Adam Gopnik in The New Yorker:
Lyric poets and mathematicians, by general agreement, do their best work young, while composers and conductors are evergreen, doing their best work, or more work of the same kind, as they age. Philosophers seem to be a more mixed bag: some shine early and some, like Wittgenstein, have distinct chapters of youth and middle age; Bertrand Russell went on tirelessly until he was almost a hundred. Yet surely few will surpass the record of the Canadian philosopher Charles Taylor, who is back, at ninety-two, with what may be the most ambitious work ever written by a major thinker at such an advanced age. The new book, “Cosmic Connections: Poetry in the Age of Disenchantment” (Belknap), though ostensibly a study of Romantic poetry and music, is about nothing less than modern life and its discontents, and how we might transcend them.
A hard thinker to pigeonhole, Taylor has long been a mainstay of Canada’s social-democratic left; he helped found the New Democratic Party, running for office several times in Quebec, though losing, inevitably, to the Liberal Party and the charismatic Pierre Trudeau. He’s also a Catholic and a singularly eloquent critic of individualism and secularism, those two pillars of modern liberalism. He worries about the modern conception of the self—what he has called “the punctual self”—which he takes to be rooted in Enlightenment thought, and about the primacy it accords to autonomy, reason, and individual rights. By wresting our identities away from a sense of community and common purpose, the new “atomist-instrumental” model was, he thinks, bound to produce our familiar modern alienation. We became estranged from a sense of belonging and meaning. We experienced the attenuation of the citizen-participation politics we need. We wanted to be alone, and now we are.
More here.
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