Peter Schjeldahl at The New Yorker:
Lung cancer, rampant. No surprise. I’ve smoked since I was sixteen, behind the high-school football bleachers in Northfield, Minnesota. I used to fear the embarrassment of dying youngish, letting people natter sagely, “He smoked, you know.” But at seventy-seven I’m into the actuarial zone.
I know about ending a dependency. I’m an alcoholic twenty-seven years sober. Drink was destroying my life. Tobacco only shortens it, with the best parts over anyway.
I got the preliminary word from my doctor by phone while driving alone upstate from the city to join my wife, Brooke, at our country place. After the call, I found myself overwhelmed by the beauty of the passing late-August land. At mile eighty-one of the New York State Thruway, the gray silhouettes of the Catskills come into view, perfectly framed and proportioned. How many times had I seen and loved the sight? How many more times would I? I thought of Thomas Cole’s paintings, from another angle, of those very old, worn mountains, brooding on something until the extinction of matter.
more here.

One great thing about Harry in Blondie was exactly this tension: she could look and sound so sweet and doll-like, but she was obviously and unapologetically a woman with a past. Another was the dynamic she had, so pale and starry, with her dark-haired, bridge-and-tunnelly band. Her outfits helped too, weird shapes and garish colours in nasty synthetic fabrics that looked like they came – and from what the book says, probably did – from a bargain bin in the Bowery: the big shirt that kept falling off the shoulder, what with all the awkward dancing; the harsh turquoise suit and shirt and tie; the ripply grey one-armed chiffon, worn with mules and thick black tights. The hair kept changing, though it was always blonde and afloat with static, stripped and dyed within an inch of its life. Sometimes it was big and thick and exhausting-looking. Sometimes it was shorter and lighter, in a bob. Usually you saw roots, a thick black skunk-stripe even. ‘Being a bleached blonde for so many years,’ Harry writes, ‘has made me acutely aware of what healthy hair looks like.’ There’s a picture in the book of a family Christmas in New Jersey, with her hair in its undyed colour, a plain, flat
The study of memory has always been one of the stranger outposts of science. In the 1950s, an unknown psychology professor at the University of Michigan named James McConnell made headlines—and eventually became something of a
Artificial intelligence (AI) technology developed by the RIKEN Center for Advanced Intelligence Project (AIP) in Japan has successfully found features in pathology images from human cancer patients, without annotation, that could be understood by human doctors. Further, the AI identified features relevant to cancer prognosis that were not previously noted by pathologists, leading to a higher accuracy of prostate cancer recurrence compared to pathologist-based diagnosis. Combining the predictions made by the AI with predictions by human pathologists led to an even greater accuracy. According to Yoichiro Yamamoto, the first author of the study published in Nature Communications, “This technology could contribute to personalized medicine by making highly accurate prediction of
Dad called us, Thom and me, into the office. Its bifold louvre doors opened just behind my dining chair. He showed us the safe deposit key again. He showed us his will again. He showed us the folders of information about the condo in Florida, about his car, the binders of account statements, his credit cards, his social security, pension, and insurance policies. Part of me resisted.
In the United States,
The numbers of people dying, week in, week out, tell us more about the four countries of the UK than we could ever hope to learn from the attention given to Brexit. This is a kingdom falling apart.
As the title indicates, this is a book about liberalism and The Economist’s propagation of it. But as the great Professor Joad would have said, ‘It all depends what you mean by liberalism.’ These days there is much talk of the differences between political liberalism, economic liberalism and social liberalism. In the 19th century, when The Economist was establishing its reputation, its commitment to free trade and capitalism was such that, with regard to the humanitarian 1844 Factory Act, it could opine: ‘the more it is investigated, the more we are compelled to acknowledge that in any interference with industry and capital, the law is powerful only for evil, but utterly powerless for good.’
Godsmack is part of an aggressive, no-cowards-allowed milieu of hard rock known as “post-grunge” (or pejoratively “butt rock”), which was at its most lucrative during the late 1990s and throughout the aughts, when it dominated both the rock and pop charts. Obscuring the stylistic boundaries between neighboring genres—country, grunge, and the genre which grunge supposedly killed, hair metal—post-grunge is characterized by its dragging tempos, down-tuned chord progressions, sporadic twanginess, and overly passionate vocals. If you took an eighties power ballad’s major key and turned it minor, you’d have a post-grunge song more or less. Even today, as its pop appeal has vanished, it remains viable in the realm of mainstream rock, selling out amphitheaters and filling up the playlists on “Alt Nation”-type stations. It soundtracks WWE pay-per-views; it’s what plays over the loudspeakers in Six Flags food courts.
It is unusual to find a writer of 88 embarking on a dramatic change of style and taking pains to justify it, but O’Brien still cares what people think. The week we met, she’d won the David Cohen Prize for Literature, a major recognition of a lifetime’s work which has, for other winners, been followed by a Nobel Prize. But she is still stung by a New Yorker profile from October in which, over the course of 10,000 words, the staff writer Ian Parker took the decision to put under the microscope the colourful, heightened way she has told her life story. O’Brien remembered a preacher denouncing the provocative (some said “filthy”) The Country Girls in the pulpit of the church near her home in Tuamgraney, then burning it: Parker said no one in the village recalled the same. And her relationship with her mother may not have been as hostile as she’s made out, he suggested – Lena O’Brien speaks affectionately in much of their correspondence…
This year, Hallmark made headlines when it announced that it would produce two holiday movies with Hanukkah themes. In both, however, Christmas is the star. In “Holiday Date,” Brooke (Brittany Bristow) brings an actor, Joel (Matt Cohen), to Whispering Pines, her home town, for the holidays, to pose as her boyfriend—a common phenomenon on Hallmark, and perhaps less so in real life. One afternoon in September, I visited the set, in a house outside Vancouver. The downstairs was festooned with pine sconces, ornaments, and bows. “Tree on the move!” a crew member said. “I’ve never done Hallmark,” Cohen told me. For a decade, he’d played scary roles, including Lucifer, on shows like “Supernatural.” “I committed to the dark side and it paid the bills,” he said. “But this is who I really am. I’m a goofball.”
2019 will be remembered as the year humanity captured the
There are several billion microorganisms in a typical teaspoon of soil: not an infinite number, but more than any finite mind could hope to count one by one. Leibniz did not know the precise nature of soil microbes, nor did he have any empirical proof of their existence, but he was convinced that they, or something like them, must exist, and this for deep philosophical reasons. Whatever there is in the world must be underlain by real soul-like unities or centers of action and perception, analogous to whatever it is we are referring to when we speak of “me”. But any such center of action must be outfitted with a body, and this body must be such that no amount of decomposition or removal of parts could ever take the being in question out of existence. Thus there is nothing in the physical world but what Leibniz called “organic bodies” or “natural machines”, that is to say infinitely complex mechanical bodies. Considered together with the active, perceiving unities that underlie them, these organic bodies are best described as “corporeal substances”, of which animals and plants are the varieties we here on the surface of the earth know best. Everything is alive, in short.
Why have nuclear weapons not been used since 1945? The more time passes, the more the question becomes relevant and even puzzling for pessimists. Most strategists of the 1960s would be stunned to hear that as of 2017, there still has yet to be another nuclear use in anger. The prospects of a “nuclear weapons ban” or recurring proposals for “de-alerting”—instituting changes that can lengthen the time required to actually use the weapons—make the question even more relevant. Has mankind really stood “on the brink” several times since Nagasaki, and have we avoided nuclear catastrophe mostly because of pure “luck”? Recent books, articles, and reports, as well as two wide-audience documentaries, say yes.

Three years ago, a team of psychologists challenged 180 students with a spatial puzzle. The students could ask for a hint if they got stuck. But before the test, the researchers introduced some subtle interventions to see whether these would have any effect. The psychologists split the volunteers into three groups, each of which had to unscramble some words before doing the puzzle. One group was the control, another sat next to a pile of play money and the third was shown scrambled sentences that contained words relating to money. The study, published this June