C. P. Heiser in the Los Angeles Review of Books:

Launching one of the world’s most exciting literary festivals, in the middle of the world’s densest megacity, is accomplishment enough. But managing it year after year, meeting increased expectations, and handling the particular challenges of a place like Bangladesh, make the Dhaka Lit Fest one of the most remarkable literary events in the world.

I met all three founders on my first visit in 2014, and was struck not only by their commitment to the mission of the festival but by the diversity of their backgrounds. Sadaf Saaz is a poet, writer, entrepreneur and women’s rights activist. She co-founded the festival in 2011 in partnership with the Hay Festival. London-based Ahsan Akbar is a poet who also runs a media and PR agency, Zephyr: Media PR. An author and frequent contributor to the Wall Street Journal and New York Times, K. Anis Ahmed is the founder of the University of Liberal Arts Bangladesh and Denver-based Teatulia, the first certified organic tea brand from Bangladesh to be sold in the US. He is also the publisher of Dhaka Tribune, a national daily newspaper.

C.P. HEISER: The Dhaka Lit Fest started seven years ago, originally sponsored by the Hay Festival. You quickly outgrew that umbrella. What made you want to strike out with your own brand, so to speak?

ANIS AHMED: I’d say what made the three of us want to re-brand the festival as Dhaka Lit Fest was basically the simple desire to give it a name that would more directly convey its mission — to showcase Bangladeshi writing and writers to the world. We always felt that despite a vibrant literary tradition, Bangladeshi literary culture had become too hidebound. Our writers were not reading outsiders enough, let alone being in touch with them. And the world too had not done enough to ask itself, Oh, let’s go see what’s happening in the world’s seventh most spoken language!

SADAF SAAZ: An interesting aside on our origins as the Hay Festival Dhaka: it’s not quite as if Hay decided to simply come here. Rather, in its first year, Hay was trying out three different locations in the Indian subcontinent — Kerala, Kolkata, and Dhaka. Kerala and Kolkata, both in India, have vastly more English speakers, and arguably more literary audiences. Yet, through the quality of our organization on ground and the level of engagement by our audience, Dhaka was chosen by Hay organizers to continue, and it ran as the Hay Festival Dhaka ran until 2014.

AHSAN AKBAR: It should also be mentioned that in our first year as Dhaka Lit Fest, in 2015, we faced a crises after the so-called “blogger killings.” In all fairness to Hay, it’s doubtful they could have gone ahead with a festival in a place that was so far away for them. That year we faced 19 cancellations in the final 30 days leading up to the festival; still, we forged ahead and it was bigger than any year before.

More here.

Jacob Hamburger at The Point:

Allan Bloom was an elitist. He saw himself as a champion of excellence in an age of vulgarity. While a professor at the University of Chicago between 1979 and 1992, he sought to immerse his students in only the most classic works of philosophy and literature. Someone looking to define the “Western canon” could do worse than to dig up his course syllabi. In his personal style, he embodied high culture nearly to the point of caricature. His friend Saul Bellow captured him in the novel Ravelstein as a man who wore expensive European suits, lived in a Hyde Park apartment lavishly decorated with French art, and bragged of listening to Mozart on a state-of-the-art stereo system. A lifelong Francophile, he made regular jaunts to Paris over the course of four decades. Yet Bloom insisted that for all his erudition, he was merely a product of America’s democratic promise. Well into his fifties, he often spoke of himself as a simple “Midwestern boy,” the Indiana-born son of Jewish immigrants who received the best gift a meritocratic democracy could offer: a great education. Bloom thought of himself as proof that, thanks to its universities, anyone can make it in America.

So when thirty years ago Bloom addressed a group of Harvard students and faculty as “fellow elitists,” he was not being entirely ironic. The quip came in response to controversies surrounding his 1987 best seller The Closing of the American Mind, which defended an idiosyncratic vision of higher education in the United States. Bloom saw the liberal education traditionally offered at exclusive colleges and universities as the fulfillment of democratic ideals, but condemned his fellow professors for having abandoned this crucial responsibility.

more here.

A. N. Wilson at the TLS:

One of the jokes underlying The Canterbury Tales is that, while each of the miscellaneous pilgrims, in all their distinctiveness, comes before us with unforgettable clarity, the narrator himself, who first encounters them in the Tabard Inn at Southwark, is everlastingly shadowy, and when he attempts to tell a tale of his own, the innkeeper, Harry Bailey, rejects his effort with the words “Thy drasty ryming is not worth a turd”. Something comparable is going on in Anthony Powell’s A Dance to the Music of Time, a roman-fleuve which could not be further from autobiography, if that word is taken to mean self-revelation. Widmerpool, the thrusting bore who blunderingly exercises power over so many of the other characters; Mr Deacon, the unfashionable artist who seems like a wounded throwback to the 1890s; Mrs Erdleigh, the mystic fortune teller so many of whose prophecies come true; Gwatkin the Welsh bank manager, who fantasizes about being a great military leader: all live in our heads as clearly as do the Wife of Bath or Chaucer’s Miller. We learn the bare minimum, however, about Nick Jenkins, Powell’s narrator, beyond the outward sequence of his life, which, to judge from the author’s subsequent memoir To Keep the Ball Rolling (1976), appears to have been all but identical to Powell’s own trajectory – Eton, a spell as a publisher interrupted by dull war service, and then a jobbing life, reviewing books and writing the fiction in which he is the least defined character. A biographer of Powell might be expected to winkle out the secret life of the man, to make “Nick Jenkins”/Anthony Powell less opaque to us.

more here.

Mary Pilon in Nautilus:

The soccer match hadn’t even started when the cops showed up. On the streets of Marseille, France, the officers—helmeted, shields in hands, batons on belts—charged through a crowd to break up a thicket of English and Russian fans who were hurling bottles, threats, and insults at each other. Some fans were bare-chested, caked with dried blood, screaming at the top of their lungs. Others clutched plastic cups of beer while trying to avoid the clouds of tear gas. The scene broke up when a knot of fans left for the hospital to have injuries treated, or in handcuffs with a cop at their side. The brawl happened in June at the beginning of the Euro 2016 soccer tournament. But the annals of extreme fan behavior are Biblical in scope. Fans in Constantinople in A.D. 532 spent a week violently rioting after a chariot race in what historians today call the “Nika riots.” It’s estimated that thousands died. In the Sydney Riot of 1879, an umpire decision at a cricket match led to 2,000 spectators storming the pitch and “a scene of confusion ensued, and blows were received and returned,” according to a local newspaper. Unruly fan behavior at Veterans Stadium in Philadelphia, home of the Eagles, got so bad over the decades that in 1997 it had its own in-stadium courtroom to deal with fans urinating in sinks, smuggling alcohol, and fighting in the stands. In 2011, Pennsylvania State University students clashed with cops as they protested the termination of football coach Joe Paterno in the wake of a pedophilia scandal. Two years later, 17 people were killed in post-boxing match riots in Indonesia. What is it about sports that drives us to the psychological fringe? For eons, sports have been a cesspool of metaphors: sports are war, sports are religion, sports are business, sports are love, sports are hate. Sports are life. But according to a branch of social psychology called terror-management theory, the answer is not found in the bleachers, it’s found in the graveyard. Sports are not about life. They’re about death.

Nakul Krishna in Aeon:

"In moral philosophy it is useful, I believe, to think about plants." The words were spoken to an audience of American philosophers in 1989. The speaker was trying to provoke a reaction, but this might have gone unnoticed. After all, Philippa Foot – nearly 70 by then – didn’t look like a heretic.

There is a clue in her reference to moral philosophy. For at least the past 200 years, people who have thought about these things have suspected – or hoped – that morality is the one thing that sets human beings apart from nature (or should one say, the rest of nature?). Nature is the realm of laws, stern and unbreakable, and morality that of freedom. Nature is how things are, morality how they ought to be. If there’s anything to these points of contrast, then what seems at first a mere platitude sounds more like an absurdity. We are not, in the relevant sense, part of nature – not even of that part of nature that consists in our fellow animals, and, still less, plants.

Have we anything to learn about morality from plants? This might well depend on that bigger question: are we, or aren’t we, part of nature? One of the many things that set Foot and her allies in philosophy apart from others of their generation was their refusal to make an either/or of it.

More here.

Eric Boodman in Stat:

The researcher couldn’t get Mallory Smith’s story out of her mind. Smith was a 25-year-old cystic fibrosis patient, and she was near death at a Pittsburgh hospital, her lungs overwhelmed by bacteria. All antibiotics had failed. As a last resort, her father suggested an experimental treatment known as phage therapy.

That meant giving her viruses known as bacteriophages — phages for short — which naturally parasitize bacteria. But not any phage would do. Smith needed one perfectly evolved to kill the microbes in her lungs. Urgent messages were beamed around the world, over email and Twitter, from one phage researcher to another. Was there someone, somewhere, who had the right virus tucked away in a fridge at the back of a lab?

That’s how Jessica Sacher heard about Smith. As a grad student experimenting on phages at the University of Georgia, she’d stumbled across a STAT article about the desperate virus hunt. She mentioned it to a friend she’d met through swing dancing, a tech consultant and developer named Jan Zheng. He knew there had to be a more efficient way to find the right virus when a patient’s life depended on it. “Using Twitter for this kind of stuff is ridiculous,” said Zheng. “It won’t scale to more than one or two patients.”

Over breakfast on Nov. 13, the two hatched a plan to create a Phage Directory to accelerate the search for a perfect match. That same day, scientists found a phage that could kill Smith’s bacteria, but she died two days later at the University of Pittsburgh Medical Center. The website was launched just two days after that.

More here.

Thomas Jones in the London Review of Books:

In August, a man with a sword was arrested near Buckingham Palace on suspicion of preparing to commit an act of terrorism. Westminster Magistrates Court heard that the man, an Uber driver from Luton, had intended to go to Windsor Castle but his satnav directed him to a pub called The Windsor Castle instead. Without stopping for a drink, he drove on to Buckingham Palace. It isn’t clear if he was still relying on the satnav for the final stage of his journey, or whether rage at the mistake was a motivating factor in his alleged offence. Three police officers were said to have received minor injuries; presumably he hadn’t stopped to ask them for directions.

Greg Milner includes a few stories about satnav fails in Pinpoint, his lively history of satellite navigation technology – his central chapter is called ‘Death by GPS’ – but one of the eye-opening things about his book is quite how far-reaching the tech is. As well as guiding missiles and encouraging motorists not to pay attention to road signs or even to the road ahead of them, GPS is used in crop management, high frequency trading, weather forecasting, earthquake measurement, nuclear-detonation detection and space exploration, as well as the smooth running of countless infrastructure networks, from electricity grids to the internet.

GPS, which stands for Global Positioning System, was developed by the American military. The US Department of Defence currently spends more than a billion dollars a year maintaining it. There are 31 GPS satellites orbiting the earth, all monitored, along with hundreds of other military satellites, from Schriever Air Force Base in Colorado. For the system to work, a receiver on the ground – your mobile phone, for example – needs to have a ‘line of sight’ to at least four of the satellites (there are very few places on earth where it wouldn’t). Each satellite continously broadcasts its position, along with the time the signal left the satellite. The time it takes for the signal to reach you (measured in milliseconds) will tell you exactly how far away it is. Three of these signals provide enough information to pinpoint your position; the fourth confirms the time used in the calculations. GPS satellites, unlike mobile phones, carry super-accurate atomic clocks, which are continually synchronised with one another. This is necessary for the precision of the positioning system, but many of the applications of GPS make use of it primarily as a timekeeping device.

More here.

Hua Hsu at The New Yorker:

One day, I realized, to my surprise, that Björk was a normal person who did everyday things. Few pop musicians have seemed so futuristic and so weird for as long as she has. Since the early nineteen-nineties, the Icelandic artist has charted extremes—of ecstasy and intimacy, creativity and destruction—always attuned to the possibilities emerging from dance music’s experimental communities. Everything she does feels powered by an intense, full-bodied commitment, as though animated by forces greater than anything the rest of us will ever encounter. So it was shocking when, once, I saw her quietly shopping for CDs. We know that stars are just like us. But Björk has always seemed like her own solar system.

Part of the reason Björk has stood apart is that she projects complete confidence in her own vision, whether it lights on music, politics, performance, or fashion. (Her outfits—think of the swan dress she wore, at the 2001 Academy Awards—were Internet memes before such things existed.) But the most avant-garde aspect of her work has always been her willingness to defy the conventional structures of song. Starting in the early nineties, Björk’s solo albums had a way of translating the all-night euphoria of dance music into short, riotous bursts of sound.

more here.

Roua Horanieh at The Millions:

It’s July 2011 and I’m walking the streets of Damascus, my streets; nowhere else in the world have I taken ownership of the streets. The pavement and the dirt, it’s all mine and no one can take it. The air smells of orange blossom and jasmine. It smells of onions and garlic frying up for lunch in every single house along my way. The air is so dry you can hear yourself breathe.

I decide to go up the mountain of Qasioun. I hail a taxi, a yellow car with a driver wearing a printed shirt, polyester trousers, worn flip flops and a towel around his neck. He has a plastic bottle of water at arm’s reach. All sorts of furry things are dangling in the interior of his car. Flashing “i love you” signs with little red lights, teddy bears, miniature triplet dogs sitting on the dashboard whose heads wiggle with the car’s movement; fuchsia feathers, heart-shaped pillows, a small Quran and prayer beads hanging from the rearview mirror. By the steering whel is a picture of a belly dancer with a lot of make up and glamorous oriental clothing, and a picture of the driver’s children. The radio is on; it’s the woman with the sensual voice.

It’s a city of contrasts.

I remember walking into a kinky lingerie shop in the old market. It was run by an old pious man. He was selling women’s underwear with zippers and feathers and bright coloured flashing lights. You could clap and one pair of underwear would fall off, top and bottom. A friend of mine bought that one. It actually works. It falls off if you clap. It falls of if you whistle, too.

more here.

David Salle at the New York Review of Books:

In her long life, Louise Bourgeois experienced both extremes of the female artist story—marginalization, even invisibility early on, and decades later a fierce and passionate following by younger artists and curators. Her status was based on an independence from fashion, and on calling attention to emotions that most people prefer to keep hidden: shame, disgust, fear of abandonment, jealousy, anger. Occasionally, joy or wonder would surface, like a break in the clouds. But Bourgeois was an artist, not a therapist. Her imagination was tied to forms, and how to make them expressive. Her gift was to represent inchoate and hard-to-grasp feelings in ways that seem direct and unfiltered.

Deborah Wye, the Museum of Modern Art’s chief curator emerita of prints and illustrated books, has put together an elegant and revealing exhibition of Bourgeois’s graphic work, prints, and printed books—some 265 images, made with a wide variety of techniques, all from the museum’s extensive holdings, along with related drawings, early paintings, and a small selection of sculptures that show their reciprocity with the drawn forms. Wye, who organized the first Bourgeois retrospective at MoMA in 1982, as well as a survey of Bourgeois’s drawings in 1994, has devoted much of her professional life to the artist and knew her well, and this show must be something of a victory lap for her.

more here.

Herb Brody in Nature:

A healthy adult liver is a thing of beauty — a 1.5-kilogram, reddish-brown biochemical processing plant of extraordinary versatility and efficiency. From inside the abdomen, it performs an array of tasks: manufacturing proteins, metabolizing drugs, detoxifying the blood and secreting the bile that is needed for digestion. And especially high on the liver’s to-do list is regulating the amounts of sugar, protein and fat that enter the bloodstream.

Unfortunately, the increasing prevalence of obesity in the past few decades has led to a surge in non-alcoholic fatty liver disease (NAFLD), in which liver cells become bloated with droplets of fat. Although NAFLD can often be reversed through exercise and weight loss, for many people it is the start of a more serious condition called non-alcoholic steatohepatitis (NASH). From there, the liver can deteriorate further to fibrosis and cirrhosis (scarring), which can lead to serious illness or even death. Diagnosing NAFLD early is essential to halting the progression. That calls for better and less-invasive methods of detection than liver biopsy — and ultrasound and magnetic-resonance-imaging tools are beginning to fulfil this need. Researchers have found a strong connection between NAFLD and the bacteria that inhabit the intestines. And worryingly, the condition is starting to be seen in children, probably owing to a combination of genetic susceptibility and a high-fat diet (S96). Fortunately, recognition of the increasing prevalence of NAFLD and NASH is spurring the drug industry to get into gear.

More here.

Joshua Rothman in The New Yorker:

David Benatar may be the world’s most pessimistic philosopher. An “anti-natalist,” he believes that life is so bad, so painful, that human beings should stop having children for reasons of compassion. “While good people go to great lengths to spare their children from suffering, few of them seem to notice that the one (and only) guaranteed way to prevent all the suffering of their children is not to bring those children into existence in the first place,” he writes, in a 2006 book called “Better Never to Have Been: The Harm of Coming Into Existence.” In Benatar’s view, reproducing is intrinsically cruel and irresponsible—not just because a horrible fate can befall anyone, but because life itself is “permeated by badness.” In part for this reason, he thinks that the world would be a better place if sentient life disappeared altogether.

For a work of academic philosophy, “Better Never to Have Been” has found an unusually wide audience. It has 3.9 stars on GoodReads, where one reviewer calls it “required reading for folks who believe that procreation is justified.” A few years ago, Nic Pizzolatto, the screenwriter behind “True Detective,” read the book and made Rust Cohle, Matthew McConaughey’s character, a nihilistic anti-natalist. (“I think human consciousness is a tragic misstep in evolution,” Cohle says.) When Pizzolatto mentioned the book to the press, Benatar, who sees his own views as more thoughtful and humane than Cohle’s, emerged from an otherwise reclusive life to clarify them in interviews. Now he has published “The Human Predicament: A Candid Guide to Life’s Biggest Questions,” a refinement, expansion, and contextualization of his anti-natalist thinking.

More here.

John Tooby at Edge.org:

Every human—not excepting scientists—bears the whole stamp of the human condition. This includes evolved neural programs specialized for navigating the world of coalitions—teams, not groups. (Although the concept of coalitional instincts has emerged over recent decades, there is no mutually-agreed-upon term for this concept yet.) These programs enable us and induce us to form, maintain, join, support, recognize, defend, defect from, factionalize, exploit, resist, subordinate, distrust, dislike, oppose, and attack coalitions. Coalitions are sets of individuals interpreted by their members and/or by others as sharing a common abstract identity (including propensities to act as a unit, to defend joint interests, and to have shared mental states and other properties of a single human agent, such as status and prerogatives).

Why do we see the world this way? Most species do not and cannot. Even those that have linear hierarchies do not. Among elephant seals, for example, an alpha can reproductively exclude other males, even though beta and gamma are physically capable of beating alpha—if only they could cognitively coordinate. The fitness payoff is enormous for solving the thorny array of cognitive and motivational computational problems inherent in acting in groups: Two can beat one, three can beat two, and so on, propelling an arms race of numbers, effective mobilization, coordination, and cohesion.

More here.

Peter Salovey in the New York Times:

In recent months, visitors with controversial views have found themselves disinvited from or unable to speak on American college campuses. These struggles are often portrayed as new and radical assaults on freedom of speech. But they are not new. For decades, conservatives and liberals have argued over which speakers should be allowed to address university audiences.

In 1963, the Yale Political Union, one of the oldest collegiate debate societies in the United States, invited the defiant segregationist governor of Alabama, George Wallace, to Yale. Just a few weeks before his scheduled visit, Klansmen bombed the 16th Street Baptist Church in Birmingham, Ala., killing four African-American schoolgirls and wounding 22 others.

Wallace — the personification of Southern hostility to integration — had famously stood on the portico of the Alabama State Capitol and declared in his inaugural speech, “Segregation now, segregation tomorrow, segregation forever!” Many blamed Wallace for inciting the violence.

The provost and acting president of Yale, Kingman Brewster Jr., advised the students to withdraw their invitation. Mayor Richard C. Lee said Wallace was “officially unwelcome” in New Haven.

Not everyone agreed. Pauli Murray, a lawyer and civil rights activist pursuing her doctorate of jurisprudence at the law school, wrote to Brewster, urging him to send a clear message that Wallace should be allowed to express his views at Yale.

“This controversy affects me in a dual sense, for I am both a lawyer committed to civil rights including civil liberties and a Negro who has suffered from the evils of racial segregation,” she wrote.

More here.

Subrena E. Smith in Big Think:

Each semester, I teach courses on the philosophy of science to undergraduates at the University of New Hampshire. Most of the students take my courses to satisfy general education requirements, and most of them have never taken a philosophy class before.

On the first day of the semester, I try to give them an impression of what the philosophy of science is about. I begin by explaining to them that philosophy addresses issues that can’t be settled by facts alone, and that the philosophy of science is the application of this approach to the domain of science. After this, I explain some concepts that will be central to the course: induction, evidence, and method in scientific enquiry. I tell them that science proceeds by induction, the practices of drawing on past observations to make general claims about what has not yet been observed, but that philosophers see induction as inadequately justified, and therefore problematic for science. I then touch on the difficulty of deciding which evidence fits which hypothesis uniquely, and why getting this right is vital for any scientific research. I let them know that ‘the scientific method’ is not singular and straightforward, and that there are basic disputes about what scientific methodology should look like. Lastly, I stress that although these issues are ‘philosophical’, they nevertheless have real consequences for how science is done.

At this point, I’m often asked questions such as: ‘What are your qualifications?’ ‘Which school did you attend?’ and ‘Are you a scientist?’

Perhaps they ask these questions because, as a female philosopher of Jamaican extraction, I embody an unfamiliar cluster of identities, and they are curious about me. I’m sure that’s partly right, but I think that there’s more to it, because I’ve observed a similar pattern in a philosophy of science course taught by a more stereotypical professor.

More here.

Rafia Zakaria at CNN:

On August 13, a day before Pakistan turned 70, I received a Facebook message from a Pakistan-based journalist and colleague.

"Please help me report this," he said, linking to the Facebook page of a religious leader in Pakistan. In the post, written in Urdu, the leader accuses him of insulting a renowned 11th Century Sunni Muslim saint during an appearance on a privately owned Pakistani television channel.

In response, the leader demanded action from the Pakistani state and made a number of insults directed at the journalist, many of which were seconded by comments from some of the page's 180,000 odd followers.

The post, along with its accusation and incitement to punish, has never been removed.

The journalist at whom the message was directed was right to worry. Journalists, constantly in the public eye, are easy targets for Pakistan's vague and lethal blasphemy laws, which criminalize any statement that is "defamatory" to Islam, religious texts, the holy prophet or anyone associated with him. The laws are a relic of the colonial era, their bite made dramatically worse by military rulers and others seeking to woo the religious right and silence any potential opposition.

Pakistan is ranked seven out of the 12 most dangerous countries in the world by the Committee to Protect Journalists' "2017 Impunity Index." Together, these 12 countries account for 80% of the unsolved murders of journalists occurring in the last 10 years.

More here.