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Samira Ahmed in New Humanist:
Some of the 20th century’s greatest thinkers – Higgs, Freud, Einstein – reveal so much to us through the objects that surrounded them. Higgs’s passion for music and ordered thinking is apparent through his alphabetised collection. The lack of concern for updating his interior suggests a focus on what’s going on in his mind, rather than material possessions. There is a joy to knowing he waited 47 years for his theory to be verified by the Large Hadron Collider, but lived to see it and secure his Nobel Prize.
Another example is Hawking. Roger Highfield, whose book Stephen Hawking: Genius at Work explored the objects in the physicist’s Cambridge University office, described the contents as the biographical equivalent of the Rosetta Stone. It revealed not just his scientific papers, but also his determination, embodied in his last wheelchair, and his love of fame and jokes. The office held mementoes from filming with the likes of Monty Python and scientific bets signed with his thumbnail – revealing his playful self. Two model trains – the Mallard and the Flying Scotsman – are a sweet reminder of his childhood passion.
Not far from the heavy traffic of one of the main arterial roads into London, you can step inside the mind of Sigmund Freud. He lived the last year of his life in an elegant house and garden in Maresfield Gardens in Hampstead – now a museum. Already 81 when he moved there, Freud’s travel documents are framed in the hallway; a reminder of his escape as a Jewish intellectual from Vienna after the annexation of Austria by Nazi Germany in 1938.
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Seemingly overnight, Elena Ferrante — or rather, the novelist writing as Elena Ferrante — found worldwide acclaim.
The week after taking office in 2017, Donald Trump announced his administration’s signature policy on the administrative state—the constellation of agencies, institutions, and procedures that Congress has created to help the president implement the laws it passes—when he
Before the automobile, cities were powered by horses. These urban equines ferried passengers in streetcars and carriages; they pulled fire engines and ambulances. They delivered everything from milk and ice to mail. They hauled the coal for locomotive and steam engines.
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What kind of world is this? That’s the question prompted over and over by Joseph O’Neill’s new novel
Amongst the many energy-hungry technologies supporting modern society, artificial intelligence (AI) is emerging as a major driver of energy demand. Data centers—the physical infrastructure enabling AI—are becoming larger, multiplying, and consuming more energy. Environmental organizations such as Greenpeace are
When Henderson got to Yale on the G.I. Bill, he was shocked by the differences between him and his classmates. As he explains in the video above, he learned it was popular for his classmates to hold strong, seemingly progressive views about many of the concerns that shaped his life — drugs, marriage, crime. But they were largely insulated from the consequences of their views. Henderson found that these ideas came to serve as status symbols for the privileged while they, ironically, kept the working class down. He came to call these ideas luxury beliefs.
Alice Munro, considered one of the greatest short-story writers of modern times, was a monster.
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For centuries, physicists have exploited momentum conservation as a powerful means to analyze dynamical processes, from billiard-ball collisions to galaxy formation to subatomic particle creation in accelerators. David Moore and his research team at Yale University have now put this approach to work in a new setting: they used momentum conservation to determine when a radioactive atom emitted a single helium nucleus, known as an alpha particle (Fig.
Asterisk: You’re responsible for managing one of the most comprehensive data sets of criminal outcomes for various criminal justice systems in California. It includes 12 counties and 60% of the state population. How did you put this resource together, and what kinds of outcomes you are tracking with it?
In 1916 the Bank of England committed what Nikolaus Pevsner was to call the greatest architectural crime to befall London in the 20th century. It decided to demolish much of its own building, designed by the great Georgian neoclassical architect John Soane.