Perceptions
Sughra Raza. At Totem Farm, April 2021. Digital photograph.
Sughra Raza
Sughra grew up in Karachi, Pakistan, along with siblings Abbas and Azra (above), and several others. She studied fine arts as an undergraduate, later shifting gears to become a doctor of medicine, specializing in diagnostic radiology. Sughra lives in Boston, Massachusetts, working and teaching at Brigham & Women’s Hospital and Harvard Medical School. She feels most excited in a world of images, invention, art and music; and despite Fenway Park floodlights lighting up the sky in her windows, she remains oblivious to the Red Sox battling the Yankees a stone’s throw away. Email: [email protected]
Perceptions
Sughra Raza. Shredder Self-portrait, NYC, August 2023. Digital photograph.
Perceptions
Mithu Sen. Untitled, 2007. Water color on paper. More here, here, and here.
Perceptions
Jesus Rafael de Soto. Penetrable, at Olana State Historical Site, New York. Kinetic sculpture. More here, here, and here.
Perceptions
Sughra Raza. Untitled, July 2020. Digital photograph.
Perceptions
Sughra Raza. Self-portrait at Itaimbezinho Canyon, Brazil, March 2014. Digital photograph.
Perceptions
Jeffrey Gibson. Chief Black Coyote, 2021. Mixed media collage, acrylic paint, vintage beads, nylon thread etc. More here and here.
Perceptions
Barbara Chase-Riboud. Untitled (Le Lit), 1966. Charcoal and charcoal pencil on paper. More here and here. Current show at MoMA.
Perceptions
Maria Berrio. From the series “In A Time of Drought”. More here and here. Current show in Boston.
Perceptions
Akram Dost Baloch. From the exhibition “Identities”, 2020. More here and here.
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James Barnor. Portrait, Accra, ca 1954. More here, here, and current show here. Thanks Aruna!
Perceptions
Demas Nwoko. Dominican C Church, Ibadan, Nigeria, 1970’s. More here and here.
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Sughra Raza. Self-portrait On Graffiti In The Rain. June 2023. Digital photograph.
Perceptions
Allison Elizabeth Taylor. Only Castles Burning, 2017. marquetry hybrid on panel. More here, and here.
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Sa’dia Rehman. Allegiance To The Flag on Picture Day, 2018. Canvas, charcoal fiberglass screen, velvet, carbon paper, oil pastels, chalkboard paint, white pencil and ink More here, here, and here.
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Aqui Thami. Resisters, 2018. Poster. More here, and here.
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Misha Japanwala. Breastplate, ca. 2018. More here, here and here.
Perceptions
Moeen Faruqi. Chamber Dialogue, 2016. More here and here.
Perceptions
Sughra Raza. Santiago Street Color, Chile, November 2017. Digital photograph.
Perceptions
Zaneb Beams. Untitled, 2022. Digital photograph. With permission.