Google predicts a thousandfold increase in its compute capacity over the next five years

Benj Edwards at Ars Technica:

While AI bubble talk fills the air these days, with fears of overinvestment that could pop at any time, something of a contradiction is brewing on the ground: Companies like Google and OpenAI can barely build infrastructure fast enough to fill their AI needs.

During an all-hands meeting earlier this month, Google’s AI infrastructure head Amin Vahdat told employees that the company must double its serving capacity every six months to meet demand for artificial intelligence services, reports CNBC. The comments show a rare look at what Google executives are telling its own employees internally. Vahdat, a vice president at Google Cloud, presented slides to its employees showing the company needs to scale “the next 1000x in 4-5 years.”

While a thousandfold increase in compute capacity sounds ambitious by itself, Vahdat noted some key constraints: Google needs to be able to deliver this increase in capability, compute, and storage networking “for essentially the same cost and increasingly, the same power, the same energy level,” he told employees during the meeting.

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The Invention Of The Modern Self

David A. Bell at The Nation:

In that classic of Western cinema, Monty Python’s Life of Brian, the title character addresses a crowd in Jerusalem that has mistaken him for Jesus Christ. “You’ve got it all wrong,” he pleads. “You don’t need to follow me. You don’t need to follow anybody. You’ve got to think for yourselves. You’re all individuals!” The crowd chants back, in unison, “Yes, we’re all individuals!” “You’re all different!” Brian protests. “Yes, we’re all different!” the crowd responds (though one lone voice insists, “I’m not”).

The scene illustrates as well as anything the problem of trying to write a history of that endlessly fascinating but endlessly slippery subject—the “self.” The self can be defined as the way people experience and understand their own individuality. The difficulty stems from the fact that the very language people use to describe and express their individuality is, like all language, something they take from and share with others. Many great historians have taken as a theme the birth of modern Western individualism, associating it with many different eras—notably, the Renaissance, the Enlightenment, and the eras of Romanticism and high Modernism. Yet in each case, the terms in which individuals expressed their supposedly ineffable, unique identities have tended to 
sound remarkably conventional and similar, thereby undermining the historians’ case.

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Another Reckoning (With China)

Afra Wang at The Ideas Letter:

Last summer, a few American writer friends and I traveled across China on a self-organized tour of AI labs, factories, and industrial clusters. Among them was Aadil, a twenty-two-year-old Bay Area engineer who loves the Cantonese rapper SKAI ISYOURGOD and deploys Chinese memes with the fluency of someone raised on the Chinese internet, despite never having lived there.

After the trip, he wrote some reflections on his Substack:

Shenzhen is such a dope city. Legit looks like the future more than any city I’ve been to… Huaqiangbei is massive. Honestly I’m thinking about doing a month-long hardware residency there so I can crash course EE by building stuff hands on.

It is crazy how much their society grinds. It’s in their DNA. The work ethic is insane. Shenzhen was dirt and mud forty years ago and now it’s the world’s example of a cyberpunk city.

Reading his words, I felt a familiar pressure—a small internal shift I had sensed accumulating for years. I left China at 17, in 2012, arrived in the U.S., and absorbed the ambient narratives of American centrality that still held cultural authority then. I spent much of my twenties trying to construct a language that neither flattered nor demonized either country.

But seeing China through Aadil’s eyes forced me to recalibrate.

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Sam Shepard’s Enactments of Manhood

Helen Shaw at The New Yorker:

Two actors are wriggling across the stage on their bellies. They’re earthworms, or maybe simply brothers, Cricket and Coyote, who want to become earthworms. They’re planning to write a screenplay together, and one suggests making their movie about worms. But “I thought we were writing something about what it means to come from the same root,” the other brother complains. “A movie, a Western, brothers killing men and running amuck in the desert.”

In the oozy, ontologically slapstick “Bad Stars,” written and directed by Amanda Horowitz, and produced in the experimental space the Collapsable Hole in 2025, certain correspondences emerge, particularly if the watcher is familiar with Sam Shepard’s “True West.” In that play, from 1980, two brothers, the wild Lee and the uptight Austin, also bicker about how to write a movie; they also think about “running amuck in the desert.” At the comic coup-de-théâtre climax of “True West,” a drunken Lee smashes a typewriter with a golf club, as Austin gloats over an entire fleet of toasters that he has stolen to prove his macho bonafides.

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Thursday Poem

Everything That Happens Can Be Called Aging

I have more love than ever.
Our kids have kids soon to have kids.
I need them. I need everyone
to come over to the house,
sleep on the floor, on the couches
in the front room. I need noise,
too many people in too small a space,
I need dancing, the spilling of drinks,
the loud pronouncements
over music, the verbal sparring,
the broken dishes, the wealth.
I need it all flying apart.
My friends to slam against me,
to hold me, to say they love me.
I need mornings to ask for favors
and forgiveness. I need to give,
have all my emotions rattled,
my family to be greedy,
to keep coming, to keep asking
and taking. I need no resolution,
just the constant turmoil of living.
Give me the bottom of the river,
all the unadorned, unfinished,
unpraised moments, one good turn
on the luxuriant wheel.

by  Carl Adamshick
From Saint Friend McSweeney’s Poetry Series, 2014
Copyright © 2014 Carl Adamshick.


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Wednesday, November 26, 2025

How Mira Nair Built the World That Made Zohran Mamdani

Mira Jacob in Harper’s Bazaar:

From her early documentary Indian Cabaret (1985), which follows strippers through Mumbai, to her first feature film, Salaam Bombay (1988), which centers the lives of street children, to Mississippi Masala (1991), which explores prejudice between Black and Indian communities in the U.S., to Queen of Katwe (2016), which gives a glimpse into the life of Ugandan chess prodigy Phiona Mutesi, Nair has built a career on surfacing brilliant, if often overlooked, stories. Her devotion to getting into the particularities and specificities of culture, for not being swayed by an invisible audience that executives insist might not get it, has earned her a loyal following. It’s also gotten her an Academy Award nomination and the Cannes Prix d’Or and Audience Award for Salaam Bombay, the Golden Lion award for Monsoon Wedding at the Venice Film Festival, and many other prizes. It is no surprise to any of us that a son raised in her household would engender the same loyalty.

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What is the difference between a dove and a pigeon?

Tom Hibbert at Discover Wildlife:

The names ‘dove’ and ‘pigeon’ can be deceptive. Scientifically speaking, neither of them carry much merit. All the birds we know as either pigeons or doves belong to the same family, Columbidae. This large group of often plump, slender-billed birds encompasses around 350 species, with five regularly found in the UK.

The name dove is usually given to the smaller members of this family. But in taxonomy (the scientific process of naming and classifying living things), there is no real distinction between a dove and a pigeon.

The stock dove is more closely related to the woodpigeon than it is the collared dove or turtle dove, and the feral pigeons in our towns are descended from rock doves. In fact, the birds we know as pigeons may even be called doves in other languages, or vice versa.

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Is the future of education outside universities?

Annalee Newitz in New Scientist:

In 1907, US historian Henry Adams first started circulating a memoir that would go on to be a smash hit in 1919: The Education of Henry Adams. Given Adams’s illustrious family – both his grandfather and great-grandfather were presidents – you might expect it to be a self-congratulatory tale of the wonders of US education.

Instead, it galvanised audiences with the bold claim that everything Adams had been taught in 19th-century schools was useless. Immersed in religious studies and the classics, he was ill-equipped for a world of mass electrification and automobiles. If education was supposed to prepare him for the future, he argued, it had failed.

Nearly 120 years later, Adams’s critique is once again relevant, especially in the US. New technologies are upending the traditional ways that students learn. The problem isn’t just the rise of AI models, though. It is also ideological. The US government is depriving universities of billions in federal funding while it demands more control over curriculums and admissions. The future of education is in chaos, but it isn’t dying; it is changing to meet the moment.

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AI Tools Unravel Thoughts, Actions, and Neuronal Makeup

Sneha Khedkar in The Scientist:

The development of better and more reliable artificial intelligence (AI) technologies has immense applications in the field of scientific research. AI has become a powerful extra set of eyes and hands for scientists: It can sift through heaps of data in seconds, guide experiments, and help write better manuscripts. “We’re seeing the emergence of subdisciplines that are AI plus X, where X is essentially every field of science. Neuroscience is no exception,” said Christopher Rozell, a neuroengineer at Georgia Institute of Technology, who mediated the AI press conference at the 2025 Society for Neuroscience meeting. During the session, five panelists discussed the applications of AI in biology and how machine learning can augment clinical practice and the field of neuroscience, from data analyses to clinical diagnoses.

Modified Artificial Neural Networks Offer Clues on How the Brain Integrates Sensory Information

The human brain integrates various sensory inputs to reliably perceive the surroundings.1 “This task nowadays is also very successfully solved by artificial neural networks (ANNs), which are indeed inspired by the brain,” said Marcel Oberlaender, a neurobiologist at the Max Planck Institute for Neurobiology of Behavior.

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Something New From Hal Hartley

Jim Hanas at Mediumcool:

Hal Hartley does have a new movie out. His first feature since Ned Rifle (2014), the conclusion of the Henry Fool trilogy. Did you know that? I suspect that either you did not know that or have known it for so long that you now suspect I am a poser. (That’s what shibboleth-speakers call people who have gained, but not earned, access to the shibboleth. Tedious, but it comes with the territory.) It’s called Where to Land, he paid for it via Kickstarter—as he has for his projects since Ned Rifle—and I doubt a large audience will see it. Hartley produces and sells his own box-sets and offers his movies via streaming on his website, but the new one isn’t there yet. It had a handful of screenings at the Roxy Cinema in New York, which is where I saw it.

I loved it, and you if you like Hal Hartley, you will too. Hartley is an acquired taste, and seeing the new movie made me recall the experience of first seeing Trust (1990) and Simple Men (1992), the final two movies in his so-called Long Island Trilogy. Actors don’t exactly act in Hal Hartley movies. They say their lines and are. Robert Bresson, who preferred the term “models” to “actors” is often brought up in connection with Hartley, and while that is a good starting point, Hartley has a much lighter touch.

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Tuesday, November 25, 2025

The Joyful Sorrows of the Reverend Joyce McDonald

Jerry Saltz at New York Magazine:

There is an intimate intensity to her work. Family Grief depicts McDonald’s father, who died in 1977, in his coffin, surrounded by family. “That same day I started using drugs,” she has said. Her father appears again in My Dad, My Hero (Will McDonald), a bust painted gold. He wears a camera around his neck — a tribute to his profession and calling — like a cross. Her father is both a source of anguish and a beaming emblem of pride.

So many of McDonald’s sculptures manage to convey the joy of inner transformation. The faces smile softly with their eyes closed, beatific in their bliss without falling into bathos. Glory (A Taste of Sweetness After Near Death) features McDonald in a luminous purple shawl, gazing heavenward. Beauty and the Peace shows a woman with a COVID mask falling from her face. Beauty in the Midst (Strength) is a three-faced being bedecked in pearls, radiating like a talisman. Mother’s Prayers echoes ancient votive statues in its compact elegance, while Covered With Love could be a folk version of a Renaissance-era Madonna and child.

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The Pattern Principle

Leann Davis Alspaugh at Acroteria:

Recently, I read “The Pleasures of Patterns in Art” by Samuel Jay Keyser, a theoretical linguist at MIT. This essay, adapted from Keyser’s book Play It Again, Sam: Repetition in the Arts, is an engrossing mix of art appreciation, art history, and visual theory—an unbeatable combination for an art critic and designer.

Keyser opens by writing about how repetition and variation work in Gustave Caillebotte’s Paris Street, Rainy Day (1877). You don’t have to have a degree from MIT to figure out why this painting is great—that is patently obvious. Caillebotte could paint interiors and exteriors, country gardens and Parisian vistas; my favorites are his paintings of crews refinishing the hardwood floors of a Paris flat. He was considered an Impressionist but, unlike some of his peers, Caillebotte aimed for psychological realism, depicting modern life through snapshots of intimate moments with distinctly individual protagonists.

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Christian Pacifism And Human Nature

Peter Mommsen at The Point:

The Christian case against pacifism is more convoluted, given the tension with the New Testament and early tradition. Yet in essence, it’s an appeal to common sense. While Jesus’s teachings may guide private life, this view holds, to apply them to public life is grossly irresponsible, since that would prevent Christians from defending the innocent or serving the state. After its legalization by Constantine in 313 CE, Christianity accepted a role in maintaining social order in the Roman Empire. Accordingly, bishops such as Ambrose and Augustine allowed Christians to participate in just wars and capital punishment. (They maintained the church’s ban on gladiatorial games, abortion and infanticide.) These churchmen didn’t deny Jesus’s teachings—they just made room for exceptions. To this end, they drew creatively on the Old Testament and philosophers like Cicero, or expanded on the apostle Paul’s dictum that government is ordained by God. Augustine, for example, reasoned that a soldier who slays on his superior’s orders doesn’t violate the prohibition on killing because he “does not himself ‘kill’—he is an instrument, a sword in its user’s hand.” Augustine thus offered Christians the kind of work-around that would enable them to punish and wage war with a good conscience.

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A New Bridge Links the Strange Math of Infinity to Computer Science

Joseph Howlett in Quanta:

In 2023, a mathematician named Anton Bernshteyn published a deep and surprising connection between the remote mathematical frontier of descriptive set theory and modern computer science.

He showed that all problems about certain kinds of infinite sets can be rewritten as problems about how networks of computers communicate. The bridge connecting the disciplines surprised researchers on both sides. Set theorists use the language of logic, computer scientists the language of algorithms. Set theory deals with the infinite, computer science with the finite. There’s no reason why their problems should be related, much less equivalent.

“This is something really weird,” said Václav Rozhoň, a computer scientist at Charles University in Prague. “Like, you are not supposed to have this.”

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Sean Carroll’s Mindscape Podcast: Anil Ananthaswamy on the Mathematics of Neural Nets and AI

Sean Carroll at Preposterous Universe:

Machine learning using neural networks has led to a remarkable leap forward in artificial intelligence, and the technological and social ramifications have been discussed at great length. To understand the origin and nature of this progress, it is useful to dig at least a little bit into the mathematical and algorithmic structures underlying these techniques. Anil Ananthaswamy takes up this challenge in his book Why Machines Learn: The Elegant Math Behind Modern AI. In this conversation we give a brief overview of some of the basic ideas, including the curse of dimensionality, backpropagation, transformer architectures, and more.

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