by Niall Chithelen
In the Mood for Love is an acclaimed film about unrealized romance, a film taking place mostly in those moments when two people cannot quite convince themselves to give in to the tension that exists between them. Mr. Chow and Mrs. Su are neighbors, their spouses are having an affair (with each other), they find themselves spending increasing amounts of time together, and soon they realize they are nearing an affair of their own. We watch them brush past one another, glance at each other, try a conversation, and, eventually, strike up a friendship. We also watch them pause outside one another’s doors, pause when the other picks up the phone, and pause in response to difficult questions.
In its focus on this near-romance, the film reveals lives controlled by work and loneliness. Chow and Su and their spouses all have good jobs, but they still have to rent out single rooms from a landlord, and thus they end up neighbors. It is not clear how their spouses began their affair, but they cover for it throughout with business trips—at times even to the same place—and calls home about being late from work tonight. Mr. Chow and Mrs. Su confirm the relationship between their spouses through gifts their spouses brought back while abroad for work (Mr. Su seems to have brought a similar handbag back both for his wife and his mistress; Mrs. Chow did the same with a tie). Their relationship comes to an end after Mr. Chow accepts a posting in Singapore and invites Mrs. Su along but she shows up too late. At every turn, a job is waiting to turn relationships, to entwine the sexual and the professional, just as it does when we learn that part of Su’s job is arranging the gifts her boss buys for his mistress, and when business trips and affairs become synonymous. Somewhat counterintuitively, as their relationship grows more serious, Chow and Su calling one another at work feels inappropriate precisely because they are not having an affair. Read more »




One of the things I love about sports is they’re a low-stakes environment in which to practice high-stakes skills. For most people, most of the time, the results of a sporting match don’t affect the long-term quality of their lives. This is what I mean by “low-stakes.” In the grand scheme and scope of our lives, the outcomes of games rarely matter. Which is what makes sports such a great place to practice skills that really can and do impact our lives for the better. This is what I mean by “high-stakes.”
In the fall of 1970, I brought a Bundy tenor saxophone home from school. I was nine and in Mrs Farrar’s 5th grade class. To celebrate, my father slid an LP called “Soultrane”out of a blue and white cardboard jacket. The first sounds from the record player’s single speaker: a muscular folk song with rippling connective tissue that quickly spun free into endless cascades. Dad explained that it was my new horn, in the hands of John Coltrane. I didn’t know his name and nothing that day seemed possible, anyway.

Recently, CNN sent their reporter to cover yet another Trump rally (in Pennsylvania), but this time reporter Gary Tuchman was assigned the more specific task of interviewing Trump supporters who were carrying signs or large cardboard cut-outs of the letter “Q” and wearing T-shirts proclaiming “We are Q”.
In the 1960s, in the sleepy little city of Sialkot, almost in no-man’s land between India and Pakistan and of little significance except for its large cantonment and its factories of surgical instruments and sports goods, there were two cinema houses, all within a mile of our house, No. 3 Kutchery Road. Well three to be exact, the third being an improvisation involving two tree trunks with a white sheet slung between them at the Services club and only on Saturday nights.
Would I rather go deaf or blind? Every once in a while, I come back to this question in some version or another. Say I had to choose which sense I’d lose in my old age, which would it be? I always give myself, unequivocally, the same answer: I’d rather go blind. I’d rather my world go darker than quieter. I imagine it as a choice between seeing the world and communicating with it; in this hypothetical, communication with the world is all-encompassing, its loss more devastating than the loss of sight. It is perhaps clear from the mere fact that I pose this question that I do not live with a disability involving the senses. Individuals who are vision- or hearing-impaired would have an entirely different take on this question and on the issues I raise below, but hopefully what I write here will go beyond stating my own prejudices.
The German philosopher
The idea of ‘good corporate citizenship’ has become popular recently among business ethicists and corporate leaders. You may have noticed its appearance on corporate websites and CEO speeches. But what does it mean and does it matter? Is it any more than a new species of public relations flimflam to set beside terms like ‘corporate social responsibility’ and the ‘triple bottom line’? Is it just a metaphor?
Learning Objectives. Measurable Outcomes. These are among the buzziest of buzz words in current debates about education. And that discordant groaning noise you can hear around many academic departments is the sound of recalcitrant faculty, following orders from on high, unenthusiastically inserting learning objectives (henceforth LOs) and measurable outcomes (hereafter MOs) into already bloated syllabi or program assessment instruments.

