Thursday Poem

Livestock

When they come to pluck me, I appear
neither girl nor boy, clam nor cock.

I have neither hooves nor snout.
But I do have claws; I can grunt and growl

and show my teeth. I do not need wings
to create a windstorm, I do not need talons

to break skin; I can snarl and scrape.
I can unhinge my jaw, to fit a head twice

the size of mine inside. I can be razor-backed
and spike-edged when he tries to skin me,

unscale my silvery back, debone my brazen
hen-hide. I will be foul-mouthed and crooked-necked.

I will be the chicken-head they know me to be,
if it will save my life. When he comes for me,

I will remember the coop, how they gathered the fowl
girl up by the feet with warm hands and cooing.

How her brown hung low when they entered her
into the guillotine and severed her head. How they

plucked her body until she was bare. I will remember
the blood and what happens when they want you as food.

by Khalisa Rae
from Pank Magazine, Issue 16

 

Towards a Cultural History of the Beaver

Justin E. H. Smith in his Substack Newsletter:

Unlike talk of, say, badgers or ermine, talk of beavers seems always to be the overture to a joke. So powerful is the infection of the cloud of its strange humor that the beaver is no doubt in part to blame for the widespread habit, among certain unkind Americans, of smirking at the mere mention of Canada. Nor is it the vulgar euphemism, common in North American English and immortalized in Les Claypool’s heartfelt ode, “Wynona’s Big Brown Beaver” (1995), that entirely explains this animal’s peculiar symbolic scent. The crude term for a woman’s genitals, “beaver”, itself builds on a long history in which the figure of the animal is held up as a mirror and a speculum of human venery, and also of the transcendence of this condition through virtue.

For most of its history the beaver, hunted for its medicinal castoreum, was sooner associated with male testicles, and with the horrible yet paradoxically emboldening prospect of their loss. Later, it was taken up as the very model of the social animal, living in imagined New World dam communities constructed through the ingenious collaborative labor of these hominoid rodents. Beavers, the “busy” American animals, embodied the work ethic so many thought necessary for the transformation of that wild continent.

It is worth considering the extent to which these two images of the beaver —the one focused on its hind parts and their perceived virtues and vices, the other on its industry— are but two chapters of a single continuous history.

How Bell’s Theorem Proved ‘Spooky Action at a Distance’ Is Real

Ben Brubaker Quanta:

We take for granted that an event in one part of the world cannot instantly affect what happens far away. This principle, which physicists call locality, was long regarded as a bedrock assumption about the laws of physics. So when Albert Einstein and two colleagues showed in 1935 that quantum mechanics permits “spooky action at a distance,” as Einstein put it, this feature of the theory seemed highly suspect. Physicists wondered whether quantum mechanics was missing something.

Then in 1964, with the stroke of a pen, the Northern Irish physicist John Stewart Bell demoted locality from a cherished principle to a testable hypothesis. Bell proved that quantum mechanics predicted stronger statistical correlations in the outcomes of certain far-apart measurements than any local theory possibly could. In the years since, experiments have vindicated quantum mechanics again and again.

Bell’s theorem upended one of our most deeply held intuitions about physics, and prompted physicists to explore how quantum mechanics might enable tasks unimaginable in a classical world.

More here.

Why Neoliberalism Needs Neofascists

Prabhat Patnaik in the Boston Review:

It has been four decades since neoliberal globalization began to reshape the world order. During this time, its agenda has decimated labor rights, imposed rigid limits on fiscal deficits, given massive tax breaks and bailouts to big capital, sacrificed local production for multinational supply chains, and privatized public sector assets at throwaway prices.

The result today is a perverse regime defined by the free movement of capital, which moves relatively effortlessly across international borders, even as free movement of the people is ruthlessly controlled by a sharp increase in income inequality and a steady winnowing of democracy. No matter who comes to power, no matter what promises are made before elections, the same economic policies are followed. Since capital, especially finance, can leave a country en masse at extremely short notice—precipitating an acute financial crisis if its “confidence” in a country is undermined—governments are loath to upset the status quo; they pursue policies favorable to finance capital and indeed demanded by it. The sovereignty of the people, in short, is replaced by the sovereignty of global finance and the domestic corporations integrated with it.

More here.

 

A Call For Men To Dig Deeper

Eileen Myles at Bookforum:

So here is my ask. I want fiction by “men” in which they go into real detail about the internal mechanics of their own masculinity. I want evidence of that interiority on the page. Does it exist. All I’ve ever seen is silence or violence. I mean he’s perpetually doing it, the performance of being a man in writing, but he concomitantly refuses its existence except when there’s a glitch, meaning a woman, a queer, or an oddly behaving man. It’s like the only way a man ever talks about gender at all is by talking about them. Never talking about how it is to be a man.

That’s what I want. Before it’s over. Because I am for the abolition of gender difference. Or at least of a system that insists on two, placing one above the other. I want nothing short of the end of patriarchy. And I think you, guy, could bring it on if you would share with me your codex.

more here.

The Poems of Kaveh Akbar

Nick Ripatrazone and Kaveh Akbar at The Millions:

TM: The epigraph to your poem “Cotton Candy” is from John Donne: “To go to heaven, we make heaven come to us.” In its original context, the line appears: “All their proportion’s lame, it sinks, it swells; / For of meridians and parallels / Man hath weaved out a net, and this net thrown / Upon the heavens, and now they are his own. / Loth to go up the hill, or labour thus / To go to heaven, we make heaven come to us. / We spur, we rein the stars, and in their race / They’re diversely content to obey our pace.” I love your epigraphic eye here. Who is Donne to you, as both poet and legacy? Why choose these lines in particular from his poem?

KA: He’s a titan. Sexy, ferocious. Magisterial. But what I’m really interested in, as it pertains to Pilgrim Bell, is Donne’s silence. Really all the metaphysical guys were great this way, Marvell and Herbert too. And Hopkins kind of tangentially. But the way Donne could get so bombastic, so loud. And how that volume created such a contrast to the silence immediately after.

more here.

Wednesday Poem

Taxonomies: Me, Too

I.Gloves

Marshmallow-thick ski gloves.
A pair strung from toddler sleeves.
Lost mate waving from a puddle.
The snapped rubber glove that splits open
on the orthodontist’s hand. Ever had
one break on you, dear? he sneers,
his breath hot in my teen-girl ear.

II. Late Arrivals

The every-other-weekend father,
daughter at the window practicing
times tables on glass fogged
with breath. In summer: the moon.
In winter: the sun. The girl’s date,
the one with a blown muffler and rough
hands. The next month: her blood.

III. Things That Slide

Girl on the playground,
the steel mirror-polished
by the seat of her pants.
Houses after pummeling
rains. Tears. Unwelcome
words about your breasts
from men you pass. Years.

IV. Smiles

Ambiguity tugging the seams of Mona Lisa’s lips.
Helen of Troy, for surely it wasn’t a scowl
that launched a thousand ships. Smile more, say men,
always men. But my mouth’s default is a grin.
Classic American smile, proclaims my dentist.
What does he mean? Unrestrained? Too much? Larger
than life? When he says open wider, I want to bite.

by Erin Murphy
from Contrary Magazine

The German Experiment That Placed Foster Children with Pedophiles

Rachel Aviv in The New Yorker:

In 2017, a German man who goes by the name Marco came across an article in a Berlin newspaper with a photograph of a professor he recognized from childhood. The first thing he noticed was the man’s lips. They were thin, almost nonexistent, a trait that Marco had always found repellent. He was surprised to read that the professor, Helmut Kentler, had been one of the most influential sexologists in Germany. The article described a new research report that had investigated what was called the “Kentler experiment.” Beginning in the late sixties, Kentler had placed neglected children in foster homes run by pedophiles. The experiment was authorized and financially supported by the Berlin Senate. In a report submitted to the Senate, in 1988, Kentler had described it as a “complete success.”

Marco had grown up in foster care, and his foster father had frequently taken him to Kentler’s home. Now he was thirty-four, with a one-year-old daughter, and her meals and naps structured his days. After he read the article, he said, “I just pushed it aside. I didn’t react emotionally. I did what I do every day: nothing, really. I sat around in front of the computer.”

Marco looks like a movie star—he is tanned, with a firm jaw, thick dark hair, and a long, symmetrical face. As an adult, he has cried only once. “If someone were to die in front of me, I would of course want to help them, but it wouldn’t affect me emotionally,” he told me. “I have a wall, and emotions just hit against it.” He lived with his girlfriend, a hairdresser, but they never discussed his childhood. He was unemployed. Once, he tried to work as a mailman, but after a few days he quit, because whenever a stranger made an expression that reminded him of his foster father, an engineer named Fritz Henkel, he had the sensation that he was not actually alive, that his heart had stopped beating, and that the color had drained from the world. When he tried to speak, it felt as if his voice didn’t belong to him.

More here.

Here’s the Right Story for Vaccine Holdouts

Stuart Firestein in Nautilus:

Blaise Pascal was a renowned French polymath of the 17th century, scientist, philosopher, mathematician, inventor, and later in life a theologian. Among his many contributions was an attempt to prove by logical means the existence of God, which came to be known as Pascal’s Wager. Stated simply, Pascal reasoned that not believing in God, if there was one, would damn you to eternal suffering. Conversely, believing in God, if there wasn’t one, would cost you little in this life and nothing once you were dead. Therefore, the only sensible course of action was to believe in God.

Whether or not you find Pascal’s Wager to be theologically compelling, it turns out to be a very useful guide for making decisions under conditions of unresolvable uncertainty. And the major uncertainty that all of us are collectively facing right now is the virus known as SARS-CoV-2, responsible for COVID-19. The availability of a vaccine, several vaccines in fact, has brought all those uncertainties into focus.

Given we are going to have a certain amount of uncertainty about all this for some time, we might resort to a Pascal-like strategy for making a decision. And right now there is no more important decision than whether or not to get vaccinated. As we know, many people in the United States and around the world are not ready to wager on a vaccination. To be fair, the uncertainty they face is due to simple misinformation, all too easily spread in the various forms of media. But much of the uncertainty is of legitimate concern.

More here.

Inequality and the politics of division

Kenan Malik in Pandaemonium:

“It feels qualitatively different this time.” There are few people I know in South Africa who don’t think this about the carnage now engulfing the nation. Violence was institutionalised during the years of apartheid. In the post-apartheid years, it has rarely been far from the surface – police violence, gangster violence, the violence of protest. What is being exposed now, however, is just how far the social contract that has held the nation together since the end of apartheid has eroded.

Many aspects of the disorder are peculiar to South Africa. There are also themes with wider resonance. Events in the country demonstrate in a particularly acute fashion a phenomenon we are witnessing in different ways and in different degrees of severity across the globe: the old order breaking down, with little to fill the void but sectarian movements or identity politics.

The immediate cause of the violence was the 15-month sentence imposed on former president Jacob Zuma for refusing to testify at a corruption inquiry. The protests in Zuma’s stronghold of KwaZulu-Natal have, however, morphed into something bigger and more menacing. A combination of people made desperate by poverty and hunger, gangsters seeking to profit from mayhem and political activists settling scores has brought unparalleled turmoil to the country.

More here.

Sean Carroll’s Mindscape Podcast: Catherine D’Ignazio on Data, Objectivity, and Bias

Sean Carroll in Preposterous Universe:

How can data be biased? Isn’t it supposed to be an objective reflection of the real world? We all know that these are somewhat naive rhetorical questions, since data can easily inherit bias from the people who collect and analyze it, just as an algorithm can make biased suggestions if it’s trained on biased datasets. A better question is, how do biases creep in, and what can we do about them? Catherine D’Ignazio is an MIT professor who has studied how biases creep into our data and algorithms, and even into the expression of values that purport to protect objective analysis. We discuss examples of these processes and how to use data to make things better.

More here.

Leak uncovers global abuse of cyber-surveillance weapon

Stephanie Kirchgaessner, Paul Lewis, David Pegg,Sam Cutler,Nina Lakhani and Michael Safi in The Guardian:

Human rights activists, journalists and lawyers across the world have been targeted by authoritarian governments using hacking software sold by the Israeli surveillance company NSO Group, according to an investigation into a massive data leak.

The investigation by the Guardian and 16 other media organisations suggests widespread and continuing abuse of NSO’s hacking spyware, Pegasus, which the company insists is only intended for use against criminals and terrorists.

Pegasus is a malware that infects iPhones and Android devices to enable operators of the tool to extract messages, photos and emails, record calls and secretly activate microphones.

The leak contains a list of more than 50,000 phone numbers that, it is believed, have been identified as those of people of interest by clients of NSO since 2016.

More here.

What’s in a Name?

Victoria Princewill at Granta:

Byung-Chul Han tells us in The Disappearance of Rituals, that ‘symbolic perception, as recognition, is the perception of the permanent’. In a world that often seems to be determined by change, by transient experiences, names are an anomaly. They are stubborn things, pushing back against the relentless march of time. Ages change, job titles, citizenship, but names we carry with us. In defiance of a life in constant motion.  When we name newborns, we are trying to locate them in the world by carving out their distinction from others, as absolute immutable entities. Some part of that distinction will follow them through the trajectory of their life. Names endure, names remain.

Yet our names function, first, as words spoken back to us. Our existence is shaped in part by the recognition of others, making the experience of naming a collaborative project. In some West African families, like my own, one can be named for another relative, in recognition of their unique heritage.

more here.

The Mournfulness of Cities

David Searcy at The Paris Review:

I’d like to set up an experiment to chart the sadness—try to find out where it comes from, where it goes—to trace it, in that melody (whichever variation) as it threads across Manhattan from the Lower East Side straight across the river, more or less west, into the suburbs of New Jersey and whatever lies beyond. This would require, I’m guessing, maybe a hundred saxophonists stationed along the route on tops of buildings, water towers, farther out on people’s porches (with permission), empty parking lots, at intervals determined by the limits of their mutual audibility under variable conditions in the middle of the night, so each would strain a bit to pick it up and pass it on in step until they’re going all at once and all strung out along this fraying thread of melody for hours, with relievers in reserve. There’s bound to be some drifting in and out of phase, attenuation of the tempo, of the sadness for that matter, of the waveform, what I think of as the waveform of the whole thing as it comes across the river losing amplitude and sharpness, rounding, flattening, and diffusing into neighborhoods where maybe it just sort of washes over people staying up to hear it or, awakened, wondering what is that out there so faint and faintly echoed, faintly sad but not so sad that you can’t close your eyes again and drift right back to sleep.

more here.

Apichatpong Weerasethakul’s ‘Memoria’

Peter Bradshaw at The Guardian:

Memoria is a beautiful and mysterious movie, slow cinema that decelerates your heartbeat. For some, the andante tempo, with its glacially long silent takes, will exasperate – and opinions may divide on the extraordinary sci-fi epiphany ending. Even now I’m not sure what I think about it. But what originality and daring, the biggest ideas invoked with compelling zen humility. Weerasekathul is an artist who demands that you return your thoughts to the unsolved and unspoken mysteries of existence: that we are born, live, die and all without ever knowing why, or often even wanting to know. But he approaches these phenomena as calmly as he might questions of agriculture or engineering.

more here.

Tuesday Poem

My Women are Tabla & Qanoun

I could swear I was born in Cairo,
breastfed from the Nile –
look at my blood when I dance to sha3bi music,
how it turns to river.
After reading Naguib Mahfouz’s Palace of Desire,
I wore blue eyeshadow & pink jalabiya & khilkhal.
I married five men like Fifi Abdo
& killed them all in my sleep
then stepped into a cabaret, down the corner,
to dance for the women        my women,
you are tabla & qanoun
you are silver coins on my waist
you are black hair smelling of sunsilk shampoo
you are white tarboush & blue misbaha
on the hands of one khalto starting the dabkeh
& another praying to God. My women,
I count your 99 names under my breath
& dream of a city created in your image.

I know what you’ll tell me at midnight:
Cairo is not the same & they’ve closed up
the casinos. You’re right, a whole world,
it’s changing maybe for the worse maybe not
but yesterday, did we not dance
to Souad Hosny on the rooftop,
did you not see the young girls clap
for their newly wed friend?
Is Oum Kolthoum not bursting
from the camps & cab drivers —
have you heard Maryam Saleh’s song,
didn’t you just want to love to it?

Morning will come & we will stitch
rhinestones onto bras. You will hang
your purple underwear to dry & wink at me
like a secret right before the women,
our women, tickle you to curl your small finger
to migrating clouds, to move with them
like birds in flight.

by Nur Turkmani
from
Muzzle Magazine, Spring 2021

Massive DNA ‘Borg’ structures perplex scientists

Amber Dance in Nature:

The Borg have landed — or, at least, researchers have discovered their counterparts here on Earth. Scientists analysing samples from muddy sites in the western United States have found novel DNA structures that seem to scavenge and ‘assimilate’ genes from microorganisms in their environment, much like the fictional Star Trek ‘Borg’ aliens who assimilate the knowledge and technology of other species. These extra-long DNA strands, which the scientists named in honour of the aliens, join a diverse collection of genetic structures — circular plasmids, for example — known as extrachromosomal elements (ECEs). Most microbes have one or two chromosomes that encode their primary genetic blueprint. But they can host, and often share between them, many distinct ECEs. These carry non-essential but useful genes, such as those for antibiotic resistance.

Borgs are a previously unknown, unique and “absolutely fascinating” type of ECE, says Jill Banfield, a geomicrobiologist at the University of California, Berkeley. She and her colleagues describe their discovery of the structures in a preprint posted to the server bioRxiv1. The work is yet to be peer-reviewed.

Unlike anything seen before

Borgs are DNA structures “not like any that’s been seen before”, says Brett Baker, a microbiologist at the University of Texas at Austin. Other scientists agree that the find is exciting, but have questioned whether Borgs really are unique, noting similarities between them and other large ECEs. In recent years “people have become used to surprises in the field of ECEs”, says Huang Li, a microbiologist at the Chinese Academy of Sciences in Beijing. “However, the discovery of Borgs, which undoubtedly enriches the concept of ECEs, has fascinated many in the field.”

More here.