Sughra Raza. Wall at Alfred P. Murrah building, Oklahoma City. 2015.
Digital photo.
Sughra Raza. Wall at Alfred P. Murrah building, Oklahoma City. 2015.
Digital photo.
by Emrys Westacott
In the beginning, there were only professors and students, and relations between them were very simple. A student would give the professor half of the fee for a course at the first class, and the remainder after the last class. A few poorer students, who could not pay the full amount in cash, would sometimes bring vegetables they had grown, or a fish they had caught, and the professors accepted these graciously. The widow of a former mathematics professor pickled the vegetables and salted the fish before distributing them among the faculty.
As the college grew, so did its reputation, and as more classes were needed, more professors came to teach. To make things easier for the professors, the widow began collecting the fees and depositing them at the local bank. She also began keeping simple records. At some point, no-one could remember exactly when, the professors agreed among themselves to pay her a stipend for the services she provided.
When the widow died, the professors decided to replace her with an experienced bookkeeper who was given a contract and a salary. This person also took on and standardized a few small administrative tasks that the professors, in an ad hoc sort of way, had previously performed for themselves. The college continued to flourish, student numbers increased, and in time the need for additional administrative assistance became pressing. To simplify things, the professors now agreed to become salaried employees of the college, and the larger decisions about the direction and operation of the institution were put into the hands of individuals who were good at that sort of thing.
The college continued to grow, and so did the administrative work required. More's Law states that in any institution, the closer an employee is to the power center where salaries are determined, the higher the remuneration they receive. True to this principle, the higher-level administrators began to be paid quite a lot more than the professors. As their work became more complicated, they found it necessary to increase the administrative tiers within the college, bring in more specialists and employ more assistants. They also found that they needed bigger, more elegant offices.
by Brooks Riley
by Pedro Rosa Mendes
1.
It rained forever the whole night. There was no other sound other than a woman weeping or praying or begging,
“I did not, I did not, I did not“
in the house next to our miserable hotel, the Dokone, formerly the Florida before the war ravaged the old quarters of Mamba Point in Monrovia.
From one of my notebooks:
12 November 2003. There is no light. Wolf lyes flat in bed, on his boxers. He meditates. The woman stopped crying after I shouted
Stop it!
to the darkness and the rain. I shouted to the man beating the woman with a belt, or with a whip. Eventually, Wolf rises and sits. He starts recalling:
There was an offensive from the Northern Alliance against an area under Taliban control but which was not affiliated with their regime. There was a bizarre military alliance between enemies back then. General Dostum’s forces stormed the region, including the village from where my interpreter came from. Everything was brought down. When we reached the village, my interpreter looked for his house. Dostum’s men had killed is entire family. My interpreter had six children. From newborns to grown-ups, like a staircase. It was still possible when we arrived to the village to see where Dostum’s had crushed the children’s skulls. A stain… It looked like the victims had been grabbed by their ankles, or so I guessed, because one could still see purpled marks of hands printed on the babies’ legs. The heads… Just like that. Young skulls are soft. I entered one of the houses and there was the body of a girl. I couldn’t exactly understand what happened with her since her dress was folded back, covering her head. I mean, the place of her head. My interpreter cried out, desperate. He cried and cried and cried. I walked outside and raised my hands high:
how? How?…
It was winter. It was Winter 2001. Everything was frozen. I tried to dig a grave for my interpreter’s children. I didn’t succeed. Everything was frozen. I remained with him for three days.
James Lindsay in Quillette:
It is true that gender studies, which conceptually encompasses feminist theory, maintains almost no representation within the one thousand most significant academic journals (Gender & Society, the top among them, proudly ranks 824among all academic journals), but it’s difficult to ignore many of the more recent real-world applications of feminist theory. I could point to obvious egregious abuses here, like the shameful excesses on college campuses and outsized moral panic about sexual harassment, yet I’m even more compelled by “shrill” feminist popularizer Lindy West’s recent tirade against men in the the New York Times. Even more worrying, this screed echoes feminist scholar Lisa Wade’s weeks-earlier definitely-not-man-hating assertion that “the problem is not toxic masculinity; it’s that masculinity is toxic,” and that “we need to call masculinity out as a hazardous ideology and denounce anyone who chooses to identify with it.” For those who don’t realize, “toxic masculinity” is a technical term originating from within feminist theorizing, not some cute turn of phrase invented by edgy writers with an axe to grind.
More here.
Erin Hengel in VOX EU:
According to raw numerical counts, women produce less than men. For example, female real estate agents list fewer homes (Seagraves and Gallimore 2013); female lawyers bill fewer hours (Azmat and Ferrer 2017); female physicians see fewer patients (Bloor et al. 2008); and female academics write fewer papers (Ceci et al. 2014).
Yet there is another side to female productivity that is often ignored – when evaluated by narrowly defined quality measures, women often outperform. For example, houses listed by female real estate agents sell for higher prices (Salter et al. 2012, Seagraves and Gallimore 2013); female lawyers make fewer ethical violations (Hatamyar and Simmons 2004); and patients treated by female physicians are less likely to die or be readmitted to hospital (Tsugawa et al. 2017).
In a recent study, I show that female economists surpass men on another dimension: writing clarity (Hengel 2017). Using five readability measures, I find that female-authored articles published in top economics journals are better written than equivalent papers by men.
Why? Because they have to be. In a model of an author's decision-making process, I show that tougher editorial standards and/or biased referee assignment are uniquely consistent with women's observed pattern of choices. I then document evidence that higher standards affect behaviour and lower productivity.
Higher standards impose a quantity/quality trade-off that likely contributes to academia’s ‘publishing paradox’ and ‘leaky pipeline’. Spending more time revising old research means there's less time for new research. Fewer papers results in fewer promotions, possibly driving women into fairer fields. Moreover, evidence of this trade-off is present in a variety of occupations – such as doctors, lawyers and real estate agents — suggesting higher standards distort women’s productivity, more generally.
More here.
Patrick Blanchfield in n+1:
EDGAR ALLAN POE’S “THE PURLOINED LETTER” is a strange sort of mystery—a story of palace intrigue and cognitive blind spots. The gumshoe, C. Auguste Dupin, is presented with a case that has left the police befuddled. An unscrupulous Minister has stolen a compromising letter written by a certain noblewoman, which he intends to use as blackmail and as leverage against the ruling Queen. The Minister’s apartment is the only place the letter could be, but exhaustive searches have yielded nothing. Investigators have combed through books, probed furniture for hidden compartments, deployed literal microscopes, and still, nothing, though there is no doubt that the Minister is the thief. The comprehensiveness of the police’s efforts gives the canny Dupin the only clue he needs. Paying the blackmailer a visit, Dupin stages a distraction and plucks the letter from its hiding place, which isn’t really a hiding place at all, but rather a simple card-rack sitting blatantly on a mantelpiece. Concealed in plain sight, the purloined letter has gone unseen the whole time.
Michael Wolff’s Fire and Fury: Inside the Trump White House is a kind of “Purloined Letter” for the dark 21st century. A chronicle of the first eight months of the Donald Trump Administration, the book promises revelations that the author has suggested will bring down the presidency. Fire and Fury does contain plenty of palace intrigue and compromising stories, but its promised revelations are not really revelations at all. The fundamental scandal, the book’s centerpiece truth—that the President is breathtakingly unfit, and his administration is a slow-motion train wreck—has been obvious all along. The Trump catastrophe has not been hidden in plain sight. It has filled our entire national field of vision such that, for those who follow the news even irregularly, there is little else to see. From scandal to scandal, from outrage to outrage, in a steady stream of cringe-inducing video clips and erratic tweets, this President and his administration have shown us who they are time and again. Yet as the past year has shown, this onslaught of the obvious can actually impose its own kind of normality, a learned posture of dumbstruck exhaustion and enervated disgust.
More here.
Anjali Puri in The Wire:
Krishnamurthy’s 1-800 Worlds, The Making of the Indian Call Centre Economy brings to life the world of young people working phones all night, trying to be intelligible and efficient to sometimes irate customers in Europe or North America.
At the heart of the book is Krishnamurthy’s own four-month stint, while she was a doctoral student, as a voice and accent-trainer at a leading business-process outsourcing (BPO) outfits in Pune. She assumed an American accent for her job interview, worked through the night, and lived the call-centre life so intensely that she was eventually sad to leave.
Her book traces the divergent narratives that formed around the transnational call centre industry which took root in India in 1998, boomed in the mid-2000s and then began to decline as multinational corporations found greener locales for voice-based operations. While industry and government extolled call centres as an advanced solution for literate populations in newly-liberalised countries, media focused on the cultural alienation and exploitation of workers. Consumer-goods and advertising companies avidly eyed young employees earning more than twice as much as comparable Indian workers – leading to other debates about the supposedly hedonistic and promiscuous lifestyles fostered by call-centre work.
This study – a scholarly work that is also deeply empathetic and at times playful – illuminates this heady, fraught world without simplistic narratives or judgement.
More here.
Amy Chozick in The New York Times:
Hillary Clinton, the first woman who had a real shot at the presidency, has finally set off a national awakening among women. The only catch? She did it by losing. In the year since a stoic Mrs. Clinton watched as Donald J. Trump was sworn in as the 45th president, a fervor has swept the country, prompting women’s marches, a record number of female candidates running for office and an outcry about sexual assault at all levels of society. Even those women who disliked Hillary-the-candidate or who backed her opponent Senator Bernie Sanders in the Democratic primary now credit the indignities and cynicism Mrs. Clinton faced in the 2016 election and her unexpected loss to Mr. Trump, an alleged sexual abuser, for the current moment. We wouldn’t be here — black gowns at the Golden Globes, sexual assault victims invited to the State of the Union address, a nationwide, woman-led voter registration drive timed to the anniversary of the Women’s March — without Mrs. Clinton’s defeat.
And yet, for Mrs. Clinton, it’s the latest — and perhaps last — cruel twist in a public life full of them. Her loss to Mr. Trump helped ignite the kind of movement she’d once been poised to lead but that she now mostly watches from the sidelines. Ever since she wielded a bullhorn at Wellesley in the late 1960s and later instructed her classmates to “practice politics as the art of making what appears to be impossible possible,” Hillary Rodham seemed destined to empower women. But over the next several decades, the promise of that young activist collided with the realities of presidential elections and her husband’s personal scandals.
Mrs. Clinton — scarred by the blowback for saying she chose to pursue a career rather than staying home to bake cookies, chastised by her husband’s West Wing aides for declaring that “women’s rights are human rights” in Beijing in 1995 and warned by her 2016 campaign chairman to avoid talking about glass ceilings — came to adopt a more tentative embrace of how she talked about her gender.
More here.
Uri Bram in 1843 Magazine:
If there’s one experience that fundamentally defines the modern working professional it’s trying, and failing, to get more work done. It took me six minutes to write that last sentence because between starting and ending I opened four new tabs, including an interesting Harvard study on how our inability to focus is making us miserable. But as a matter of deepest principle, your resident economist will never let personal inadequacy prevent him from offering advice. Stick to the following guidelines and you’ll be able to clock off at lunchtime:
1. Put your long-term self in charge
Thomas Schelling, who invented behavioural economics decades before it was a thing, encouraged his readers to think of themselves as two selves: a weak-willed short-term self and a far-sighted long-term one. Your short-term self is like a rat in a maze: it will run in random directions, or wherever it smells food, with no regard for the bigger picture. The trick to better life decisions, says Schelling, is for your long-term self (when it’s briefly in control) to drop your short-term self into a carefully structured maze, channelling your primal, impulsive actions towards inevitably good results.
For example, if your short-term self is left with any choice at all between writing a report and wasting time on the internet, it will inevitably choose the temptations of the web. As a result, Schelling says that it’s rational for the long-term self to yank the router out of the socket so that the short-term self won’t have internet to distract it. (If you like your dramatic gestures a little less dramatic, the Self Control app lets your long-term self simply block distracting websites that might tempt you later). Similarly, apps like Beeminder and Stickk let your long-term self create “commitment contracts” which will pressure your short-term self into achieving your deeper goals.
2. Remember Pareto
The Pareto principle, certain management thinkers will tell you, is that 20% of the work always gives you 80% of the results. They’re wrong, however, about the universality of the numbers. Pareto was making an empirical observation about some specific situations, for instance, that a “vital few” of the peapods in his garden were providing him most of the peas. The general concept it embodies, though – that if you just do the most important work you’ll get most of the results, and that a large amount of trifling work doesn’t add very much at all – is often true outside the vegetable patch. As such, it’s easy to do double the work in half the time by doing 20% of the work for two-and-a-half different projects and thereby getting 200% of the output afters 50% of the hours.
More here.
“Why are we having all these people from sh**hole countries come here?”
————————- —the President of the United States on immigration
Untitled
Once, one of my students read a book we had.
She was doing history on assignment on
the decline and fall of the Roman Empire
and crying. When I asked her why
she said Because. All those people died.
I said that if you start to cry for the dead
you won't have much time for anything else.
Besides, after all the city people were killed
or died off, because their cultures got too high,
the barbarians kept some peasants alive
for their food value. Some barbarian raped
some peasant woman who produced
a child who ultimately produced you
and me, so there is this family continuity,
so don't cry, it's obvious, look around!
This is the reason why we Americans
are a nation of peasants and barbarians.
.
Alan Dugan
from New and Selected Poems 1961-1983
Ecco Press, 1983
.
Josh Lambert in the New York Times:
It’s been a season of reckoning for our high priests, as one after another, in the film industry, journalism, politics, academia and other fields, have been judged and sometimes punished for their sins. How eerie that Ruby Namdar’s strange and exhilarating novel, “The Ruined House,” should appear in English translation just now.
Namdar wrote the book, his second, in his native Hebrew, and received Israel’s most lucrative literary award, the Sapir Prize, for it a few years ago. Having lived in New York for decades, he was the first expatriate ever to gain that particular honor, and it looks as if he’ll remain the only one: After his win, the rules were shamefully changed to exclude those who live abroad.
It’s just coincidental timing, then, that the novel centers on the sort of American high priest who has recently come under long overdue scrutiny. In “The Ruined House,” he’s the kind of 50-something Jewish New Yorker who publishes his essays in The New Yorker, occupies an impeccable Upper West Side apartment and leads seminars on “comparative culture” at N.Y.U. You can probably already picture him, this elegant Andrew P. Cohen, down to “the old-fashioned watch on his left wrist, the cartoonishly heavy-framed reading glasses, the Warholian shock of hair with its playful wink of gray.”
We follow Andrew as he floats through his putatively enviable life, preparing for classes, visiting the mother of his 26-year-old Chinese-American girlfriend, schmoozing the slick president of N.Y.U. He shuttles between the Hamptons and gallery openings, treating himself to cappuccino and biscotti and almond croissants at “those sexy bakeries that have been opening all over.” True to type, Andrew surrounds himself with admiring women he has selected because they will play their roles (ex-wife, girlfriend, daughter) without ever impinging upon his “personal and aesthetic independence.” Namdar skewers the man thoroughly as a hypocritical misogynist, phony scholar and petty narcissist.
More here.
Philip Kitcher in the LA Review of Books:
SIXTY YEARS AGO, Anglican children used to sing, with some gusto, a hymn extolling the beauties of the Earth, from “Greenland’s icy mountains” and “India’s coral strand” to other examples of the Creator’s artistry. Two lines, however, suggested a glitch in the divine plan: our planet is a place where “every prospect pleases, / And only man is vile.” Caught up in our singing, we paid little attention. Few of us were budding deep ecologists.
If humanity were originally charged with the stewardship of a wonderfully designed world, as the story in Genesis claims, then it is easy to think we have failed in our responsibilities. We have modified the Earth’s surface — as well as the oceans and the atmosphere — in all manner of unattractive ways. But then, so have other species. Beetles have devastated elm trees around the globe. Ants have altered the vegetation and topography of regions they have invaded. Ivy, gypsy moths, and beavers have wrought their own kinds of devastation. Perhaps we have acted on a vaster scale than other species, but it seems unfair to charge Homo sapiens as uniquely vile.
If the idea of stewardship is taken seriously, it must be rethought.
More here.
Arjun Jayadev in INET:
In Folbre’s wide-ranging career, she has fruitfully melded many traditions and shed light on areas usually ignored in economic thinking. Her work as an activist and a scholar has been valuable in the context of both political struggles and academic economics. She has helped widen the lens of economic thinking and set up the basis for a robust feminist political economy. For example, her work at the Center for Popular Economics and other venues has been critical in empowering activists to understand how the economy functions.
Folbre’s work is inspired by radical traditions such as Marxism as well as more standard mainstream approaches—both of which she argues provide an inadequate explanation of critical human functions such as care work. Over decades, she has sought to provide better analyses of human social reproduction and labor in such classic books as Who Pays for the Kids, The Invisible Heart, and Valuing Children (for a catalog of her work see here). For this and other work, she was awarded a MacArthur Foundation “genius grant” in 1998, as well as the Leontief Award in 2004.
In this interview, Folbre speaks about her introduction to political and social enquiry, the development of her social consciousness
and the intellectual origins of her unorthodox approach.
More here.
Skin Repair
In summer she kept lances of wild aloe
in the fridge door, cool spears wound
loose in paper towels to sop up the sap.
With the fine point of a filleting knife
she flensed the thorns, then flicked
her wrist to unzip the hunter green skin.
Today we etched her initials in a wedge
before unpeeling it, so it bled up
through her name like succulent graffiti.
Enzymes catalyze the milk to resin.
How she loved the sun, loved being
rinsed by the cymbal crash of hydrogen.
Tonight we will return to the windbitten dune
she sleeps on, supine as a beach bean;
and try again to decipher the glyph, scripted
by the tip of a trailing spinifex seedhead;
and notice the way her cheek seems embossed
on the dune's edge, as though drawn
by another ocean, deep beneath the crust.
by Jaya Savige
from: Surface to Air
University of Queensland Press, St Lucia, 2011
Sadia Shepard in The New Yorker:
In Connecticut, Hassan shared a desk with a woman—a girl, really. Later, this would be what he remembered most about the job, long after the inconvenience of his morning commute, the banality of his days spent making spreadsheets, and the mediocrity of the cafeteria had faded from memory. He would remember Hina the way he saw her on her first day. The crunched, focussed expression on her small, sharp face as she claimed her half of the desk, a purse over one arm and a duffelbag over the other, a light sheen of perspiration on her upper lip, a dark-gray head scarf wound tightly around her head and fixed above her right ear with a long, silver pin. Hina nodded at Hassan in greeting and then took a brass-colored nameplate out of her purse, placing it carefully on her side of the desk. It was the kind of thing you might order from a mall kiosk that specialized in monogrammed gifts. “My name is Hina Bhati,” she said, pointing at the nameplate, in case he hadn’t noticed it.
“Yes, I see that,” Hassan said.
Hassan had been at the bank eight weeks. Long enough to know that there was a slow way he could take from the men’s room back to his cubicle, a route that killed off three minutes of the work day. Long enough to learn that casual Fridays meant khakis, not jeans. Long enough to feel that the two-person, T-shaped desk he’d been assigned to was his alone. Hina Bhati looked to be in her early twenties, at least seven or eight years younger than he was. Why on earth were they sharing a desk? Hina had an accounting degree from suny Albany, a fact that he learned from the diploma she hung on the wall next to her computer, tapping a tiny nail into the plaster with a miniature, purse-size hammer. On her desk she arranged a tissue box with a crocheted cover, a small, iridescent vase with three silk flowers, and a sturdy, expensive-looking ballpoint pen. She put several large computer manuals on the floor and stood on top of them in order to reach the high shelf above her desk. There she placed her Quran, swaddled in a maroon velvet cover and decorated with multicolored ribbons. Once her belongings were in order, she tucked an imaginary hair inside her scarf and raised the height of her chair until her feet didn’t touch the floor. Hassan noticed that she swung her heels back and forth as she talked, as a child might.
“So,” she began, fixing him with a flat stare, “we might as well get to know each other. Where are you from and how long have you been at the bank?”
More here.
Michael Luongo in The New York Times:
DEARBORN, Mich. — Nabil Mousa’s first solo art exhibition was a joyous occasion, but it still brought tears to his eyes when he introduced his husband to the audience. Mr. Mousa was born in Syria and immigrated to the United States with his conservative Christian parents. In 2000, when he came out, they soon cut off contact and disowned him. Now, he was melding his two identities — gay and Arab — in a show of paintings here. And what was more surprising was where his work was being displayed: the Arab American National Museum, which was focusing for the first time on a gay artist’s exploration of discrimination. Mr. Mousa, 51, is among a small but growing number of L.G.B.T. artists of Arab descent incorporating their sexual identity into their work. In doing so, they confront their own apprehensions, along with censorship and surveillance in the Arab world, and what educators and curators say is a reluctance by some institutions in the United States to exhibit their work on its artistic rather than political merit.
In “American Landscape: An Exploration of Art & Humanity,” on view through April 8, Mr. Mousa’s gay identity is clearly recognizable in a large work that replaces an American flag’s field of stars with the Human Rights Campaign’s bold “=” symbol. A montage about ending religious bigotry is embedded in another piece. Mr. Mousa said he manipulated the American flag to address “the hypocrisy in our constitution, where they talk about every man is created under God, equal to others. But when you really look at it, people like me who are gay or people of color, we are substandard.” Arab details seem more clandestine: Richly decorated arabesques peek though thick, muddy brown paint that veils their underlying beauty. A single color — orange — pervades the work as a visual metaphor for the fear experienced by Arab-Americans in a post-Sept. 11 world, used in the coded terror warning system introduced by the George W. Bush administration.
More here.