Bryan Vandyke in The Millions:
In my second year of college I applied for a spot in a creative writing program. If I got in, I could graduate in two years with a writing major. If I didn’t, well, I needed a new major. I fussed over the application for months. Attended info sessions, met with the program director, revised my portfolio of poems so often that one professor finally said, Bryan, relax. Let the poems speak. I didn’t grow up saying I wanted to be a writer, but the signs were there, like a secret wish I kept from everyone, myself included. A stroll through the half-hearted journals and failed diaries of my teenage years turns up observations like: “I want to write books, but you can’t make a living that way.” Such a Midwesterner: The arts just aren’t practical.
Then one cold October afternoon my parents came to visit campus and I stumbled through a confession of sorts: I want to be a poet, I said. I want to declare a major in poetry. To their credit, they took the news quite well. My mom, who captained the family finances, asked a familiar question: How does a poet make a living, exactly?
I got the good news on a Tuesday afternoon. I don’t know how many other people applied, but I felt like one of God’s own elect. I met with Mary Kinzie, the poet who ran the writing division. Her office had books piled on the desk and floor. Propped behind a chair in the corner was the promotional poster for a reading she gave at Barnes & Noble for Ghost Ship, her most recent book published by Knopf. Knopf! I can’t recall a word she said that day, just the halo of high hopes that encircled our conversation.
More here.