difference: that they dressed differently, talked differently, were “theatrical”. That their relationships – as Wilde’s were alleged to have been – were crudely sexual, exploitative, mired in inequalities of age and class. That their susceptibility to blackmail brought them into contact with criminality, made them suspect. That they might always be one misstep away from tragedy. Maurice was an attempt to argue with these ideas, but the fact that Forster felt unable to publish it in his lifetime is a testament to their grip.

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Nadia Asparouhova in The New Atlantis:

A new tech ideology is ascendant online. “Introducing effective accelerationism,” the pseudonymous user Beff Jezos tweeted, rather grandly, in May 2022. “E/acc” — pronounced ee-ack — “is a direct product [of the] tech Twitter schizosphere,” he wrote. “We hope you join us in this new endeavour.”

The reaction from Jezos’s peers was a mix of positive, critical, and perplexed. “What the f*** is e/acc,” posted multiple users. “Accelerationism is unfortunately now just a buzzword,” sighed political scientist Samo Burja, referring to a related concept popularized around 2017. “I guess unavoidable for Twitter subcultures?” “These [people] are absolutely bonkers,” grumbled Timnit Gebru, an artificial intelligence researcher and activist who frequently criticizes the tech industry. “Their fanaticism + god complex is exhausting.”

Despite the criticism, e/acc persists, and is growing, in the tech hive mind. E/acc’s founders believe that the tech world has become captive to a monoculture. If it becomes paralyzed by a fear of the future, it will never produce meaningful benefits. Instead, e/acc encourages more ideas, more growth, more competition, more action.

More here.

Robert Bellafiore in The New Atlantis:

From John Maynard Keynes’s prediction of a fifteen-hour workweek to Walt Disney’s Tomorrowland to 2001: A Space Odyssey’s interplanetary waltzing, many futurists and crystal-ball seers of the twentieth century assured us that, thanks to the wonders of technology, things were looking up for the human race. And remarkably, they were often justified in their buoyancy: President Kennedy explained in 1962 why we chose to go to the Moon, and seven years later there we were. Surely the 2000s would be a whole century of roaring twenties.

Instead, we got … this. A damaged earth, a pandemic, a housing crisis, and a deep sense that we all got played. “There’s no U.S. economy running on clean nuclear fusion or superdeep geothermal energy,” James Pethokoukis bemoans, “no universal antivirus vaccine, no driverless flying electric taxis, no suborbital hypersonic flights from New York to Paris, no booming space economy.” What gives?

In The Conservative Futurist: How to Create the Sci-Fi World We Were Promised, Pethokoukis, a policy analyst at the American Enterprise Institute, sets out to explain what happened, and how we can return to the future as it used to be.

More here.

The Cat

While you read
the sleepmoth begins
to circle your eyes
and then—
a hail of claws
lands the cat
in your lap.
The little motor
in his throat
is how a cat says
Me. He rasps the soft
file of his tongue
along the inside
of your wrist.
He licks himself.
He’s building
a pebble of fur
in his stomach.
And now he pulls
his body in a circle
around the fire of sleep.

by William Matthews
from Sleek For the Long Flight
White Pine Press, 1998

Summer Rylander in Nautilus:

Few animals are more synonymous with the African savannah than the lion. With its muscular stride and ferocious roar, it has long been a symbol of strength, courage, and nobility. As an apex predator, it sits at the top of the food chain—the only real predator it must fear is the human. But recently, one of the savannah’s tiniest inhabitants, one that is barely visible, has fundamentally reshaped the fortunes of the lion, as well as those of a number of other magnificent beasts: zebras, elephants, and buffalo.

This real-life fable begins with the iconic umbrella-shaped acacia tree, also known as the whistling thorn tree. Graceful and resilient, the acacia tree dominates the savannah landscape and often provides most of the tree cover for thousands of square miles. Hidden in the branches of this tree are great numbers of tiny acacia ants, which make their home there and act as protectors. With their painful stings and bites, the ants ward off large herbivores such as elephants and giraffes, and allow the trees to thrive.

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Myles Burke in BBC:

Emmanuel Faye at Notre Dame Philosophical Review:

Wolin’s project can be summarized as follows: After the recent publication of Heidegger’s seminars, lectures, correspondence, and the Black Notebooks has revealed the Heideggerian edifice to be in ruins, Wolin wants to show that Heidegger’s writings can nonetheless provide philosophy with valuable material that can be re-used. Should we conclude that Wolin—like Trawny, Nancy, and di Cesare before him—seeks to salvage the seemingly valuable philosophical remains of Heideggerian thought following the publication of the Black Notebooks? And that this rescue operation is carried out in the face of opposition from mysterious and anonymous critical “commentators”? Or are these statements rhetorical, designed to safeguard the project against potential attacks by the most uncompromising of Heideggerians? It is in any case striking that Wolin places his project under the aegis of Nietzsche, given his previous unsparing criticism of this figure. He might argue that this is merely ironic. Yet the methodological fact remains that the Nietzsche citation fits with Wolin’s aim of re-evaluating the Heideggerian material.

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Meara Sharma at Artforum:

To encounter the work of Japanese photographer Daido Moriyama is to see the world not through his eyes but through his whole being. His angles are dizzyingly extreme, as if shot from the perspective of his knees, his toes, the back of his head. His subjects are blurred and warped, conjuring a sense of frenetic movement through space. His images—mostly black-and-white—are intensely high contrast, evocative of the sun’s unforgiving glare or the heightened realm of dreams. Rather than proposing an artfully constructed vision of the world, his photographs (whether of television screens or thronging beaches or fishnet-sheathed legs or discarded dolls) attempt to embody the fragmented experience of existence: its chaos, its precariousness, its fundamental inscrutability.

Moriyama’s signature style—known as are, bure, boke, which translates as “grainy, blurry, out of focus”—stems from a lifelong suspicion of photography’s capacity to capture reality, evident in the eighty-five-year-old artist’s potent retrospective at the Photographers’ Gallery.

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Adam Greenhalgh at Literary Hub:

In the summer of 1933, Mark Rothko, who was then still known as Markus Rothkowitz, hitchhiked nearly three thousand miles from New York City to his hometown of Portland, Oregon. He had done this several times in recent years, having moved east in 1921 to attend Yale University before withdrawing and settling in New York in 1923.

But 1933 was different for two reasons. First, he was accompanied by his wife, Edith Sachar. They had married the previous November, and the ostensible purpose of the trip was to introduce Edith to Rothko’s mother. Second, Rothko had his first solo exhibition, at the Museum of Art, Portland, in July and August. So the trip marked both a personal and a professional milestone for the aspiring artist.

Rothko’s Portland relatives were unable to host the newlyweds, so they set up camp in the hills overlooking the city. According to Rothko’s brother Moise (later known as Maurice Roth), “with canvas or whatever they had, they built themselves a hut there and lived with no facilities of any kind.” Canvas was suitable for a tent in the woods, but for painting outdoors Rothko favored paper. Lightweight and portable, paper was a logical choice for a peripatetic summer.

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Garrison Lovely in Jacobin:

Google cofounder Larry Page thinks superintelligent AI is “just the next step in evolution.” In fact, Page, who’s worth about $120 billion, has reportedly argued that efforts to prevent AI-driven extinction and protect human consciousness are “speciesist” and “sentimental nonsense.”

In July, former Google DeepMind senior scientist Richard Sutton — one of the pioneers of reinforcement learning, a major subfield of AI — said that the technology “could displace us from existence,” and that “we should not resist succession.” In a 2015 talk, Sutton said, suppose “everything fails” and AI “kill[s] us all”; he asked, “Is it so bad that humans are not the final form of intelligent life in the universe?”

“Biological extinction, that’s not the point,” Sutton, sixty-six, told me. “The light of humanity and our understanding, our intelligence — our consciousness, if you will — can go on without meat humans.”

Yoshua Bengio, fifty-nine, is the second-most cited living scientist, noted for his foundational work on deep learning. Responding to Page and Sutton, Bengio told me, “What they want, I think it’s playing dice with humanity’s future. I personally think this should be criminalized.”

More here.

Jeroen van Baar at An Educated Guess:

Obviously, there already were differences between the lower and upper middle class in 1994—otherwise you couldn’t separate the two groups. But existing differences grew by a lot between 1994 and 2018. For the upper middle class, things generally got better in that timeframe: their wealth, health, and life expectancy improved. For the lower middle class, however,

• • Annual pretax resources declined by 18% between 1994 and 2018, controlling for inflation;
  • Home ownership declined by 31% between 1994 and 2018;
  • Health insurance coverage declined by 11% from 87% in 1994 to 78% in 2018. This means that almost 1 in 4 middle-aged adults in the lower middle class didn’t have health insurance in 2018.

These data make clear that the security offered by middle-class life—exemplified by homeownership and health insurance—is no longer within reach for millions of people in the lower half of the middle class.

More here.

Elie Dolgin in Nature:

The blood cancer had returned, and Kevin Sander was running out of treatment options. A stem-cell transplant would offer the best chance for long-term survival, but to qualify for the procedure he would first need to reduce the extent of his tumour — a seemingly insurmountable goal, because successive treatments had all failed to keep the disease in check. As a last throw of the dice, he joined a landmark clinical trial. Led by haematologist Philipp Staber at the Medical University of Vienna, the study is exploring an innovative treatment strategy in which drugs are tested on the patient’s own cancer cells, cultured outside the body. In February 2022, researchers tried 130 compounds on cells grown from Sander’s cancer — essentially trying everything at their disposal to see what might work.

One option looked promising. It was a type of kinase inhibitor that is approved to treat thyroid cancer, but it is seldom, if ever, used for the rare subtype of lymphoma that Sander had. Physicians prescribed him a treatment regimen that included the drug, and it worked. The cancer receded, enabling him to undergo the stem-cell transplant. He has been in remission ever since. “I’m a bit more free now,” says Sander, a 38-year-old procurement manager living in Podersdorf am See, Austria. ”I do not fear death any more,” he adds. “I try to enjoy my life.” His story is a testament to this kind of intensive and highly personalized drug-screening method, referred to as functional precision medicine. Like all precision medicine, it aims to match treatments to patients, but it differs from the genomics-guided paradigm that has come to dominate the field. Instead of relying on genetic data and the best available understanding of tumour biology to select a treatment, clinicians throw everything they’ve got at cancer cells in the laboratory and see what sticks.

More here.