Lisa Robertson at The Paris Review:
Chateaubriand says that the pleasures of youth revisited in memory are ruins seen by torchlight. I don’t know whether I’m the ruin or the torch.
Montaigne was dead at fifty-nine—kidneys; Baudelaire at forty-six—syphilis, probably. Rousseau died at sixty-six of causes unconnected to his lifelong urethral malformation, described so exhaustively and enticingly by Starobinski; Lord Byron died of fever at the age of thirty-six in the Greek War of Independence in 1824, the year of Baudelaire’s birth. After a final visit to his mistress, Madame Récamier, he by then blind and she paralytic, Chateaubriand died at the age of seventy-nine, in 1848, the year of the third revolution and its failure and of Baudelaire’s grand political disillusionment. The attribution of causation to human behavior is generally a work of fantasy. Birds will speak the last human words, Chateaubriand says. Each one of us is the last witness of something—some custom, habit, way of speaking, economy, some lapsed mode of life. He says only style survives.
more here.

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It was an uncomfortable moment for people who perform colonoscopies. In October, a massive randomized clinical trial in Europe presented its initial results
My exultant “Ha!” woke the library. I had just read Mihaly Csikszentmihalyi’s definition of “flow”—that magical feeling of getting so caught up in what you are doing that you lose track of where you are, what time it is, who might want something of you. I knew that feeling, and I craved it. Freed from space and time, oblivious to chores and deadlines, I could think and breathe and imagine. These bursts of oblivion drove everybody around me crazy, of course. I re-entered the world in a daze and had to scramble back into task-mind. But I came back refreshed and happy.
In the four years since an experiment by disgraced scientist He Jiankui resulted in the
Biologist Paul Ehrlich is one of the most discredited popular intellectuals in America. He’s so discredited that
Soon after Kenneth Roth announced in April that he planned to step down as the head of Human Rights Watch, he was contacted by
During the early stages of my father’s Alzheimer’s, when he still had lucid moments, I apologized to him for writing an autobiography many years earlier in which I flung open the gates of our troubled family life. He was already talking less at that point, but his eyes told me he understood. I thought of that moment when I read that Prince Harry, in his new memoir, wrote about his father, King Charles, getting between his battling sons and saying, “Please, boys, don’t make my final years a misery.” Time is an unpredictable thing. What will someone’s last memory be? I had the gift of time with my father, which allowed me to apologize, even though a disease hovered between us and clouded our communication. King Charles’s words reveal a man who is aware of his mortality and who would like his offspring to be aware of it as well.
I belong to that portion of humanity—a minority on the planetary scale but a majority I think among my public—that spends a large part of its waking hours in a special world, a world made up of horizontal lines where the words follow one another one at a time, where every sentence and every paragraph occupies its set place: a world that can be very rich, maybe even richer than the nonwritten one, but that requires me to make a special adjustment to situate myself in it. When I leave the written world to find my place in the other, in what we usually call the world, made up of three dimensions and five senses, populated by billions of our kind, that to me is equivalent every time to repeating the trauma of birth, giving the shape of intelligible reality to a set of confused sensations, and choosing a strategy for confronting the unexpected without being destroyed.
Zoé Samudzi in Jewish Currents:
A conservative review of Kenan Malik’s Not So Black and White by Sohrab Amarhi in Unherd:
Daniela Gabor and Ndongo Samba Sylla in Boston Review:
Herman Mark Schwartz in Phenomenal World:
Cormac McCarthy had provided me with a context, even a language, to internalize the things I saw and cannot unsee. Segments of human beings were stacked along the road between the smoking-bombed-out war machines.