Lucio Boschi. Untitled (Skulls of Ancestors).

Gelatin silver print.

More on the photographer here and here.

In Counterpunch, Najla Said on the tragedy of Lebanon.

How do I even start this? How do I write about my Beirut? My heartbreak, my home, my safety, my loss. again.

I suppose I just start.

I have experienced true terror a handful of times. The first was in 1983. The first time I evacuated Beirut. We had gone to visit my jiddo Emile, my teta Hilda, as we did every summer. Just after we arrived,the airport was shut down, Israeli soldiers were everywhere, the mountains were filling with smoke. We spent the next week in the staircase of our building as shells fell around us. My brother Wadie was almost hit by shrapnel.

My father, Edward, was in Switzerland. He knew we were in danger. I had no idea he wasn’t with us because he was Palestinian. I didn’t understand. Although I was born in 1974, I never knew about the war until the summer of ’82 — the first summer we didn’t go. The summer we spent in Illinois. I did cartwheels in the living room trying to get Mommy and Daddy’s attention. But all they did was watch the news and eat nuts and look worried. I wish I’d known how my Mommy’s heart was breaking. I know now.

“The idea of pugnacious literary supremo Bill Buford taking orders from anyone is laughable. So why did he leave ‘The New Yorker’ to become a lowly ‘kitchen slave’ for one of New York’s best restaurants? Danuta Kean asks him what he learnt among the pans.”

From The Independent:

It all started at a dinner party in Buford’s Manhattan apartment. Among the guests was Mario Batali, TV chef and proprietor of acclaimed New York eatery Babbo. He turned out to be the dinner guest from hell. Within moments of his arrival chez Buford, the writer knew inviting him was a mistake. Batali, one of the new breed of alpha-male cooks whose main rule is excess, took over, treating his host to his first lesson in muscular cookery and other guests to a night of macho drinking.

Buford has alpha-male tendencies of his own (at Granta the testosterone levels of many contributors were as high as his: Redmond O’Hanlon and Raymond Carver were regulars). But he was hooked and accepted the chef’s challenge to work in his kitchen as a slave for whom no task was too debased. In exchange he would learn real cooking.

More here.

After reading Letter from Beirut here at 3QD, a producer from Radio Open Source got in touch with us and wanted to know more about the writer of that letter, Rasha. We put them in touch with Rasha, and she has agreed to write and report from Beirut for them. This is from Radio Open Source:

Rasha’s letter from Beirut on 3 Quarks Daily last week floored us. She’s a Lebanese/Palestinian/Syrian/Turkish/Bosnian writer, now living in a suburb of Beirut. “I’m a product of the Ottoman empire,” she says, “and I say it with pride.” She’s generously agreed to string for us now. Here’s her first installment:

Today was a particularly strange day for me because I was granted an opportunity to leave tomorrow morning. I hold a Canadian passport, I was born in Toronto when my parents were students there. I left at age two. I have never gone back, for lack of opportunity and occasion, no other reason. …For days I have been battling ambivalence towards this war, estranged from the passions it has roused around me and from engagement in a cause. And yet when the phone call came informing me that I had to be ready at 7:00 am the next morning, I asked for a pause to think. I was torn. The landscape of the human and physical ravages of Israel’s genial strategy at implementing UN Resolution 1559, the depth of destruction, the toll of nearly 250 deaths, more than 800 injured and 400,000 displaced, had bound me to a sense of duty. It was not even patriotism, it was actually the will to defy Israel. They cannot do this and drive me away. They will not drive me away.

The roads to Damascus are not safe. Its many different ways are shelled everyday. Drivers know what “calculated” risks to take, I am assured, but one never knows. Everyday the way out becomes more difficult. I decided to stay, I don’t know when I will have another opportunity to leave.

–Rasha, in an email to Open Source, July 20, 2006

More here.

“In 2002, Jeffrey Goldberg wrote a two-part article examining the radical Lebanese Shiite movement Hezbollah, which he called ‘the most successful terrorist organization in modern history’.”

From The New Yorker:

Shiism arose as a protest movement, whose followers believed that Islam should be ruled by descendants of the Prophet Muhammad’s cousin Ali, and not by the caliphs who seized control after the Prophet’s death. The roots of Shiite anger lie in the martyrdom of Ali’s son Husayn, who died in battle against the Caliph Yezid in what is today southern Iraq. (I have heard both Shiites from southern Iraq and Iranian Shiites refer to their enemy Saddam Hussein as a modern-day Yezid.) At times, Shiism has been a quietist movement; Shiites built houses of mourn-ing and study, called Husaynias, where they recalled the glory of Husayn’s martyrdom.

In Lebanon in the nineteen-sixties, the Shiites began to be drawn to the outside world. Some joined revolutionary Palestinian movements; others fell into the orbit of a populist cleric, Musa Sadr, who founded a group called the Movement of the Deprived and, later, the Shiite Amal militia. Hezbollah was formed, in 1982, by a group of young, dispossessed Shiites who coalesced around a cleric and poet named Muhammad Hussayn Fadlallah.

Read the rest of part 1 here, and part 2 of the article is here.

“Fifty years old this month, the album chart has tracked the history of pop. But only a select few records have actually altered the course of music. To mark the anniversary, Kitty Empire pays tribute to a sublime art form, and our panel of critics argues for 50 albums that caused a revolution. To see the 50, click here.”

From The Observer:

Alongside film, the pop album was the defining art form of the 20th century, the soundtrack to vast technological and social change. Once, sets of one-sided 78rpm phonograph discs were kept together in big books, like photographs in an album. The term ‘album’ was first used specifically in 1909, when Tchaikovsky’s Nutcracker Suite was released on four double-sided discs in one package. The first official top 10 round-up of these newfangled musical delivery-modes was issued in Britain on 28 July 1956, making the pop album chart 50 years old this month.

Singles were immediate, ephemeral things. Albums made pondering pop and rock into a valid intellectual pursuit. Friendships were founded, love could blossom, bands could be formed, all from flicking through someone’s album collection. Owning certain albums became like shorthand; a manifesto for everything you stood for, and against: the Smiths’ Meat is Murder , Public Enemy’s It Takes a Nation of Millions to Hold Us Back.

More here.

Carl Zimmer in The Loom:

Eric Raymond, one of the founders of the official open source movement, puts its origins four decades ago, in the hacker culture of the 1960s. Back then it was expected that each hacker would share his secrets with the rest of the hacker tribe.

I’d suggest that Raymond is not be thinking big enough. The open source movement is a wee bit older. Instead of four decades, try four billion years.

Biologists have long recognized some striking parallels between genes and software. Genes stored information in a language of DNA, with the four nucleotides serving as its alphabet. A genetic code allowed cells to translate the information in genes into the separate language of proteins, which used an alphabet of twenty amino acids. From one generation to the next, mutations introduced slight tweaks to the software. Sex combined different versions of subroutines. If the software performed better–in the sense that an organism had more reproductive success–the changes might become incorporated into the genome across an entire species. This was only a metaphor, but it was a powerful one. One example of its power is the rise of genetic algorithms. Rather than trying to find a perfect solution to a problem–the ideal shape for a plane, for example–genetic algorithms create simulations and tweak them through a process that mimics evolution. The algorithm can seek out good solutions very effectively.

This sort of evolution resembles old-fashioned, closed-source software. All of the innovations happen in-house–that is, within a single species. None of the solutions from one species can be incorporated into the operating system of another. While this process has indeed been an important one in the history of life, a number of scientists have argued for an open-source side to evolution.

More here.

From the BBC:

Microsoft has confirmed it is developing a “Zune” portable music player which analysts believe will compete directly with Apple’s iPod.

The software firm said it was working on a number of music and entertainment hardware devices, the first of which could launch later this year.

Rumours of a rival to Apple’s hugely successful music player – dubbed “iPod killer” by some – have long circulated.

But experts said Microsoft would find it hard to compete with Apple.

More here.

Danny Postel in Logos:

Danny Postel: You’ve talked about a “renaissance of liberalism” taking place in Iran. Can you talk about this “renaissance”? Where does liberalism stand in Iranian intellectual and political life today?

Ramin Jahanbegloo: Sartre starts his essay “The Republic of Silence” in a very provocative manner, saying, “We were never more free than under the German occupation.” By this Sartre understands that each gesture had the weight of a commitment during the Vichy period in France. I always repeat this phrase in relation to Iran. It sounds very paradoxical, but ‘We have never been more free than under the Islamic Republic’. By this I mean that the day Iran is democratic, Iranian intellectuals will put less effort into struggling for the idea of democracy and for liberal values. In Iran today, the rise of hedonist and consumerist individualism, spurred by the pace of urbanization and instrumental modernization after the 1979 Revolution, was not accompanied by a wave of liberal measures. In the early days of the Revolution liberals were attacked by Islamic as well as leftist groups as dangerous enemies and betrayers of the Revolution. The American hostage crisis sounded the death knell for the project of liberalism in Iran.

More here.

From MSNBC:

Scientists partially restored the vision in blinded hamsters by plugging gaps in their injured brains with a synthetic substance that allowed brain cells to reconnect with one another, a new study reports.

If it can be applied to humans, the microscopic material could one day help restore sensory and motor function to patients suffering from strokes and injuries of the brain or spinal cord. It could also help mend cuts made in the brain during surgery.

“If we can reconnect parts of the brain that were disconnected by a stroke, then we may be able to restore speech to an individual who is able to understand what is said but has lost the ability to speak,” said study team member Rutledge Ellis-Behnke from the Massachusetts Institute of Technology.

[Hap tip Dan Balis.]

From The Boston Globe:

According to excerpts of letters made available to reporters, Einstein discussed his extra-marital affairs openly with his family. “It is true that M. followed me and her chasing after me is getting out of control,” wrote Einstein to his stepdaughter in May 1931 of Michanowski’s infatuation. “I will tell her that she should vanish immediately. . . . Out of all the dames, I am in fact attached only to Mrs L. who is absolutely harmless and decent, and even with this there is no danger to the divine world order.”

“I don’t care what people are saying about me, but for mother and Mrs M. it is better that not every Tom, Dick and Harry gossip about it,” he wrote. “Mrs L.” was Margarete Lenbach, another wealthy woman who used to send a chauffeur-driven car to collect Einstein for their late-night trysts. But Einstein valued Michanowski’s discretion, as he wrote to his second wife Elsa in 1931.

“Mrs. M. definitely acted according to the best Christian-Jewish ethics: 1) one should do what one enjoys and what won’t harm anyone else; and 2) one should refrain from doing things one does not take delight in and which annoy another person. Because of 1) she came with me, and because of 2) she didn’t tell you a word. Isn’t that irreproachable?”

More here.

From The New York Times:

‘Temptations of the West,’ by Pankaj Mishra. During the Soviet Union’s long, doomed attempt to subdue Afghanistan, Soviet helicopters dropped countless butterfly bombs, brightly colored devices looking much like toys that Afghan children picked up when they fluttered to earth. Then they exploded. That grim image might be a leitmotif for Pankaj Mishra’s fascinating, angry book about the impact of modernity on India, Pakistan, Nepal, Afghanistan and Tibet. “Temptations of the West” tells of the complex, often violent struggle of ancient societies to define themselves in the face of cultural, political and religious intrusions from outside — the gaudy butterflies that seem so pretty and then blow up.

The book’s title is somewhat misleading, and its subtitle even more so. This is no mere attack on the vacuities of Western pop culture transplanted to the East, nor yet another condemnation of the legacy of colonialism. Instead, Mishra painstakingly picks apart the complex, contradictory relationship between South Asia and the West. He lives in both India and England, so cannot claim to be personally immune to the temptations of Western life. Certainly his book offers none of the prescriptions and bromides of a “how to” manual. Part autobiography, part travelogue, part journalism, it is written not from a political or polemical position but from that of a small-town, upper-caste, lower-middle-class Indian with a taste for Western literature.

More here.

From The Guardian:

The picture of John Donne “in the pose of a melancholy lover”, which was recently bought by the National Portrait Gallery, has once again fixed a particular image of the poet in the public mind. He is soulful and amorous (the folded arms and sensual mouth), theatrical (the wide-brimmed black hat), dressy (the lacy collar and furred cuff), and enigmatic (the deep background shadows). And if that doesn’t sound intriguing enough, there’s more. An inscription bowed into a semi-circle round the top of the portrait reworks a phrase from a Latin psalm which can be translated as “O Lady lighten our darkness”. Does this mean the picture was originally intended for a lover, or is it a kind of prayer to the Virgin Mary, and therefore also a reference to Donne’s Catholic background? We can’t be sure. Like so much else about Donne, the inscription is ambiguous – as much a fusion of “contraries” as the man himself.

Donne was born in 1572, the son of Catholic parents who understood that if they wanted to get on in the world they would have to play down or actually disguise their faith.

More here.

From The New York Times:

IT was just around the time when the giant eagle swooped out of the greater Philadelphia night to rescue a creature called a narf, shivering and nearly naked next to a swimming pool shaped like a collapsed heart, that I realized M. Night Shyamalan had lost his creative marbles. Since Mr. Shyamalan’s marbles are bigger than those of most people, or so it would seem from the evidence of a new book titled “The Man Who Heard Voices” (and how!), this loss might have been a calamity, save for the fact that “Lady in the Water” is one of the more watchable films of the summer. A folly, true, but watchable. As before, this film involves characters who, when faced with the inexplicable, behave less like real people than idealized movie audiences: they believe.

Mr. Shyamalan is big on faith. He wants us to believe. In him. In film. In his films. To be swept away by that transporting swell of feeling that comes with love, sex, gods, the great outdoors and sometimes, though not often enough, the movies. Mr. Shyamalan wants to carry us away.

More here.

Ker Than in LiveScience.com:

An evolutionary arms race between early snakes and mammals triggered the development of improved vision and large brains in primates, a radical new theory suggests.

The idea, proposed by Lynne Isbell, an anthropologist at the University of California, Davis, suggests that snakes and primates share a long and intimate history, one that forced both groups to evolve new strategies as each attempted to gain the upper hand.

To avoid becoming snake food, early mammals had to develop ways to detect and avoid the reptiles before they could strike. Some animals evolved better snake sniffers, while others developed immunities to serpent venom when it evolved. Early primates developed a better eye for color, detail and movement and the ability to see in three dimensions—traits that are important for detecting threats at close range.

Humans are descended from those same primates.

More here.

Nigel Leary reviews The Creating Brain by Nancy C. Andreasen, in Metapsychology:

Nancy C. Andreasen‘s book, The Creating Brain, is an interesting and insightful hypothesis about the nature of creativity.  Her style is fluid and engaging, and she presents both her hypothesis and her research in equally effective and accessible ways.  Andreasen is, to be sure, an interesting character: she started her career as a professor of Renaissance literature before going on to study as a neuroscientist, and she is now the Andrew H. Woods Chair of Psychiatry and Director of Mental Health Clinical Research Centre at the University of Iowa.  This rare mixing of disciplines has left Andreasen in the somewhat extraordinary position to approach the notion of creativity from both a scientific perceptive (as a neuroscientist) and from an inherently creative background (as a literary professor).  This meld not only gives Andreasen‘s book an engaging and readable style, but motivates her project, and provides her with a strong insight into both a) the creative process and b) the creative psyche.

More here.

From The National Geographic:

Batman fans will remember Two-Face, the villain with a mug that’s half handsome and half gruesome. Recently a Maine lobsterm an caught a different kind of two-faced prey—a lobster that looks half raw and half cooked. Alan Robinson of Steuben, Maine, hauled up this two-toned lobster last week while bringing in his catch near the town of Bar Harbor.

Half of the animal is mottled brown, while the other is bright orange—the color lobsters turn after they’ve been boiled.

More here.

From Science:

The National Human Genome Research Institute (NHGRI) in Bethesda, Maryland, is getting its primate house in order. First, the institute played a major role in sequencing the human genome. Then the chimp’s DNA got the all-star treatment. And when comparing the two genomes proved incredibly useful for understanding our own DNA, NHGRI set its sights on the rhesus macaque, marmoset, orangutan, and gorilla. Now the gibbon is getting in line.

From the moment the first complex organism–a nematode–was sequenced in 1998, researchers have struggled to make sense of a veritable alphabet soup of A’s, T’s, G’s, and C’s. Sequencing other genomes has helped: Comparing the DNA of related organisms has been key to identifying regulatory regions of DNA and other essential genome components. To continue its quest to understand how genomes work, NHGRI has regularly solicited proposals from researchers asking them to recommend the next candidates for sequencing.

The gibbon won out because it’s a second cousin to humans and, as such, will eventually help biomedical researchers pinpoint the genetic bases of disease, says NHGRI Director Francis Collins. The institute expects to have the genome sequenced within 3 years.

More here.

Editorial in The Nation:

In 2001 India banned the Students’ Islamic Movement of India (SIMI), “for stirring religious unrest over the United States’ ‘war on terror’ ” and for its alleged Al Qaeda sympathies. Dozens of its supporters have been detained since the attacks.

Several Indian analysts believe SIMI’s emergence has been caused by Indian army actions in Kashmir and sectarian slaughters like the 2002 Gujarat riots, when 2,000 people, mostly Muslims, were killed. They think Mumbai may have been the revenge, though no government official would dare to make the link. It is easier to blame Pakistan, writes Indian analyst Swapan Dasgupta in the Asia Wall Street Journal:

“India has been in a state of denial over evidence that the emerging threat is not from those acting at the behest of controllers in Islamabad, but from home-grown militants. The suggestion that Islamist terrorism has developed strong roots in India is one that the government in New Delhi does not relish.”

More here.

Michael Holroyd in the Times Literary Supplement:

When I was invited to write the authorized biography of Bernard Shaw in the early 1970s, he was still accepted as a great force in the world, an influence on the young, a bearded prophet from a past age warning us provocatively, uncomfortably, of the dangers in our contemporary world. He did of course acclaim some social changes that had taken place, such as the National Health Service. But his role was mainly to challenge rather than to celebrate. His plays were quite regularly performed at the National Theatre and politicians such as Tony Benn and Robin Cook made no secret of having read him attentively and of having been influenced by his writings – nor did that legendary insurgent on his prison island, Nelson Mandela. American and Canadian academics in particular were devoting their careers to studying his work – his letters, his diaries, his music and drama criticism as well as his prefaces, political essays and plays. He was so prolific, so voluminous, so various, that there seemed plenty to keep them busy well into this century.

More here.