What QAnon supporters, butthole sunners and New Age spiritualists have in common

Christopher T. Conner in The Conversation:

After the murder of George Floyd in May 2020, former NBA player Royce White became an outspoken advocate of defunding the police. Over those ensuing months, he appeared at a number of protests and marches in Minnesota – demonstrations that conservative politicians and pundits excoriated.

Four years later, White accepted the endorsement of the Minnesota GOP in the state’s 2024 U.S. Senate race.

In the interim, White had appeared on the show of conspiracy theorist Alex Jones, where he decried the “establishment” and “corporatocracy.” While on Steve Bannon’s “War Room” podcast, he complained that women “had become too mouthy.” Elsewhere, he lambasted the LGBTQ+ movement as “Luciferian” and described Israel as the vanguard of a “new world order.”

White’s transition from an NBA player who advocated for progressive causes to an acolyte of Jones is more common than you might think.

More here.

Delmore Schwartz: He Became A Fabulous Opera

R. K. Hegelman at Poetry Magazine:

When Schwartz comes up in conversation today, two things are typically remarked of him. First, he is a man whose reputation has eclipsed his work, his stature as a poet having surrendered to the clamor for myth. Second, this myth is one of vertiginous and scandalous decline. Delmore Schwartz: an American tragedy. Both commonplaces have the unfortunate merit of being true.

His biography easily lends itself to historical synecdoche: his star rose amidst the New Deal optimism of the 1930s, his decline was contiguous with the conflagrations of the 1940s, and his irrelevance was assumed by the sanitized postwar culture of the 1950s. That a man’s work may become an appendix to the idea of him is exacerbated in Schwartz’s case by the fact that he was at the epicenter of a golden era of American intellectual life—as an editor of Partisan Review, as a prolific critic and teacher, as a prodigious wit, and as an unflagging hobnobber, gossip, politicker, and squabbler.

more here.

‘The Last Days of Franz Kafka’

Sam Kinchin-Smith at the LRB Blog:

The coincidence of the centenary of Kafka’s death, on 3 June, and the publication of the first complete, uncensored English translation of his diaries a month before, is less straightforward than it seems. There are more obvious texts through which to tell the story of his last days. Kafka’s final diary entry was written on 12 June 1923, almost a year before he died. Over the next eleven months, he wrote a lot of letters and a few stories, including one really substantial one, ‘Josephine the Singer, or the Mouse Folk’. After he had been urged not to speak during the final stages of the tuberculosis that killed him, he communicated with Dora Diamant and his doctor, Robert Klopstock, by writing ‘conversation slips’ (the translation is Richard and Clara Winston’s):

Do you have a moment? Then please lightly spray the peonies.

A bird was in the room.

A lake doesn’t flow into anything, you know.

Tremendous amount of sputum, easily, and still pain in the morning. In my daze it went through my head that for such quantities and the ease somehow the Nobel Prize.

more here.

The Elements of True Love

Thich Nhat Hanh in The Dewdrop:

What are the most basic elements of love and how can we manifest them in our lives and our relationships? This is the question that Thich Nhat Hanh tackles in his short book, ‘True Love’. Looking at human love through the lens of Buddhist teaching, he breaks it down into four aspects: loving-kindness, compassion, joy and freedom and uses his direct and simple style to advise us how to put these elements to work in our own lives. 

According to Buddhism, there are four elements of true love. The first is maitri, which can be translated as loving-kindness or benevolence. Loving-kindness is not only the desire to make someone happy, to bring joy to a beloved person; it is the ability to bring joy and happiness to the person you love, because even if your intention is to love this person, your love might make him or her suffer. Training is needed in order to love properly; and to be able to give happiness and joy, you must practice deep looking directed toward the person you love. Because if you do not understand this person, you cannot love properly. Understanding is the essence of love. If you cannot understand, you cannot love. That is the message of the Buddha. If a husband, for example, does not understand his wife’s deepest troubles, her deepest aspirations, if he does not understand her suffering, he will not be able to love her in the right way. Without understanding, love is an impossible thing.

More here.

Wednesday Poem

If I had just a little bit of wisdom

If I had just a little bit of wisdom
I should walk the Great Path and fear only straying from
…… it.
Though the way is quite broad
People love shortcuts.

The court is immaculate,
While the fields are overgrown with weeds,
And the granaries are empty.
They wear silk finery,
Carry sharp swords,
Sate themselves on food and drink
having wealth in excess.
They are called thieving braggarts.

This is definitely not the way.

Lao Tzu
from
Tao Te Ching
Barnes & Noble Classics, 2005

Tuesday, June 4, 2024

Daniel Dennett: ‘Where Am I?’

From the MIT Press Reader:

When Daniel Dennett’s essay collection “Brainstorms” was published in 1978, the interdisciplinary field of cognitive science was just emerging. Dennett was a young scholar who wanted to get philosophers out of their armchairs and into conversations with psychologists, linguists, and computer scientists. “I tried in ‘Brainstorms’ to write about the problems in language accessible to all serious thinkers, as jargon-free as possible, with lots of examples,” he writes in the preface to the 40th-anniversary edition of the book.

Some of the chapters contained in the collection cast longer shadows than others. “Where Am I?,” featured below in its entirety, has had a remarkable trajectory.

More here.

The robotic thumb designed to help you enhance productivity at work

Roselyne Min at Euronews:

Scientists have successfully developed a new, controllable prosthetic extra thumb designed to enhance productivity.

Researchers at Cambridge University say the robotic thumb can help expand the capacity of the human hand, from carrying multiple beverage glasses and shuffling playing cards to performing surgery.

“We are also really excited about potential opportunities of using the thumb to enhance productivity in work settings, especially those that are relying on their hand’s manual dexterity in order to accomplish their work,” said Tamar Makin, a professor of cognitive neuroscience at the University of Cambridge.

“This can be anywhere between manual labourers that are trying to solder a complicated kit or even surgeons that have to negotiate between many instruments at the same time,” she added.

More here.  And check out the video at the link.

Autocracy, with Indian characteristics

Prashant Kidambi in the Times Literary Supplement:

At the dawn of the twenty-first century India’s intellectual classes professed a cautious optimism – verging at times on self-congratulation – about the nation’s tryst with democracy. For many, the unruly coalition governments of the late 1990s and early 2000s reflected the deepening of democratic norms and a shared commitment to the peaceful transfer of power. Others pointed to high voter turnouts – especially among the poor – and the rise of elected representatives from hitherto subordinated castes as proof that democracy had been profoundly vernacularized.

To be sure, these accounts were cognizant of the deficiencies and contradictions of democratic politics in India, including the concomitant resurgence of exclusionary identities, the criminalization of politics, the elevation of performative equality over substantive redistribution and the deepening of social cleavages along lines of caste and religion. But there was nonetheless a broad consensus about the legitimacy of India’s democratic credentials. Today there are many who question, with good reason, the country’s inclusion in the roster of democracies at all.

More here.

Roy Lichtenstein’s Centennial

Petra Loho at The Observer:

At the heart of Pop Art, Lichtenstein adeptly appropriated and reimagined iconic symbols, from Mickey Mouse to love and war comics, to popular advertising motifs. Through his masterful reinterpretations, he challenged conventional notions of high and low culture, inviting viewers to reconsider the significance of everyday imagery in the realm of art.

His distinctive style, characterized by the utilization of Ben-Day dots, infused these familiar images with irony, challenging societal constructs of femininity and masculinity entrenched within the post-war consumer landscape. His artworks served as a poignant commentary on the burgeoning American women’s, anti-Vietnam, and anti-nuclear movements, reflecting the zeitgeist of the era. During the inauguration of the exhibition, Albertina director Klaus Albrecht Schröder remarked on Lichtenstein’s art, stating, “In the 1960s, at the height of abstract expressionism, Roy Lichtenstein returned to representational, self-reflective art and, with a lot of irony, broke down the boundaries between high art and everyday culture.”

more here.

‘Preposterous’: Anthony Fauci denies cover-up of COVID origins during tense hearing

Kozlov and Wolf in Nature:

Anthony Fauci, the former head of the US National Institute of Allergy and Infectious Diseases (NIAID), emphatically fended off allegations at a Republican-led hearing in Washington DC today that his agency funded research that created the COVID-19 pandemic or that he coordinated a cover-up of the pandemic’s origins, calling the claims “simply preposterous”. The 3 June session was one of the most anticipated hearings hosted by the US House of Representatives Select Subcommittee on the Coronavirus Pandemic. The subcommittee has held 27 hearings or briefings over the past 15 months to examine the federal government’s response to the pandemic and to uncover the origins of the SARS-CoV-2 coronavirus.

As has been the case in most of the hearings, Fauci’s questioning reflected a deep political divide in the US government. Republicans criticized Fauci’s oversight of NIAID-funded research grants and of his staff members, and Democrats sang the praises of the former chief medical adviser to US President Joe Biden, commending him on a distinguished career that has saved lives through his work advancing research on AIDS and developing COVID-19 vaccines. Peter Hotez, a vaccine scientist at Baylor College of Medicine in Houston, Texas, told Nature that the hearing was a Republican “attempt at revisionist history” to ignore the policy failures of the administration of former US president Donald Trump early during the pandemic and to “blame the scientists”.

More here.

Ibram X. Kendi Faces a Reckoning of His Own

Rachel Poser in The New York Times:

Ibram X. Kendi has a notebook that prompts him, on every other page, to write down “Things to be grateful for.” There are many things he might put under that heading. First and foremost, his wife and two daughters, and his health, having made it through Stage 4 colon cancer in his 30s — a diagnosis with a 12 percent survival rate. Tenure at Boston University, where Martin Luther King Jr. earned his doctorate in theology. A National Book Award, and a MacArthur “genius” grant for “transforming how many people understand, discuss and attempt to redress America’s longstanding racial challenges.” Then there were the millions of people who bought “How to Be an Antiracist,” the first of five of his books to take the No. 1 spot on the New York Times best-seller list. But he was particularly grateful to the readers who wrote to him to say his work changed them for the better.

These days, he could use the reminder. Four years have gone by since George Floyd was murdered on the pavement near Cup Foods in Minneapolis, sparking the racial “reckoning” that made Kendi a household name. Many people, Kendi among them, believe that reckoning is long over. State legislatures have pushed through harsh antiprotest measuresConservative-led campaigns against teaching Black history and against diversity, equity and inclusion programs are underway. Last June, the Supreme Court struck down affirmative action in college admissions. And Donald Trump is once again the Republican nominee for president, promising to root out “the radical-left thugs that live like vermin within the confines of our country.”

More here.

Alice Munro’s Magic

Hermione Lee at the NYRB (from 2015):

The stories selected in Family Furnishings, a fine and timely follow-up to Alice Munro’s winning of the 2013 Nobel Prize, date (it says on the cover) from 1995 to 2014, thus making a sequel to the Selected Stories of 1996, which drew on the previous thirty years of Munro’s writing. But there is one exception to this dating in the new selection, the magnificent story “Home.” “Home” was first published in a collection of Canadian stories in 1974, so it was written when Munro was in her early forties. She then went on working on it for thirty years, revising, correcting, and changing its shape, and it was republished in much-altered form in 2006: so it appears here as a “late” story. That process of revisiting is fundamental to Munro’s methods. She constantly revises her work; she reuses her subject matter with the utmost concentration and attention; and her characters, like her (and often they are like her), compulsively return to their pasts.

“Home” tells of a visit, in the first person, to the farmhouse she grew up in between the 1930s and the 1950s. All Munro readers know this place, and know that it is a farm in Morris Township, Huron County, Western Ontario, near the town of Wingham, though it often isn’t named in the stories, or is called something else.

more here.

Tuesday Poem

Poem

and greenhouse and topsoil and basil greens
and cowshit and snowfall and spinach knife
and woodsmoke and watering can and common thistle

and potato digger and peach trees
and poison parsnip and romaine hearts
and rockpiles and spring trilliums and ramp circles

what song of grassblade
what creak of dark rustle tree
and blueblack wind from the north

this vetch this grapevine
this waterhose this mosspatch

sunflower gardens in the lowland
dog graves between the apple trees

this fistfull of onion tops
this garlic laid silent in the barn
this green this green this green

sweet cucumber leaf
sweet yellow bean

and all this I try to make a human shape
the darkness regenerating a shadow of a limb

my tongue embraces the snap pea
and so it is sweet

how does the rusted golfcart in the chickweed
inform my daily breath

I’m sorry I want to say
to the unhearing spaces
between the dogwood trees

for my tiny little life
I have pressed into
your bruising green skin

by Lucy Walker
from Pank Magazine

Monday, June 3, 2024

3 Quarks Daily Is Looking For New Columnists

Dear Reader,

Here’s your chance to say what you want to the large number of highly educated readers that make up 3QD’s international audience. Several of our regular columnists have had to cut back or even completely quit their columns for 3QD because of other personal and professional commitments and so we are looking for a few new voices. We do not pay, but it is a good chance to draw attention to subjects you are interested in, and to get feedback from us and from our readers.

We would certainly love for our pool of writers to reflect the diversity of our readers in every way, including gender, age, ethnicity, race, sexual orientation, etc., and we encourage people of all kinds to apply. And we like unusual voices and varied viewpoints. So please send us something. What have you got to lose? Click on “Read more” below…

NEW POSTS BELOW

Read more »

Sunday, June 2, 2024

The Craft of Writing (Actually) Good Sex Scenes

Yael van der Wouden at Literary Hub:

For a few years now I’ve been teaching a class on erotic writing. Most of it follows the same structure of any creative-writing class—we discuss character and motivation—but the content, you can imagine, takes on a different slant.

It’s both a fun and hard class to teach; hard because the students are immediately thrown into vulnerability, immediately figuring out how much of themselves they’re willing lay bare before strangers, and fun in realizing that everyone else in the class is embarrassed in exactly the same way, and that everyone is always, always, a little bit of a freak.

A few interesting observations: good sex in the bedroom does not automatically make for good sex on paper…

More here.