David Albert in the New York Times:

David Deutsch’s “Beginning of Infinity” is a brilliant and exhilarating and profoundly eccentric book. It’s about everything: art, science, philosophy, history, politics, evil, death, the future, infinity, bugs, thumbs, what have you. And the business of giving it anything like the attention it deserves, in the small space allotted here, is out of the question. But I will do what I can.

It hardly seems worth saying (to begin with) that the chutzpah of this guy is almost beyond belief, and that any book with these sorts of ambitions is necessarily, in some overall sense, a failure, or a fraud, or a joke, or madness. But Deutsch (who is famous, among other reasons, for his pioneering contributions to the field of quantum computation) is so smart, and so strange, and so creative, and so inexhaustibly curious, and so vividly intellectually alive, that it is a distinct privilege, notwithstanding everything, to spend time in his head. He writes as if what he is giving us amounts to a tight, grand, cumulative system of ideas — something of almost mathematical rigor — but the reader will do much better to approach this book with the assurance that nothing like that actually turns out to be the case. I like to think of it as more akin to great, wide, learned, meandering conversation — something that belongs to the genre of, say, Robert Burton’s “Anatomy of Melancholy” — never dull, often startling and fantastic and beautiful, often at odds with itself, sometimes distasteful, sometimes unintentionally hilarious, sometimes (even, maybe, secondarily) true.

More here.

The battle between Spitz and the zombies is a contest between hollow vessels on both sides, which is one reason why Zone One ultimately feels like such a sad book. Not that Whitehead — who can be a very funny writer — passes up any opportunities for a little zombie humor. A pop psychologist coins the syndrome PASD (or “post-apocalyptic stress disorder”) to explain the jitters people feel about the new dispensation, and the government hands out helpful pamphlets on how to cope with it; of course everyone on earth is grappling with their PASD, or past. And few writers could combine horror and fashion criticism as effortlessly as Whitehead does, when explaining how to distinguish between zombies and humans from a distance: “Only a human cursed with the burden of free will would wear a poncho.” Still, the overall tone is melancholic, even elegiac. Why doesn’t our hero seek to get out of Zone One, give up the sweeper lifestyle, try to get somewhere safe? The impulse to escape is utterly absent from these pages, presumably because New York City is still, for Mark Spitz as for Whitehead, the center of the world, and the place he always wanted to live. After all, New York is never what we dreamed it was going to be when we were young, and the zombie apocalypse is just another teacher of that hard lesson.

more from Alix Ohlin at the LA Review of Books here.

What are we doing here? We may never know. If a solar storm should burn off the peculiar damp that clings to this planet, this would be a very small change—no change at all in cosmic terms, which apparently are based on averages. The universe is lifeless now and will be lifeless then, so negligible is our presence in it. What about us was of interest, if we imagine looking at ourselves in retrospect? That we made civilizations, or that we drove them to the ground, reduced them to rubble? I won’t pretend that this is a real question. We make wealth, and we destroy it. Our wealth is finally neither more nor less than human well-being. There is no necessary hypothesis; there is no value but what we value. The great temptation of money is that it seems to give us tokens, markers, by which things and people can be truly said to succeed or fail. The illusion that value inheres in it has vigorously survived a recent proof of its evanescence, in fact its utter dependency on our faith in its value. It has a placebo effect more predictably than it ought to, seeming to satisfy a need to know how value is discovered, or created, or conveyed, or preserved. It is human nature to want to know this. But, whatever else we might say about human nature, we can say it aligns most inexactly with the universe. In this moment the habit of aggressive fear and the zeal for austerity have become a binary system, each intensifying the force of the other as they become a single phenomenon. In the way of the cosmically accidental, this near-fusion has occurred at a point in time when the merely possible took on the character of the inevitable.

more from Marilynne Robinson at The Nation here.

How many secrets can one person have, especially a person who has made a living out of spilling them, ruthlessly mining his own experience for autobiographical monologues that brought him no small amount of fame and fortune? Not many, it would seem. But if you’re Spalding Gray, the writer and performer of self-revealing one-man performances such as Swimming to Cambodia and Gray’s Anatomy, you can have private secrets within performed secrets, unspoken confessions behind the public ones. That, at any rate, is what emerges from the pages of Gray’s journals, a document of wrenching and exhilarating honesty, shot through with self-hatred but also with unremitting humor and several shades of irony. Once you start reading, the book draws you in with its dire, lunatic brand of introspection, almost as though you were listening to an emergency phone call from a close friend who can’t, or won’t, hang up until he’s done detailing all the reasons why he’s a fraud and why his life sucks and why it’s high time he put an end to it.

more from Daphne Merkin at Bookforum here.

From Guardian:

In three years it will be the 250th anniversary of the publication of this incendiary work. I hope suitable festivities are being planned. I cannot think of any political work this old which survives modern scrutiny so well – not so much because it contains essential truths, but because it is still such fun to read. Dangerous fun, that is: it's like being in the presence of a particularly enraged alternative comedian, an Enlightenment Bill Hicks, perhaps. Readers opening the first edition and reading the first entry – on Abraham – would have raised an eyebrow at this: “The fact is that the seed of Ishmael has been infinitely more favoured by God than the seed of Jacob. Both races have in turn produced thieves; but the Arab thieves have been prodigiously superior to the Jewish thieves.” Any reader consoling him- or herself at the time with the thought that this is just antisemitism of a particularly broad kind is not reading properly: this is a declaration, as it were, that nothing in the following pages is going to be treated as sacred. Everything is about to get a good kicking, and irony will be piled upon irony.

Voltaire was pushing 70 when he wrote it, but he wasn't getting soft in his old age. Rather the contrary. He felt not only that time was running out, but that he could really let rip without too much fear of the consequences. Not that he was completely reckless: for as long as possible, he maintained the fiction that he was not the work's author. And with good reason: the book was instantly placed on the Vatican's list of banned books, where it remained until the list itself was withdrawn in 1966; and in 1776, two years after publication, a young man from Picardy, the chevalier de La Barre, was accused of various anti-religious acts, and his possession of Voltaire's Dictionary was a factor in his guilty sentence. Punishment: to have his tongue torn out, be beheaded, and burned at the stake, with a copy of the offensive book tossed on to the pyre for good measure (pour encourager les autres, you might say).

More here.

From The New York Times:

The high point was when I got to bomb Mars. In science fiction, wars between the Earth and her interplanetary colonies are a staple of the far future, but this was not that. Before we go to war with Mars, there has to be somebody living there to fight. Toward the end of the exhibition “Beyond Planet Earth: The Future of Space Exploration,” which opens at the American Museum of Natural History on Saturday, a visitor is confronted with a chance to help make the red planet, currently a frozen desert, livable.

Using an interactive screen the size and shape of a Ping-Pong table, you can play God and direct the future evolution of Mars. The first task is to thicken its atmosphere and warm it up by liberating carbon dioxide, a greenhouse gas, from its frozen soil and ice caps. You can bomb the planet — although, to my disappointment, you can’t aim the bombs — or you can spray black dust on the ice caps to make them absorb sunlight and melt faster. Both of these made me feel like a delightfully naughty 6-year-old boy. You can even build factories with tall smokestacks billowing exhaust. “I’m polluting Mars,” I exclaimed, eliciting sage chuckles from the museum staff members nearby. After all, we’ve been practicing that for 500 years on Earth. The idea of the space program as a museum show seemed wildly and gloomily appropriate when I first heard about it. We think of museums as being for old dead things, and the space program, at least the American space program, seems ready for its own diorama as the space shuttle shuts down, the Moon landings recede into ancient history, and space science is slowly dismantled by a prairie fire of budget cutting and wild cost overruns in the few programs that are left.

More here.

Anthony Gormley. Domain Field, 2003.

More here and here.

Lawrence Lessig’s latest book, , represents both a departure from his previous work on intellectual property and an entrance into the world of political activism. He argues that Congress has become so corrupted by moneyed interests and has so undermined the public trust that our very republic is at risk. He seeks nothing less than a complete overhaul of our campaign-finance system.

David V. Johnson in the Boston Review:

David Johnson: Republic, Lost is about institutional corruption in Congress. In reading it, one impression I had is that it’s about so much more than just Congress. It’s really about our society. There are so many institutions that are suffering from the same corruption from moneyed interests.

Lawrence Lessig: Yes, and that’s not an accident. I run the Edmond J. Safra Center for Ethics at Harvard; we have launched a five-year research project focusing on institutional corruption generally. So this problem I describe in the context of Congress is just a particular instance of a more general dynamic in accounting, financial services, healthcare, academics, the media—you can pick your field—and we can describe a similar dynamic of corrupting influences that we’ve allowed to seep into the institution that distract it from what we think the institution is for.

DJ: If this is such a broad-based phenomenon, why isn’t it more obvious to people?

LL: Well, I actually think that outside of the academy it is obvious, but it’s not so obvious that it triggers people to react. I think of a metaphor to certain diseases like sleeping sickness, which the body just can never muster a sufficient immune response, and therefore it slowly brings the body down; that might be the case here.

More here.

A Rainy Morning

A young woman in a wheelchair,
wearing a black nylon poncho spattered with rain,
is pushing herself through the morning.
You have seen how pianists
sometimes bend forward to strike the keys,
then lift their hands, draw back to rest,
then lean again to strike just as the chord fades.
Such is the way this woman
strikes at the wheels, then lifts her long white fingers,
letting them float, then bends again to strike
just as the chair slows, as if into a silence.
So expertly she plays the chords
of this difficult music she has mastered,
her wet face beautiful in its concentration,
while the wind turns the pages of rain.

by Ted Kooser
from Delights and Shadows
Copper Canyon Press, 2004

George Eaton in The New Statesman:

Richard Dawkins, Hitchens's fellow anti-theist, appeared on stage with Fry in London, and Martin Amis, his dearest friend, appeared via video link from New York, as did James Fenton and Salman Rushdie. The line-up also included actor Sean Penn (who Hitchens enjoys pool games with), former Harper's editor Lewis Lapham and novelist Christopher Buckley, son of the late conservative intellectual (whether there can be such a thing is a subject for another occasion) William F. Buckley, whom Hitchens often debated on US TV show Firing Line. It felt like a hyper-intelligent version of Question Time.

Wreathed in smoke clouds and looking as if he had just climbed out of bed, Penn (beamed in from LA) opened proceedings, discussing the political significance of The Trial of Henry Kissinger – Hitchens's account of the former US Secretary of State's “one-man rolling crime wave” – until the satellite link failed (“God damn you Google!” cried Fry). Regaining his composure, Fry welcomed Dawkins on stage. Dawkins and Hitchens are often spoken of as one entity (Terry Eagleton christened them “Ditchkins” in his 2009 polemic Reason, Faith and Revolution) but the former made an important distinction between their approaches. While Dawkins's hostility to religion is born of his commitment to science and free inquiry, Hitchens's reflects his moral outrage at what Dawkins called “a tyrannical God figure” and what Hitchens has described as a “celestial dictatorship”. In this regard, Hitchens's anti-theism is merely an extension of his anti-totalitarianism.

It was Buckley, who spoke recently of how Hitchens composed a Slate column in 20 minutes in his presence (as the late Anthony Howard, a former editor of the NS, told me last year, Hitchens can write at a speed that most people talk), who appeared next, recalling the moment Barbra Streisand “caught fire” at the Vanity Fair party hosted by Hitchens following the White House Correspondents' Dinner.

More here. You can buy and watch a video of the entire evening here.

Danish Khan in the Pune Mirror:

The eyes have the same intensity as his famously broody-eyed writer son but Salman Rushdie’s father Anis Ahmed Rushdie had an almost diametrically opposite reception in the United Kingdom from his illustrious son.

An investigation by this reporter reveals that unlike Sir Salman, knighted by Queen Elizabeth in 2007, his father Anis Ahmed Rushdie was shamed and nearly prosecuted in the UK in 1935 after it was revealed that his birth record details had been fudged to allow him to appear for the elite Indian Civil Service.

Despite his protestations of innocence and cultural misunderstanding Rushdie senior was dismissed from the ICS on this ground.

After graduating from Cambridge University, like his son did later, Anis Rushdie appeared for the ICS in 1932 and cleared the exam. But following inexplicable reasons he was not selected in 1932. He reappeared the next year and was ranked 4th overall. His troubles began when he was sent to England on the customary two-year probation and the British began scrutinising his records.

More here.

Pervez Hoodbhoy in Bulletin of the Atomic Scientists:

The Islamic Republic of Iran stands at the threshold to the bomb. In 2010 it had more than enough low-enriched uranium (some 2,152 kilograms) to make its first bomb's worth of weapons-grade uranium. The LEU would have become highly enriched uranium in roughly 10 weeks had it been fed into the 4,186 centrifuges then operating. Thousands of other centrifuges are also known to be operating at the Natanz secret nuclear facility. Even if Iran had not received a bomb design from the so-called father of Pakistan's nuclear weapons program, A. Q. Khan, the six-decade-old physics of implosion devices would be no mystery to Tehran's sophisticated nuclear scientists. Iran now awaits only a political decision to make the bomb.

What if Iran chooses to cross the threshold? Among other likely consequences, an Iranian bomb would be a powerful stimulus pushing the Kingdom of Saudi Arabia to follow and seek the first Sunni bomb. The first, yes. Though also a Sunni-majority state, Pakistan built its bomb not for Islamic reasons, but to counter India's nuclear arsenal. In fact, Shiite-majority Iran enthusiastically hailed Pakistan's 1998 test of an atomic device. Clearly, the Iranian leadership did not see Pakistan's bomb as a threat.

But Sunni Saudi Arabia sees Shia Iran as its primary enemy. The two are bitter rivals that, post-Iranian revolution, have vied for influence in the Muslim world. Saudi Arabia has the world's largest petroleum reserves, Iran the second. Saudi Arabia is the biggest buyer of advanced US weapons and is run by expatriates. It is America's golden goose, protected by US military might. But fiercely nationalist Iran expelled US oil companies after the revolution and is building its own scientific base.

More here.

From The Telegraph: