the hungary problem

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How is it that Hungary, Central Europe’s democratic wunderkind of 1989, could find itself the European Union’s problem child two decades later, with a nationalist strongman at the helm, the economy in shambles, and a ferocious far right both in its parliament and in black uniforms patrolling its suburbs? Hungary’s dire condition—and how it came to pass—is the topic of the veteran Mitteleuropa expert Paul Lendvai’s most recent book, Mein Verspieltes Land: Ungarn im Umbruch, or My Squandered Country: Hungary Transformed, released last year in German and in Hungarian this past January. The 81-year-old Lendvai is one of the grand old men of Central European journalism, author of a stack of books translated into a dozen languages. But never before has one of his titles provoked such fierce reactions from the powers that be. The right-wing network of the Fidesz party, led by its undisputed front-man and Hungary’s current prime minister, Victor Orbán, has done all it can to discredit Lendvai. Thanks to a landslide victory in the 2010 elections, Fidesz now controls more than two-thirds of parliament, and the liberal and leftist oppositions have imploded. Yet the right is paying attention to My Squandered Country—perhaps too much attention for its own good. Without a penny of advertising the book emerged as Hungary’s best-selling nonfiction title this spring.

more from Paul Hockenos at The Boston Review here.

they’re out there

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WHETHER we are alone in the universe is one of the oldest questions humans have pondered. For most of history, it has belonged squarely in the provinces of religion and philosophy. In recent decades, however, scientists also have been attracted to the problem in increasing numbers. Fifty-one years ago, a young astronomer by the name of Frank Drake began sweeping the skies with a radio telescope in the hope of stumbling across a message from an alien civilisation. Thus began SETI — the Search for Extraterrestrial Intelligence — an ambitious enterprise to survey thousands of sunlike stars in our neighbourhood of the Milky Way galaxy for any signs of artificial radio traffic. When SETI began in 1960, it was regarded as quixotic at best, crackpot at worst. “A quest of the most adverse odds,” was the way distinguished biologist George Simpson expressed it. The prevailing opinion among scientists was that life was the result of a chemical fluke so improbable it would be unlikely to have happened twice in the observable universe. “Life seems almost a miracle,” wrote Francis Crick, the co-discoverer of the structure of DNA. It was echoed by another Nobel prizewinning biologist, Jacques Monod, in a bleak assessment: “Man at last knows that he is alone in the unfeeling immensity of the universe, out of which he emerged only by chance.” In one of the most astonishing shifts of scientific fashion, the consensus today is that the universe is teeming with life. Christian de Duve, the Belgian-born biologist and another Nobel prizewinner, has gone so far as to call life a “cosmic imperative”, believing it is “almost bound to happen” on any Earth-like planet.

more from Paul Davies at The Australian here.

The night I was proud to be an Israeli

Gideon Levy in Haaretz:

3834054413 It was the night that Benjamin Netanyahu was tossed out of the Prime Minister's Office in disgrace.

Netanyahu will stay in office for a time, but his time is up. Finished. He will squirm and make promises, make declarations and turn tail, he will trot out a few more tricks, but it won't help him an iota.

As of yesterday, he is a lame duck. Last night, Israel's 17th prime minister was handed his walking papers. When tens of thousands of Israelis across the country scream, “Bibi go home,” Bibi will indeed go home. Bye bye, Bibi, good-bye for good.

It was the night that every Israeli can and should be proud of being Israeli, as never before. Israel's true pride march took place yesterday. There can be no better public relations campaign for this despised, shunned country than the demonstration last night of this new Israel. The Foreign Ministry should broadcast the images to the entire world. Israeli democracy celebrated last night as it has not done in years, standing up against all those who would see it fall. Without violence, without superfluous police reinforcements, not Cairo nor even Athens, but something much more beautiful – a genuine light unto the nations.

More here.

A new kind of intersection eliminates dangerous, time-wasting left turns

Tom Vanderbilt in Slate:

ScreenHunter_07 Aug. 02 12.49 Left turns are the bane of traffic engineers. Their idea of utopia runs clockwise. (UPS' routing software famously has drivers turn right whenever possible, to save money and time.) The left-turning vehicle presents not only the aforementioned safety hazard, but a coagulation in the smooth flow of traffic. It's either a car stopped in an active traffic lane, waiting to turn; or, even worse, it's cars in a dedicated left-turn lane that, when traffic is heavy enough, requires its own “dedicated signal phase,” lengthening the delay for through traffic as well as cross traffic. And when traffic volumes really increase, as in the junction of two suburban arterials, multiple left-turn lanes are required, costing even more in space and money.

And, increasingly, because of shifting demographics and “lollipop” development patterns, suburban arterials are where the action is: They represent, according to one report, less than 10 percent of the nation's road mileage, but account for 48 percent of its vehicle-miles traveled.

What can you do when you've tinkered all you can with the traffic signals, added as many left-turn lanes as you can, rerouted as much traffic as you can, in areas that have already been built to a sprawling standard? Welcome to the world of the “unconventional intersection,” where left turns are engineered out of existence. This is not necessarily a new idea: The “Jersey Jughandle” and “Michigan Left” were early iterations of this concept; rolled out widely in the 1960s, both essentially require drivers to first make a right turn, then either looping back or U-turning their way onto the road onto which they had wanted to turn left.

More here.

Meet the White Supremacist Leading the GOP’s Anti-Sharia Crusade

Tim Murphy in Mother Jones:

Sharia Last week, legislators in Tennessee introduced a radical bill that would make “material support” for Islamic law punishable by 15 years in prison. The proposal marks a dramatic new step in the conservative campaign against Muslim-Americans. If passed, critics say even seemingly benign activities like re-painting the exterior of a mosque or bringing food to a potluck could be classified as a felony.

The Tennessee bill, SB 1028, didn't come out of nowhere. Though it's the first of its kind, the bill is part of a wave of related measures that would ban state courts from enforcing Sharia law. (A court might refer to Sharia law in child custody or prisoner rights cases.) Since early 2010, such legislation has been considered in at least 15 states. And while fears of an impending caliphate are myriad on the far-right, the surge of legislation across the country is largely due to the work of one man: David Yerushalmi, an Arizona-based white supremacist who has previously called for a “war against Islam” and tried to criminalize adherence to the Muslim faith.

More here.

Tuesday Poem

Eve’s Fall Through Technology

1. The Telegram

Ate the apple. Stop.
Serpent in love. Stop.
Leaves browning,
berries sprouting mold.
Everything dropping,
staining my feet. Stop.
Can you forgive me?

2. The Telephone

I can let it ring all night, high-pitched bells
black as the bags under your eyes.
Are you still jealous I was chosen?
He slithered off
fast as the snuff of a candle.
But my ringing won’t stop.

3. The Fax

Enclosed is my confession. Read it over, sign, date, and send back ASAP.

The serpent wound up
my inner thigh.
Risk-taking was my halo,
paradise calibrated.
He tore the seam between us.
I know you are hungry. I know
you are lost. My days
are a frayed immersion.
I peel and core and slice
apple after apple
to taste their rot.

4. The Email

After you blogged me off, everyone shunned me.
Even the spam has stopped.
My inbox so empty
I surf unjammed
to nowhere.

5. The Text Messages

Is this really what you want?
Me marooned 8? Me :’’’)? Me SOZ?
No, not SOZ.
RU there? WTF
ILU IHA
The serpent is not my BF.
TARFU
I dn’t know how t stop fruit from falling.
Only t run louder than any letters can spell
You want grace?
LF

by Pamela Garvey
from Blackbird, Spring 2011


Key
8 = infinity
:’’’ = weeping
SOZ = sorry
IHA = I hate acronyms
BF = boyfriend
TARFU = things are fucked up
LF = Let’s fuck

Deceptive Picture: How Oscar Wilde painted over “Dorian Gray.”

From The New Yorker:

Oscar Oscar Wilde was not a man who lived in fear, but early reviews of “The Picture of Dorian Gray” must have given him pause. The story, telling of a man who never ages while his portrait turns decrepit, appeared in the July, 1890, issue of Lippincott’s, a Philadelphia magazine with English distribution. The Daily Chronicle of London called the tale “unclean,” “poisonous,” and “heavy with the mephitic odours of moral and spiritual putrefaction.” The St. James Gazette deemed it “nasty” and “nauseous,” and suggested that the Treasury or the Vigilance Society might wish to prosecute the author. Most ominous was a short notice in the Scots Observer stating that although “Dorian Gray” was a work of literary quality, it dealt in “matters only fitted for the Criminal Investigation Department or a hearing in camera” and would be of interest mainly to “outlawed noblemen and perverted telegraph-boys”—an allusion to the recent Cleveland Street scandal, which had exposed the workings of a male brothel in London. Within five years, Wilde found himself convicted of “committing acts of gross indecency with certain male persons.”

The furor was unsurprising: no work of mainstream English-language fiction had come so close to spelling out homosexual desire. The opening pages leave little doubt that Basil Hallward, the painter of Dorian’s portrait, is in love with his subject. Once Dorian discovers his godlike powers, he carries out various heinous acts, including murder; but to the Victorian sensibility his most unspeakable deed would have been his corruption of a series of young men. (Basil tells Dorian, “There was that wretched boy in the Guards who committed suicide. You were his great friend. There was Sir Henry Ashton, who had to leave England, with a tarnished name. You and he were inseparable.”) At the Wilde trials of 1895, the opposing attorneys read aloud from “Dorian Gray,” calling it a “sodomitical book.” Wilde went to prison not because he loved young men but because he flaunted that love, and “Dorian Gray” became the chief exhibit of his shamelessness.

More here.

Who Falls to Addiction, and Who Is Unscathed?

From The New York Times:

Amy_winehouse-1311444225 Shortly after the singer Amy Winehouse, 27, was found dead in her London home, the airwaves were ringing with her popular hit “Rehab,” a song about her refusal to be treated for drug addiction.

The man said “Why you think you here?”

I said, “I got no idea.”

I’m gonna, gonna lose my baby,

So I always keep a bottle near.

The official cause of Ms. Winehouse’s death won’t be announced until October pending toxicology reports, but her highly publicized battle with alcohol and drug addiction seems to have played a significant role. Indeed, her mother echoed a sentiment heard everywhere when she told The Sunday Mirror that her daughter’s death was “only a matter of time.” But was it? Why is it that some people survive drug and alcohol abuse, even manage their lives with it, while others succumb to addiction? It’s a question scientists have been wrestling with for decades, but only recently have they begun to find answers. Illicit drug use in the United States, as in Britain, is very common and usually begins in adolescence. According to the 2008 National Survey of Drug Use and Health, 46 percent of Americans have tried an illicit drug at some point in their lives. But only 8 percent have used an illicit drug in the past month. By comparison, 51 percent have used alcohol in the past year. Most people who experiment with drugs, then, do not become addicted. So who is at risk?

More here.

Monday, August 1, 2011

Sunday, July 31, 2011

The Tea Party’s Sacred Cows and the Privilege of Absurdity

Scott Atran in the Huffington Post:

Tea-party-protestor Recent research into seemingly intractable conflicts indicates that, for better or worse, radical movements that have attempted revolutionary changes in society do truly act on what they believe to be their sacred values — core moral principles that resist and often clash with rational calculations. Once locked into sacred values there is a denial of the validity of opposing positions no matter how logically or empirically well-founded. Market fundamentalism — irrational belief in the rational wisdom of the market — is one case that Nobel laureate Danny Kahneman and financial analyst Nassim Taleb have debunked.

Congressional Tea Party holdouts against raising America's deficit ceiling behave as if any compromise on the issue would violate a sacred commitment to honor the Founding Fathers' wishes that government be as disentangled from people's personal lives (and from foreign adventures) as much as the defense of their physical safety allows. This “existential” commitment is a rebellion against “the tyranny of government,” symbolized by increasing taxation. They believe their way will buck the republic's historical trend over the last 235 years toward larger government, and ultimately produce a leaner, downscaled federal authority despite almost certain immediate damage to America's economy and power.

More here.

Autophagy is an old trope of advertising

Justin E. H. Smith in his eponymous blog:

Untitled Surely there must be a name, in advertising parlance, for the figure of the anthropomorphized food item that happily consumes a non-anthropomorphized version of itself? I first noticed Yocco years ago when driving through central Pennsylvania, and I admit he's haunted me ever since. What could he be thinking? What would existence as Yocco, the Hot Dog King, be like?

He is delighted, it is clear, but does his delight flow from the fact that human beings, the true anthropomorphs, enjoy eating his lesser brethren, the hot dogs that were destined to remain mere hot dogs? Or is he delighted because he himself is free to eat his lesser brethren? Do they constitute him, like the subjects of Hobbes's Leviathan? Is Yocco aware of this? Does Yocco not know what, exactly, he is? And, if he does, does it not horrify him?

Of course, autophagy is an old trope of advertising. We see it in abundance on the signs outside barbecue joints: the pig joyfully digging into a plate of pork, or, even more absurdly, the pig delighted to present itself as an already prepared pork product. Now the former possibility is not all that unverisimilar: pigs do resort to cannibalism regularly and without qualms.

More here.

Harmony of Means and Ends

Henry Farrell has started an interesting blogosphere discussion of 'left neoliberalism' and about a 'theory of politics. The post has provoked responses from Delong. Cosma Shalizi's take on the whole thing is worth a read:

What Henry means when he talks about “a theory of politics” is a theory about how political change (or stasis) happens, not about what political ends are desirable, or just, or legitimate, which is much of what I take “political theory” to be. “What are the processes and mechanisms by which political change happens?” is, at least in part, a separate question from “What would a good polity look like?”, and Henry is talking about the former, not the latter. Of course the answer to the first question will tend to be context-dependent, so specialize it to “in contemporary representative democracies”, or even “America today” if you like.

The first importance of such a theory is instrumental: if you want to have policies that look like X, a good theory of politics would help you figure out how to achieve X-shaped policies. But the second importance is that the theory might change your evaluation of policies, because it would change your understanding of their effects. The U.S. tax deduction for mortgage interest is arguably economically inefficient, since it promotes buying housing over renting, for no very clear economic rationale. But in so doing it (along with massive government intervention in forming and sustaining the mortgage market, building roads, using zoning to limit the construction of rental property, etc.) helps create a large group of people who are, or think of themselves as, property owners, possessors of substantial capital assets and so with a stake in the system*. If the deduction were, for instance, means-tested, it would not be nearly so effective politically.

Or again, if, for instance, you like material prosperity, you might favor policy X because (you think) it promotes economic efficiency. (Some other time, we can and should have the conversation about “economic efficiency”, and the difference between “allocating scarce resources to their most valuable uses” and “allocating resources to meet effective demand”, i.e., about the injustice inherent in the market's social welfare function.) But if you are also egalitarian, and policy X would make it easier for a small group of already-privileged people to wield political influence, then you might decide that policy X is not, after all, worth it, because of its inegalitarian political effects. (At a guess, some, but not all**, of Brad DeLong's reaction to Henry's posts is explained by letting X = “Clinton-era financial deregulation”.) If you value a certain kind of distribution of political power as such (democracy, aristocracy, the vanguard party, rule by philosopher kings central bankers, etc.), a theory of politics would becomes an important part of how you gauge the value of different policies, at least ones which you think would tend to change how much power different individuals, or groups of individuals, would have.

Seven Creepy Experiments That Could Teach Us So Much (If They Weren’t So Wrong)

Ff_swr2_f In Wired Magazine (via Rationally Speaking):

When scientists violate moral taboos, we expect horrific consequences. It’s a trope in our storytelling that goes back at least to Mary Shelley’s Frankenstein: However well-intentioned our fictional scientists may be, their disregard for ethical boundaries will produce not a peer-reviewed paper in Science but rather a new race of subhuman killers, a sucking wormhole in space-time, or a profusion of malevolent goo.

In the real world, though, matters aren’t so simple. Most scientists will assure you that ethical rules never hinder good research—that there’s always a virtuous path to testing any important hypothesis. But ask them in private, perhaps after a drink or three, and they’ll confess that the dark side does have its appeal. Bend the rules and some of our deepest scientific conundrums could be elucidated or even resolved: nature versus nurture, the causes of mental illness, even the mystery of how humans evolved from monkeys. These discoveries are just sitting out there, waiting for us to find them, if only we were willing to lose our souls.

What follows are seven creepy experiments—thought experiments, really—that show how contemporary science might advance if it were to toss away the moral compass that guides it. Don’t try these at home—or anywhere, for that matter. But also don’t pretend you wouldn’t like to learn the secrets that these experiments would reveal.

The Jargon of the Novel, Computed

Bkr-Zimmer-t_CA0-articleLarge Ben Zimmer in The New York Times:

We like to think that modern fiction, particularly American fiction, is free from the artificial stylistic pretensions of the past. Richard Bridgman expressed a common view in his 1966 book “The Colloquial Style in America.” “Whereas in the 19th century a very real distinction could be made between the vernacular and standard diction as they were used in prose,” Bridgman wrote, “in the 20th century the vernacular had virtually become standard.” Thanks to such pioneers as Mark Twain, Stephen Crane, Gertrude Stein and Ernest Hemingway, the story goes, ornate classicism was replaced by a straight-talking vox populi.

Now in the 21st century, with sophisticated text-crunching tools at our disposal, it is possible to put Bridgman’s theory to the test. Has a vernacular style become the standard for the typical fiction writer? Or is literary language still a distinct and peculiar beast?

Scholars in the growing field of digital humanities can tackle this question by analyzing enormous numbers of texts at once. When books and other written documents are gathered into an electronic corpus, one “subcorpus” can be compared with another: all the digitized fiction, for instance, can be stacked up against other genres of writing, like news reports, academic papers or blog posts.

One such research enterprise is the Corpus of Contemporary American English, or COCA, which brings together 425 million words of text from the past two decades, with equally large samples drawn from fiction, popular magazines, newspapers, academic texts and transcripts of spoken English. The fiction samples cover short stories and plays in literary magazines, along with the first chapters of hundreds of novels from major publishers. The compiler of COCA, Mark Davies at Brigham Young University, has designed a freely available online interface that can respond to queries about how contemporary language is used. Even grammatical questions are fair game, since every word in the corpus has been tagged with a part of speech.

On Ethics, Part I: Moral Philosophy’s Third Way

Morality Massimo Pigliucci in Rationally Speaking:

Ethics, its implications and its justifications keep appearing at Rationally Speaking in a variety of forms, from my critique of Sam Harris’ scientism to my rejection of Objectivism, from Julia’s skepticism about meta-ethics to Michael’s criticism of the non-morality of markets. This is, of course, inevitable because ethics is both a crucial component of our lives and a topic that can — with due caution — be approached rationally, which means it does belong to this blog.

So, I have decided to take the bull by its nasty horns and do a multi-part series on ethics (haven’t decided how many parts just yet) with the following objectives: a) make as clear as possible my “third way” between moral relativism and objective moral truths (this essay); b) systematically explore the differences among the major ethical systems proposed by philosophers: deontology, consequentialism, virtue ethics and egalitarianism; and c) apply the method of reflective equilibrium to my own thinking about ethics to see whether I need to revise my positions about moral philosophy (I am starting this quest with a marked preference for virtue ethics, but mixed with the apparently not so easy to reconcile with egalitarianism of John Rawls). We’ll see how far we get, yes?

The starting point for my discussion of what I will refer to as ethics’ “third way” is a recent thoughtful article published in The Stone, the New York Times’ philosophy blog. There, NYU philosopher Paul Boghossian does an excellent job at summarizing the perennial discussion between moral relativists and moral absolutists. Boghossian introduces an interesting contrast to make his readers think about the differences among moral absolutism, moral relativism, and nihilism. Consider first the ancient concept of witches. We (well, most of us) no longer believe that there are witches in the world, so we have dropped talk of witches altogether, engaging in what Boghossian calls “eliminativism” about witches (analogous, of course, to the much more debatable eliminativism in philosophy of mind proposed by Patricia and Paul Churchland).

Dummy Land

From The Paris Review:

BLOG_threesome I’m waiting for the elevator in a medieval-themed hotel in Fort Mitchell, Kentucky, when the elevator doors open to reveal a heated exchange between a bald man in a Hawaiian shirt and a puppet shaped like a toucan. My presence brings an uncomfortable end to their private imbroglio. Both stare at me silently as I enter the elevator, and for five awkward floors I’m brought into direct contact with what George Bernard Shaw described as the “unvarying intensity of facial expression” of puppets, an attribute he believed makes them more compelling actors than humans. I’m at the Vent Haven ConVENTion where, each July, hundreds of ventriloquists, or “vents,” as they call themselves, gather from all over the world. For four days, they attend lectures on the business, getting advice on AV equipment, scriptwriting, or creating an audience through social networking. They listen to a keynote address by Comedy Central’s ventriloquist-in-residence, Jeff Dunham, who exhorts his notoriously defensive colleagues to “quit complaining that people say we’re weird. We talk to dolls. We are weird, ok. Just own it.” They eat at a Denny’s off the highway and visit the creationist museum down the road. And they don’t go anywhere without the accompaniment of their alter egos.

At the convention, the puppets are a slim but boisterous majority. They crowd in around you. They critique you. They grope you. They chatter continuously. Being around them approximates what it would be like to read people’s minds. It is a most unpleasant experience—a great deal more unsettling, of course, isn’t what they say but that they say anything at all. All over the hotel, in conference rooms, in hallways, at the bar, ventriloquism is practiced in its purest form: not as a stage show, but as an ongoing, unscripted social interaction, a live conversation between humans and their golems. At a drunken party one night, in the hotel’s “hospitality suite,” I witness one dummy operating another dummy, as the human source of both voices sits silently nearby, pretending to compose a text message. The mini bar has lips, which cruelly insult anyone who walks by, the origin of its voice impossible to determine. Almost as soon as I join the party, I am molested by a busty lady puppet, a faded showgirl. She swoons onto my shoulder. “Godaaamn,” she slurs. “Where have you been?” Her vent is a burly, unsmiling dude with a shaved head, a muscle shirt, and camo shorts. He smells strongly of whiskey.

More here.

Pakistan through a journalist’s lens

Zubeida Mustafa in Dawn:

Naf Aboard the Democracy Train — a title borrowed from Benazir Bhutto’s campaign by train for the 1988 election — is an account of politics in Pakistan through the experiences of a female reporter, Nafisa Hoodbhoy, working in a predominantly male environment. As a Dawn staffer from 1984 to 2000, she had access to people and places which gave her a ringside view of politics in Pakistan. It goes to her credit that she put her knowledge to good use. What has emerged is a remarkably readable and anecdotal account of events in Pakistan. For the author’s contemporaries, the book is a journey down memory lane. By skilfully weaving in the story of her own life in journalism — the society she grew up in, her westernised upbringing in an elite and privileged family, her English medium school education and her disconnect from her Sindhi linguistic antecedents — Hoodbhoy provides an excellent perspective to a foreign reader of life in Pakistan when, in spite of many dichotomies and contradictions, people co-existed in relative harmony.

Hoodbhoy puts forth her opinion on why Pakistan failed to develop as a stable democracy: “the over-indulged state had, since the creation of the nation, taught political leaders one simple lesson: when they fell out with the military, they could be shaken down like dates from a palm tree.” The period covered in the book was a unique era of transition from press controls to relative freedom that came with the abolition of the hated Press and Publications Ordinance.

More here.

Sunday Poem

Bamboo Bridge

We cross the bridge, quietly.
The bathing girl does not see us
till we've stopped and gaped like fools.
There are no catcalls, whoops,
none of the things that soldiers do;
the most stupid of us is silent, rapt.
She might be fourteen or twenty,
sunk thigh deep in the green water,
her woman's pelt a glistening corkscrew,
a wonder, a wonder she is; I forgot.
For a moment we all hold the same thought,
that there is life in life and war is shit.
For a song we'd all go to the mountains,
eat pineapples, drink goat's milk,
find a girl like this, who cares
her teeth are stained with betel nut,
her hands as hard as feet.
If I can live another month its over,
and so we think a single thought,
a bell's resonance.
And then she turns and sees us there,
sinks in the water, eyes full of hate;
the trance broken.
We move into the village on the other side.

by Doug Anderson
from The Moon Reflected Fire
Alice James, 1994