Thora Siemsen and Andrea Long Chu at The Nation:
TS: Lines from Valerie Solanas’s play Up Your Ass open each chapter of Females. How did this choice help determine the book’s structure?
ALC: Verso had initially approached me about doing an introduction to Up Your Ass, which they were thinking about publishing. Eventually that idea morphed, and we decided I would just write a short book—but I still wanted Up Your Ass to be essential to it. I also wanted the book to be more experimental in form. I was thinking brief, numbered axioms, like Guy Debord’s Society of the Spectacle. That [idea] was a disaster. While it was freeing to be able to jump around from idea to idea, it was also painful and exhausting. I ended up with all these fragments and no coherent book, and I still hadn’t worked Up Your Ass into it. So I turned in the draft, came back to revise it after my surgery, and realized that the play could serve as the spine of the book. I more or less follow the whole play from start to finish. That transformed the book from this bad archipelago of thoughts into a single whole. The play was the answer.
more here.

THE MOST PLEASANT WAY
If you place their bodies of work end to end chronologically,
Israel’s champions owe us an explanation. First, they insist that Israel is and always must be a Jewish state, by which most of them mean not religiously Jewish but of the “Jewish People” everywhere, including Jews who are citizens of other states and not looking for a new country. To be Jewish, according to the prevailing view, it is enough to have a Jewish mother (or to have been converted by an approved Orthodox rabbi). Belief in one supreme creator of the universe, in the Torah as the word of God, and in Jewish ritual need have nothing whatever to do with Jewishness. (We ignore here the many problems with
There are some crimes that are almost impossible to forget. For me, they include the death in 1999 of Kendra Webdale, an aspiring young journalist who was pushed in front of a New York subway train by a 29-year-old man with schizophrenia who had stopped taking his medication. That same year, two mentally ill teenage boys massacred 12 students and one teacher at Columbine High School in Colorado. Thirteen years later, a seriously emotionally disturbed 20-year-old man murdered 20 young children and six adults at Sandy Hook Elementary School in Connecticut. This year, a homeless 24-year-old man bludgeoned four men to death while they slept on the streets of my city. Although New York is now far safer than when I was a child in the 1940s and ’50s who walked to and from school unescorted, like most big cities, it still harbors untold numbers of men and women with known or undiagnosed severe mental illness that can and should be treated before yet another personal or societal tragedy occurs. 
It is indeed supremely difficult to effectively refute the claim that John von Neumann is likely the most intelligent person who has ever lived. By the time of his death in 1957 at the modest age of 53, the Hungarian polymath had not only revolutionized several subfields of mathematics and physics but also made foundational contributions to pure economics and statistics and taken key parts in the invention of the atomic bomb, nuclear energy and digital computing.
After the 2008 election, the New Yorker’s Ryan Lizza reported that Obama had told his incoming political director, Patrick Gaspard, “I think that I’m a better speechwriter than my speechwriters. I know more about policies on any particular issue than my policy directors. And I’ll tell you right now that I’m going to think I’m a better political director than my political director.”
President Trump has far surpassed Nixon in his zeal to ignore, jettison or rewrite the nation’s norms. Even his allies in the Republican Party, in which Trump still has
The hero of Thomas Hardy’s tragic novel Jude the Obscure (1895) is a poor stonemason living in a Victorian village who is desperate to study Latin and Greek at university. He gazes, from the top of a ladder leaning against a rural barn, on the spires of the University of Christminster (a fictional substitute for Oxford). The spires, vanes and domes ‘like the topaz gleamed’ in the distance. The lustrous topaz shares its golden colour with the stone used to build Oxbridge colleges, but it is also one of the hardest minerals in nature. Jude’s fragile psyche and health inevitably collapse when he discovers just how unbreakable are the social barriers that exclude him from elite culture and perpetuate his class position, however lovely the buildings seem that concretely represent them, shimmering on the horizon. By Hardy’s time, the trope of the exclusion of the working class from the classical cultural realm, especially from access to the ancient languages, had become a standard feature of British fiction. Charles Dickens probes the class system with a tragicomic scalpel in David Copperfield (1850). The envious Uriah sees David as a privileged young snob, but he refuses to accept the offer of Latin lessons because he is ‘far too umble. There are people enough to tread upon me in my lowly state, without my doing outrage to their feelings by possessing learning.’
Democracy depends
Jedediah Britton-Purdy in New Republic:
Erica Chenoweth, Sirianne Dahlum, Sooyeon Kang, Zoe Marks, Christopher Wiley Shay and Tore Wig in The Washington Post:
Adam Tooze in Social Europe:
Jay Caspian Kang in The New Yorker:
How did the most successful conservative party of the 20th century become the agent for a national humiliation? How could a political party so firmly tied to power, not least economic power, come to disregard its own particular view of the national interest? The Conservative-born Brexit crisis that has tormented the nation since 2016 has multiple causes, the most crucial and under-explored of which is economic. The great financial crisis of 2008 certainly had an impact on the referendum result: it led to economic stagnation, not least in productivity and wages, as well as disastrous cuts to many public services. Local authorities, responsible for social care, were hit especially hard, as were the working poor. But the really significant economic transformations behind the decision to leave the EU have deeper roots. Over the past 40 years the nature of capitalism in the UK has changed in ways that concepts such as “neoliberalism” and “post-industrialism” have failed to grasp. The relationship between capitalism and politics has also changed radically.