The Children Who Desegregated America’s Schools

Rebecca Rosen in The Atlantic:

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In 1954, the Supreme Court decided that segregation of public schools was unconstitutional—but it was thousands of children who actually desegregated America’s classrooms. The task that fell to them was a brutal one. In the years following Brown v. Board of Education, vicious legal and political battles broke out; town by town, Black parents tried to send their children to white schools, and white parents—and often their children, too—tried to keep those Black kids out. They tried everything: bomb threats, beatings, protests. They physically blocked entrances to schools, vandalized lockers, threw rocks, taunted and jeered. Often, the efforts of white parents worked: Thousands upon thousands of Black kids were barred from the schools that were rightfully theirs to attend.

But eventually, in different places at different times, Black parents won. And that meant that their kids had to walk or take the bus to a school that had tried to keep them out. And then they had to walk in the door, go to their classrooms, and try to get an education—despite the hatred directed at them, despite the knowledge that their white classmates didn’t want them there, and despite being alone. They changed America, but in large part, that change was not lasting. As they grew older, many of them watched as their schools resegregated, and their work was undone. Those kids are in their 50s, 60s, 70s, and 80s now. Many of them are no longer with us. But those who are have stories to tell.

More here.

Pakistan’s Most Terrifying Adversary Is Climate Change

Fatima Bhutto in The New York Times:

Karachi is home. My bustling, chaotic city of about 20 million people on the Arabian Sea is an ethnically and religiously diverse metropolis and the commercial capital of Pakistan, generating more than half of the country’s revenue. Over the decades, Karachi has survived violent sectarian strife, political violence between warring groups claiming the city and terrorism. Karachi has survived its gangsters sparring with rocket launchers; its police force, more feared than common criminals; its rulers and bureaucrats committed to rapacious, bottomless corruption. Now Karachi faces its most terrifying adversary: climate change.

In August, Karachi’s stifling summer heat was heavy and pregnant. The sapodilla trees and frangipani leaves were lush and green; the Arabian Sea, quiet and distant, had grown muddy. When the palm fronds started to sway, slowly, the city knew the winds had picked up and rain would follow. Every year the monsoons come — angrier and wilder — lashing the unprepared city. Studies show that climate change is causing monsoons to be more intense and less predictable, and cover larger areas of land for longer periods of time. On Aug. 27, Karachi received nearly nine inches of monsoon rain, the highest amount of rainfall ever in a single day. Nineteen inches of rain fell in August, according to the meteorological officials. It is enough to drown a city that has no functioning drainage, no emergency systems and no reliable health care (except for those who can pay). Thousands of homes and settlements of the poor were subsumed and destroyed, and more than 100 people were killed.

More here.

Tuesday Poem

Linear

I am linear man
reading from left to right
Guttenberg is still salient for me
in my diminished, low-tech world
I’m an old school guy
a chimera, an iconoclast, a reader, a writer,
a dying breed who prefers paper books
I am all these things
structured from dawn to dusk
stoic, and non-Epicurean
unless you consider the fact
that I use drugs
it’s not easy being straight
reading from left to right
writing from left to right
or thinking like western man
I prefer the cultures of the east
they fascinate me
and they read from right to left
and write from right to left
that’s fine with me
perchance I’ll go
from within and without
that’s very ascetic of me
I’ll lose my old religion
yet, how can I lose
what’s never been found?
that’s the conundrum

by Richard Joseph Cronborg
copyright, 2020 used with author’s permission

Monday, September 28, 2020

Big brains and small arms

by Mike O’Brien

Hear me! For I am such and such a person. Above all, do not mistake me for someone else!”
—Nietzsche, Ecce Homo

I am a nerd with bro-leaning interests. I’m not alone. You can read of many philosopher/MMA fighters, poet/survivalists, techie/pumpkin-exploders. If you’re not trying to reconcile the connoted identities of these disparate interests, they can co-exist quite happily. We are large, we contain multitudes. But when I’m watching Youtube videos about backyard bladesmiths perfecting their cryogenic treatments, or military historians explaining the minutiae of 19th century machining innovations, my queue is filled with the other (dare I say “lower”?) 95% of those content pools. And the sensation of wandering into the wrong room lingers in the back of my mind.

Yes, of course, videos of guys arseing about with sharp things are going to be scant few degrees of separation from irretrievable knuckle-draggers. Weapon-y things have their respective cults, attracting a certain mindset and pastiche of political views. If Youtube had an option to display results “in this domain, but not of it”, perhaps that would help. But for the time being, I have to roll the dice and hope to find fellow inhabitants of the Venn diagram overlap between “smart people” and “stupid fun”. This matter was crystallized a few days ago in a new video from a channel that was, for years, largely apolitical and value-neutral. A cutlery-maker and sharpening guru, whose previous videos were about as identarian as a PBS cabinetry show, was advertising his new lifestyle complex, a sprawling ranch featuring shooting ranges, forges and general outdoorsy Americana. The video began “As a blade enthusiast, I’m guessing that some of you share the same values as I do: freedom (illustrated by riding an ATV on private land), self-reliance (illustrated by shooting a pistol… the shooter was holding it all by themselves, so fair enough…), self-accountability” (illustrated by holding a hot piece of steel with tongs… sure). He is undeniably correct that some of his audience, even most of his audience, do share these values, or at least profess to. But the leap from sharing a hobby interest to sharing an ethos was a bit much for me. Read more »

Sunday, September 27, 2020

In Search of the Writer-Diplomat Tradition

Robert Fay at his own website:

Octavio Paz served in the Mexican Foreign Service.

The writer-diplomat tradition, though largely ignored in the history of letters, has been critical to the development of many European and Latin American writers. Eight poets with diplomatic experience, including Octavio Paz and Czeslaw Milosz, have won the Nobel Prize for Literature. Tadié references France’s great tradition, which reached its apex in 1937 when 50 percent of the diplomats from the Quai d’Orsay (The French Foreign Ministry) were published authors.

Mexico, among Latin American countries, has the most prestigious tradition with Carolos Fuentes, Paz and Sergio Pitol, a collection of writers so mighty, that one might assume there was a magical current uniting the diplomatic craft and literature.

Geoffrey Chaucer was one of the first literary men to practice these dual arts. He worked for the English Royal Service and conducted diplomatic missions on behalf of King Edward III in France, Spain and Italy in the 1360s.

More here.

Sex is real

Paul Griffiths in Aeon:

It’s uncontroversial among biologists that many species have two, distinct biological sexes. They’re distinguished by the way that they package their DNA into ‘gametes’, the sex cells that merge to make a new organism. Males produce small gametes, and females produce large gametes. Male and female gametes are very different in structure, as well as in size. This is familiar from human sperm and eggs, and the same is true in worms, flies, fish, molluscs, trees, grasses and so forth.

Different species, though, manifest the two sexes in different ways. The nematode worm Caenorhabditis elegans, a common laboratory organism, has two forms – not male and female, but male and hermaphrodite. Hermaphroditic individuals are male as larvae, when they make and store sperm. Later they become female, losing the ability to make sperm but acquiring the ability to make eggs, which they can fertilise with the stored sperm.

This biological definition of sex has been swept up into debates over the status of transgender people in society.

More here.

The Trouble with Carbon Pricing

Matto Mildenberger and Leah C. Stokes in the Boston Review:

Over a decade ago, California put a price on carbon pollution. At first glance the policy appears to be a success: since it began in 2013, emissions have declined by more than 8 percent. Today the program manages 85 percent of the state’s carbon pollution: the widest coverage of any policy in the world. California’s effort has been lauded as the “best-designed” carbon pricing program in the world.

But while the policy looks good on paper, in practice it has proven weak. Since 2013 the annual supply of pollution permits has been consistently higher than overall pollution. As a result, the price to pollute is low, and likely to remain that way for another decade. This slack in the system has made the policy better at revenue collection than changing corporate behavior.

This is not a surprise.

More here.

The early development of a Nobel Laureate

Horst L. Störmer at The Nobel Prize official website:

Gymnasium was hard. I was not a particularly good student. I loved mathematics and the sciences, but I barely scraped by in German and English and French. Receiving an “F” in either of these subjects always loomed over my head and kept me many a year at the brink of having to repeat a level. Luckily there was “Ausgleich”, balancing a bad grade in one subject with a good grade in another. Mathematics and later physics got me through school without repeat performance. I also excelled in sports, particularly in track and field, where I won a school championship in the 50 m dash. But sports could not be used for “Ausgleich”.

One of my teachers stood out, Mr. Nick. He taught math and physics. A new teacher, basically straight out of college, young, open, articulate, fun, he represented what teachers could be like. His love and curiosity for the subjects he was teaching was contagious. As 15 or 16 year-olds, we read sections of Feynman‘s Lecture Notes in Physics in a voluntary afternoon course he offered.

More here.

Why Gatsby was not so great

Leo Robson in New Statesman:

Maybe my book is rotten,” F Scott Fitzgerald told a friend, in February 1925, shortly before the publication of The Great Gatsby, “but I don’t think so”. If the first half of his sentence was perfunctory, the second half was the wildest kind of understatement. By that point, Fitzgerald knew what he had achieved. Six months earlier, he informed Maxwell Perkins, his editor at Scribner’s, that his work in progress “is about the best American novel ever written”. And Perkins’s reaction had done little to shake his sense of confidence. He called the book “a wonder”, adding: “As for sheer writing, it’s astonishing.”

Fitzgerald’s manuscript went through a number of iterations on its way to becoming the nine-chapter, 48,000-word novel that still sells boisterously every year. It began as something on a Catholic theme, set in 1885. Along the way, material on Jay Gatsby’s humble Midwest origins was repurposed for the story “Absolution”. And even after Fitzgerald hit on the novel’s eventual form, he toyed with a number of titles, including “Trimalchio in West Egg”, “On the Road to West Egg”, “The High-Bouncing Lover”, “Gold-Hatted Gatsby” and “Under the Red, White and Blue”. Fitzgerald, aware of his own capriciousness, unworldliness and intellectual limitations, recognised that he would never write an “objective magnum opus”, and welcomed the new emphasis on “form” and “art” in the novel. Derived from Gustave Flaubert and Henry James, though represented for Fitzgerald by Joseph Conrad and Willa Cather, theories about method emboldened his desire to compose something – as he put it to Perkins – “extraordinary and beautiful and simple and intricately patterned”.

The power of The Great Gatsby derives in some degree from the resulting conceptual neatness. Fitzgerald hit upon something that virtually all novelists dream of finding: a structure that allowed him to be dramatic and allegorical, to write about society and psychology, collective forces and individual fates, without stinting either, and to compose a portrait of the age that is also a tragedy with archetypal themes. But Perkins’s emphasis seems the right one. The novel is primarily a linguistic achievement – an exercise in evocation, pitted with local glories. Perkins pointed to the wealth of phrases “which make a scene blaze with life”. If The Great Gatsby isn’t the best American novel ever written, it may be the best-written American novel.

More here.

Amid talk of civil war, America is already split – Trump Nation has seceded

Robert Reich in The Guardian:

What is America really fighting over in the upcoming election? Not any particular issue. Not even Democrats versus Republicans. The central fight is over Donald J Trump. Before Trump, most Americans weren’t especially passionate about politics. But Trump’s MO has been to force people to become passionate about him – to take fierce sides for or against. And he considers himself president only of the former, whom he calls “my people”. Trump came to office with no agenda except to feed his monstrous ego. He has never fueled his base. His base has fueled him. Its adoration sustains him. So does the antipathy of his detractors. Presidents usually try to appease their critics. Trump has gone out of his way to offend them. “I do bring rage out,” he unapologetically told Bob Woodward in 2016.

In this way, he has turned America into a gargantuan projection of his own pathological narcissism. His entire re-election platform is found in his use of the pronouns “we” and “them”. “We” are people who love him, Trump Nation. “They” hate him. In late August, near the end of a somnolent address on the South Lawn of the White House, accepting the Republican nomination, Trump extemporized: “The fact is, we’re here – and they’re not.” It drew a standing ovation. At a recent White House news conference, a CNN correspondent asked if Trump condemned the behavior of his supporters in Portland, Oregon. In response, he charged: “Your supporters, and they are your supporters indeed, shot a young gentleman.”

In Trump’s eyes, CNN exists in a different country: Anti-Trump Nation.

More here.

Sunday Poem

The Mad Yak

I am watching them churn the last milk they’ll ever get from me.
They are waiting for me to die;
They want to make buttons out of my bones.
Where are my sisters and brothers?
That tall monk there, loading my uncle, he has a new cap.
And that idiot student of his–
I never saw that muffler before.
Poor uncle, he lets them load him.
How sad he is, how tired!
I wonder what they’ll do with his bones?
And that beautiful tail!
How many shoelaces will they make of that!

by Gregory Corso

Saturday, September 26, 2020

Stephen F. Cohen, 1938–2020

Katrina vanden Heuvel in The Nation:

I first “met” Steve through his 1977 essay “Bolshevism and Stalinism.” His cogent, persuasive, revisionist argument that there are always alternatives in history and politics deeply influenced me. And his seminal biography, Bukharin and the Bolshevik Revolution, challenging prevailing interpretations of Soviet history, was to me, and many, a model of how biography should be written: engaged and sympathetically critical.

At the time, I was too accepting of conventional wisdom. Steve’s work—and soon, Steve himself—challenged me to be critical-minded, to seek alternatives to the status quo, to stay true to my beliefs (even if they weren’t popular), and to ask unpopular questions of even the most powerful. These are values I carry with me to this day as editorial director of The Nation, which Steve introduced me to (and its editor, Victor Navasky) and for which he wrote a column (“Sovieticus”) from 1982 to 1987, and many articles and essays beginning in 1979. His last book, War with Russia? was a collection of dispatches (almost all posted at thenation.com) distilled from Steve’s weekly radio broadcasts—beginning in 2014–on The John Batchelor Show.

The experiences we shared in Moscow beginning in 1980 are in many ways my life’s most meaningful. Steve introduced me to realms of politics, history, and life I might never have experienced: to Bukharin’s widow, the extraordinary Anna Mikhailovna Larina, matriarch of his second family, and to his eclectic and fascinating circle of friends—survivors of the Gulag, (whom he later wrote about in The Victims Return) dissidents, and freethinkers—both outside and inside officialdom.

More here.

The Story of The New Romantics

Alexis Petridis at The Guardian:

Sweet Dreams tactfully sidesteps whether some of the New Romantics mirrored the celebrity-for-celebrity’s sake aspirations of many of today’s vloggers and influencers. But Jones makes a convincing case that their penchant for what used to be called “gender-bending” and their sartorial obsession with self-expression as “a platform for identity” foreshadows a lot of 2020’s hot-button topics. The book is excellent on the movement’s origins both in the aspirational teenage style cult that built around Bryan Ferry in the mid-70s and the more fashion-forward occupants of the same era’s gay clubs and soul nights, who saw the clothes Malcolm McLaren and Vivienne Westwood sold in their boutique Sex not as harbingers of spittle-flecked youth revolution but as a particularly outrageous brand of couture: it’s often written out of punk’s history that, at precisely the same time the Sex Pistols’ career was getting underway, there were people in Essex dancing to disco dressed exactly like Johnny Rotten.

more here.

The Secret Life of Saturn: Melancholia and the Warburg Institute

P.S. Makhlouf at Marginalia Review:

If melancholia may be “[s]ometimes painful and depressing, sometimes merely mildly pensive or nostalgic,” then this new edition is, in its own right, a melancholic exercise, a wistful homage to the once-world in which the book was produced. It is also melancholic from the perspective of the contemporary reader who is able to fathom the shear catholicity of mind necessary to produce a Meisterwerk of this sort. But it is in fact that very nostalgia that is in question in the book proper, for the study lays out just how persistently the posture of scholar, artist and anchorite alike has been one of despair at the path that separates them from the great transcendence lying on the horizon, whether that goes by the name of God, the eternal intellect or the Mallarmean “Book.” And in this respect, the history of melancholy itself joins up with the story of the long, arduous path by which the book came into being.

more here.

Understanding Chris Marker’s Radical Sci-Fi Film La Jetée: A Study Guide Distributed to High Schools in the 1970s

Colin Marshall in Open Culture:

Pop quiz, hot shot. World War III has devastated civilization. As a prisoner of survivors living beneath the ruins of Paris, you’re made to go travel back in time, to the era of your own childhood, in order to secure aid for the present from the past. What do you do? You probably never faced this question in school — unless you were in one of the classrooms of the 1970s that received the study guide for Chris Marker’s La Jetée. Like the innovative 1962 science-fiction short itself, this educational pamphlet was distributed (and recently tweeted out again) by Janus Films, the company that first brought to American audiences the work of auteurs like Ingmar Bergman, Federico Fellini, and Akira Kurosawa.

Written by Connecticut prep-school teacher Tom Andrews, this study guide describes La Jetée as “a brilliant mixture of fantasy and pseudo-scientific romance” that “explores new dramatic territory and forms, and rushes with a stunning logic and a powerful impact to its shocking climax.”

The film does all this “almost entirely in still photographs, their static state corresponding to the stratification of memory.” More practically speaking, at “twenty-seven minutes in length, La Jetée is an ideal class-period vehicle” that “can help students speculate on the awesome potential of life as it may exist after a third world war” as well as “man’s inhumanity to man, not only as it may occur in the future, but as it already has occurred in our past.”

More here.

Why tyrants love to write poetry

A portrait of Soviet leader Joseph Stalin (1878 – 1953) in his library, circa 1943. (Photo by Universal History Archive/Getty Images)

Benjamin Ramm in the BBC:

Poetry is an art of refinement, synonymous with delicacy and sensitivity. It seems counterintuitive that it might also be a celebration of brutality, and the art form beloved of tyrants. But from classical antiquity to modernity, dictators have been inspired to write verse – seeking solace, intimacy, or glory. Their work informs us about the nature of power, the abiding appeal of poetry, and the perils of artistic interpretation.

The archetype of the poet-tyrant is Roman emperor Nero (37-68 CE), the vain, self-pitying exhibitionist whose debased rule mirrored his deficient art. Nero’s historiographers, Tacitus and Suetonius, suggest that Rome was as tormented by his poetry as by his policies. Derision

is a satisfying form of critical revenge, but these accounts raise a troubling question: would the tyrant’s crimes be mitigated were his art deemed to have merit; and conversely, can we judge fairly the quality of a tyrant’s poetry?

More here.