Perceptions
Sughra Raza. Self Portrait at Gas Station, April 3, 2022.
Sughra Raza
Sughra grew up in Karachi, Pakistan, along with siblings Abbas and Azra (above), and several others. She studied fine arts as an undergraduate, later shifting gears to become a doctor of medicine, specializing in diagnostic radiology. Sughra lives in Boston, Massachusetts, working and teaching at Brigham & Women’s Hospital and Harvard Medical School. She feels most excited in a world of images, invention, art and music; and despite Fenway Park floodlights lighting up the sky in her windows, she remains oblivious to the Red Sox battling the Yankees a stone’s throw away. Email: [email protected]
Perceptions
Bridget Mullen. Threshold Blues, 2018. Acrylic and Flashe on linen. More here and here.
Perceptions
Hung Liu. Migrant Child Kitty. 2017. Oil on canvas. More here, here, and here.
Perceptions
Sughra Raza. Mood … , Our Pale Blue Dot. Digital Photograph, August 2014.
Perceptions
Sughra Raza. Self-portrait With Trees. Seattle, February, 2022. Digital photograph.
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Martin Ramirez. Horse and Rider With Frieze. No date. Gouache, colored pencil, graphite. More here, here, and here.
Perceptions
Sughra Raza. Bey Unvaan. February, 2022. Digital photograph.
Perceptions
Sughra Raza. Kaamdani, Approaching Santiago, Chile, 2017. Digital photograph.
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Sughra Raza. Bey Unvaan. Anza-Borrego Desert Park, Calfornia, 2017. Digital photograph.
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Sughra Raza. Inside Out, Boston, 2021. Digital photograph.
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Whitfield Lovell. Kin XLV (Das Lied von der Erde), 2011. More here, here, and here.
Perceptions
Sughra Raza. Another Morning. Venice, July 2012. Digital photograph.
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Sughra Raza. First Snow 2022. Digital photograph.
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Sughra Raza. Rainy Reflection Self-portrait for 2022. Digital photograph.
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Dorothea Tanning. Notes for An Apocalypse, 1978. Oil on canvas. More here, here, and here.
Perceptions
Theaster Gates. Installation view of exhibition “Amalgam” Palais de Tokyo, 2019. More here, and here.
Perceptions
Beauford Delaney. James Baldwin (Circa 1945-50). More here, here and here.
Perceptions
Mary Kuper. “… our curious type of existence here.” “A response to the close of David Jones’s introduction to ‘In Parenthesis’ This writing is called ‘In Parenthesis’ because I have written it in a kind of spaces between — I don’t know between quite what— but as you turn aside to do something; and because…
Perceptions
Deana Lawson. (title and date not found). More here, here, and here.
Perceptions
Elmgreen and Dragset. The Painter Fig 1, 2021. More here and here. Thanks to Jaffer Kolb and Ingar Dragset.