Dustin Illingworth at the Paris Review:
Susan Taubes’s fiction is animated by an unbearable awareness of death. Her first and only novel, Divorcing (1969), had the working title To America and Back in a Coffin. (An apt title, but deemed unmarketable and rejected by her publishers.) Like her contemporary Ingeborg Bachmann, Taubes’s fiction transposes existential mysteries with aesthetic ones. (There are other similarities between the pair: both published only one novel; both novels feature a love interest named Ivan; neither writer would live to see fifty.) Long out of print, Divorcing will finally be reissued by NYRB Classics this month. Taubes’s foreshortened oeuvre—this novel, an unpublished novella, a handful of stories—offers a range of formal precarities that mirror states of inward collapse. Fiction seemed to give shape to her own vulnerability. A lifelong depressive, she took her own life mere weeks after Divorcing was published. Her close friend Susan Sontag later suggested it was Hugh Kenner’s New York Times review that finally pushed Taubes over the edge. “Lady novelists have always claimed the privilege of transcending mere plausibilities,” he’d written. Sontag herself would identify the body.
more here.

In this didactic cultural moment, when many judge works of art by whether they deliver the right message with perfect clarity, it can be easy to forget that the purpose of novels is not to teach us life lessons or instill in us the proper view on some issue. In other words, the novel isn’t a tool of moral instruction. Rather, it’s a way to imagine how morality plays out in life, to experience vicariously how human beings—flawed, mercurial, riddled with contradictions they often don’t perceive themselves—try and fail not only to do the right thing, but even to understand what the right thing is in the first place. Sometimes that gap between our aspirations or self-knowledge and our actions can be tragic, but just as often, depending on your perspective, it can be funny.
Christof Koch is a neuroscientist distinguished by his rock-solid scientific work and
Will you please consider becoming a supporter of 3QD by
Founding editor of The Baffler and author of prophetic classics like Listen, Liberal and What’s the Matter with Kansas?, Thomas Frank skewers received wisdom across the political spectrum. In his new book, The People, No, Frank reveals that the Democratic Party has tied itself in knots about a phantom of its own making: populism. The original Populists—19th-century agitators for working people’s interests—spawned a revolving cast of journalists, intellectuals, and business interests determined to paint them as villainous xenophobic masses. These anti-populists have made the name of the movement into a dirty word. Today’s anti-populists equate the broad multiracial coalition of social-justice activists that supported Bernie Sanders with a very different alliance that championed Donald Trump in 2016.
It is hard to imagine more devastating effects of climate change than the
You will surely
Spoon-benders are unlikely to be the only profession toasting the disappearance – supposing we rule out further hauntings – of Randi, who, being himself a brilliant magician as “The Amazing Randi: The Man No Jail Can Hold” (previously “The Great Randall: Telepath”) was repeatedly more effective than scientists at examining paranormalist claims, sometimes by simply performing their stunts himself.
Weathered, wiry and in his early 60s, the man stumbled into clinic, trailing cigarette smoke and clutching his chest. Over the previous week, he had had fleeting episodes of chest pressure but stayed away from the hospital. “I didn’t want to get the coronavirus,” he gasped as the nurses unbuttoned his shirt to get an EKG. Only when his pain had become relentless did he feel he had no choice but to come in. In pre-pandemic times, patients like him were routine at my Boston-area hospital; we saw them almost every day. But for much of the spring and summer, the halls and parking lots were eerily empty. I wondered if people were staying home and getting sicker, and I imagined that in a few months’ time these patients, once they became too ill to manage on their own, might flood the emergency rooms, wards and I.C.U.s, in a non-Covid wave. But more than seven months into the pandemic, there are still no lines of patients in the halls. While my colleagues and I are busier than we were in March, there has been no pent-up overflow of people with crushing chest pain, debilitating shortness of breath or fevers and wet, rattling coughs. But surprisingly, even months later, as coronavirus infection rates began falling and hospitals were again offering elective surgery and in-person visits to doctor’s offices, hospital admissions remained almost 20 percent lower than normal.
What’s it like to be a cat?
Timothy Larsen over at the LARB:
Kathleen Tyson over at the Official Monetary and Financial Institutions Forum:
Gilad Edelman in Wired:
Salomé Viljoen in Phenomenal World:
Raphaële Chappe and Mark Blyth debate Sebastian Mallaby in Foreign Affairs (registration required):