Marcia Bjornerud at Noema Magazine:
Garnets, however, are the true fruit of the underworld. They occur in a variety of colors, not just red, and all of them have colorful properties and histories. Calcium-aluminum garnet is called grossular, from the Latin name for gooseberry, a reference to its translucent pink to pale green hue. Calcium-chromium garnet is a rare grass-green variety named uvarovite, after Count Sergey Uvarov (1786-1855), who, when not busy with his duties as a statesman under Russian Emperor Nicholas I, spent his time collecting unusual minerals. These calcium-rich varieties of garnet are most commonly found in marbles and “skarns” — rocks formed by the metamorphism of limestones interbedded with shale and sandstone.
Iron-aluminum garnets, whose red shades toward purple, are called almandine, a reference to Alabanda, an ancient city in Turkey. (I prefer almandine to an older term, “carbuncle,” used by the Roman natural philosopher Pliny the Elder, whose geologic curiosity led to his death in the eruption of Vesuvius in 79.) Almandine garnets are the most common type in schists — the metamorphic equivalent of shales, clay-rich sedimentary rocks.
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Burra’s hard-to-categorise career is the subject of an immaculate and revealing new exhibition at Tate Britain. It shows a man whose art reflected a rare sense of engagement with his times, especially its queer fringes. The works of the 1920s and 1930s treat his experiences in France and New York and verge on both satire and caricature. Burra used watercolour almost as oil paint and built up layers to give unusual depth of colour and subtle gradations.
Zohran Mamdani, a little-known state lawmaker whose progressive platform and campaign trail charisma electrified younger voters, stunned former Gov. Andrew M. Cuomo in the Democratic primary for mayor of New York City on Tuesday night, building a lead so commanding that Mr. Cuomo conceded.
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“I know this is considered heresy, but I like it best when it’s ice cold,” says Agnetha Fältskog, then looks around before spooning a couple of large ice cubes into her glass of Chablis.
“People who have more frequent nightmares age faster and die earlier,” says 
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In January, the economist and blogger Tyler Cowen 
For over a century there has been just one verifiable photograph of Dickinson. In the iconic black and white silver daguerreotype, she is not wearing the white dress. She’s a teenager fixed in a dress she will live in forever. And that dress is made in an undefinable dark printed fabric with a slight sheen. Not surprising, given dark fabrics were considered more suitable as it kept sitters from becoming spectral blurs—there and not there. But people will mostly forget this first dress. There’s nothing spectacular or singular about it. The daguerreotype era produces millions of replica dark dresses. There’s no narrative we can attach to its common folds. The white fabric arrives in the future.
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Since taking over as the top US health official in February, Robert F. Kennedy Jr has overseen radical changes that have alarmed many public-health experts. The agency he leads announced that it would 
1. Before my father’s final illness, I had not understood that when the call goes out to assemble family members dolefully about a deathbed, it’s because a decision has been made to let the loved one pass. The timer is set; the sand is trickling down. Death—that omnipresent possibility at the best of times—becomes calculable when sustenance is withheld. Paddy Heneghan, born in Tralee, Ireland, on 29 March 1927, lived ninety-five years and, though defying predictions by lingering beyond his appointed hour, is now, by all reasonable standards used to determine such matters, dead.
First, he and his colleagues test people on tasks related to language or vision. Then they compare the observed behavior or brain activity to results from AI models built to do the same things. Finally, they use the data to fine-tune their models to create increasingly humanlike AI.
Lateness may imply death or an ending, as when we speak of my late grandfather or the late afternoon. When the German social theorist Werner Sombart first used the term in the early twentieth century, late capitalism did mean the end of capitalism. Yet ‘late’ in the superlative also suggests up-to-date or state-of-the-art, pointing not to the demise of something but to its refinement and advance. Surveying the same developments as Sombart, the Austrian Marxist Rudolf Hilferding claimed that the emerging economy of the twentieth century was simply ‘the latest phase of capitalist development’, a phrase echoed by Lenin, who took pains to remind his followers that ‘there is no such thing as an absolutely hopeless situation’ for the bourgeoisie.