Laurie Stone in The Paris Review:
What are we ever really fighting for? The answer is love. Love in the movies, and on the streets, and in our heads—instead of the dead people we are seeing right now. Existence is a contagion of love. That’s why you have to fast-forward through a bunch of scenes in Reds, where men are giving speeches to other men in English and Russian with those faces of certainty—not hope, but certainty—that they are right and have it all figured out.
You know those men. You’ve been to those meetings with the guy in the front—it could be a faculty meeting—the guy jabbing his finger, not like Mick Jagger in a dance routine, more like Moses holding a tablet. Those guys who love the sound of their voice more than they love love. Everyone has been to one of those meetings, or hundreds of them, wondering how they were still breathing with all the air sucked out of the room.
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The story of “Human Behaviour” as we know it begins in 1993, when
Another bout of Gothic fever in the early twentieth century revolved less around a style than around a restless Gothic energy, an overwrought Gothic sensibility. In 1921 the German art historian Hermann Schmitz remarked that calling something Gothic had become the highest form of praise: a dancer on Berlin’s Kurfürstendamm might be complimented for the Gothic line of her movements, an Expressionist painting for its Gothic feeling. Schmitz bemoaned this misappropriation of the “most glorious legacy of the pious and pure spirit of our forefathers.” Seen as German by Germans and as French by the French, the Gothic was revered by those yearning for a lost age of faith and unity as well as by avant-gardes in search of the new.
Bhalla picked up the mantle from his predecessor Mayor Dawn Zimmer, launching a 
The Trump White House yesterday posted a manipulated photo of Nekima Levy Armstrong, a Minnesota civil rights attorney who was arrested after protesting in a church where a pastor is allegedly also an Immigration and Customs Enforcement (ICE) official.
On Jan. 13, Vermont legislator Troy Headrick (I)
AI Will Accelerate the Regulatory Pipeline
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Picture a fall afternoon in Austin, Texas. The city is experiencing a sudden rainstorm, common there in October. Along a wet and darkened city street drive two robotaxis. Each has passengers. Neither has a driver.
I must begin with a condition rather than a confession: my safety, anonymity and physical survival come first. In Iran, where words can still wound the body, this text is written cautiously, stripped of names and coordinates – anything that could invite harm. What follows is not testimony in the juridical sense, nor reportage. It is a personal record: fragile, partial, and deliberately inward. This is not about who I am in an administrative sense, but about where I stand.
I
Parent less, play more.