Elatia Harris
Thanks to Brian D'Amato not only for the interview but for original visual images not available elsewhere. Above, Koh's Game, copyright Brian D'Amato
In the early '90s, the artist and writer Brian D'Amato published Beauty, an international bestseller about cosmetic surgery and young love gone wrong, badly wrong. Back then, it was all slightly futuristic, right down to its not very cuddly protagonist, a metrosexual monster whose fate I shall not uncork here. Reading it was about as much fun as you could have within a 25-mile radius of New Haven; you kept running into Derrida, but it was trashy enough to make you nice and guilty too. I fondly recall its Mayan sub-theme, and was delighted to find, a decade and a half later, that Brian D'Amato had gone Mayan in the biggest possible way, with In the Courts of the Sun, volume I of a trilogy, The Sacrifice Game, set both in the very near future and in 664 CE, the high point of Mayan civilization.
It's the read you would expect from the writer of Beauty — smart, funny, always surprising, and very sure-handedly grounded in technology and philosophy of science. You can read this as literature, but you can also get the sci-fi fix you need. You could even read it to find out how an orphaned Maya refugee interfaces with some beamish and satanic Mormons. There are lots of reasons to get involved, and, whichever you choose, you'll be glad you did. Soon, The Sacrifice Game will be available not only as a trilogy but as a game — one more form of time travel for those with a thirst for it.
Recently, I caught up with Brian D'Amato, who writes from Lake Michigan these days.
author photo Timothy Greenfield-Sanders