‘I had a meatmare’: Why flesh haunts the dreams of vegetarians

Kate Yoder in Grist:

MeatmaresfeaturedimageOne night, it came to me in my dreams, dripping juice and melted cheddar, the crisp lettuce a mere afterthought. I held it in my hands and took a bite.

Instant horror: I stared at the burger like it was an alien object as the realization that I’m a vegetarian stopped me cold. I woke up deeply disturbed. The mere unconscious thought of taking an eager bite of red meat felt like a personal failure.

I had just had a meatmare. Yes, I found out with just a bit of online research, that’s a real thing. The internet is crawling with accounts of vegans and vegetarians who dream of eating bloody steaks, burgers, bacon, tuna, and pepperoni-tainted pizza.

Although you can find these tales sprinkled across our collective social media consciousness, I couldn’t find any good answer for why they occur. Some people ascribe it to guilt at clean-eating imperfection; others to deeply buried carnivorous cravings.

What, I wondered, would make me dream of eating flesh again after a decade of vegetarianism? I set out to solve this meaty mystery and determine whether there’s a deeper meaning behind it.

No psychologist has clinically studied meatmares, according to a spokesperson at the American Psychological Association. But from what I’ve found, there’s clearly a lot to untangle.

More here.

In Defense of Cultural Appropriation

Kenan Malik in the New York Times:

15malik-inyt-master768It is just as well that I’m a writer, not an editor. Were I editing a newspaper or magazine, I might soon be out of a job. For this is an essay in defense of cultural appropriation.

In Canada last month, three editors lost their jobs after making such a defense.

The controversy began when Hal Niedzviecki, editor of Write, the magazine of the Canadian Writers’ Union, penned an editorial defending the right of white authors to create characters from minority or indigenous backgrounds. Within days, a social media backlash forced him to resign. The Writers’ Union issued an apology for an article that its Equity Task Force claimed “re-entrenches the deeply racist assumptions” held about art.

Another editor, Jonathan Kay, of The Walrus magazine, was also compelled to step down after tweeting his support for Mr. Niedzviecki. Meanwhile, the broadcaster CBC moved Steve Ladurantaye, managing editor of its flagship news program The National, to a different post, similarly for an “unacceptable tweet” about the controversy.

It’s not just editors who have to tread carefully. Last year, the novelist Lionel Shriver generated a worldwide storm after defending cultural appropriation in an address to the Brisbane Writers Festival. Earlier this year, controversy erupted when New York’s Whitney Museum picked for its Biennial Exhibition Dana Schutz’s painting of the mutilated corpse of Emmett Till, a 14-year-old African-American murdered by two white men in Mississippi in 1955. Many objected to a white painter like Ms. Schutz depicting such a traumatic moment in black history. The British artist Hannah Black organized a petition to have the work destroyed.

More here.

the extraordinary canonical status of Virginia Woolf

129e63b6-4d0e-11e7-a7b8-5e01acd01516Rachel Bowlby at the Times Literary Supplement:

Now that she has attained this extraordinary status, there is no reason to think that the volume of books on her – her life, her works, her connections with just about anything – is likely to diminish. Of this recent batch, Ira Nadel’s Virginia Woolf, a mini-biography, is the oddest. It begins with the bright idea of telling the Woolf story by way of the houses she lived in, but in practice that angle is not so visible. What we get instead is an often incoherent rehash of well-known elements, interspersed with partial descriptions of some of her works. Bad writing is a constant source of confusion. At the start of one chapter: “Monk’s House, purchased for £700 by the Woolfs in 1919 and owned until 1969, was constantly improved by the Woolfs as monies permitted”. As well as the uncanny suggestion of posthumous property management (one of them having died in 1941), the repeated “by the Woolfs” makes the sentence even stranger. Throughout the book there are paragraphs harbouring phrases or sentences that seem to have been cut and pasted in without subsequent checking, so that you have to keep going back to try to work out what might have been meant. Did no one read the thing through?

A second Virginia Woolf, edited by James Acheson, is announced on its cover as “A collection of all new critical essays by contem­porary scholars”, almost as if the writing might have been run through an online plagiarism checker to be sure, with the scholars meanwhile being put through a quick and secure validation process. In fact, though there isn’t a subtitle to say so, the book’s essays are focused on Mrs Dalloway and To the Lighthouse, the two novels most often assigned for study. So the collection essentially looks like an up-to-date textbook, one of those periodic upgradings of the Woolfian wheels to fit the current critical vehicles. But it is a fine book.

more here.

Thursday Poem

In this, I tell you that everything you ask for in prayer, know that you will
receive it, and it will come to you. —
Saint Mark 11/24

My Prayer

Enlil, Krishna, Hydrogen atom
or whatever you’re called
I beg you from the third planet,
you, father of Abraham
who made the first rainbow appear
and tarry now in bringing us the last
you who bequeathed us the dinosaurs’ bones
so we would know how you once wiped them from the face of the earth
Grateful for all you have given me
I press my forehead into the floor
and beg you
I have gone without
I knew that it was part of the plan and I didn’t bother you
you never heard any complaint from me
if I cursed my fate a few times
it was a carelessness you surely had planned
Now I ask you to listen to me
and concede me a small gesture of mercy
Perhaps this is an honor I don’t deserve
in which case I’ll understand
you know I would never reproach you
but if it is in within what is possible for me
I beg you
on my knees and with my forehead to the floor:

I want the meteorite to fall on my head

Osiris, Odin, Quetzalcoatl
or whatever you’re called
I remind you that I have never asked you for any favor
If you can make this happen
my gratitude will follow you like a wolf
through the firmament.

by Julio Carrasco
from: Sumatra
publisher: Ediciones Tácitas, Santiago de Chile
translation: Elizabeth Zuba; Julio Carrasco

Read more »

Revisiting the Wild Mind of Kenneth Patchen

0811222055.01.LZZZZZZZJohn Wilmes at The Millions:

From the late 1930s until his death in 1972—and certainly as much of his behemoth bibliography has come to light in the decades since—Kenneth Patchen perplexed and enchanted readers with “novels” that refused to do what’s allowed on the page. A sometime collaborator of John Cage and Charles Mingus and lifelong friend of E.E. Cummings, his smashing together of the visual and written and bold negotiation with narrative landed his pacifist mysticism at a singular aesthetic—one that the whole of literature seems to have forgotten less than it has processed it.

In The Journal of Albion Moonlight, Patchen’s overwhelming and seminal 1941 literary mess recently reissued by New Directions, time, space, sequence, and subtlety don’t seem to exist. Patchen’s sprawling poetic exposition is hard after the heart of American story and microscoped in on the blurriness of the border between human love and human hate, with little regard for logic in its hunt of these themes. It’s Patchen’s ambition to make us all look like animals, and disarming the semblance of any known structure of narrative is an essential part of this dizzying quest. “What we did not know was how near madness we would be,” the titular Moonlight warns on the second page.

What follows is 313 pages that vacillate between an almost impossible to follow narrative, long detached passages about the general nature of everything, and graphic art eruptions. “Why the large, messy rebellion against form?” Moonlight at one point asks of himself. Patchen’s jumbled and relentless poetics make for an awesome authorial assault, even if he can’t always hold the line between text and reader taut throughout his unflinching frontier into the possibilities of the page.

more here.

Louis Kahn’s Mystic Monumentality

Filler_1-062217Martin Filler at the NYRB:

How odd that the towering genius of architecture during the third quarter of the twentieth century—when his most conventionally successful colleagues prized innovation over tradition, analysis over intuition, and logic over emotion—was a mystically inclined savant who sought to reconnect his medium with its spiritual roots. Indeed, he ran wholly counter to prevailing images of the modern architect. Rather than casting himself as a technocratic superman along the lines of the young Le Corbusier, or a conduit between man and nature like the twinkling Frank Lloyd Wright, he made his name with an architectural gran rifiuto, rejecting the commercial blandishments of an increasingly corporate culture in favor of a quixotic quest to recapture the archaic power of shelter at its most elemental.

This charismatic anachronism was Louis Kahn, who by the time he died in 1974 at the age of seventy-three was widely and correctly considered America’s foremost master builder, even though his mature career spanned little more than two decades and he executed only about a dozen important buildings. In recent years Kahn’s messy personal history has threatened to overshadow his immense professional accomplishments, yet his aura has grown steadily, not just for what he achieved but also because of what has taken place in the built environment since his death. After he almost single-handedly restored architecture’s age-old status as an art form, his legacy was quickly squandered by younger coprofessionals. From the mid-1970s onward they have careened from one extreme, short-lived stylistic fad to the next—Postmodernism, Deconstructivism, Blobitecture—and lost sight of the profound values Kahn wanted to convey: timelessness, solidity, nobility, and repose.

more here.

Are wine connoisseurs scientists or charlatans?

Dan Rosenheck in The Economist:

WinwIt smells like sweaty cheese in here,” thunders Domen Presern, a chemistry PhD student, announcing his presence at a second-floor Thai restaurant in Oxford. “Something with lactate crystals. Manchego?” “No,” retorts Janice Wang, on a break from her psychology dissertation. “This is definitely Morbier.” A few seconds later, she reconsiders. “I can see where you’re coming from,” she says, “but it just shows you’re not attuned to Asian flavours. Asians know it smells like fish sauce.” The room didn’t smell like much of anything to me. Then again, I haven’t been training to become a human bloodhound. By contrast, the noses of Wang and Presern were on top form: they had just wrapped up their penultimate training session for the Varsity match, an annual blind wine-tasting contest held between teams from Oxford and Cambridge since 1953. They had spent the previous three hours simulating the actual event with two flights of unidentified wines – six whites and six reds. They filled out sheets guessing the age, grape varietal and geographic origin of each, alongside notes describing subtleties of scent and structure that made distinguishing Manchego from Morbier look as easy as apples from oranges. At “the Varsity”, as competitors dub it, experienced judges mark the submissions anony­mously. The team with the higher score gets to represent Britain at a taste-off in France, and the top taster receives a £300 ($375) magnum bottle of Cuvée Winston Churchill, a Champagne made by Pol Roger, the event’s sponsor.

This Varsity match is less well known than the Boat Race contested by the two universities’ rowing teams, but the blind wine-tasting societies have no trouble luring reinforcements at freshers’ fairs. Most recruits will lack the keen palate and dogged devotion needed to identify and memorise the flavour and aromas of dozens of varietals from hundreds of appellations. But those that do often have a bright future in the British wine trade: prominent critics like Oz Clarke and Jasper Morris cut their teeth in the contest. Depending on your perspective, the Varsity is either an exercise in futility or a potent rejoinder to conventional wisdom. One academic study after another has found little scientific basis for wine criticism. Everyone has read florid promises of “gobs of ripe cassis”, “pillowy tannins”, and “seductive hints of garrigue”. Yet the relationships between such mumbo-jumbo and the chemical composition of a wine, between one taster’s use of it and another’s, and even between the same drinker’s notes on the same wine on different occasions tend to be faint at best. Articles arguing that, as Robbie Gonzalez of the blog i09 pithily put it, “wine tasting is bullshit” have become reliable clickbait.

More here.

Thoreau’s debt to Darwin

Randall Fuller in Nature:

DarwinOne night in 1851, Henry David Thoreau woke from a dream. In it, astride two ungovernable horses — literal nightmares — he galloped through the woods, “but the horses bit each other and occasioned endless trouble and anxiety, and it was my employment to hold their heads apart”. At that time, the 34-year-old naturalist–writer was trying to reconcile two contending forces in his life: the transcendentalism he had long espoused and the rigours of science he had recently discovered. Transcendentalism emerged in the mid-1830s as an intoxicating set of philosophical, literary and spiritual tendencies unified by discontent with American life. Its core tenet, derived from Romantic philosophy, was that God permeated everything. As the movement's best-known spokesperson, philosopher Ralph Waldo Emerson, put it, “behind nature, throughout nature, spirit is present”. Transcendent divinity could be perceived only through intuition and inspiration — not through reason — and was best found in nature. This set of beliefs fuelled the experiment in self-reliance and simple living on Walden Pond in Concord, Massachusetts, in the mid-1840s that led to Thoreau's masterpiece, Walden, published in 1854. But something happened to Thoreau before his best-known book was finished, subtly changing its final form, making it more empirical, and thus scientific. Always fascinated by the natural world, he began to ponder more on its physical processes. Every day, rain or shine and usually for at least four hours, he tramped through the woods and fields surrounding his native Concord, collecting specimens and writing down what he observed in a series of small notebooks. He measured and weighed, pressing the leaves of red currant, poison sumac and many other species for his herbarium. In the evening, he transferred his observations into larger journals. Occasionally he worried about this new tendency. “I fear,” he wrote on 19 August 1851, “that the character of my knowledge is from year to year becoming more distinct and scientific — that, in exchange for views as wide as heaven's cope, I am being narrowed down to the field of the microscope.” He tried to fit the data he gathered into a larger, transcendentalist vision of the cosmos, but his focus was inexorably drawn to the material world.

In 1860, he encountered Charles Darwin's On the Origin of Species, published the previous year. He was already familiar with Darwin, having devoured The Voyage of the Beagle (1839) almost a decade earlier. Thoreau first learnt of Origin at a dinner party on New Year's Day 1860, a gathering that included radical abolitionist Franklin Sanborn, child-welfare reformer Charles Loring Brace and transcendental philosopher Bronson Alcott. This quartet of progressive intellectuals discussed the book at length, and Thoreau was immediately captivated.

More here.

Wednesday, June 14, 2017

Bernie Sanders: How Democrats Can Stop Losing Elections

Bernie Sanders in the New York Times:

14sandersWeb-articleLargeIn 2016, the Democratic Party lost the presidency to possibly the least popular candidate in American history. In recent years, Democrats have also lost the Senate and House to right-wing Republicans whose extremist agenda is far removed from where most Americans are politically. Republicans now control almost two-thirds of governor’s offices and have gained about 1,000 seats in state legislatures in the past nine years. In 24 states, Democrats have almost no political influence at all.

If these results are not a clear manifestation of a failed political strategy, I don’t know what is. For the sake of our country and the world, the Democratic Party, in a very fundamental way, must change direction. It has got to open its doors wide to working people and young people. It must become less dependent on wealthy contributors, and it must make clear to the working families of this country that, in these difficult times, it is prepared to stand up and fight for their rights. Without hesitation, it must take on the powerful corporate interests that dominate the economic and political life of the country.

There are lessons to be learned from the recent campaign in Britain. The Conservatives there called the snap election with the full expectation that they would win a landslide. They didn’t. Against all predictions they lost 13 seats in Parliament while Jeremy Corbyn and the Labour Party won 32. There is never one reason elections are won or lost, but there is widespread agreement that momentum shifted to Labour after it released a very progressive manifesto that generated much enthusiasm among young people and workers. One of the most interesting aspects of the election was the soaring turnout among voters 34 or younger.

More here.

Neural networks take on quantum entanglement

From Phys.org:

2-neuralnetworMachine learning, the field that's driving a revolution in artificial intelligence, has cemented its role in modern technology. Its tools and techniques have led to rapid improvements in everything from self-driving cars and speech recognition to the digital mastery of an ancient board game.

Now, physicists are beginning to use machine learning tools to tackle a different kind of problem, one at the heart of quantum physics. In a paper published recently in Physical Review X, researchers from JQI and the Condensed Matter Theory Center (CMTC) at the University of Maryland showed that certain neural networks—abstract webs that pass information from node to node like neurons in the brain—can succinctly describe wide swathes of quantum systems .

Dongling Deng, a JQI Postdoctoral Fellow who is a member of CMTC and the paper's first author, says that researchers who use computers to study quantum systems might benefit from the simple descriptions that neural networks provide. "If we want to numerically tackle some quantum problem," Deng says, "we first need to find an efficient representation."

On paper and, more importantly, on computers, physicists have many ways of representing quantum systems. Typically these representations comprise lists of numbers describing the likelihood that a system will be found in different quantum states. But it becomes difficult to extract properties or predictions from a digital description as the number of quantum particles grows, and the prevailing wisdom has been that entanglement—an exotic quantum connection between particles—plays a key role in thwarting simple representations.

The neural networks used by Deng and his collaborators—CMTC Director and JQI Fellow Sankar Das Sarma and Fudan University physicist and former JQI Postdoctoral Fellow Xiaopeng Li—can efficiently represent quantum systems that harbor lots of entanglement, a surprising improvement over prior methods.

More here. [Thanks to Farrukh Azfar.]

DEMOCRACY HAS NO PLACE FOR SAFE SPACES

Jacob Mchangama in Areo:

Pexels-photo-65079It’s a paradox: The ability to communicate, spread and access information freely across borders and barriers has never been more readily available to people around the globe. Yet the belief in freedom of thought and expression as fundamental values underpinning an uber-connected world seems to be eroding. Even in democracies. Whether its American college students protesting (sometimes violently) speakers they disagree with, European democracies panicking about fake news, populism and extremism, or the American president labelling the media an “enemy of the people.” Instead free speech has increasingly come to be viewed as an excuse and a vehicle for racism, bigotry, populism, disinformation and a general threat to social peace, harmony and order. This is backed up by data from Freedom House showing that global respect for press freedom reached a 13-year low in 2016 following constant decline since 2004. The message in Reporters Without Borders’ (RSF) 2017 Press Freedom Index is hardly more uplifting:

“violations of the freedom to inform are less and less the prerogative of authoritarian regimes and dictatorships. Once taken for granted, media freedom is proving to be increasingly fragile in democracies as well. In sickening statements, draconian laws, conflicts of interest, and even the use of physical violence, democratic governments are trampling on a freedom that should, in principle, be one of their leading performance indicators.”

Using RSF data from 2016 all but two of 28 democratic European countries experienced declines in press freedom compared to 2013. A 2017 survey on the attitudes of 15-21 year olds in 20 countries around the world found that around half believe people should have the right to non-violent free speech even when it is offensive to a religion (56%) or minority groups (49%). And while 93% of American millennials favour free speech in general, these figures drop to 62% and 57% when it comes to offensive speech regarding religion and minority groups respectively. These figures drop significantly among millennials in other democratic countries such as France and the United Kingdom.

If we take free speech for granted and have become apathetic about its value that would not be the first time in history.

More here.

More on the Search for Intelligent Life

6a00d83453bcda69e201b8d28bfc40970c-500wiJustin E. H. Smith at berfrois:

It is hard to read about SETI and more recent related projects looking for intelligent life in the stars without discerning in them certain silent presuppositions about what counts or should count as intelligent life on earth. In particular, the search for intelligent extraterrestrial life is almost always taken to be the same thing as the search for technologically advanced extraterrestrial life. The search for other life that is intelligent in this respect is, in turn, almost always conceived as a search for any other intelligent life whatever, since it takes for granted that the search on earth has been exhaustive, and it has turned up no other species that are intelligent in any truly noteworthy way. The best candidates for intelligence among terrestrial species are taken to be the ones that have mastered some sort of modest technology: chimpanzees putting sticks down ant holes for example. On this scale, all other terrestrial species are bound to come in a distant second to homo sapiens. They use sticks, we use iPhones, etc., and thus no real comparison is possible.

Two considerations however compel us to question this approach to establishing a hierarchy.

First, it is not at all clear that tool-use, or a fortiori complex-tool-use, pertains to my own species essence in a significantly different way than it pertains to a chimpanzee’s species essence. If a chimpanzee and I were stranded on a desert island with only our wits to help us survive, I would not myself be able to build any tools, from available raw materials, that would be significantly more sophisticated than what the chimpanzee would come up with.

more here.

Why Russian youth has disappointed hopes for democratic change

Eurozine_Zorkaya_Russia-400x0-c-defaultNatalia Zorkaya at Eurozine:

At the beginning of the 1990s, prospects for modernisation and democratic change in Russian society were linked to the younger generation. Sociologists identified the bearers of new values not only in the educated classes, or in the modern, more complex social environment of large cities and megacities, but first and foremost amongst the youth. At the beginning of the 1990s, young people stood out from other generations for their inclination towards liberal-democratic values, civil rights and freedom, their openness towards the West and their attitude towards social achievement and success. Even at the start of the economic reforms, when – after a short period of euphoric expectation that things would rapidly change for the better – the majority of the population was plunged into a state of frustration and confusion and increasingly took the view that any changes in the country were imposed from above, young people demonstrated a more positive attitude and were more content with their own lives.

Hopes that young people would be able to quickly adopt western ideas and democratic principles were also characteristic of the liberal and democratic parties and social movements of the 1990s. Ideas about how Russian society and its economy might be modernized emerged directly from the educated classes – primarily residents of large cities and youth – and involved complex ideas of justice, human rights, a democratic state, the independence of the judiciary, the protection of private property and so on. These social environments were expected to encourage the institutional consolidation of the values of democratic rule-of-law state, civil rights and freedoms and the displacement of former Soviet stereotypes and complexes.

more here.

Fredric Jameson on ‘One Hundred Years of Solitude’

5 one hundred years of solitudeFrederic Jameson at the LRB:

The solitude of the title should not at first be taken to mean the affective pathos it becomes at the end of the book: first and foremost, in the novel’s founding or refounding of the world itself, it signifies autonomy. Macondo is a place away from the world, a new world with no relation to an old one we never see. Its inhabitants are a family and a dynasty, albeit accompanied by their fellows on a failed expedition which just happened to come to rest at this point. The initial solitude of Macondo is a purity and an innocence, a freedom from whatever worldly miseries have been forgotten at this opening moment, this moment of a new creation. If we insist on seeing this as a Latin American work, then we can say that Macondo is unsullied by the Spanish conquest as also by indigenous cultures: neither bureaucratic not archaic, neither colonial nor Indian. But if you insist on an allegorical dimension, then it also signifies the uniqueness of Latin America itself in the global system, and at another level the distinctness of Colombia from the rest of Latin America, and even of García Márquez’s native (coastal, Caribbean) region from the rest of Colombia and the Andes. All these perspectives mark the freshness of the novel’s starting point, its utopian laboratory experiment.

But as we know, the form-problem of utopia is that of narrative itself: what stories remain to be told if life is perfect and society is perfected? Or, to turn the question inside out and rephrase the problem of content in terms of novelistic form, what narrative paradigms survive to provide the raw material for that destruction or deconstruction which is the work of the novel itself as a kind of meta-genre or anti-genre? This was the deeper truth of Lukács’s pathbreaking Theory of the Novel. The genres, the narrative stereotypes or paradigms, belong to older, traditional societies: the novel is then the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life).

more here.

The ideal of autonomy

Frank Furedi in Spiked:

Furedi_autoContemporary society has a paradoxical relationship with the ideals of human autonomy and self-determination. These concepts are rhetorically upheld as values that are fundamental to liberal democracy. Yet, in practice, the principle of autonomy is frequently dismissed as a myth or downsized into a relatively undistinguished second-order principal. Today, as in the past, autonomy is criticised from an elitist and paternalistic standpoint that insists that people lack the capacity, time, resources or opportunity required for self-determination. Critics of autonomy point to the power of the media, the influence of consumer society or the pervasiveness of ideologies to argue that ordinary people are far too overwhelmed by these forces to think for themselves and act in accordance with their interests. In one form or another, these illiberal arguments against autonomy have been directed at enlightened thinkers since the time of antiquity.

Human flourishing

The idea of autonomy is historically bound up with the quest to express and give meaning to human development and potential. Through the centuries, this search led to the crystallisation of the Enlightenment conception of personhood – the idea that personhood is accomplished through the exercise of personal agency and autonomy. Autonomy was understood as the expression of our personal, subjective, individual selves. Since the ancient Greeks, the development of the value of freedom was inextricably linked with the attempt to formulate an ideal of self-governance. Over the centuries, this quest for self-determination led to the conviction that human action and behaviour were not entirely determined by forces external to the individual. By the 18th century, an optimistic view of personhood became coupled with a moral outlook that claimed that the exercise of autonomy – of individuals making choices – was the precondition for the flourishing of humanity. The 18th-century Enlightenment regarded autonomy as an attribute of a person who engages with the world as an active, reasoning and conscious individual. The etymology of this word – autos (self) and nomos (rule or law) – conveys the meaning of self-rule. The term was first used in the Greek city states: According to one account, a ‘city had autonomia when its citizens made their own laws, as opposed to being under the control of some conquering power’.

More here.

Study provides further support for genetic factors underlying addictions

From PhysOrg:

DnaImpairment of a particular gene raises increases susceptibility to opioid addiction liability as well as vulnerability to binge eating according to a new study. Dysfunction of the gene, casein kinase1-epsilon (CSNK1E), increases opioid's euphoric response and produces a marked increase in sensitivity to binge eating in a female experimental model but not in the male. Similar to opioid addiction, very little is known regarding the genetic basis of binge eating. These combined findings provide further support indicating that shared genetic factors may underlie behavioral traits associated with the addictions and eating disorders. Furthermore, they also provide an important clue that the genetic basis of binge eating and eating disorders in women versus men is likely to differ. The findings appear online in the journal Genes, Brain and Behavior. Addiction is a multi-stage process that begins with drug exposure and the initial pleasurable experience and progresses toward tolerance, dependence, physiological and emotional withdrawal upon cessation of use, protracted withdrawal that can last years, and finally, relapse to drug taking. The genes associated with risk for opioid addiction could potentially affect one or more of these stages.

"Because increasing evidence points toward an association between CSNK1E and opioid addiction in humans, our findings indicate that genetic variation in CSNK1E could function as a potential risk factor that influences the initial pleasurable/euphoric response to opioids and thus, could ultimately have implications for personalized medicine with regard to drug choice for therapeutic treatment (e.g., non-opioid pain relief) and therapeutic dosing of opioids," explained corresponding author Camron Bryant, PhD, assistant professor of pharmacology and experimental therapeutics & psychiatry at BUSM. The researchers also believe the female-specific binge eating property associated with Csnk1e dysfunction suggests that different genetic loci (position on the chromosome) are likely to be uncovered for binge eating and eating disorders in women versus men and may lead to sex-specific treatments ultimately being developed for treating eating disorders.

More here.

Tuesday, June 13, 2017

Is philosophy simply harder than science?

David Papineau in the Times Literary Supplement:

PlatoWhat’s the purpose of philosophy? Alfred North Whitehead characterized it as a series of footnotes to Plato. You can see his point. On the surface, we don’t seem to have progressed much in the two and a half millennia since Plato wrote his dialogues. Today’s philosophers still struggle with many of the same issues that exercised the Greeks. What is the basis of morality? How can we define knowledge? Is there a deeper reality behind the world of appearances?

Philosophy compares badly with science on this score. Since science took its modern form in the seventeenth century, it has been one long success story. It has uncovered the workings of nature and brought untold benefits to humanity. Mechanics and electromagnetism underpin the technological advances of the modern world, while chemistry and microbiology have done much to free us from the tyranny of disease.

Not all philosophers are troubled by this contrast. For some, the worth of philosophy lies in the process, not the product. In line with Socrates’ dictum – “The unexamined life is not worth living” – they hold that reflection on the human predicament is valuable in itself, even if no definite answers are forthcoming. Others take their lead from Marx – “The philosophers have only interpreted the world. The point, however is to change it” – and view philosophy as an engine of political change, whose purpose is not to reflect reality, but disrupt it.

Even so, the majority of contemporary philosophers, myself included, probably still think of philosophy as a route to the truth. After all, the methods we use wouldn’t make much sense otherwise.

More here.