Saloni Sharma in Scroll.in:
Chances are, if you haven’t been living under a pandemic-shaped rock of ascetic withdrawal from the real world, you will have heard of S Hareesh. His debut novel, Meesha, translated from the Malayalam into English as Moustache, won the JCB Prize for Literature in 2020. India’s 2020 official entry to the Academy Awards, Jallikattu, was based on one of Hareesh’s short stories from the collection Adam, which won the Kerala Sahitya Akademi Award of 2016. This same award-winning anthology of nine stories has been translated into English by Jayasree Kalathil – and what a stunner of a collection it is.
Towards a posthumanist aesthetic
There is so much going on in the stories that make up Adam. Hareesh makes a disturbingly real study of human behaviour, of the slivers of darkness that lurk under the surface of urbanity, of a playfulness that doesn’t quite know how to co-exist with the serious business of living. However, what catches the reader’s attention, perhaps more than anything else, is the distinct shift from an anthropocentric to a posthumanist aesthetic.