Perceptions – Autumn Equinox
Kasamatsu Shiro. In the Woods, 1955. Woodblock print. More here, and here.
Sughra Raza
Sughra grew up in Karachi, Pakistan, along with siblings Abbas and Azra (above), and several others. She studied fine arts as an undergraduate, later shifting gears to become a doctor of medicine, specializing in diagnostic radiology. Sughra lives in Boston, Massachusetts, working and teaching at Brigham & Women’s Hospital and Harvard Medical School. She feels most excited in a world of images, invention, art and music; and despite Fenway Park floodlights lighting up the sky in her windows, she remains oblivious to the Red Sox battling the Yankees a stone’s throw away. Email: [email protected]
Perceptions
Mariam Ghani. Fugitive Refrains, 2006. Fugitive Refrains was conceived and produced collaboratively with Butoh-trained dancer/choreographer Erin Ellen Kelly during a residency at the Akademie Schloss Solitude in Stuttgart, Germany. It was developed for, performed, and shot in six specific sites in the Solitude Rotwildpark forest and the historic Schloss Solitude in summer 2006, and premiered…
Perceptions
Simone Leigh. Anatomy of Architecture series for the High Line. More here, here, and here.
Perceptions
Howardena Pindell. Skowhegan Series, Wedding Duck for (N.+S.). More here, here, and current show at Boston ICA here.
Perceptions
Fujiko Nakaya. Fog x FLO at Arnold Arboretum, Boston, MA. August 2018. Digital photograph by Sughra Raza, August 21, 2018. More here, here, and here. Visit here.
Perceptions
Soufiane Ababri. Bed work, 2017-2018. Praz-Delavallade, Paris. Color pencil on paper. More here and here.
Perceptions
Paul Mpagi Sepuya. Figure _2010037, 2017;. Archival pigment print from Mirror Study series. More here, here, and here. Thanks to Hans Ulrich Obrist.
Perceptions
Kai Franz. Untitled Plopps No. 101 After a Stormy Night with an Open Window, 2014. Sculpture Materials: CNC-Code, CAM-Software, Plopper (Dual-Axis Precision Deposition System), Polyurethane, Pigment, Sand Dimensions: 34″ × 28″ × 5″ More here, here, and here.
Perceptions
Oscar Murillo. The Institute of Reconciliation, 2017. Installation, Palestine Museum, East Jerusalem. More here, here, and here.
Perceptions
Dewitt Godfrey. Lincoln, De Cordova Sculpture Park, Lincoln, MA, 2012. 15 x 150 x 10 feet Cor-Ten steel, bolts More here, here, and here.
Perceptions
Ang Tsherin Sherpa. Untitled from the series: Golden Child/Black Clouds, 2013. White and yellow gold leaf, acrylic, alcohol ink, glitter, and silver pen on wood. More here, here, and here.
Perceptions
Sophia Al Maria. … on Gulf futurism … More here, here, and here. Thanks to Anjuli Raza Kolb.
Perceptions
Nicholas Kahn and Richard Selesnick. Forgotten Crowns, 2013. Archival pigment print. More here and here.
Perceptions
Javier Perez. Carroña, 2011. Installation. More here, here, and here.
Perceptions
Hanaa Malallah. Something I Have Learnt. 2013. Ink, digital print, mixed media, on artist’s paper. More here, here, and here.
Perceptions
Siamak Filizadeh. Anis al-Dawla, 2014. Photograph. Current show at LACMA In The Field of Empty Days. ” … In the Fields of Empty Days explores the continuous and inescapable presence of the past in Iranian society. This notion is revealed in art and literature in which ancient kings and heroes are used in later contexts…
Perceptions
Kevin Beasley. If I was standing alone I wouldn’t stand it all (2017). More here, here, and here. Currently at ICA, Boston.
Perceptions
Toby Mulligan. Portrait, January 2018. More here, here, and here.
Perceptions
Olga Ziemska. Listen …, Ronsko, Poland, 2003. Plaster hand casts, and locally reclaimed birch logs. More here, here, and here.
Perceptions
Derek Parfit. Untitled (Thundercloud), c1980s . C type digital print. More here and here. Current show “The Mind’s Eye” at Narrative Projects, London, organized by Owen Laub with Samuel Sokolsky-Tifft. (Thanks, Sam).