Corsets, cameras and camouflage: Meeting Kate Adie

by Tolu Ogunlesi

KateAdie She was the only woman on the frontlines during Gulf War 1, surrounded by 43,000 men. So how did she cope with doing that thing that men can do in public but women can’t? “Nudity is tolerable, using the loo in front of other people isn’t,” she explained to a wine-sipping group of us gathered around her at a Nairobi house in August; as we awaited the start of a dinner party to end the 2009 Storymoja Hay Festival.

No war without Kate

In 2001 Britain’s Independent newspaper described Kate Adie OBE as “the best-known, most respected woman reporter in the UK.” She came to national prominence in 1980, reporting – from behind a car door – the siege of the Iranian embassy in London, in May 1980. In 1986 she covered the American bombing of Tripoli, and in 1989, in Tiananmen Square she was hit in the arm by a bullet which went on to kill a young man. During the first Gulf War a British newspaper published a cartoon showing two soldiers preparing to go into battle. “We can’t start yet, Kate Adie isn’t here,” one says to the other.

A day before the dinner party I had the privilege, alongside Ugandan journalist David Kaiza, of interviewing Adie in a packed tent on the grounds of Nairobi’s Impala Club. After four decades of reporting – which saw her rise from studio technician at a local BBC radio station in Durham to become the BBC’s Chief News Correspondent in 1989, covering wars everywhere from Armenia to Bosnia to Rwanda to the Middle East – she is eminently qualified to lecture on grand concepts like “news” and “war”.

“Ninety percent of wars are about land,” she said. “In the future it will be [about] land with water, land you can build on; live on.” She also hinted at the capacity of ‘war’ to feed the human predilection for euphemism – which would explain Kenya’s “post-election violence”, and Northern Ireland’s “troubles”.

The making of a journalist

But “international media” is one concept that doesn’t deserve an explanation. “There is no such thing as the international media,” she said.”You are all paid by somebody, you are all working for somebody… there is no such thing as international journalism reporting for the world. CNN’s target audience is middle America; it just happens that other people are subjected to it.” The BBC is “British in origin, and in orientation.” And for her “there really isn’t any kind of war that sees journalists as neutral. Whose side are you on – that’s the first question. Are you for us or against us?”

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Early Islam, Part 2: The Golden Age

By Namit Arora

Part 1: The Rise of Islam

(This five-part series on early Islamic history begins with the rise of Islam, shifts to its golden age, examines two key currents of early Islamic thought—rationalism and Sufi mysticism—and concludes with an epilogue. It builds on precursor essays I wrote at Stanford’s Green Library during a summer sabbatical years ago, and on subsequent travels in Islamic lands of the Middle East and beyond.)
__________________________________________

A great rebellion had overthrown the Umayyad Caliphate of Damascus in 750 CE, after which power shifted east to Baghdad—a city more Persian than Arab back then—reflecting the growing prominence of Persians in Islam. A new caliph, Abu Al-Abbas, a great-grandson of Muhammad’s uncle, founded the Abbasid dynasty, satisfying the fond desire of many rebels to get a caliph from the Prophet’s lineage. But their hopes were soon dashed when the new caliph began living up to his nickname, Al-Saffah—‘the blood-shedder’—by ruthlessly eradicating former allies like Abu Muslim. For the new regime, loyalty to the dynasty, and not the brotherhood of Islam, would be the basis of empire.

AbbasidPainting Leading up to the rebellion that had ousted the Umayyads, the Abbasids had made great play of the former’s addiction to wine and women. Now that they were themselves in power, their promise of a return to ‘true religion’ under the Prophet’s own family vanished into thin air; luxuries and irreligious behavior grew instead. The Abbasids, partly out of expediency, began patronizing a more liberal school of theology—the Mu’tazilah—much to the resentment of the Shiites and the orthodox Sunnis; it led to more crushed Shiite rebellions. [1]

The caliphs that followed Al-Abbas now presided over a loose collection of provinces, each with a governor and a bureaucracy similar to older Persian arrangements, where local satraps had a good deal of autonomy and power. Administration was divided into departments—or divans—headed by the vizier. The old Arab monopoly on power had passed—Islamized Persians began entering the higher echelons of leadership. The dominant Abbasid legal system—there were at least four to choose from, all proceeding from the Shari’ah but with significant variations nonetheless—became the Hanafi rite, the most liberal of the lot. In making civil laws and administering justice, it opposed overly literal readings of the Qur’an, relying instead on analogy, consensus, and judicial reasoning. [2]


LutePlayer10thCAbbasid In the ensuing decades came an era of relative peace. A general flourishing of agriculture and trade led to unprecedented prosperity and a huge burst of intellectual and cultural creativity, especially during the reigns of Haroon al-Rashid (786-809 CE) and al-Mamun (813-833 CE). This ushered in the ‘golden age’ of Islam;[3] Baghdad became the richest city in the world—only Constantinople came somewhat close. In A Short History of the Arab Peoples, Sir John Glubb wrote:

‘Their ships were by far the largest and the best appointed in Chinese waters or in the Indian Ocean. Under their highly developed banking system, an Arab businessman could cash a cheque in Canton on his bank account in Baghdad. [Wealthy women wore] lavish jewels and pearls, silks and embroidered fabrics. [A new upper class valued] exquisite carpets and cushions, the sparkling fountains, the soft music and the exotic perfumes of private apartments [of] musk, myrtle and jasmine …

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Losing the Plot (Stanley’s Girl)

By Maniza Naqvi Kiss-lips

Chapter One: The Little Coffee Shop

Chapter Two: The Hotel

Chapter Three: Dreaming Dulles

Chapter Four: Sovereign Debt or Civil War

The terminal entered, Pakistan left behind she adjusted for the gained time. Younger by an hour—she smiled, fiddling with her watch. One of the perks of the job: eternal youth and its secret: jetlag. Staying put could change all that. As she followed the other passengers she recalled her earlier conversation with Stanley. She had said to him in frustration: Dying—Death—Yes Stanley—precisely that. You do seem to be setting off all the alarm bells which are usually associated with men of your age. I suppose it’s that whole last gasp…

In the immediate aftermath of dying would it be like this? A long steep escalator moving slowly towards the light, a glass encased place, shielding the inhabitants from the terrible heat and fire outside. And inside, an abundance of the essentials for life: energy, cool air, gushing fountains, the sound of music, and light aplenty. And all that you could buy all the time, everywhere: Duty Free. And people, many but still in the scheme of things, a few, moving towards their separate journeys—towards that plenty! Towards that abundance. She watched a man in front of her wave a light blue passport and walk through immigration—unquestioned—no border restrictions:, Let Them Pass and So It Was and So it Shall Be! This was Freedom, this was liberty this was the essence of modernity. She had a pang of panic. Was this true? Was this it? Were the chosen few the ones who fit, the “good”, the ones with the right nationalities and those who were granted passports and visas? Had the system distilled itself down to this? Had all of history, ended at this distillation of itself? She thought about being the chosen, being privileged, being powerful, having God’s grace smile upon her. And she was gratified. That it was so.

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Ecce Canis

Towards a Philosophical History of Dogs

Justin E. H. Smith

6a00d8341c562c53ef0120a62ddc6f970c-500wi What is it about the dogs? In recent philosophy everyone from John Searle to Donna Haraway has had something to say about them. And recent philosophy, as I never tire of insisting, is nothing new.

Now I have also been insisting for some time that there is no such animal as 'animals'. That is, when it is discovered, for example, that a chimpanzee in a zoo in Sweden is stockpiling stones to be thrown at a later hour, this does not prove, as the popular media would claim, that 'animals' are capable of conceptualizing and planning for the future. What a chimpanzee does says nothing at all about 'animals', but at most something about chimpanzees, and likely only about some chimpanzees, or indeed only one of them. Animals, I mean to say, need to be considered on a case-by-case basis.

Haraway, to her credit, recognizes this. Her take on the special case of dogs issues in the somewhat cryptic claim that “we have never been human” (a riff, I think, on Bruno Latour's We Have Never Been Modern). I understand this to mean that, for as long as there have been humans, the denotation of 'we' has never been understood to include all and only members of our species. It also includes dogs: we and they have co-evolved, and in a certain sense this puts our species closer to Canis lupus familiaris than to Pan troglodytes, not with respect to the tracing back of common ancestors, but with respect to recent history, the history of the past 15,000 years or so, the history that lingers in both of our memories, in which humans have been exercising intense selective pressure on dogs, and perhaps also dogs on humans. The result is that we have come out more like each other, behaviorally and expressively, than we are to either of our nearest cousins: the grey wolf in the case of dogs, and chimpanzees in the case of humans. The wolf is the dog's closest ancestor, but this implies no solidarity. Quite the contrary: the dogs are on our side.

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The Abode of the Righteous

By Aditya Dev Sood

The Buddha of the Airport As we walk off the tarmac, the moon shines full and bright, lending the dark clouds of night a blue-black shimmer, a haunting presence. I hope this is an auspicious welcome to Bihar, the heart of that other India, which is not shining with the glow of liberalization and globalization of the past two decades. I’m here to set up fieldwork for a healthcare initiative in several rural districts of the state.

I get into the white Ambassador that has been assigned to me. The driver heats his engine for a bit, before coaxing it fully to life. kaun hotal chalaile? who hotel I get-go ya, he asks me, as we turn out of the airport parking lot. The language seems sweet, pleasing to my ears and easily disarms the gruff and combative khadi-boli attitude that I bring with me from Delhi. As we pull up to the ITDC hotel, my driver gestures to me to be careful in opening my door, lest I disturb the several women in their finery, who are even now getting out of a Maruti van and making their entrance into the hotel. The moment is striking for the sublime attunement that many Biharis seem to exhibit, towards one another’s consocial wellbeing. It is as if they have all known one another in generations past, which, in fact is true, given the long and continuous record of civilization in this region.

The word Bihar derives from vihara, monastery, truncated from brahmavihara, literally ‘an abode for the righteous, the benevolent, the kind.’ Bihar was the first monastic state, of which the Buddhist polities of Tibet, Sri Lanka and Thailand are contemporary, perhaps vestigial, examples. The region was once crosscut by a network of vihara-s, which provided religious, educational, health, and other social services to the laity around them. They served as an essential social and institutional infrastructure for the region’s ancient empires, the least of their functions having been the provision of hospitality for pilgrims, traders and visitors on official business to any local region.

My own hotel looks a mausoleum dating from the only India that existed in my childhood: white marble floors, shahi korma, and behind the reception, the time in New York, London and Osaka. If all this looks like the past to me, here in Bihar these State-run hotels might represent something like order and stability. Later in the night there are people whistling and chatting up and down the hallways and then, more ominously, people yelling incessantly, for over an hour, as if at a construction site. Sir, ve bhi guest hain, aap samajh lijiye hamari position. That the management cannot maintain decorum among its guests seems part of a larger problem abroad in the land.

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My Life As An Observer: Target Practice – Part 1

Note: The following is a true story, but the names of certain individuals, and other identifying details, have been changed.

A bullet through the head

The summer between my sophomore and junior years of college was the first of two six-week training programs at the Marines Corps officer training base at Quantico, Virginia. The second six-week training program, in the Marine Platoon Leader Class (PLC), is completed the following summer before graduation and acceptance of a commission in the USMC. The fourth week of my first summer was my first live fire training, which begins on the 100 yard rifle range. The Marine Corps takes rifle marksmanship far more seriously than any of the other three branches of the military. Every Marine officer must qualify each year as a rifleman. Failing to do so, the officer must write a letter to the Commandant of the Marine Corps and explain the unacceptable marksmanship. Coming to the attention of the top officer of the Corps would be auspicious, except for failure as a rifleman. The officer is expected to do whatever is necessary to re-qualify as soon as possible.

3qd_m14_rifle_marine_001

My training weapon was the M14, a redesign and upgrade of the WWII M1 Garand rifle. The most obvious difference was that the M14 was fitted with a bottom loading magazine that held up to 20 rounds. It was also modified to allow the rifleman to fire in fully automatic mode like a machine gun, BRRRRRRRRRRRT, with the flick of a selection lever. Otherwise, it was fired in semiautomatic mode like the M1. You squeezed the trigger once and fired one round at a time. 3qd_m14_rifle_001 One squeeze, one shot. With the firing of each round the spent cartridge shell was ejected, automatically, the next bullet was loaded into the firing chamber, and the weapon was ready for another squeeze of the trigger. The M14 rifle was designed to fire the 7.62 mm (30 caliber) ammunition that was standardized for all of the NATO countries. Another improvement was fitting a bi-pod under the rifle barrel for more stability when firing from a prone position.

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Sunday, October 11, 2009

Clausewitz as Educator

Photo_1225_landscape_large Willis G. Regier in The Chronicle of Higher Education:

Vegetius, a Roman writer of the fourth century AD, said, “Let him who desires peace prepare for war.” Carl von Clausewitz sharpened the point: “The fact that slaughter is a horrifying spectacle must make us take war more seriously, but not provide an excuse for gradually blunting our swords in the name of humanity. Sooner or later someone will come along with a sharp sword and hack off our arms.” Darfur has made clear that that is not just a metaphor.

Clausewitz (1780-1831) studied total war. Although he knew nothing of tanks, air forces, or satellite communications, he knew from combat how wars kill, confuse, and terrify. In war studies, expertise matters enormously; he had plenty.

At the age of 12, Clausewitz joined two brothers as cadets in the Prussian army. (Eventually all three became generals.) He fought for Prussia against Napoleon at Jena, was captured, taken to Paris, exchanged, and returned to duty. When Prussia was intimidated into joining Napoleon for his disastrous 1812 campaign, Clausewitz resigned his commission and fought for the czar. In 1815, again with the Prussian army, he fought at Ligny. In 1818 he became director of the Military Academy in Berlin, where he devoted the last 15 years of his life to scholarship. His major work, On War (three volumes of Vom Kriege were published, from 1832 to 1843), was left unfinished at his death.

On War has become something of a classic, often cited, discussed in numerous recent books, seen in the company of Sun Tzu’s Art of War (thought to be circa fourth century BC), and studied in military academies. On War appeals to anyone who wants to see how a general thinks, and to all who suppose that warcraft applies to an office, company, college, or team. Clausewitz himself compared war with commerce and alliances with “a business deal.”

Sunday Poem

Nurse.........................
Veronica’s face is not like the face on the veil.
It has seen much suffering but it does not wear

last judgment or a crown of thorns. I have seen blood

on her uniform (which happens to be violet today
……………………..

but is often white), sometimes fresh splashes of it

leaked from an IV or, barely visible, dry specks.
…………………….

I have observed firsthand her unflinching kindness,

and I have thanked any and all the gods for her,
…………………….

and I have wondered at her ability to bear

so many crucifixions all at once.

Susan Kelly-DeWitt

Photoquai 2009

From Lensculture.com:

Photoquai_2009_10 Photoquai, the biennial festival of photography based in Paris, was founded in 2007. Dedicated to non-western photography, the festival aims to to raise the international profile of artists previously unexhibited or little-known in Europe. It also aims to foster cultural exchange — and the vibrant interchange of different world views.

This year, the Guest of Honor at Photoquai is Iran. The festival has been directed by Anahita Ghabaian Etehadieh, an Iranian gallerist and founder of the Silk Road Gallery in Tehran, a space specifically dedicated to photography.

Etehadieh has organised an intriguing exhibition, focusing on the themes of politics, society and poetry, and featuring the work of 50 contemporary photographers from around the world.

More here.

Evolution All Around

Nicholas Wade in The New York Times:

THE GREATEST SHOW ON EARTH The Evidence for Evolution

By Richard Dawkins

Wade-600 Dawkins invites the reader to share the frustration of an imaginary history teacher, some of whose students refuse to accept that the Roman Empire ever existed, or that Latin is the mother tongue from which the Romance languages evolved. Instead of concentrating on how Western culture emerged from the institutions of the Roman state, the teacher must spend time combating a school board that insists he give equal time to their alternative view that French has been spoken from time immemorial and that Caesar never came or saw or conquered. This is exactly analogous to the plight of the biology teacher trying to acquaint students with the richness of modern biology in states where fundamentalist opponents of evolution hold sway.

Dawkins has a nice sense of irony, deployed without mercy on the opponents of evolution. If the creationists think the earth is less than 10,000 years old, rather than 4.6 billion, he asks, shouldn’t they assume, by the same measure, that North America is less than 10 yards wide? The book is even more enjoyable when Dawkins forgets the creationists and launches into evolutionary explanations, whether of the hippopotamus’s long-lost cousin the whale, or of the long-tongued moth that Darwin predicted must exist to pollinate a Madagascan orchid with a nectary 11 inches in length. He gives striking examples of “unintelligent design,” forced on evolution because it cannot ever start from scratch but must develop new structures from older ones.

Picture: The dancing sifaka lemur of Madagascar, which Richard Dawkins calls “possibly my favorite species in all the world.”

More here.

Abstraction has its place in science as it does in art

Roald Hoffmann in American Scientist:

ScreenHunter_02 Oct. 11 10.30 Although abstract art has been with us for only about 100 years, sometimes it seems that there are more abstract-art movements than there are scientific “-ologies.” The list begins with cubism, and will not end with postmodern painting. Recognizing that there are degrees of the abstract, my perception of the essence of this artistic direction involves several factors.

First of all, abstraction is oppositional, wanting to be seen as alternative to such ideals as naturalistic representation and the figurative. I will not say “alternative to reality,” for (to paraphrase Magritte) the two-dimensional surface of the most photorealist painting still is not its subject. Not unexpectedly, much theory of the abstract disclaims a definition by opposition. Art desires a broader conception of what stirs the imagination…

To be abstract, chemistry might thus have to be oppositional. But opposed to what?

More here.

Americana That Barack Obama Has Made Un-American

John Cook at Gawker:

It's been getting kind of confusing keeping track of what's truly American anymore, so we came up with a handy list of things that are socialist and foreign because Barack Obama has soiled them, by doing them.

Winning the Nobel Peace Prize
Used to be a win for America back when Henry Kissinger won it. Now it's a sign of a “weakened, neutered U.S.,” unless John McCain had won it, which he should have, in which case it would have been awesome.

Puppies
Bo is a ringer, a fake rescue dog who was personally raised by Ted Kennedy for the Obamas and the press won't look into it because they're too busy writing about how cute he is. And he's Portuguese!

Classrooms
That's where kids get indoctrinated. Keep them away.

Community Organizing
What sort of person helps other people?

More here.

Social Science for Public Knowledge

Craig Calhoun in Transformations of the Public Sphere:

Cc Public engagement was a strong feature of the social sciences from their birth. Could one imagine Hobbes, Locke or the Scottish moralists as mere academics? Weber, Durkheim, and the great Chicago School sociologists had university jobs but both public concerns and public audiences. Social scientists today contribute to public understanding of issues from social inequality to transformations of the family. They also inform public policy on problems from educational reform to economic productivity. But since World War II, dramatic growth in universities and research institutions not only created opportunities for social scientists, it contained much of their communication inside the academy. An ideology that opposed academic professionalism to public engagement and a prestige hierarchy that favored allegedly pure science over applied added to the tendency.[1]

Today there are widespread calls for more public social science. Academics have recognized the problems that come from being too much cut off from public discussion. But two questions arise. First, what is the relationship between effective participation in public discourse and the maintenance of more or less autonomous academic fields with their own standards of judgment and intellectual agendas? Second, what is the relationship between “public intellectual” work, informing broad discussions among citizens, and “policy intellectual” work informing business or government decision makers?

More here.

Saturday, October 10, 2009

War and Peace

Alexander-Cockburn Alexander Cockburn in Counterpunch:

I suppose we should not begrudge Barack Obama his Nobel Peace Prize, though it represents a radical break in tradition, since he’s only had slightly less than nine months to discharge his imperial duties, most concretely through the agency of high explosives in the Hindu Kush whereas laureates like Henry Kissinger had been diligently slaughtering people across the world for years.

Woodrow Wilson, the liberal imperialist with whom Obama bears some marked affinities, won the Nobel Peace Prize in 1919, having brought America into the carnage of the First World War. The peace laureate president who preceded him was Teddy Roosevelt, who got the prize in 1906 as reward for sponsorship of the Spanish-American war and ardent bloodletting in the Philippines. Senator George Hoar’s famous denunciation of Roosevelt on the floor of the US Senate in May of 1902 was probably what alerted the Nobel Committee to Roosevelt’s eligibility for the Peace Prize:

“You have sacrificed nearly ten thousand American lives—the flower of our youth. You have devastated provinces. You have slain uncounted thousands of the people you desire to benefit. You have established reconcentration camps. Your generals are coming home from their harvest bringing sheaves with them, in the shape of other thousands of sick and wounded and insane to drag out miserable lives, wrecked in body and mind. You make the American flag in the eyes of a numerous people the emblem of sacrilege in Christian churches, and of the burning of human dwellings, and of the horror of the water torture.”

TR was given the peace prize not long after he’d displayed his boundless compassion for humanity by sponsoring an exhibition of Filipino “monkey men” in the 1904 St Louis World Fair as “the missing link” in the evolution of Man from ape to Aryan, and thus in sore need of assimilation, forcible if necessary, to the American way. On receipt of the prize, Roosevelt promptly dispatched the Great White Fleet (sixteen U.S. Navy ships of the Atlantic Fleet including four battleships) on a worldwide tour to display Uncle Sam’s imperial credentials, anticipating by scarce more than a century, Obama’s award, as he prepares to impose Pax Americana on the Hindukush and portions of Pakistan.

the New Aestheticist manifesto

Searls_cropped

Unnurtured elsewhere, the New Aestheticist writer must perforce be a great and wide reader, taking heart from, for instance, classical Chinese poetry, Willa Cather, and van Gogh’s letters, such as the one where he complains of his contemporaries that “they do not admire enough.” Fortunately, the New Aestheticist cares little for self-expression, for his or her own special individual specialness. They are just as happy to see beauty in another’s work as to make it themselves. They tend to be translators. They do not fear accusations of plagiarism. They look backward, and outward. Some names to conjure with: Peter Handke. Alvaro Mutis. Anne Carson. Their books tend to be short, their long books in sections. In the movies: Kusturica’s Underground, Agnes Varda’s The Gleaners and I and Cleo from 5 to 7, Jim Jarmusch’s Dead Man. Only rarely does New Aestheticist art take on political topics, and even more rarely does it have a discernible message. For all its implicit timelessness, New Aestheticism will no doubt one day be seen as a reaction to its age and therefore part of it, like the Chinese literati in dark times who turned away from a corrupt court to tend to their gardens. Whom has all our genocide testimony helped? Has deconstructing the bourgeois subject of linear narrative served any purpose but to construct an escapist ghetto for intellectuals who might otherwise have been among the best minds of their generation? And then of course there’s the Bush years. But hear how shrill this all sounds. The New Aesthete would rather be beautiful than shrill. “I don’t know why literary people spend so much time apologizing for their perfectly harmless little books that no one will ever read. You don’t hear generals apologizing for killing people” (Leonora Carrington, The Hearing Trumpet). If you write interesting sentences then people will want to read them if not then not, that is the truth.

more from Damion Searls at the Quarterly Conversation here.