Mi Skin
my skin my cast iron skin my equator skin my cast iron equator skin my skin my scarring skin my grey scarring skin my grey skin my asylum seeker skin my skin my colorblind skin my smoke skin my color smoke skin is burning my burning skin my cursed skin my cursed skin is burning my skin my prayer skin my prayer marshmallow skin my cloud marshmallow skin my burning cloud skin my skin my marshmallow skin is burning my skin my unreeled skin bare my bare unreeled skin my capitulate skin my skin my blues skin my limpid skin my limpid blues skin my skin my blues is burning skin & my skin is a home my rust skin my skin rusts my rust skin is burning
oxidizes
my skin oxidizes my neutral skin my black neutral skin my pinched off black neutral skin is burning my picked skin my dry skin my dry skin is burning my matured skin my matured skin is laundered skin my laundered skin is skin my becoming skin my malleable becoming skin my language skin is malleable my skin is burning my miracle skin my annotation skin my annotation miracle skin my mirror skin my splinter skin my mirror splinter skin my magic conjuring skin my #blackboymagic skin my black skin is conjuring skin and boys are burning
by Dean Bowen
from: Bokman
publisher: Jurgen Maas, Amsterdam, 2018
translation: Dean Bowen
first published on Poetry International, 2020
Original, after “Read More”

T
Anonymity comes for us all soon enough, but it has encroached with mystifying speed upon the French writer Hervé Guibert, who died at 36 in 1991. His work has been strangely neglected in the Anglophone world, never mind its innovation and historical importance, its breathtaking indiscretion, tenderness and gore. How can an artist so original, so thrillingly indifferent to convention and the tyranny of good taste — let alone one so prescient — remain untranslated and unread?
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In
What stuck me about “
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Steven Levine has written a superb book. The title advertises three perennially puzzling topics: pragmatism, objectivity, and experience. Some background will help locate his project on a larger map.
A team of scientists hunting dark matter has recorded suspicious pings coming from a vat of liquid xenon underneath a mountain in Italy. They are not claiming to have discovered dark matter — or anything, for that matter — yet. But these pings, they say, could be tapping out a new view of the universe.
Nussbaum concludes that the cosmopolitan tradition “must be revised but need not be rejected.” She proposes that it be replaced by her own version of the “Capability Approach” to development. Conceived by the Nobel laureate economist Amartya Sen as an alternative to the prevailing mode of Western-exported market fundamentalism, the Capability Approach challenges the central tenets of economic globalization in its modern context: free trade, floating exchange rates, capital account and labor market “liberalization,” and so forth. In lieu of a sole focus on GDP and strictly monetary metrics of growth, the Capability Approach advocates a concern with the positive freedoms and opportunities that follow from investments in education, health care, leisure, environmental sustainability, and other factors.
Collective demonizations of prominent cultural figures were an integral part of the Soviet culture of denunciation that pervaded every workplace and apartment building. Perhaps the most famous such episode began on Oct. 23, 1958, when the Nobel committee informed Soviet writer Boris Pasternak that he had been selected for the Nobel Prize in literature—and plunged the writer’s life into hell. Ever since Pasternak’s Doctor Zhivago had been first published the previous year (in Italy, since the writer could not publish it at home) the Communist Party and the Soviet literary establishment had their knives out for him. To the establishment, the Nobel Prize added insult to grave injury.