Leonard Benardo in The Ideas Letter:

Welcome to the second edition of The Ideas Letter, where heterodox ideas come to life. Our spotlighted podcast this issue focuses on a long-forgotten 1972 cause célèbre book.  At the time of its release, the tract was fodder for household conversations across the US. Anthony Lewis of The New York Times called it “likely to be one of the most important documents of our age,” arguing that it showed “the complete irrelevance of most of today’s political concerns” to the world’s existential plight. Sound familiar in 2023? It should.

We are also featuring a video panel from the recent Vienna Humanities Festival, chaired by yours truly, which brings out lesser-heard dimensions of the identitarian debate. The politics of identity is front and center in the disagreements you’ll see. Identity (not to mention democracy, human rights, international law, and occupation) are never far from the vexing and toxic debates on Israel/Palestine. And nobody gets more to the heart of the problem with dispassionate passion and analytical chops than Adam Shatz, whose tour de force raises the necessary questions around which debate can advance.

More here.

Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

by Billy Collins

Ty Burr in The Washington Post:

Ahmed Nehad in The Nation:

On October 6, blood, pain, and suffering in Palestine were of no interest to the world. They were too mundane, too “normal” to be acknowledged. Never mind that “normal” meant a Gaza that had been smothered by a 17-year Israeli blockade and a 56-year occupation. Never mind that it meant a Gaza where Israeli military invasions had become almost routine; with civilians laid to rest after every attack, and with entire neighborhoods leveled—tens of thousands of homes, mosques, churches, hospitals, cultural centers, and educational institutions crumbling to rubble every couple of years.

Amjad Iraqi, Michael Sfard and Adam Shatz in an LRB podcast:

As the siege on Gaza intensifies, many observers are describing the current Hamas-Israel conflict as a complete overhaul of the region’s status quo. Amjad Iraqi, a senior editor at +972 Magazine, and Michael Sfard, a leading human rights lawyer, join Adam Shatz to discuss the roots and ramifications of the current crisis.

This conversation was recorded on 17 October.

Michael Pettis in Carnegie Endowment for International Peace:

Global debt, according to a recent report by the Institute for International Finance, amounted to nearly $300 trillion in 2021, equal to 356 percent of global GDP. This extraordinarily high debt level represents a 30 percentage-point rise in the global debt-to-GDP ratio in the past five years. No wonder analysts increasingly worry about the possible adverse consequences of excessive debt levels.

Unfortunately, few economists have a clear understanding of why too much debt is a bad thing, let alone how much debt is too much. That makes it hard to know what to worry about and why. Because economists tend to assume that the extent of a country’s debt burden is measured by its national debt-to GDP ratio, they often fail to distinguish between types of debt, instead treating a rise in one country’s debt-to-GDP ratio as equivalent to the same rise in another country’s ratio, even though the two cases may have very different implications.

So when is debt a burden for the economy and why? Crucially, different kinds of rising debt can have very different effects on an economy. Moreover, even in countries that are seen as having too much debt, the adjustment costs can vary significantly.

More here.

Jürgen Habermas in Constellations:

It was nearly 50 years ago when Dick called me for the first time and invited me to come over to Haverford for a discussion. It is not only because of the beginning of our longstanding friendship that I start with that phone call I got in 1972 at the Humanities Center of Cornell University. It moreover led, at this first encounter, to a memorable and rather improbable discovery. The two of us had been brought up on different continents and in different societies, with different backgrounds at different schools and different universities, not to speak of a childhood and youth we spent on opposite sides of a monstrous World War, in which Dick had lost a brother; but in spite of all of these obvious distances in origin and socialization we soon discovered a broad overlap in our philosophical background and also in our present research interests. Hegel, Marx and Kierkegaard, Sartre and existentialism, even Peirce and Dewey and our present research programs in action theory and communication are the catch words to indicate this unexpected convergence of our philosophical orientations. And my surprise was soon confirmed when I read Dick’s book Praxis and Action which I immediately recommended to Suhrkamp for translation.

However, the discovery of these intellectual family bonds is only half of the story; I would not have accepted the invitation to come to Haverford with Ute and our two daughters for a whole term, had Dick not been the impressive personality he indeed was—a host of overwhelming charm and an open-minded, spontaneous and inspiring partner in the ongoing ping-pong of arguments.

More here.

Anthony Quinn at The Guardian:

Here is the story of a wild folie à deux, or a dance of death in which both partners were tragically condemned to survive. Roger Lewis’s biography may not fulfil the promise of “everything” about Richard Burton and Elizabeth Taylor but it surely contains more than you could ever wish to know. “I make no apology for this being a visionary book,” he explains, sonorously, and often the reader does hear a singular voice at work – fearless, funny, provocative, acute, insistent. But oh, it’s exhausting too. Lewis, a Welshman, understands his native weakness: “garrulity”. Or, as Taylor was once overheard to say, as her husband drunkenly dominated another evening with Dylan Thomas recitals and lectures: “Does the man ever shut up?”

Perhaps only an outsize book could comprehend the excess, “the magnificent bad taste and greed and money” that became the keynote of the Burton-Taylor partnership. Lewis, disdaining standard biography as “bogus” and “an affair of ghosts”, adopts an impish, even jesterish approach – bouncing back and forth between eras, zooming in on minor characters, speculating on omissions and obfuscations in the official story.

more here.

Jennifer Szalai at the NY Times:

If social media is to be believed, men can’t stop thinking about the Roman Empire, particularly its “alpha male” elements. Anyone similarly obsessed would do well to pick up a copy of “Emperor of Rome,” an erudite and entertaining new book by the redoubtable classics scholar and feminist Mary Beard.

Beard, whose previous books include “SPQR” and “The Fires of Vesuvius,” points to the conspicuous role played by women in the histories of the emperors that were handed down through the ages. Most enduring has been “the stereotype of the scheming woman,” who (supposedly) manipulated powerful men into doing her bidding (or else poisoned them when they didn’t). Beard, citing more recent examples of women who have been condemned for their husbands’ behavior, remarks that it is still fashionable to “blame the wife.”

more here.

My Grandfather’s Hat

—in memory of Basiliso Morot Cordero

I cannot stop thinking of that old hat
he is wearing in the grave: the last gift
of love from his wife before they fell
into the habit of silence.

Forgotten as the daughters chose
the funeral clothes, it sat
on his dresser as it always had:
old leather, aromatic of his individual self,
pliable as an old companion, ready to go
anywhere with him.

The youngest grandchild remembered
and ran after her father, who was carrying
the old man’s vanilla suit—the one worn to bodas,
bautismos, and elections—like a lifeless
child in arms: No te olvides
del somebrero de abuelo.

I had seen him hold that old hat in his lap
and caress it as he talked of the good times,
and when he walked outside, placed it on his head
like a blessing.

My grandfather, who believed in God,
the Gracious Host, Proprietor of the Largest Hacienda.
May it be so. May heaven
be an island in the sun,
where a good man may wear his hat with pride,
glad that he could take it with him.

by Judith Ortiz Cofer
from Paper Dance
Persea Books, 1995

—No te olvides del somebrero de abuelo:
Don’t forget grandpa’s hat.

Souria Cheurfi in Vice:

About ten years ago, I decided to become a journalist, mainly because I liked writing. The reason I still am today is because I realised the potential impact my work can have on public debates, and the responsibilities that come with that. Being a journalist means influencing people’s opinions and tipping the balance on important social issues; it’s a job that should be taken very seriously.

For each subject, the choice of tone, angle, the number of articles you write, and every word in them really matters. I don’t necessarily enjoy having this power, but I’ve decided to use it to give a voice to people who don’t often have one in the media, or who are represented in ways that are unfair to them. Today, when I read mainstream coverage of this war, I almost feel ashamed to be a journalist, to be “one of them”. I’m part of a sector that has clearly contributed to the continued oppression of the Palestinian people – and of many others, for that matter.

More here.

Peter Diamandis in Singularity Hub:

Existing healthcare institutions will be crushed as new business models with better and more efficient care emerge. Thousands of startups, as well as today’s data giants (Google, Apple, Microsoft, SAP, IBM, etc.) will all enter this lucrative $3.8 trillion healthcare industry with new business models that dematerialize, demonetize and democratize today’s bureaucratic and inefficient system.

Biometric sensing (wearables) and AI will make each of us the CEOs of our own health. Large-scale genomic sequencing and machine learning will allow us to understand the root cause of cancer, heart disease and neurodegenerative disease and what to do about it. Robotic surgeons can carry out an autonomous surgical procedure perfectly (every time) for pennies on the dollar. Each of us will be able to regrow a heart, liver, lung or kidney when we need it, instead of waiting for the donor to die.

More here.

Mollie Wilson O’Reilly at Commonweal:

In discussing Eliot’s work, it is tempting to pass over the messy details of her private life in delicate embarrassment. (That late-in-life marriage to John Cross, for example, is truly weird.) But Clare Carlisle’s excellent new book The Marriage Question dares to take Eliot’s personal life seriously, as the field in which her finest work was cultivated. And, coming at the end of Carlisle’s empathetic portrait of the woman who called herself Mrs. Lewes, a woman who crowned each of her manuscripts with a sincere dedication to her beloved “husband,” Huxley’s verdict on Eliot’s life lands as an outrageous insult. He had been asked to support her interment in the Abbey, but replied with his reasons for opposing it. “One cannot eat one’s cake and have it too,” he sniffed. “Those who elect to be free in thought and deed must not hanker after the rewards, if they are to be so called, which the world offers to those who put up with its fetters.”

Could any woman hope to be “free in thought and deed” in 1850s England?

more here.

Liz Rosenberg at Lit Hub:

Her essays are rich with unerasable moments, and as in her greatest works of fiction, they strike the intersecting point between tragedy and comedy. If she tugs on heart-strings in her essays—and most assuredly she does—she also demonstrates a clear awareness of the funny side of life.

Alcott understood that habitual use of humor and exaggeration might incline readers to doubt the veracity of her non-fiction.  At the end of Hospital Sketches she urges the reader to believe what is only partly true: “such a being as Nurse Periwinkle does exist, that she really did go to Washington, and…these Sketches are not romance.” Her fiction found its roots in real-life experiences and her non-fiction always contained kernels of invention.  She largely shrugged off strict distinctions between fact and fiction.

more here.